Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 441Origin: Origin: Dates in dated pieces range from 1080 [1669 or 70] to 1323 [1905 or 6]. Some pieces possibly earlier. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II.Former shelfmark: "208" inscribed in pencil on opening panel.Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel gold-stamped with the Ottoman arms (upper cover) or crescent and star (lower cover) at center, outlined in gold-tooled stars and bordered in gold-stamped (with olive green leather onlays) decorative panels in vegetal designs with crescents gold-stamped on olive green leather onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of onlays, etc.Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted, marbled or silhouette ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper (resembling reptile hide) with edges gold-painted.Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes).Script: Muḥaqqaq (muhakkak), naskh (nesih), thuluth (sülüs) and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands.Layout: Varies greatly by piece.Collation: Twenty-one heavy panels (pasteboards) attached via red cloth stubs (supported by further board).Title from upper cover.Ms. codex.42. fol.21b : [blank].41. fol.21a : piece in thuluth and naskh signed by the calligrapher Mehmet Hilmi (نمقه السيد محمد حلمى) and dated 1287 [1870 or 1].40. fol.20b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding pieces (from fol.10a).39. fol.20a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.38. fol.19b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.37. fol.19a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.36. fol.18b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.35. fol.18a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.34. fol.17b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.33. fol.17a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.32. fol.16b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.31. fol.16a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.30. fol.15b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.29. fol.15a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.28. fol.14b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.27. fol.14a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.26. fol.13b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.25. fol.13a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.24. fol.12b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.23. fol.12a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.22. fol.11b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.21. fol.11a : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.20. fol.10b : piece in nastaʻlīq (talik) likely by the calligrapher Yesari Mehmet Esad Efendi (d.1798) and belonging to the preceding and following pieces.19. fol.10a : piece in nastaʻlīq (talik) signed by the calligrapher Yesari Mehmet Esad Efendi (d.1798) (الفقير محمد اسعد اليسارى) and undated, likely (with the following pieces fol.10b-20b) concluding piece of a meşk murakkaa.18. fol.9b : piece in thuluth and naskh signed by the calligrapher Hocazade Mehmet (d.1695) (سوده الحقير محمد الشهر بخواجه زاده) and dated 1080 [1669 or 70].17. fol.9a : piece in thuluth and naskh signed by the calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876) (بندۀ ال عبا سيد عزت مصطفى) and possibly dated 1278 [1861 or 2].16. fol.8b : piece in thuluth and naskh signed by the calligrapher Hasan Rıza Efendi (d.1920) (حرره الحاج السيد حسن رضا ) and dated 1323 [1905 or 6].15. fol.8a : piece in thuluth and naskh signed by the calligrapher İsmail b. Abdullah student of İbrahim Rodosi (d.1787) (مشقه العبد المذنب اسمعيل بن عبد الله من تلاميذ ابراهيم الردوسى) and undated.14. fol.7b : piece in thluth signed by the calligrapher Usturacızade Mehmet Şehri (d.1740) (سوده محمد الشهرى) and undated.13. fol.7a : piece in thuluth and naskh signed by the calligrapher Hasan Rıza Efendi (d.1920) (حرره الحاج السيد حسن رضا ) and dated 1323 [1905 or 6].12. fol.6b : unsigned piece in thuluth and naskh, undated.11. fol.6a : piece in naskh signed by the calligrapher Deli Osman Afif Dâmâdı (d.1805) (كتبه الفقير السيد عثمان المعروف بداماد العفيف) and dated 1205 [1790 or 1].10. fol.5b : piece in thuluth and naskh signed by the calligrapher İsmail Zühtü (İsmail Zühdi d.1806, كتبه اسمعيل الزهدى) and undated.9. fol.5a : piece in thuluth and naskh signed by the calligrapher Tevfiki [?] (كتبه توفيقى) and undated.8. fol.4b : piece in nastaʻlīq (talik) signed by the calligrapher, most likely the Ottoman Sultan Murat IV (r.1623-1640) (كتبه مراد خان), and undated.7. fol.4a : piece in thuluth and naskh signed by the calligrapher Hafız Yusuf Efendi (d.1787) (نمقه المذنب يوسف المعروف بحافظ القرآن) and unsigned.6. fol.3b : unsigned piece in thuluth and naskh, undated.5. fol.3a : piece in naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (محمد راسم) and undated.4. fol.2b : unsigned piece in muḥaqqaq (continuation of the previous), undated.3. fol.2a : unsigned piece in muḥaqqaq, undated.2. fol.1b : impression of the seal (مهر) of Muḥammad Shāh Qājār (محمد شاه قاجار, r.1834-1848) with inscription “الملک لله محمد شاه غازی صاحب تاج و نگین آمد شکوه ملک و ملت رونق آیین دین آمد” and date 1250 [1834 or 5] set in illuminated four-lobed ornament.1. fol.1a : [blank].Exquisite album of assorted calligraphic specimens (40 kıt'alar / pieces), likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri’ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Mamoun Sakkal.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 438Origin: Dated pieces range from 914 [1508 or 9] to 1317 [1899 or 1900]. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II.Former shelfmark: "210" inscribed in pencil on opening panel.Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel with the Ottoman arms (upper cover) or crescent and star (lower cover) gold-stamped on bright green satin, outlined in gold-tooled stars and bordered in gold-stamped (with light green-gold onlays) decorative panels in vegetal designs with crescents gold-stamped on mint-green silk onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of silk onlays, etc.Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted or marbled ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper with edges gold-painted.Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes) ; two miniatures, one in Indian style, the other Persian, each featuring a pair of lovers.Script: Naskh (nesih), thuluth (sülüs) and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands.Layout: Varies greatly by piece.Collation: Twenty-two heavy panels (pasteboards) attached via red cloth stubs (supported by further board).Title from upper cover.Ms. codex.44. fol.22b : [blank].43. fol.22a : unsigned piece in nastaʻlīq executed in filigree / cut-work, undated (compare Calligraphie islamique: Textes sacrés et profanes, no.140).42. fol.21b : piece in nastaʻlīq (talik) signed by the calligrapher Dedezade (مشقه الفقير الحقير دده زاده) and undated.41. fol.21a : piece in naskh with icazetname for a student of es-Seyyid Mustafa Efendi (من تلاميذ السيد مصطفى افندى) authorizing the student to sign his name to his work and to teach others, undated.40. fol.20b : piece in nastaʻlīq signed by the calligrapher Asad Allāh Shīrāzī (العبد المذنب اسد الله شيرازى) and dated 1254 [1838 or 9].39. fol.20a : piece in celi sülüs signed by the calligrapher Mahmut Celalettin (Mahmud Celaleddin Efendi, d.1829, حرره محمود جلال الدين) and undated.38. fol.19b : piece in thuluth and naskh signed by the calligrapher Mustafa b. Osman Keskin (fl.1758) (الفقير مصطفى بن عثمان المعروف بكسكين) and dated 1172 [1758 or 9].37. fol.19a : piece in nastaʻlīq signed by the calligrapher Mīr ʻImād al-Ḥasanī (d.1615) (مشقه عماد الحسنى) and undated (compare Calligraphy and the decorative arts of Islam, no.7).36. fol.18b : piece in nastaʻlīq signed by the calligrapher Faqīr ʻAlī (فقير على) and undated (compare Calligraphy and the decorative arts of Islam, no.8).35. fol.18a : piece in thuluth and naskh signed by the calligrapher Ahmet b. Ali Kütâhî (سوده احمد بن على المعروف بالكوتاهى) dated 1100 [1688 or 9].34. fol.17b : piece in naskh signed by the calligrapher Hocazade Ahmet (كتبه الفقير الى رحمة القدير السيد احمد المعروف بخواجه زاده) and dated 1161 [1748].33. fol.17a : piece in naskh signed by the calligrapher Derviş Ali [possibly İkinci Derviş Ali, d.1716] (الحقير درويش على) and undated.32. fol.16b : piece in nastaʻlīq signed by the calligrapher Muḥammad Muhtadī (الحقر المذنب محمد مهتدى) and undated.31. fol.16a : unsigned piece in thuluth and naskh, undated.30. fol.15b : piece in thuluth and naskh signed by the calligrapher al-Sayyid ʻAbd Allāh (likely Yedikuleli Seyyid Abdullah, d.1731, "كتبه السيد عبد الله") and undated.29. fol.15a : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated.28. fol.14b : piece in thuluth and naskh signed by the calligrapher İsmail (اسمعيل, possibly Ağakapılı İsmail Efendi, d.1706) and undated.27. fol.14a : piece in nastaʻlīq signed by the calligrapher Muʻizz al-Dīn Muḥammad al-Ḥusaynī (كتبه معز الدين محمد الحسينى) and dated 986 [1578 or 9].26. fol.13b : piece in thluth and naskh signed by the calligrapher Hocazade Mehmet (d.1695) (كتبت له اذنا وانا الفقير محمد خواجه زاده) and dated 1162 [1749].25. fol.13a : piece in thuluth and naskh signed by the calligrapher Şekerzâde Mehmet Efendi (d.1753) (كتبه السيد محمد المعروف بشكر زاده) and dated 1144 [1731 or 2].24. fol.12b : unsigned piece in nastaʻlīq, undated.23. fol.12a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Bāqī (Abdülbâki / الفقير المذنب عبد الباقى) and undated.22. fol.11b : piece in thuluth and naskh signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1114 [1702 or 3].21. fol.11a : piece in nastaʻlīq signed by the calligrapher Aḥmad Rashīd (الفقير احمد رشيد) and dated 1194 [1780].20. fol.10b : unsigned piece in naskh, undated.19. fol.10a : piece in nastaʻlīq signed by the calligrapher Muḥammad Amīn al-Ḥusaynī al-Tirmidhī (مشقه المذنب محمد امين الحسينى الترمذى) dated 1010 [1601 or 2].18. fol.9b: piece in thluth signed by the calligrapher Hulusi (پر تقصير خلوصى) and dated 1128 [1715 or 16].17. fol.9a : piece in thuluth signed by the calligrapher Hulusi (الفقير خلوصى) and dated 1128 [1715 or 16].16. fol.8b : piece in naskh appearing to be the opening of the piece on fol.8a.15. fol.8a : piece in naskh (appearing to be the continuation of the piece on fol.8b) signed by the calligrapher Yedikuleli Seyyid Abdullah (d.1731) (كتبه العبد الفقير السيد عبد الله المعروف بالامام) and dated 1120 [1708 or 9 ].14. fol.7b : piece in nastaʻlīq signed by the calligrapher Maḥmūd Isḥāq Shihābī (مشقه محمود اسحق شهابى) and undated.13. fol.7a : piece in nastaʻlīq signed by the calligrapher ʻAbd al-Jabbār (الفقير الحقير المذنب الراجي عبد الجبار غفر له) and undated.12. fol.6b : unsigned piece in nastaʻlīq, undated.11. fol.6a : piece in thuluth and naskh signed by the calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876) (حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء) and dated 1288 [1871 or 2].10. fol.5b : piece in thuluth and naskh signed by the calligrapher Hulusi (الفقير خلوصى) and undated.9. fol.5a : piece with text in nastaʻlīq (possibly signed ʻAbd al-Raḥmān) surrounding oval with unfinished drawing.8. fol.4b : piece in nastaʻlīq signed by the calligrapher Mīr ʻAlī ("مشقه المذنب مير على") and undated.7. fol.4a : painting of two lovers, likely Safavid.6. fol.3b : painting of two lovers, in Mughal style.5. fol.3a : piece in nastaʻlīq signed by the calligrapher Badīʻ al-Zamān Quṭbʹshāhī (بديع الزمان قطبشاهى) and undated.4. fol.2b : unsigned piece in nastaʻlīq.3. fol.2a : piece in nastaʻlīq signed by the calligrapher Sulṭān Muḥammad Khandān (سلطان محمد خندان) and dated 914 [1508 or 9].2. fol.1b : piece in thuluth and naskh signed by the calligrapher Mehmet Hilmi (محمد حلمى) and dated 1283 [1866 or 7] with illuminations signed by the illuminator Osman Yümni Efendi (d.1919) (عثمان يمنى) and dated 1317 [1899 or 1900].1. fol.1a : [blank].Exquisite album of assorted calligraphic specimens (42 kıt'alar / pieces), many signed, likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri’ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Mamoun Sakkal.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 439Origin: Dates in dated pieces range from 1009 [1600 or 1] to 1211 [1796 or 7]. Some pieces possibly earlier. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II.Former shelfmark: "211" inscribed in pencil on opening panel.Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel with the Ottoman arms (upper cover) or crescent and star (lower cover) gold-stamped on bright green satin, outlined in gold-tooled stars and bordered in gold-stamped (with dark green leather onlays) cartouches with crescent and star accents ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of onlays, etc.Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted or marbled ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper with edges gold-painted.Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes).Script: Naskh (nesih), thuluth (sülüs) and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands.Layout: Varies greatly by piece.Collation: 19 heavy panels (pasteboards) attached via red cloth stubs (supported by further board).Title from upper cover.Ms. codex.38. fol.19b : [blank].37. fol.19a : unsigned piece in nastaliq, undated.36. fol.18b : piece in thuluth and naskh signed by the calligrapher İsmail Zühtü (İsmail Zühdi d.1806, نمقه الفقير اسمعيل الزهدى) and undated.35. fol.18a : piece in thuluth and naskh signed by the calligrapher İbrahim Afif (d.1767) (سوده ابراهيم عفيف) and undated.34. fol.17b : piece in nastaʻlīq (talik) signed by the calligrapher Şeyhülislam Veliüddin Efendi (d.1768) (العبد الداعى ولى الدين المفتش باوقاف الحرمين) and dated 1142 [1729 or 30].33. fol.17a : piece in thuluth and naskh signed by the calligrapher Usturacızade Mehmet Şehri (d.1740) (سوده الفقير محمد المعروف بشهرى) and undated.32. fol.16b : piece in thuluth and naskh signed by the calligrapher İsmail Zühtü (İsmail Zühdi d.1806, كتبه العبد الضعيف اسمعيل الزهدى) and undated.31. fol.16a : unsigned piece in thuluth and naskh, undated.30. fol.15b : piece in nastaʻlīq (talik) signed by the calligrapher Şeyhizade Mehmet Şihabuddin (الفقير حرقه شريفه شيخى زاده السيد محمد شهاب الدين) dated 1211 [1796 or 7].29. fol.15a : unsigned piece in thuluth and naskh, undated.28. fol.14b : piece in nastaʻlīq signed “بنده درگاه صفی” and dated 1182 [1768 or 9].27. fol.14a : piece in thuluth and naskh signed by the calligrapher Hüseyin Hamid (d. after 1787) (كتبه العبد الضعيف السيد حسين الحامد) and dated 1181 [1767 or 8].26. fol.13b : piece in nastaʻlīq signed by the calligrapher Sulṭān Ḥusayn (نمقه سلطان حسين) and undated.25. fol.13a : piece in thuluth and naskh signed by the calligrapher Hafız Yusuf Efendi (d.1787) (كتبها عبد مذنب لا طاعة له يوسف المعروف بحافظ القرآن) and undated.24. fol.12b : unsigned piece in nastaʻlīq (talik), undated.23. fol.12a : unsigned piece in thuluth and naskh, undated.22. fol.11b : unsigned piece in thuluth and naskh, undated.21. fol.11a : piece in nastaʻlīq signed by the calligrapher Mīr ʻImād al-Ḥasanī (d.1615) (الفقير الحقير المذنب عماد الحسنى) and dated 1009 [1600 or 1].20. fol.10b : piece in nastaʻlīq signed by the calligrapher Muḥammad ʻAlī (الفقير محمد على) and undated.19. fol.10a: piece in nastaʻlīq (talik) signed by the calligrapher Mehmet Refi Efendi (d.1769) (الفقير المذنب محمد رفيع) and undated.18. fol.9b : piece in thuluth and naskh signed by the calligrapher Ebubekir Raşit (d.1782) (سوده اضعف المذنبين ابو بكر راشد) and undated.17. fol.9a : piece in nastaʻlīq signed by the calligrapher Shāh Maḥmūd al-Nishāpūrī (fl.1517-1572) (كتبه المذنب شاه محمود النشابورى) and undated, on textile.16. fol.8b : unsigned piece in thuluth and naskh, undated.15. fol.8a : unsigned piece in thuluth and naskh, undated.14. fol.7b : unsigned piece in thuluth and naskh, undated.13. fol.7a : piece in thuluth and naskh signed by the calligrapher İsmail Zühtü (İsmail Zühdi d.1806, كتبه اسماعيل الزهدى) and undated.12. fol.6b : piece in nastaʻlīq (talik) signed by the calligrapher Durmuşzade Ahmet (d.1717) (الفقير المذنب احمد المدعو بطورمش زاده) and dated 1107 [1695 or 6].11. fol.6a : piece in nastaʻlīq (talik) signed by the calligrapher Durmuşzade Ahmet (d.1717) (الفقير المذنب احمد المدعو بطورمش زاده) and dated 1107 [1695 or 6].10. fol.5b : piece in nastaʻlīq signed by the calligrapher Aḥmad al-Ḥusaynī (كتبه العبد احمد الحسينى) and undated.9. fol.5a : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (حرره الفقير الى رحمة ربه القدير محمد راسم) and undated.8. fol.4b : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (نمقه الفقير محمد راسم) and undated.7. fol.4a : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (حرره الفقير محمد راسم) and undated.6. fol.3b : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (نمقه محمد راسم) and undated.5. fol.3a : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (حرره محمد راسم) and undated.4. fol.2b : piece in thuluth and naskh signed by the calligrapher Eğrikapılı Mehmet Râsim Efendi (d.1756) (نمقه محمد راسم) and undated.3. fol.2a : unsigned piece in nastaliq, undated.2. fol.1b : piece in thuluth and naskh signed by the calligrapher Mehmet Nuri Musa Efendizade (العبد المذنب محمد نورى بحافظ القرآن موسى افندى زاده) dated 1193 [1779 or 80].1. fol.1a : [blank].Exquisite album of assorted calligraphic specimens (36 kıt'alar / pieces), likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri’ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Mamoun Sakkal.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 440Origin: Dates in dated pieces range from 1006 [1597 or 8] to 1252 [1843 or 4]. Some pieces possibly earlier. Binding late 19th or early 20th century, likely produced in Yıldız Palace workshop and certainly not earlier than 1882 when the arma was finalized by Sultan Abdülhamit II.Former shelfmark: "208" inscribed in pencil on opening panel.Binding: Heavy boards covered in red leather ; Western style binding ; interior of boards (and facing panels) lined with white, textured paper (satin-like pattern) ; upper and lower covers carry central panel gold-stamped with the Ottoman arms (upper cover) or crescent and star (lower cover) at center, outlined in gold-tooled stars and bordered in gold-stamped (with olive green leather onlays) decorative panels in vegetal designs with crescents gold-stamped on olive green leather onlays at the four corners ; board edges heavily beveled and gold-tooled ; edges of panels gold-painted ; sewn in heavy pink cord ; overall in fairly good condition with minor abrasion, lifting and losses of onlays, etc.Support: Calligraphic pieces on assorted laid papers, well-burnished ; some decorative papers, tinted, marbled or silhouette ; each mounted in heavy pasteboards (panels) covered in dark green coated and textured paper (resembling reptile hide) with edges gold-painted.Decoration: Varies by piece ; use of gold and colored pigments in frames, decorative borders, textual dividers and accents (mainly rosettes).Script: Naskh (nesih), thuluth (sülüs), tawqīʻ (tevki'), and nastaʻlīq (talik), varying by piece ; superb Ottoman and Persian calligraphic hands.Layout: Varies greatly by piece.Collation: Twenty-one heavy panels (pasteboards) attached via red cloth stubs (supported by further board).Title from upper cover.Ms. codex.42. fol.21b : [blank].41. fol.21a : piece in divani signed by the calligrapher Mehmet Recai (كتبه الحاج محمد رجائى رئيس الكتاب سابقا) and dated 1186 [1772 or 3].40. fol.20b : unsigned piece in thuluth and naskh, undated.39. fol.20a : unsigned piece in thuluth and naskh, undated (with area left unfilled, perhaps for colophon or icazet text).38. fol.19b : unsigned piece in thuluth and naskh, undated.37. fol.19a : unsigned piece in thuluth and naskh, undated.36. fol.18b : unsigned piece in thuluth and naskh, undated.35. fol.18a : unsigned piece in thuluth and naskh, undated.34. fol.17b : piece in nastaʻlīq signed by the calligrapher Ḥusayn ʻAlī (العبد حسين على كاتب) and undated (set in a border of silhouette paper with floral motifs).33. fol.17a : piece in nastaʻlīq signed by the calligrapher Ḥusayn ʻAlī (العبد حسين على كاتب) and undated (set in a border of silhouette paper with animal motifs).32. fol.16b : unsigned piece in nastaʻlīq, undated (set in border of silhouette paper with bird motifs).31. fol.16a : piece in nastaʻlīq signed by the calligrapher Aḥmad al-Ḥusaynī (كتبه المذنب احمد الحسينى) and undated (set in border of silhouette paper with bird motifs).30. fol.15b : unsigned piece in thuluth and naskh, undated.29. fol.15a : piece in nastaʻlīq (talik) signed by the calligrapher Yesari Mehmet Esad Efendi (d.1798) (الفقير محمد اسعد اليسارى) and undated.28. fol.14b : piece in thuluth and naskh signed by the calligrapher Hafız Ahmet (مشقه المذنب الخاظئ السيد حافظ احمد المعروف بتوفيقى) and dated 1196 [1781 or 2].27. fol.14a : piece in thuluth and naskh signed by the calligrapher “جزائري” and dated 1107 [1692 or 3].26. fol.13b : unsigned piece in naskh, undated.25. fol.13a : unsigned piece in thuluth and naskh (opening of müfredat exercises), undated.24. fol.12b : piece in nastaʻlīq (talik) signed by the calligrapher Mehmet Kasim (محمد قاسم) and undated.23. fol.12a : piece in thuluth and naskh signed by the calligrapher Mehmet Şevki Efendi (d.1887) (كتبه العبد الضعيف السيد محمد شوقى) and undated.22. fol.11b : piece in thuluth and naskh signed by the calligrapher İmamzade [possibly Eğrikapılı Mehmet Râsim Efendi (d.1756) who early in his career signed İmamzade] (كتبه امام زاده) and undated.21. fol.11a : unsigned piece in thuluth and naskh, undated (likely accompanying piece on fol.11b).20. fol.10b : unsigned piece in thuluth and naskh, undated.19. fol.10a : unsigned piece in nastaʻlīq, undated (set in border of silhouette paper with floral motifs).18. fol.9b : unsigned piece in nastaʻlīq, undated (set in border of silhouette paper with floral motifs).17. fol.9a : unsigned piece in nastaʻlīq, undated (set in border of silhouette paper with dragon motifs).16. fol.8b : piece in thuluth and naskh approaching tawqīʻ signed by the calligrapher Hafız Osman Efendi (d.1698) (مشقه الفقير عثمان المشتهر بحافظ القرآن) and dated 1098 [1686 or 7].15. fol.8a : unsigned piece in naskh, undated.14. fol.7b : piece in nastaʻlīq signed by the calligrapher Muhammad (محمد) and undated.13. fol.7a : piece in thuluth and signed by the calligrapher Afif (كتبه عفيف) [possibly İbrahim Afif, d.1767] and undated.12. fol.6b : piece in thuluth and naskh signed by the calligrapher Salıh Namık [?] (سوده صالح نامق) and undated.11. fol.6a : piece in thuluth and naskh with icazetname signed by the calligrapher Şekerzade Mehmet Efendi (d.1753) authorizing the student who executed the piece (اجزت لصاحب هذه القطعة الشريفة وضع الكتبة فما كتبه وانا الفقير السيد محمد المعروف بشكر زاده) and dated 1155 [1742 or 3].10. fol.5b : piece in thuluth and naskh signed by the calligrapher Hafız Ahmet (حرره السيد حافظ احمد) and dated 1197 [1782 or 3].9. fol.5a : unsigned piece in thuluth and naskh, undated.8. fol.4b : unsigned frontispiece with excerpt (اول از بالای کرسی بر زمین آمد سخن او دگر ...) in thuluth at center of shamsah, undated.7. fol.4a : unsigned piece in thuluth and naskh, undated.6. fol.3b : piece in nastaʻlīq (talik) signed by the calligrapher Ahmet Çelebi (احمد چلبی) dated 1006 [1597 or 8].5. fol.3a : unsigned composite piece in nastaʻlīq of different sizes, undated.4. fol.2b : piece in thuluth and naskh signed by the calligrapher Mahmut Celalettin (Mahmud Celaleddin Efendi d.1829, نمقه الفقير محمود المعروف بجلال الدين) and undated.3. fol.2a : piece in naskh and thuluth signed by the calligrapher Mehmet Şefik Bey (d.1879) (كتبه محمد شفيق عن خلفا الحاج مصطفى عزت) and signed 1259 [1843 or 4].2. fol.1b : piece in nastaʻlīq (talik) signed by the calligrapher Mehmet Zeynelâbidin Haşimi (حرره المذنب محمد زين العابدين الهاشمى) and undated.1. fol.1a : [blank].Exquisite album of assorted calligraphic specimens (40 kıt'alar / pieces), likely assembled and bound for Sultan Abdülhamit II (r.1876-1909). Contents briefly addressed by Muhittin Serin in "Amerika Birleşik Devletleri’ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu." Contributions to the cataloguing from Marion Frenger, Mamoun Sakkal, and Irvin Schick.
Manuscript. Persian. Caption title. Scribe not identified. Gift of Cyrus Ebrahim Zadeh, Nov. 9, 2009. Possibly written in northern Iran. Paper: tan colored glazed laid paper with horizontal chain line and obscured armorial watermark, and countermark G M ; black ink in cursive Nastaʻliq; catchwords; lacuna from Folio 1-26 caused by insect or rodent damage, with some loss of text. Nastaʻliq; 13 lines in written area 17 x 9 cm. Folio 1b-65b; 66a notes in Persian and Armenian. With: Badīʻī Tabrīzī. Hāz̲ā kitāb-i Mus̲allas̲ah. [May 1867]. Library of Congress. Manuscript, M307a. Binding: medium brown leather with embossed gold center medallions front and back.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 864Origin: Lacks dated colophon ; paper, etc. would suggest late 18th or 19th century [as proposed by G. Meredith-Owens].Accompanying materials: a. Slip of paper with notes in handwriting of G. Meredith-Owens "MO 3. Persian | Dīvān of S̲anāʼī in two different hands (perhaps from two incomplete copies of the same work). Undated. XIXth century." -- b. Slip of paper with note "counted for 1968/69 Annual Report" -- c. Recycled card with note "binding by Menzies, London, 1914" -- d. Slip of paper: "Persian MSS (Heyworth-Dunne?) with Meredith-Owens notes."Former shelfmark: Mich. Isl. Ms. temp. no. 13Binding: Boards covered in mauve paper (blotched design evoking marbling) with red-brown leather over spine and board corners (half binding) ; Western style binding ; pastedowns and flyleaves in untinted wove paper ; head edge of text block gilt ; spine gold-stamped with "PERSIAN MSS." and accents on raised bands ; sewn in white thread over five recessed cords ; stuck-on endbands in green, red and white stripes ; overall in good condition with minor abrasion, etc.Support: non-European (likely Indian or Persian) laid paper of two types ; opening excerpt on a type with roughly 7 laid lines per cm. (vertical or horizontal, somewhat indistinct, some curving) and no chain lines plainly visible, cloudy formation, thin and transluscent though sturdy, dark cream with a grayish tint ; latter excerpt on a type with roughly 8 laid lines per cm. (vertical, somewhat indistinct) and chain lines visible (see p.198, etc.), cloudy formation, sturdy though transluscent, grayish tint ; replacement leaves in European wove paper.Decoration: Diagram accompanying excerpt on p.227.Script: Nastaʻlīq and shikastah (shikastah-nastaʻlīq / شكسته نستعليق) ; two main hands ; opening section (pp.25-180) in a large, elegant nastaʻlīq in a heavy line, serifless with elongation of horizontal strokes, descent of words to baseline, pointing in distinct or conjoined dots ; latter section (pp.197-208) mainly in a brisk shikastah-nastaʻlīq, serifless and more compact with sweeping descenders and elongated horizontal strokes (p.197 in a different nastaʻlīq) ; glosses and excerpts at close (pp.225-227) in still different hands.Layout: Written in up to 15 lines per page, divided to two columns.Collation: ii, III (6), II (10), IV-2 (16), 10 IV(88), 2 II(96), IV-2 (102), 2 II(110), 2 (112), II (116), ii ; original gatherings exclusively quaternions (some anomalous) ; blank replacement leaves inserted where text lacks ; middle of the quire marks in the form of black oblique strokes, upper outer corner of the right-hand leaf, lower outer corner of the left-hand leaf ; catchwords present ; foliation in now grey ink, Western numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves).Explicit: "... امر است تمام شد دیوان ثنائی"Title from close on p.208.Ms. composite codex.Composite copy of the Dīvān of S̲anāʼī (Ḥusayn ibn Ghiyās̲ al-Dīn ʻAlī al-Mashhadī, d.1587?), acephalous and incomplete, possibly compiled from two incomplete copies with blank replacement leaves inserted where text was lacking.
Complete poems of Ghulām Muḥammad Ṭarzī. Divan-i Ṭarzī (Poetic collection of Tarzi) contains verses by Ghulām Muḥammad Ṭarzī (1830-1900), mostly concerning piety, ethics, politics, and society in 19th century Afghanistan. Tarzi came from a distinguished background; he belonged to the Mohammadzai sub-lineage of the Durranis, one of two main Afghan Pashtun lineages, the other being Ghilzai. Because of their connections to Muḥammad Yaʻqūb Khān, Tarzi and his family were exiled from Afghanistan in 1882-83 by Abd al-Raḥmān Khān, a kinsman of Yaʻqūb Khān and a rival to the Afghan throne. The feeling of desolation occasioned by Tarzi's exile pervades many of the poems. Each poem is specific in theme, meaning, and place. One poem, for example, extols the verse of Mirza ʻAbd al-Qādir Bīdil, the famous Persian poet and Sufi who was instrumental in the development of "Indian-style" Persian poetry in the late 17th and early 18th centuries. In another poem, Tarzi praises the wedding of Muḥammad Yaʻqūb Khān, who in 1879 was briefly amir of Afghanistan, after he signed the Treaty of Gandamak recognizing British control of Afghanistan's foreign affairs. Each poem has a rubricated title that indicates where it was written and its purpose. On page 336, for example, it is stated that "this ghazal is written in Kandahar in response to Neamat Khan." A few poems are not titled, but each is distinguished by its conclusion with the author's pen name tarzi (stylist). The volume itself is not titled. The names and personal library stamps of several owners and readers, including that of Abdul Rauf Khan Tarzi, a descendant of the author, appear on the cover and last pages. The book is in two sections: the main one is of ghazal (lyric) verses, while the last 50 pages are in rubai (quatrain) form. The script includes several versions of Persian nastaliq, such as clear nastaliq, broken nastaliq, and uneasy nastaliq. The paper is of different qualities and colors; most text appears on plain cream paper laid down on a marbled backing. Pages have penciled Persian-Arabic numerals inserted by a reader. The marginal notes may be the author's own or by anonymous readers. The final text is a prose piece, in which Tarzi emphasizes his virtue, sorrow, and loyalty. World Digital Library.
Manuscript. Persian. Title from fol. 1b. Pagination: 1st work: fol. 1b-26a (14 lines); 2nd work: fol. 27b-43a. (15 lines) First work written by ʻAlī ibn Aḥmad al-Shīrāzī; scribe of second work not identified. Gift of Cyrus Ebrahim Zadeh, Nov. 9, 2009. First work written in al-Ṭihrān [Tehran], Iran; second work written in Iran, city not identified. Paper: yellowish, polished cream color commercial paper with no visible watermarks; black ink, with rubrication and some overlining in red; some pages folded over; catchwords. First work: Cursive Naskh; 14 lines in written area 16 x 9 cm.; second work: Nastaʻliq; 15 lines in written area 16.5 x 9.5 cm. First work: Cursive Naskh; second work: Nastaʻliq. Astronomical drawings throughout in red and black. Folio 1b-26a; Folio 27b-43a. Library of Congress. Manuscript, M305. Binding: blue grain over cardboard sides, dark blue cloth spine.
Manuscript. Persian. Title from fol. 1a. Name of scribe not indicated. Probably written in India. Paper; cream-color, unpolished laid-paper; with horizontal chain lines and no visible watermarks; manuscript appears to be an older manuscript (perhaps 18th century) with missing sections and conclusion added by a later hand and dated 1238 [1822 or 1823], paper of newer section is also laid paper with horizontal chain lines and no watermarks but of a more recent date; older section has text within a ruled border in gold and red ink; newer sections lack border; some interleaved pages; both sections written in black ink with rubrication; numerous marginal glosses; catchwords on some leaves. Nastaʻliq and naskh; 11 lines (nastaʻliq pages), and 13 lines (naskh pages); in written area 15.3 x 10 cm. Text: fol. 2b-136b. Library of Congress. Persian manuscript, M81b. Disbound; original marbled cardboard binding included in case. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Scribe not indicated. Written in Iran. Paper; fine, beige paper; manuscript opens with a pair of gorgeous illuminated opening pages, separated by tissue; black ink; extremely fine black script, each line of script on these two pages is separated with a gold background painted with a floral motif; text enclpsed in a thin deep-blue ruled border decorated with tiny white 'crosses' surrounds the text on these two opening pages; the script in the rest of the manuscript is arranged in two columns, crossed with horizontal bands with titles in blue or gold script in clouds against peach-colored cartouches. Modified artistic nastaʻliq; a different type of nastaʻliq script with many curved lines placed horizontally above the lettering at the left of the words. There are beautiful miniature paintings of court scenes on a pair of opening pages; each has a pool with ducks (left) or geese (right) in the courtyard; the scenes are so delicately painted that the artist must have used brushes with single hairs; the bottom of the last page has a delicate gold and floral painting. Library of Congress. Persian manuscript, M089. Binding; dark brown, embossed leather, the recesses filled with gold leaf on covers and on "flap'; envelope binding; inside covers are in brown leather with blue medallions and blue corners decorated in gold. Also available in digital form on the Library of Congress website.
Abstract: Illustrated Persian manuscript on magic and astrology, including a book of spells describing incantation and talismans, and 56 painted illustrations.Binding note: Blind stamped and tooled red leather.Ms. codex.Title from end of text (written with tāʾ marbūtah).Physical description: 11 lines per page ; written in medium small nastaʻlīq in black ink. Arabic written in naskh. From fol. 50b on: written in nastaʻlīq in purple ink. Wove paper with embossed seal with inscription in Cyrillic on a few leaves. Annotations in English on the margins of the first leaves. Picture representing a young man placed at the end of the copy.56 illustrations in watercolor representing the signs of the Zodiac, demons linked to these signs, constellations, birth of stars, and archangels such as Mikāʾīl and Jibrāʾīl.Origin: According to note on fol. 1a, copied in Iṣfahān, Shaʻbān 1324 H. Sept.-Oct. 1906 by ʻAlī Muḥammad ibn Jaʻfar Abū al-Ḥasan al-Nāʾinī(?) al-Muṣāḥib. At the end of several texts accompanying the illustrations is the name Raṣṣād(?) B̄āshī, son of the late Jaʻfar, with dates ranging from 1330 to 1339 H. 1911 to 1921.Incipit: بسم ... بكير از زير قدم او يكمشت خاك واين جعارا هفت بخواند ... بسم ... اللهم اله السموات والارض اعجل اعجل اعجل ارجع ارجع ارجع حب الخير
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldA Persian translation of part of Alf laylah wa-laylah.Extent: ff. 583.Hand: Nastaʻlīq.
Poems. Manuscript. In Persian. Title from fol. 1a. Date from cover. Written by Ghulām Ismāʻīl. Written in Afghanistan. Paper; modern cream color paper; black ink; some sections written diagonally; no catchwords. Nastaʻliq; 15 lines, with some pages of fewer lines written diagonally. Binding is marbled paper over cardboard; light tan leather spine; text block separated from binding.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 463 v.6Origin: Lacks dated colophon ; paper, etc. suggest late 16th and 17th century.Former shelfmark: From inner front cover and label on fore edge flap, "IL 91 VI" (likely supplied by Yahuda, see acquisitions slip in Isl. Ms. 463 v.2).Binding: Pasteboards now covered in green-blue paper-backed cloth over dark brown leather with tan leather over spine and fore edge flap ; Type II binding (with flap) ; traces of stamped mandorlas on upper and lower covers (now covered by cloth) ; board linings in dull yellow paper ; sewn in dark pink thread, two stations, sewing in final quires gone ; worked chevron endbands in cream and dull pink, fairly good condition ; ill-fitting with flap too small ; overall in poor condition with lifting and losses of cloth, abrasion, staining, etc. ; housed in box for protection.Support: European laid paper of four main types ; opening type (also appearing elsewhere in codex) with 9 laid lines per cm. (vertical), chain lines spaced 27-28 mm. apart (horizontal), and anchor in circle with star above watermark (see p.16, 17, etc.), sturdy though crisp, well-burnished to glossy ; next type (second quire and elsewhere) with 10 laid lines per cm. (vertical), chain lines spaced 26 mm. apart (horizontal), and angel in circle with leaf above watermark (see p.38, 39, etc.) ; next type (pp.253-294) with 9 laid lines per cm. (vertical), chain lines spaced 27 mm. apart (horizontal), and crown-star-crescent watermark (see p.262, 263, etc.) ; still another type (from p.601) with 12-13 laid lines per cm. (vertical), chain lines spaced 14-32 mm. apart (horizontal), and three circles watermark, quite thin and transluscent, very well-burnished to glossy.Decoration: Some keywords rubricated or accent with red ink ; written area surrounded by red rule-border.Script: Naskh and naskh-nastaʻlīq (talik) ; at least four clear Turkish hands ; opening and main hand (appearing multiple places throughout codex), a serifless naskh, rounded with inclination to the left, some elongation of horizontal strokes (occasionally more exaggerated), pointing in strokes rather than distinct dots, point of final nūn sitting above or assimilated with bowl, extensively vocalized ; next hand (from p.29 and elsewhere) a naskh showing influence of nastaʻlīq, serifless with long, fluid ascenders, marked effect of words descending to baseline and of inclination to the left, some elongation of 'horizontal' strokes and sharp, flat descenders (mainly rāʼ, wāw, dhāl, etc.), free assimilation of letters, pointing in strokes rather than distinct dots ; from pp.253-294 still another naskh approaching nastaʻlīq (talik), partially seriffed with inclination to the right, elongation of horizontal strokes, pointing in strokes rather than distinct dots, point of final nūn set above or assimilated with bowl ; from p.601 still another naskh approaching nastaʻlīq (talik), bold, compact and serifless with inclination to the right, elongation of horizontal strokes, quite rounded with free assimilation of letters, pointing in strokes rather than distinct dots ; incipit page (p.6) in a different hand.Layout: Written in 23 lines per page ; frame-ruled.Collation: ii, V+2 (12), 4 V(52), V+1 (63), 5 V(113), 2 V+1(135), V (145), V-1 (154), 14 V(294), 4 (298), 24 (538), iii ; chiefly quinions ; two quires (pp.911-950) numbered ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and mistakenly skips from p.769 to p.780, thereafter off by ten pages).Explicit: "قوله تمنون عليكم ان اسملوا او الباقون بالحطاب نظرا الى قوله قل لا تمنوا على اسلامكم ويتلوه سورة القاف"Incipit: "سورة طه مكية وهي مائة واربع وثلثون اية قوله لاستعلائه ..."Title supplied by cataloguer.Ms. composite codex.Careful copy of the sixth of seven volumes (v.1 and v.4 now lacking) of the commentary by Shaykhʻzādah Muḥammad ibn Muṣṭafá al-Qūjawī (d.1544 or 5) upon al-Bayḍāwī's commentary on the Qurʼān, Anwār al-tanzīl wa-asrār al-taʼwīl, covering Sūrat Ṭāhā (20) through Sūrat al-Ḥujurāt (49).
Text is written in nastaʻlīq shekasteh script in black ink with some red. The initial page, which seems to have been added later when the codex was rebound, contains the title of the work and a brief sketch of the author's life and works in Persian, written in blue ink in nastaʻlīq script. These notes also present the same information about the time and place of production of this codex as is presented on the last page of the manuscript(noted above). In addition, written in English cursive in pencil, this page contains a note which states, erroneously, that this codex is the Masnavi of Jalal al-Din Rumi.Last page of the manuscript states that this copy was made in the 12th year of the reign of Khān Muhammad Awrangābādī, more commonly known as Awrangzeyb, the Mughal Emperor. Awrangzeyb reigned from 1658-1707; thus this manuscript must have been completed in 1080/1670 in India. The codex does not have original binding; it has clearly been rebound, probably in the 19th century with a plain binding; many of the pages have been remounted on a different kind of paper. There is no title page on the original paper.Vāʻiẓ Kāshifī's florid Persian version of the 8th century Arabic book of fables, Kalīlah wa Dimnah, by Ibn al-Muqaffaʻ, which is itself a translation of the Pahlavī version of the original Sanskrit work by Bidpai. Kāshifī's Anvār-i Suhaylī has been published many times, sometimes under the Arabic title, Kalīlah wa Dimnah.
Abstract: Two dīvāns of Persian poetry with 19th-century European plates.Binding note: Quarter cloth with leather covers.Contents: 138W, leaves 3b-28b: Dīvān-i Bīdil -- 139W, leaves 30b-161b: Dīvān-i Shams.Ms. composite codex.Title from leaf 1a and label on back cover by a later hand.Additional label on back cover reads "Deevanabadeel & Shumseetubrez.""Three 19th-century European plates from R. Ackermann's Repository of Arts have been inserted: Full Dress (between leaves 13-14)no. 73January 11822. A View of the Italian Opera House (between leaves 45-46)no. 81September 11822. Evening Dress (between leaves 143-144)August 11822 no number given."'Physical descriptiontext 1: 15 lines per pagein two columns; written in nastaʻliq with elements of shikastah in black on cream glazedlaid Arabic paper. Text framed in black and red with double red lines separating columns. Catchwords; text block has been trimmed. Insect damageresulting in occasional loss of text.'Physical description, text 2: 11 lines per page, in two columns; written in nastaʻliq in black on gray glazed, laid Arabic paper. Rubrication and catchwords. Insect damage.Origin: Text 2 dated 1 Jumādá 1 1249 H 16 September 1833, by Muḥammad Z̤iyāʾ al-Ḥaqq ibn Muḥammad Zayn al-Ḥaqq ʻAbbāsī al-Aḥmadābādī al-Gujarātī (leaf 161b). Text 1 likely from the early 19th century.
Copy dated 8 Rabīʻ al-Awwal, 1026 / March 16, 1617. Scribe's name is mentioned in the colophon: Yūsuf [ibn] Yaʻqūb.ʻUnwān in gold, blue, green, and red; black-ruled gold margins. Text written in nastaʻlīq shekasteh script in black with rubrications. Hand is identical to that in Vol. 1. Last few pages contain notes in a different hand, in nastaʻlīq script.Simple leather bound codex with some tooling on upper and lower covers as well as envelop flaps; decaying rapidly. Leather is disintegrating and folios are crumbling and falling away from the binding.Ḥabīb-i siyar was usually copied in three volumes. This collection contains only Volumes 1 and 2, (Isl. Ms. 667 and Isl Ms. 668, respectively.) Contents of these two volumes correspond to those of British Museum Cat. Per Mss. for Volumes 1 and 2 of this work. This is manuscript is Volume 2. (For Volume 1, see Ḥabīb-i siyar, jild al-awwal: Isl. Ms. 667).This is the second of three volumes which comprise Khvandemīr's well known and important general history, completed in 929/1523, which spans the creation of the world up to the death of Shah Ismāʻīl Safavī I. The work includes particularly detailed information about Herat under Sultan Husayn Bayqara, the last Timurid ruler in Herat, as well as Shah Ismāʻīl and Bābur's life. This work has been published in both Persian and English editions.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 105Origin: As appears in colophon on p.971, copied by ʻAlī ibn Ḥusayn ibn Ḥasan al-Qalbī [al-Qulaybī?] al-Ḥanafī, perhaps assisted by those he names. Transcription finished ("qad waqaʻa al-farāgh min intisākh al-sharḥ al-sharīf...") 1 Muḥarram 1163 [ca. 11 December 1749]. As appears in authorial colophon on p.970, composition completed mid-Shaʻbān 1008 [February-March 1600] in Mecca.Former shelfmark: British Museum, London "No. 41. Commentary on Shamail."Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap, though now lost) ; board linings in yellow laid paper ; flyleaves (made endpapers) in marbled paper (blue, orange, pink, green) ; upper and lower covers carry blind-stamped and gold-painted mandorla and pendants filled with vegetal decoration along with gold-painted border of tooled fillets framing a guilloché roll in a series of s-shaped stamps ; sewn in green and pink thread, two stations ; worked endbands in mustard and green, partially intact at head and tail ; quires from first half of codex are entirely detached ; spine has only partially retained leather covering ; second half of volume retains spine covering and intact sewing ; housed in box for protection.Support: European laid paper with 12 laid lines per cm. (vertical) and chain lines spaced 25 mm. apart (horizontal) ; watermarks include lion statant guardant.Decoration: Elegant illuminated headpiece (ʻunwān) at opening of table of contents on p.4, consisting of rectangular piece carrying empty gold cartouche flanked by red and green floral motifs on fields of lilac surmounted by a semi-circular (dome) piece with red flowers and sea-green vegetal motif on a field of lilac ; fillets in red as border ; table of contents ruled in red ; splended illuminated headpiece (ʻunwan) at opening of text on p.20 ; consists of a w-shaped piece (with floral vegetal decoration in white, lilac, orange, etc. on fields of blue, gold, and sea-green) set in richly decorated well in red, gold, black, and maroon ; surmounted by vertical stalks (tīgh) in blue, orange, red, and gold ; two rectangular panels sit below the well, the upper bears a cartouche carrying the basmalah flanked by panels with floral motif in red, copper, lilac on a field of gold, a design which continues in the lower rectangular panel ; written area of incipit and facing page surrounded by a frame consisting of a heavy gold band outlined by black and red fillets ; illuminated rosettes serve as textual dividers on the incipit and facing page ; elsewhere written area surrounded by red rule-border ; keywords rubricated ; overlining in red ; occasional textual dividers in the form of inverted commas.Script: Naskh-nastaʻlīq and naskh ; several hands ; naskh-nastaʻlīq sans serif with mainly closed counters, leftward tilt, and pointing in strokes rather than dots ; hand changes at p.115 to a neat naskh partially seriffed with serif on initial lām, ṭāʼ, etc., pointing in distinct dots, and open counters ; at p.211 changes to a heavier, bolder naskh, partially seriffed with rightward hook for serif on initial lām, leftward hooks for lām and alif in lām-alif, superscripting of final letters on line ; at p.251 returns to naskh-nastaʻlīq ; at p.323 changes to a naskh with slight leftward tilt, serifless, dot of final nūn assimilated with bowl, pointing in strokes rather than distinct dots ; at p.512 returns to naskh-nastaʻlīq with heavy head-serifs for lām and freestanding alif, pointing in dots rather than strokes ; at p.929 returns to initial naskh-nastaʻlīq.Layout: Written in 23 lines per page ; frame-ruled.Collation: i, III (6), VI+1 (19), 3 V(49), IV (57), 4 V(97), IV (105), 5 V(155), III (161), VI (173), VII (187), 2 V(207), IV+ 1 (216), 5 V(266), II (270), 5 V(320), II (324), 8 V(404), II (408), 5 V(458), III (464), V (474), IV (482), III (488), i ; mainly quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals (supplied during digitization, skips a page after p.974 and then repeats p.974).Colophon: "Scribal," triangular, reads: "قد وقع فراغ من انتساخ الشرح الشريف بون الله الملك اللطيف على ايدي [؟] العباد الفقير الى رحمة العفو القدير علي بن حسين بن حسن القليبي [؟] الحنفي الحامل القران اوصله الله تعالى الى الرضوان و عاملهم الله باللطف و الغضران و سيد عثمان و خليل و ايوب و عمر و ابراهيم و سيد محمد اصلح الله تعالى حالهم و غفر الله لهم و لوالديهم امين بجاه النبي الامين يوم الخميس الاول من المحرم المحرم المعظم لشهور سنة ثلث و ستين و ماية و الف من الهجرة من له العز و الشرف الحمد لله و صلى الله على نبيه و مصطفاه و على اله و اصحابه الطيبين الطاهرين المتبعين بطريقته تم"Explicit: "و الله سبحانه اعلم تحقيقا و بعونه يوجد العلم لغيره توفيقا و الحمد لله اولا و اخرا و الصلوة و السلام على صاحب المقام المحمود باطنا و ظاحرا"Incipit: "الحمد الله خلق الخلق و الا خلاق و الا رزاق و الا فعال ... اما بعد فيقول افقر عباد الله الغني الباري علي بن سلطان محمد القاري لما كان موضوع علم الحديث ذات النبي ... و من احسن ما صنف في شمائل و اخلاقه صلى الله تعالى عليه و سلم كتاب الترمذي المختصر الجامع في سيره على وجه الوجيه الاتم ... احببت ان ادخل في زمرة الخادمين بشرح ذلك الكتاب ... و سميته جمع الوسائل في شرح الشمائل"Title from opening on p.22.Ms. codex.Elegant copy of a commentary on al-Tirmidhī's Shamāʼil, a work on the characteristics of the Prophet. Description provided mainly by Sarah Mirza.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: "Manuscript description based on the Bodleian Library's public card index of Persian manuscripts with additional enhancements by the Fihrist project team."1 copy of Būstān by Saʻdī.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: "Manuscript description based on the Bodleian Library's public card index of Persian manuscripts with additional enhancements by the Fihrist project team."1 copy of Khamsah-ʼi Niẓāmī by Niẓāmī Ganjavī, 1140 or 41-1202 or 3.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 683Origin: Lacks dated colophon ; paper, etc. suggests 18th century.Accompanying materials: a. Acquisitions slip from Yahuda -- b. Inventory cataloguing slip in hand of Winifred Smeaton Thomas.Former shelfmark: From verso of front flyleaf "IL 362" (likely supplied by Yahuda, see acquisitions slip).Binding: Boards covered in dark purple cloth with black leather over spine (quarter binding) ; Western style binding ; pastedowns and flyleaves in paper printed with floral / landscape design in shades of blue, tan, olive green, and white ; upper and lower covers carry embossed central ornament (oval scrollwork design) ; raised bands on spine, accented with stamped (turquoise-colored onlays) bands and floral motifs ; sewn in white thread, five stations, stab sewn as well ; stuck-on endbands in black and yellow ; overall in fairly good condition with minor abrasion and staining.Support: European laid paper with 11 laid lines per cm. (horizontal), chain lines spaced 22-24 mm. apart (vertical), and watermarks of crown above grapes (see p.20, 24, etc.) alternating with "P S" (see p.22, 26, etc.), thin though sturdy, well-burnished, dark cream to beige in color ; some foxing, staining and tide lines.Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.10 consisting of rectangular piece with empty gold cartouche flanked by lavender floral motifs surmounted by scalloped semi-circular piece (dome) filled with swirling floral vegetal motifs in lavender, pink, salmon, white, etc. on a gold ground, entire piece surmounted by vertical stalks (tīgh) in blue and red and set in a well of pink with red accents ; written area of incipit and facing page surrounded by gold frame, elsewhere written area (including margin) surrounded by red rule-border ; keywords, section headings and abbreviation symbols (mainly two-teeth stroke over keywords) rubricated ; grid of table of contents outlined in red ; textual dividers in the form of gold discs on incipit and facing page ; overlining in red.Script: Nastaʻlīq (talik) ; two elegant Turkish hands ; opening two works in an elegant nastaʻlīq (talik), characteristically serifless with effect of tilt to the right and of words descending to baseline, elongation of horizontal strokes, letterforms characteristic of nastaʻlīq (talik) ; final work in another nastaʻlīq (talik) similar to the first hand but with greater effect of words descending to baseline, thicker line and exaggerated thickness of horizontal strokes.Layout: Written in 29 lines per page ; frame-ruled.Collation: i, IV (8), V (18), V+1 (29), 23 V(259), i ; chiefly quinions ; fol.110-111 and 112-113 bound in reverse order ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals (includes flyleaves).Incipit: [Fetava-yi Ali Efendi] "الحمد لله رب العالمين والصلوة والسلام على سيدنا محمد واله كتاب الطيبين الطاهرين الطهارة [الطيبين الطاهرين كتاب الطهارة] زيد جنب ايكن ذكر وتسبيح والصلوة على النبى ايتمك جائز اولورمى الجواب اولور ..." ; [Tarjīḥ al-bayānāt] ; "الحمد لله عظيم البرهان وعميم الاحسان ... فان افقر عباد الله السبحان عبد السيد الرحمن بن سليمان الشهير بخصالى بين الاجناب والاخوان قد اختصر هذا الرسالة بحسب الامكان في الكتب المعتبرة البيان ..." ; [Maruzat-ı Ebussuud] "الحمد لله رب العالمين والصلوة والسلام على سيدنا خاتم النبيين وعلى اله وصحبه اجمعين اما بعد سعادتلى وفضيلتلى ومروتلى سلطانم حضرتلرينه عرض داعى منشالرى بو در كه بوندن اقدم مرحوم سيخ الاسلام ... حضرت ابو السعود ..."Title supplied by cataloguer.Ms. codex.7. p.519-520 : [assorted excerpts].6. p.504-p.518 : [Maruzat-ı Ebussuud] / Ebussuud Efendi.5. p.482-p.503 : Tarjīḥ al-bayānāt / ʻAbd al-Raḥmān ibn Sulaymān, al-shahīr bi-Khilāṣī.4. p.478-p.481 : [blank].3. p.10-p.477 : Fetava-yi Ali Efendi / Ali Efendi Çatalcalı.2. p.8-p.9 : [blank].1. p.3-p.7 : [added contents listing and table of contents].Fine copy of the collection of legal decisions (fetvas) by Ali Efendi (d.1692), followed by Tarjīḥ al-bayānāt, a work of fiqh in Arabic by Hisâlî Abdurrahman Çelebî bin Süleyman bin Eyüp Sârûhânî (d.1676) and Maruzat-ı Ebussuud, a collection of legal decisions (fetvas) issued by Abū al-Suʻūd al-ʻImādī (Ebussuud Efendi, d.1574) and sanctioned by Sultan Süleyman I (r.1520-1566).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 158Origin: As appears in colophon on p.52, al-Arbaʻūn al-Nawawīyah copied in the Aḥmadīyah madrasah with transcription finished in Ramaḍān 1121 [?] [November 1709?]. As appears in colophon on p.93, Sharḥ Īsāghūjī copied by Ismāʻīl ibn Zunayl [?] with no mention of date of transcription. As appears in colophon on p.136, transcription of al-Iʻrāb ʻan qawāʻid al-iʻrāb completed in the year 1096 [1684 or 5]. As appears in colophon on p.231, al-Ḥamdīyah copied by ʻUmar ibn Ḥusayn with transcription completed in the year 1085 [1674 or 5]. As appears in colophon on p.324, final work also copied by ʻUmar ibn Ḥusayn al-Zamwānī [?] with transcription completed in the year 1084 [1673 or 4].Accompanying materials: Scrap with notes (paginated pp.55-56).Former shelfmark: British Museum, London "No. 104. Tracts on grammar, etc."Binding: Pasteboards covered in marbled paper (in dark blue, light pink, white) with dark red leather over spine, foreedge flap and edges/turn-ins ; Type II binding (with flap) ; board linings in laid paper ; sewn in bright blue (cyan), yellow, and lime green thread, two stations ; worked chevron endbands in light blue and cream, in fair condition ; overall in poor condition with significant abrasion, some lifting of paper and leather, etc.Support: European laid paper of several types ; opening work supplied on a European paper with 12-13 laid lines per cm. (vertical), chain lines spaced 22 mm. apart (horizontal), watermark in crown with studded pendant, thin though sturdy, and burnished ; second and third works supplied on a European paper with 7 laid lines per cm. (vertical), chain lines spaced 28-30 mm. apart (horizontal), crown star crescent watermark (compare Heawood 1132), well-burnished, thick and sturdy ; next work and excerpts supplied on a European paper with 11 laid lines per cm. (vertical), chain lines spaced 28 mm. apart (horizontal), scrollwork/coat of arms watermark, extremely smooth and well-burnished (to glossy) ; final work on a European paper with 11 laid lines per cm. (vertical), chain lines spaced 33 mm. apart (horizontal), coat of arms watermark with lions flanking cross in shield above two circles ('AS' in upper circle), thin, smooth and well-burnished.Decoration: Keywords, section headings, and abbreviations symbols rubricated ; textual dividers in the form of red discs ; overlining in red.Script: Naskh and naskh-nastaʻlīq ; several hands ; opening work in an elegant naskh with subtle head serifs on occasional initial lām and freestanding alif, tilt to the left, mainly open counters, mainly curvilinear descenders, final hāʼ or tāʼ marbūtah assimilated with preceding rāʼ or dāl, fully vocalized ; al-Iʻrāb in fine naskh-nastaʻlīq [closer to nastaʻlīq] virtually serifless with mainly closed counters, effect of words descending to baseline (occasionally more exaggerated), letterforms characteristic of nastaʻlīq ; following works in fine naskh similar to opening hand though virtually serifless with tilt to the left, mainly closed counters, many curvilinear descenders, pointing in distinct dots.Layout: Written in 11, 15 and 17 lines per page ; frame-ruled.Collation: 2 V (20), III (26), 3 V(56), V+1 (67), V (77), V+1 (88), 3 V(118), V+1 (129), 2 V(149), I (151), V (161), i ; chiefly quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes insert and back flyleaf).Incipit:Title supplied by cataloguer.Ms. composite codex.10. p.325-p.326 : [excerpts and calligraphic excercises].9. p.242-p.324 : [Sharḥ al-Bināʼ ?].8. p.232-p.241 : [mainly blank with a few excerpts].7. p.140-p.231 : [al-Ḥamdīyah : Ḥāshiyah ʻalá Sharḥ dībājat al-Miṣbāḥ] / Aḥmad ibn ʻImād.6. p.137-p.139 : [blank].5. p.96-p.136 : al-Iʻrāb ʻan qawāʻid al-iʻrāb / Ibn Hishām.4. p.94-p.95 : [mainly blank with a few prayers, excerpts, etc.].3. p.54-p.93 : [Sharḥ Īsāghūjī] / Ḥusām al-Dīn Kātī.2. p.53 : [blank].1. p.2-p.52 : [al-Arbaʻūn al-Nawawīyah] / al-Nawawī.Fine composite collection (majmūʻah / mecmua) of works on hadith, logic, grammar, etc.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 260Origin: Lacks dated scribal colophon ; decoration, paper, etc. may suggest 16th century ; authorial colophon on p.418 indicates date of composition Ṣafar 890 [February-March 1485].Accompanying materials: a. Slip with notes (paginated pp.17-18) -- b. Blank slip (paginated pp.53-54) -- c. Slip with notes (paginated pp.99-100).Former shelfmark: "١٢٦" possible former inventory mark on recto of front flyleaf ; "331 T. D. M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark maroon leather with black leather over spine, fore edge flap, and edges/turn-ins (likely repairs) ; Type II binding (with flap) ; doublures in dark brown leather with central gold-painted four-lobed floral motif ; fore edge flap lined in green silk ; upper and lower covers carry stamped and gold-painted scalloped mandorla (filled with vegetal decoration, compare Déroche OAi 6), pendants, and corner pieces, along with gold-painted border ; sewn in dark green-blue thread, two stations ; worked chevron endbands in brown and cream (head) and dark green and cream (tail), fair condition ; overall in fair condition with some abrasion, lifting and losses of leather, etc. ; housed in box for protection.Support: non-European (Persian) laid paper mainly with 6 laid lines per cm. (vertical) and no chain lines clearly visible, well-burnished to glossy, sturdy, transluscent, medium to dark cream in color ; toward close another crisp type with many inclusions (see p.387 to close) ; flyleaves in European laid paper (surface-dyed lavender and gold-flecked) ; added leaves at opening on European laid paper with watermarks of eagle, "GFA" and lion rampant in arms (see pp.1-4) ; staining and tide lines.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) appears at opening on p.6, consisting of rectangular piece with gold cartouche carrying the basmalah in white, overlaid with arabesque in green, surrounded by further vegetal decoration in gold, pink, blue, yellow, green, etc. on a field of lapis lazuli, and surounded by decorative band with blue crosses on a field of white and band of interlace in gold ; surmounted by another narrow rectangular piece containing similar vegetal design evoking arabesque on a field of lapis lazuli and surmounted by vertical stalks (tīgh) in blue ; keywords, abbreviation symbols, and text being commented upon in rubricated (light and dark red) ; textual dividers in the form inverted commas, letter hāʼ, etc. in red ; written area throughout surrounded by frame consisting of gold band flanked by black fillets with outermost blue rule (frame on incipit and facing page includes additional gold band) ; occasional diagrams in red and black (see p.20, 57, 87).Script: Nastaʻlīq and naskh ; text of sharḥ in nastaʻlīq, excerpts of Arabic poetry being commented upon in naskh ; nastaʻlīq compact with slight effect of words descending to baseline, elongation of horizontal strokes, letterforms characteristic of nastaʻlīq ; Persianate naskh mainly serifless, quite vertical and somewhat stiff though descenders are mainly curvilinear, with pointing in distinct dots.Layout: Written mainly in 21 lines per page ; frame-ruled.Collation: i, I (2), *IV (9), 24 IV(201), IV+1 (210), i ; almost exclusively quaternions ; first two leaves of opening quaternion affixed to each other ; added leaves at opening of codex ruled for table of contents but left blank ; on pp.43-44 area within written area left blank (perhaps for diagrams or illustrations never realized) ; catchwords present ; foliation in red ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and added leaves and skips two pages each between pp.239-240, 237-238, and 267-268).Explicit: "مهما ترى صف عقد من مديحهم في نظمه ود زهر الحق تضمينا"Incipit: "سپاس وسعادة اساس وشكر عبادة لباس معبودى را كه اعلام نبوة وولاية در ميدان فتوة وهداية ..."Title from inscription on 'title page' (p.5).Ms. codex.Fine copy of the commentary by Qāḍī Mīr Ḥusayn ibn Muʻīn al-Dīn al-Maybūdī al-Yazdī (d.1504?) on the collection (dīwān) of Arabic poetry attributed to ʻAlī ibn Abī Ṭālib (ca. 600-661), opening with the Favātiḥ-i sabʻah.
Manuscript. Persian Caption title. Scribe not identified. Gift of Cyrus Ebrahim Zadeh, Nov. 9, 2009. Written in Iran? Paper: yellowish, polished cream color commercial paper with no visible watermarks; black ink, with rubrication and overlining in red; catchwords. Nastaʻliq; 15 lines in written area 13 x 6 cm. 1b-104a. Library of Congress. Manuscript, M306. Binding: brown leather frame and spine with embossed edges and red center panel.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 120Origin: As appears on p.201, transcription of Sharḥ ashkāl al-taʼsīs likely completed in 878 [1473 or 4]. Paper throughout certainly suggests 15th century.Accompanying materials: Several inserted slips wtih notes, geometric diagrams, etc. (paginated pp.169-170, pp.171-172, pp.181-182, pp.183-184, pp.195-196, pp.217-218).Former shelfmark: British Museum, London "No. 148. Al-Mulakhkhas & Ashkal al-tasis." ; "٤٤٨" on tail edge.Binding: Pasteboards covered in dark brown leather (interesting grain) ; perhaps Type II binding (with flap, though now lost [?]) ; board linings in laid paper over marbled paper ; upper and lower covers bear blind-stamped, scalloped mandorla filled with floral vegetal composition (compare Déroche class. OSv 1) ; sewn mainly in blue thread, two stations, with repaired sections in white thread, four stations ; worked endbands in light blue, in very poor condition and nearly lost ; overall in poor condition with flap entirely lost [?], severe moisture damage, much abrasion, staining, lifting and losses of leather, delamination of boards, etc. ; repair to spine in red leather ; ill-fitting and perhaps not original to codex.Support: non-European laid paper with 20 laid lines in 22-23 mm. (vertical) ; chain lines (horizontal) grouped in threes with 9-12 mm. between the chains and 47-48 between the groups ; staining and severe moisture damage (often obscuring text) ; occasional repairs.Decoration: Keywords, abbreviations, and some notabilia (side-heads) rubricated ; textual dividers in the form of inverted commas and overlining in red ink ; numerous diagrams mainly in red ink.Script: Nastaʻlīq (talik) and naskh ; several hands ; first work supplied in a nastaʻlīq, sparsely pointed, virtually serifless and freely ligatured, with mainly closed counters, effect of words descending to baseline, and elongation of horizontal strokes ; Sharḥ Ashkāl al-taʼsīs in naskh with influence of nastaʻlīq, virtually serifless.Layout: Written in 19-25 lines per page ; frame-ruled.Collation: i, 6 V(60), IV-2 (66), III-2 (70), 2 V(90), II (94), III (100), i ; chiefly quinions ; catchwords present (occasionally lacking) ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and flyleaves ; skips from p.184 to p.187).Incipit: "الحمد لله الذي جعل الشمس ضياء والقمر نورا ... وبعد فلا اقسم بمواقع النجوم ... الحمد هو الثناء باللسان على الجميل ..."Title supplied by cataloguer.Ms. codex.8. p.203-p.215 : Matn Ashkāl al-taʼsīs / Muḥammad ibn Ashraf al-Samarqandī.7. p.202 : [originally blank, now carries diagram, etc.].6. p.143-201 : [Sharḥ Ashkāl al-taʼsīs fī ʻilm al-handasah] / Qāḍīʹzādah.5. p.140-p.142 : [blank].4. p.136-p.139 : [brief treatise].3. p.133-135 : [blank].2. p.129-p.132 : [assorted tables (jadāwil)].1. p.4-p.128 : Sharḥ al-Jighmīnī / Qāḍīʹzādah.Fine copy of two commentaries by Mūsá ibn Muḥammad Qāḍīʼzādah al-Rūmī (d. ca. 1436), the first on Maḥmūd ibn Muḥammad al-Jaghmīnī's (d. 1221?) al-Mulakhkhaṣ fī al-hayʼah on astronomy and the latter on Ashkāl al-taʼsīs, selected theorems from Euclid's Elements by Shams al-Dīn Muḥammad ibn Ashraf al-Samarqandī (13th cent.). Accompanied by assorted astronomical tables, another brief treatise, and the matn of al-Samarqandī's Ashkāl al-taʼsīs.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 448Origin: Lacks dated colophon ; decoration, hand, paper, etc. would suggest 16th century.Accompanying materials: Slip of wove paper with notes in pencil "448 (Kasidat) al-Burdah Poem by al-Busiri 16th cent."Former shelfmark: "239 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf ; "122" inscribed in pencil on 'title page.'Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; board linings and narrow hinges in pale orange laid paper ; upper and lower covers carry central rectangular panel filled with gold-tooled and painted semé pattern as well as further accents in gold-tooled rosettes and border consisting of a series of s-shaped stamps with flanking gold-painted fillets ; now sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, fairly good condition ; overall in good condition minor abrasion, etc.Support: non-European (likely Persianate) laid paper with 6-7 laid lines per cm. (vertical, somewhat distinct) and occasional single chain line visible, thick and sturdy, well-burnished, dark cream in color ; flyleaves and added leaves in European laid paper with 9 laid lines per cm. (vertical), chain lines spaced 26-27 mm. apart (horizontal), and watermark of bird with "G B" below ; much staining and tidelines.Decoration: Exquisite (though damaged) frontispiece consisting of a double-page illumination carries the opening verses and elucidation in Persian set-off by cloud-bands, with adjacent scalloped triangular piece (or hasp), elaborate borders (outermost accented with perpendicular stalks [tīgh]), and upper and lower panels all carrying swirling vegetal design in shades of red, blue, lavender, green, white, and gold on fields of black, gold, and lapis lazuli ; written area throughout surrounded by frame in gold and green bands with outermost blue rule ; text of the Burdah mainly chrysographed, with some lines in blue ; textual dividers in the form of illuminated rosettes set off each hemistich ; illuminated floral decoration flanks elucidation in Persian.Script: Naskh and nastaʻlīq (talik) ; elegant Persianate and Turkish hands ; text of Burdah in a fine Persianate naskh, serifless, with curvilinear descenders and pointing in distinct dots, vocalized ; text of Persian elucidation in a fine nastaʻlīq with characteristic descent of words to baseline and elongation of horizontal strokes ; marginal Turkish elucidation in an elegant nastaʻlīq (talik).Layout: Written in 12 lines per page with 6 additional lines of the Turkish elucidation on the diagonal in the outer margin ; three verses of the poem in 6 lines (filling the column width) with each saṭr and ʻajuz to a line) and elucidation in 6 lines (four on the diagonal, two horizontal but centered).Collation: ii, IV-1+1 (8), 2 IV(24), II+2 (30), ii ; almost exclusively quaternions ; catchwords present.Explicit: " ... واطرب العيس حادي العين بالنغم ... تا برانند اشترانرا بنده گان پر نغم ... اشترمتسه طرب ويردكجه تأثير نغم تم الترجمة بالخير م م"Incipit: "امن تذكر جيران بذي سلم مزجت دمعا جرى من مقلة بدم ای زیاد صحبت یارانت اندر ذی سلم اشک چشم امیختی با خون روان گرده بهم ..."Title supplied by cataloguer.Ms. codex.Fine copy of al-Būṣīrī's poem in praise of the Prophet accompanied by elucidation in Persian and Turkish.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 109Origin: As appears in colophon on p.114, transcription of the sharḥ by ʻAlī al-Qūshjī completed 3 Dhū al-Ḥijjah 1113 [ca. 1 May 1702] ; paper suggests that other works were copied around the same time, even late 17th century.Accompanying materials: Inserted slip bearing glosses (paginated pp.3-4).Former shelfmark: British Museum, London "No. 61. Two commentaries on Al-Risalat al-wadiyah."Binding: Pasteboards (very thin, semi-limp) covered in marbled paper (mainly in white and shades of blue) with brown leather over spine and edges/turn-ins (marbled paper faced, leather edged, framed binding) ; Type III binding (without flap) ; board linings in European laid paper ; sewn in light pink thread, four and two stations ; overall in fair condition with significant abrasion, lifting and losses of paper and leather, delamination of boards, etc.Support: European laid paper in a few different types ; text of first work on type with 12 laid lines per cm. (vertical), chain lines spaced 28 mm. apart (horizontal), and watermark of flower on stem with leaves ; next work on another type with laid lines spaced 7-8 laid lines per cm. (vertical), chain lines spaced 28 mm. apart (horizontal), and three crescents watermark ; final works on still another type with 14 laid lines per cm. (vertical), chain lines spaced 20 mm. apart (horizontal), and watermark of bar carrying name/initials with grapes ; all types well-burnished.Decoration: Abbreviation symbols and keywords rubricated ; overlining in red ; text of the sharḥ by ʻAlī al-Qushjī surrounded by frame consisting of a gold band flanked by black fillets.Script: Naskh and naskh-nastaʻlīq ; at least three different hands ; all virtually serifless with elongation of horizontal strokes ; naskh freely ligatured with mainly closed counters, final yāʼ and alif maqṣūrah mardūdah, and pointing in curved lines rather than distinct dots ; naskh-nastaʻlīq shows slight effect of words descending to baseline and letterforms characteristic of nastaʻlīq.Layout: Written in 15, 21 and 25 lines per page ; frame-ruled.Collation: 2 V(20), IV (28), III (34), V-1 (43), V (53), I+1 (56), III (62) ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes insert).Title supplied by cataloguer.Ms. composite codex.8. p.121-p.126 : [blank].7. p.118-p.120 : [Risālah fī al-waḍʻ].6. p.116-p.118 : Sharḥ al-Sayyid al-Sharīf lil-qāḍī ʻAḍud al-Dīn / al-Jurjānī.5. p.115 : [blank].4. p.72-p.114 : [Sharḥ al-Risālah al-waḍʻīyah] / ʻAlī al-Qūshjī.3. p.70-71 : [blank].2. p.69 : [originally blank, now carries a listing of the author's works].1. p.2-p.68 : ʻIṣām al-Dīn ʻalá al-Waḍʻīyah / ʻIṣām al-Dīn Ibrāhīm ibn Muḥammad al-Isfarāyīnī.Fine copy of three of the principal commentaries on al-Ījī's seminal treatise in ʻilm al-waḍʻ, al-Risālah al-waḍʻīyah, namely that of ʻIṣām al-Dīn al-Isfarāʼinī (d.1537), ʻAlāʼ al-Dīn ʻAlī al-Qūshjī (Ali Kuşçu, d.1474), and ʻAlī ibn Muḥammad al-Jurjānī, al-Sayyid al-Sharīf (d.1413). Followed by a brief anonymous treatise on the same subject.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Naskh and Nastaʻlīq in various hands.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.An album of Turkish and Persian poetry
فنون البلاغةFihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
شاهنامۀ فردوسیFihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet page. Unwan. Miniatures. Decorative borders.Dimensions: 15¾ × 9¾ in.Hand: Small Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
یوسف و زلیخاBinding: Gilt envelope binding.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan. 3 miniatures.Hand: Clear Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Manuscript. Persian. Title from colophon. Name of scribe not indicated. Probably written in India. Paper: thick cream color Indian paper; no borders; black ink with rubrication; catchwords on rectos. Nastaʻliq; 13 lines in written area 17.5 x 7 cm. Folios 1b-169a. Library of Congress. Persian manuscript, M80. Previous owner's name on flyleaf: Robt. Atkinson, Scholar, 14 Trinity College. Nineteenth century half-leather binding in brown leather with tan marbled boards. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Caption title on fol. 1b. Scribe not indicated. Gift of Amir Jafar and Parvindokt Hasheminejad, donated by their son, Mehdi Hasheminejad, item belonged to Amir Jafar Hasheminejad's collection and originated from Qajar era minister, Mehdi Lahooti, Badaye Negar's holdings. May 31, 2019. Written in Iran. Paper; cream color commercial paper with no visible watermarks; black ink; catchwords. Nastaʻlīq; 17 lines in written area 16.5 x 11.5 cm. 8 blank pages; fol. 1b-95a; 28 blank pages. Library of Congress. Persian manuscript, [unnumbered]. Binding; supple brown leather.
Manuscript. Persian Ttitle from fol. 1b. Name of scribe not indicated. Probably written in India. Paper; light cream color laid paper with no visible chain-lines or watermarks; pages reinforced around edges with 4 cm wide borders; marginal notations with some text loss due to trimming; black ink; no catchwords. Nastaʻliq; 13 lines in written area 14.5 x 8 cm. Fol. 1b-22a. Library of Congress. Persian manuscript, M69. Modern tan leather binding. Also available in digital form on the Library of Congress website. Incipit: قال الرازي في نهاية العقول ...
Manuscript. Persian. Title from colophon. Name of scribe not indicated. Probably written in India. Paper; coarse light brown laid paper with no visible chain lines or watermarks; black ink with section headings in red; marginal notations; minor worm damage throughout; catchwords on rectos. Nastaʻliq; 19 lines in written area 19 x 9.5 cm. Fol. 1b-184a. Library of Congress. Persian manuscript, M17. Sewn together but lacks binding. Also available in digital form on the Library of Congress website. Explicit/Colophon: تمام شود كتاب سكندرنامه من بصنيف مولوى نظامى.
Manuscript. Persian. Title from colophon. Name of scribe not indicated. Written in India. Paper; dark cream-color unpolished, coarse laid paper with no visible chain-lines or watermarks; severely worm damaged; no borders; black ink with some rubrication. Nastaʻliq; 15 lines in written area 18 x 11 cm. Folio 1b-136b. Library of Congress. Persian manuscript, M40. Dark brown leather binding; text partially disbound; poor condition. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Title from colophon. Name of scribe not indicated. Probably written in India. Paper; cream-color laid paper of varying thickness, with no visible chain-lines or watermarks; black ink with rubrication; catchwords on versos. Nastaʻliq; 14-16 lines in written area approximately 18 x 9.5 cm. Folios 1a-200b Library of Congress. Persian manuscript, M 62. Limp red leather binding; originally with embossed gold medallions in center and at four corners from which the gold has now been rubbed off. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Title from colophon; each Gospel has separate caption title in red ink. Scribe not identified. Place of writing not determined; perhaps Iran. Paper; cream color, commercial laid paper with no visible chain lines or watermarks; black ink with rubrication; catchwords. Nastaʻliq; 17 lines in written area 25.5 x 16 cm. Fol. 1b-128a. Library of Congress. Persian manuscript, M103. Nineteenth century brown half leather binding with dark brown grain sides; commercial marbled pastedowns and marbled edging; binding separated from text block. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Title from colophon. Name of scribe not indicated. Probably written in India. Paper: coarse brownish poorly laid paper with no visible chain lines or watermarks; paper in poor condition and shows earlier reinforcement around edges; dampstaining on foredge; black ink with rubrication; catchwords on rectos. Nastaʻliq; 9-15 lines in written area 14 x 8 cm. Fol. 1b-128b. Library of Congress. Persian manuscript, M81. Disbound; original binding tan and black marbled cardboard; light brown leather spine; in container with manuscript. Also available in digital form on the Library of Congress website.
Manuscript. Persian. Title from fol. 1a. Written by Muḥammad Tahsīn. Fol. 1a has name of former owner David Anderson. Written in India. Paper; thin, cream color laid paper with horizontal chain lines and no visible watermarks; black ink with rubrication; numerous notations in English on first few leaves; catchwords. Nastaʻliq; 15 lines in wrtten area 18.5 x 9 cm. Fol. 1b-179b. Library of Congress. Persian manuscript, M143. Morocco leather binding with embossed medallions and corner decorationsfront and back; gold gilt borders Also available in digital form on the Library of Congress website.
Also available in digital form on the Library of Congress Web site. Manuscript. Persian. Title based on comparison with other copies. Scribe not identified. Gift of Cyrus Ebrahim Zadeh, Nov. 9, 2009. Written in Iran? Paper: yellowish, polished cream color laid paper with vertical chain line and no visible watermarks; black ink; catchwords. Folio 59 on modern paper, with inscription in purple ink, dated 29/9/1332 [December 1, 1953]. Nastaʻliq; 12 lines in written area 11 x 7 cm. Folio 1a-131b (incomplete). Library of Congress. Manuscript, [unnumbered]. Binding: Modern cardboard with gray stone motif.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.Extent: ff. 468.Hand: Small, but distinct Nastaʻlīq.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953A treatise on Indian Music entitled Miftāḥ al-surūd.
نسخۀ ناسخۀ مثنويات سقيمهFihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan.Dimensions: 10¾ × 6½ in.Hand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
انتخاب حدیقهFihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: 9 full-page miniatures. Decorative borders.Dimensions: 12½ × 7¾ in.Hand: Written in splendid Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
دیوان حافظFihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet page, miniatures, borders. Map drawn on lower flyleaf.Hand: Distinct Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
دیوان عبد الواسع الجبلیBinding: Lacquered boards with floral decoration.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Miniatures, borders, unwan.Hand: Very clear and beautiful Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.