Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 220Origin: As appears in colophon at end of roll, main section copied by Ḥusayn Ibrāhīm ibn Muḥammad al-Ḥusaynī al-Khurāsānī with transcription completed in Dhū al-Ḥijjah 727 [?] [October-November 1327?] ; opening section (and repairs to main section) certainly much later than main section, perhaps 18th or 19th century.Accompanying material: a. Metal case in the form of a cylinder decorated with incised diamond pattern with lid (only slightly convex) ; case retains one ring through which a cord may have passed, a second ring has been lost -- b. Waxy, brown oil cloth now in two pieces which once wrapped roll inside case.Support: Each section in a distinct paper type ; opening section (first 895 mm., roughly 104-107 mm. wide, three pieces of paper) in type with roughly 10-11 laid lines per cm. (parallel with the length of the roll, fairly distinct) and no chain lines or watermarks plainly visible, dense and sturdy, burnished ; bulk of roll (roughly 3530 mm., 110-112 mm. wide, at least six pieces of paper) on a non-European (likely Persian) paper, highly sized and burnished, reinforced with further paper backing and repairs.Decoration: Text of opening section bordered by red double-rule border, table / jadwal with ninety-nine names ruled in red, border texts defined by red rules, openings with depiction of the "seal of prophecy" (مهر نبوت) here "صوره مهر نبوت حضرت رسالت پناهی" ; main section opens with a long cartouche (oriented along the length of the roll) with illuminated heading "اسماء الله تعالى" in thuluth and basmalah in plaited and knotted kufic, a central field filled with floral and vegetal designs executed in micrography, bordering lozenges and alternating circles filled with further micrography (mainly chrysographed, some in blue and black) and Qurʼānic texts in large tawqīʻ approaching thuluth (chrysographed), and further border of rubricated Qurʼānic text in fine riqāʻ ; an even longer cartouche appears next, with illuminated headings for each of several sections ("من اسماء الله تعالى نودونه نام،" "هذا دعاء حرز الاماني،" اسماء الاربعون") which are each in a different layout incorporating the nintey-nine names, Qurʼānic and prayer texts in ghubār, naskh, thuluth, tawqīʻ, etc. in gold, red, black and some blue in a highly symmetrical fashion, with the various elements defined by heavy bands of gold flanked by red double-rules.Script: [opening section] Naskh and tawqīʻ ; [main section] Naskh, thuluth, tawqīʻ, riqāʻ, ghubār, plaited and knotted kufic.Layout: [opening section] central written area in a single column (text written perpendicular to length of the roll) bordered in Qurʼānic and ḥadīth texts along the length of the roll, ninety-nine names arranged in a ruled table / jadwal (five cells wide by twenty cells tall), text following the heading for "the prayer of the bāzūband" ("دعا بازوبند حضرت شاه ولايت پناه") in 26 lines ; [main section] an elaborate arrangement of text consisting of a central narrow panel filled with text first arranged in a series of diagonal arrays (each read across in a zig-zag fashion), next in a series of five circles executed in micrography, and finally in rectangular fields of roughly nine horizontal lines, all interspersed with headings and surrounded by two heavy borders of cartouches, circles and rectangles filled with Qurʼānic and prayer texts in various scripts, closing with dedication and colophon.Dedication: "اللهم وخل بدخلك [؟] دوله الامير الاعدل الاعظم الاعلم الاشجع الاكرم سلطان الامراء في العالم انك دولت همه از دولت اوحي طلبنا والملك العادل ... خلد الله تعالى ملكه ودولته الى يوم الدين"Colophon: "كتبه العبد حسين ابراهيم ابن محمد الحسيني الخراساني في ذي الحجة سنه سبع وعشرين وسبعمائة [؟]"Incipit: "صوره مهر نبوت حضرت رسالت پناهی ..."Title supplied by cataloguer.Ms. roll.[main section] اسماء الله تعالى -- من اسماء الله تعالى نودونه نام -- هذا دعاء حرز الاماني -- اسماء الاربعون[opening section] صوره مهر نبوت حضرت رسالت پناهی -- نودونه نام باری تعالی -- دعا بازوبند حضرت شاه ولایت پناهComposite talismanic scroll (rotulus, i.e. opening vertically) consisting of two sections of distinct production, now joined. Originally wrapped in oil cloth and housed in metal case.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 240Origin: As appears at close, executed by Mustafa el-Haşimî known as Kadızade in 1195 [1780 or 1].Former shelfmark: "550 T. D. M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "107" in pencil on recto of opening panel.Binding: Pasteboards faced in gold-flecked, pale yellow paper and framed in tan leather (covering board edges / turn-ins and likely spine at one time) now with dark purple leather (and Japanese paper repair) over spine (leather edged framed binding) ; Type III binding (without flap) ; opens vertically ; board linings in magenta paper ; gold rule-borders on leather edging ; overall in fairly good condition ; repairs in Japanese paper ; occasional repair to hinges in same dark purple leather.Support: Written area on well-burnished laid paper, pieced, set into an elaborate frame in several different laid papers (pale peach-tinted, pink-tinted, light blue-tinted, orange-tinted, etc. with colors of facing panels matching) and mounted.Decoration: Written area (and divisions within) surrounded by gold frame set off by black and white fillets ; written area set into a frame of tinted paper (colors of facing panels match).Script: Fine specimen of Ottoman calligraphy ; in thuluth (sülüs) and naskh (nesih).Layout: Written in four lines per page ; two large lines thuluth and two smaller centered lines in naskh, constituting two distinct streams of textCollation: Eleven 'panels' hinged together with tan leather.Colophon: "مشقه اضعف العباد السيد مصطفى الهاشمى المعروف بقاضى زاده سنه ١١٩٥ه"Explicit: "وتبارك اسمك وتعالى جدك وجد ثناؤك ولا اله غيرك"Incipit: "رب يسر ولا تعسر رب تمم بالخير ا ب ت ج ح د ز ذ ر س ش ص ط ع و ..."Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ / murakkaa) in this case a meșk murakkaa or album of meșkler (exercises) employing first (in seventeen kıt'alar) the principal alphabetic exercises (müfredat) and closing with three kıt'alar of mürekkebat exercises employing the alpha-numeric system (abjad / abced hesabı) and a prayer.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 241Origin: As appears at the close of each piece (kıta), executed by es-Seyit el-Hac Mustafa İzzet. In three of the signatures he includes "known as Reisülulema". He has signed the final piece "Bende-yi Al-i aba, Seyit İzzet Mustafa," a modest expression which, according to M. Uğur Derman (see Letters in gold, p.118), he preferred to use in his later years. Only one of the pieces is dated 1282 [1865 or 6] with the others likely completed around the same time or slightly later.Former shelfmark: "570 T.D.M. [i.e. Tammaro De Marinis]" and "93" in pencil on opening panel.Binding: Boards now covered in green and black mottled paper (sponge painted or faux marbled look, traces of another paper underneath) with dark purple to black leather over spine ; Type III binding (without flap) ; boards lined in same mottled paper ; panels hinged together in accordion format with same dark purple to black leather and hinged into case ; overall in fairly good condition with some abrasion and staining.Support: Written area on well-burnished paper, pieced, set into frames of blue and orange-tinted paper, and mounted.Decoration: Written area and divisions within surrounded by frames of gold defined by further gold and black fillets ; illuminated textual dividers in the form of gold rosettes with red and green-blue accents.Script: Exquisite specimen of Ottoman calligraphy ; large opening line of each panel in thuluth (sülüs), followed by four lines in naskh (nesih).Layout: Written in 5 lines per page, one large line of thuluth and four smaller lines of naskh.Collation: Four panels hinged together in accordion (concertina) format ; opens vertically.Colophon: [1] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [2] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه امين سنة ١٢٨٢" ; [3] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [4] "بندۀ آل عبا سيد عزت مصطفى"Incipit: "اذكروا الله ذكرا كثيرا قال رسول الله صلوات الله عليه وسلامه مثل الذي يذكر ربه والذي لا يذكر ربه مثل الحي والميت ..."Title supplied by cataloguer.Ms. codex.Exquisite album of calligraphy (muraqqaʻ / murakkaa) of four kıtalar employing ḥadīth of the Prophet executed by the renowned Ottoman calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 235Origin: As appears in colophon, executed by one Ḥamdī [Hamdî] with possible date or number for this piece.Former shelfmark: "567 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover.Binding: Pasteboards covered in golden olive-tinted and gold-flecked paper with black leather over board edges/turn-ins (leather edged / framed binding) ; board linings in yellow-tinted paper ; upper and lower covers carry gold-tooled and gold-painted rosettes and guilloché roll border ; panels hinged together with dark brown to black leather ; in fair condition with some abrasion and lifting of leather at board edges and joints/hinges (some split).Support: Well-burnished European laid paper bordered by strips of marbled paper and tinted-frame (orange, pink, etc. though papers of facing panels match) ; watermark faintly visible in final panel but difficult to make out.Decoration: Written area surrounded by frame consisting of strips of marbled paper (in pink, blue, and white) flanked by white and green fillets and heavy and narrow gold bands outlined in black fillets ; panels within written area surrounded by narrow gold band ; textual dividers in the form illuminated rosettes with white, pink, red and blue accents ; additional illuminated floral accents appear above elongated horizontal strokes and elsewhere to set-off text.Script: Fine specimen of Ottoman calligraphy ; opening line of each page in thuluth ; four centered lines thereafter in naskh ; fully vocalized.Layout: Written in 5 lines per page, one large line in thuluth and four more compact lines in naskh ; written area divided to upper panel (accommodating the large line) and centered lower panel (for the shorter lines).Collation: Ten 'panels' (consisting of written area and border pieces mounted on another leaf) hinged together in accordion format (opens vertically) ; 'pagination' in black ink, Hindu-Arabic numerals, appears in the upper left-hand corner of each panel.Colophon: "Scribal," reads: "كتبه المذنب حمدى ۷۹"Explicit: "وللخازن مثل ذلك لا ينقض بعضهم اجر بعض شيئا اللهم صل وسلم على اشرف الخلق محمد واله الطاهرين"Incipit: "قال رسول الله صلى الله عليه وسلم عن ابي هريرة رض قال قال النبي صلى الله عليه وسلم اذا مضى شطر الليل او ثلثاه ينزل الله تبارك وتعالى الى سماء الدنيا ..."Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ or murakkaa) employing the text of assorted ḥadīth, executed by one Hamdî.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 234Origin: As appears in colophon, executed by al-Sayyid ʻAbd Allāh, likely Seyyid Abdullah of Yedikule (d.1731), who was a favorite pupil of the celebrated calligrapher Hafız Osman Efendi (d.1698). He received his icazet in 1102 [1690 or 91] and died around 1144 [1731]. Undated but most likely executed between 1690 and 1731.Former shelfmark: "109" inscribed in pencil at opening ; "542 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on hinge of lower cover.Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; board linings (doublures) in marbled paper (mainly in pink, brown, yellow, blue, and white) ; upper and lower covers carry incised and gold-painted (with red leather inlay) symmetrical scalloped panel resembling four-lobed flower or lozenge with domes emerging from the long edges, as well as tooled border in a series of s-shaped stamps with gold-painted accents ; panels hinged together with dark brown leather ; in somewhat poor but fair condition with significant staining, some abrasion and lifting of leather, etc.Support: Well-burnished European laid paper mounted on heavy laid paper (roughly 8 laid lines per cm.) with marbled frame (several variations in dark green, red, light blue, yellow, dark lavender, etc. ; papers of facing panels match).Decoration: Written area and panels within surrounded by frame consisting of heavy and narrow gold bands outlined in black fillets ; textual dividers in the form illuminated rosettes with red and blue accents.Script: Exquisite specimen of Ottoman calligraphy ; opening line of each page in fine thuluth ; five centered lines thereafter in naskh ; fully vocalized.Layout: Written in 6 lines per page, one large line in thuluth and five more compact lines in naskh ; written area divided to upper panel (accomodating the large line) and centered lower panel (for the shorter lines) ; opens vertically with writing parallel to spine.Collation: Six 'panels' (two leaves each) hinged together ; 'pagination' in black ink, Hindu-Arabic numerals, appears toward the left of each panel apart from the last.Colophon: "Scribal," reads: "كتبه العبد الفقير الى رحمة ربه القدير السيد عبد الله رضي عنه مولاه"Explicit: "اللهم صل وسلم على نبي الرحمة وشفيع الامة الضعيفة محمد واله الطيبين الطاهرين اجمعين"Incipit: "روي عن ابي سعيد الخدري رضي الله تعالى عنه قال قال رسول الله صلى الله عليه وسلم الا ان رجب شهر الله الاصم فمن صام من رجب يوما ايمانا واحتسابا استوجب رضوان الله الاكبر ..."Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ or murakkaa) employing the text of assorted ḥadīth, executed by the renowned Ottoman calligrapher Seyyid Abdullah of Yedikule (d.1731), favorite pupil of the celebrated calligrapher Hafız Osman Efendi (d.1698).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 246Origin: As appears in colophon on fol.210b (p.420), copied by Sulaymān ibn Yūnus ibn Khaṭṭāb ibn Shaḥḥādhah [?] ibn Muḥammad ibn Ḥurayz al-Satafī [?] al-Mālikī. Transcription finished "wa-kāna al-farāgh min istinsākh hādhā al-dīwān..." 14 Dhū al-Qaʻdah 1016 [ca. 31 March 1608].Accompanying materials: a. between pp. 322-23 folded slip with numerals, etc. -- b. between pp.404-405 slip in laid paper with verses copied in ruqʻah.Binding: Pasteboards covered in deep brown leather ; Type II binding (with flap) ; pastedowns and flyleaves as well as interior of envelope flap in shell marbled paper (pink, brown and white) ; interior of fore edge flap in same brown leather ; upper and lower covers bear gold-stamped central piece and decorative border (formed from two repeating vegetal pattern stamps and interlocking architectural pattern stamp) along with pendants and corner pieces (formed from a repeated scrolling floral pattern stamp) ; envelope flap bears complementary design formed from same stamps ; sewn in cream thread, four stations ; worked chevron endbands in cream and blue ; in fair condition with some abrasion, staining, fading, some pest damage, loss to endbands, and spine slant (cocked) ; housed in box for protection.Support: non-European laid paper ; laid lines oriented horizontally or vertically (some variation from quire to quire) spaced roughly 7-9 laid lines per cm. (also varying) with some sagging or curving ; chain lines very feint and indistinct but occasionally visible - may be grouped ; quite firm, somewhat crisp, and of medium translucency ; well burnished ; only a few inclusions and undissolved fibers visible ; flyleaves in European laid paper, laid lines vertical spaced roughly 11 laid lines per cm. ; chain lines horizontal spaced 30 mm. apart ; large shield/scrollwork (six pointed star within) watermark partially visible in back flyleaf.Decoration: Illuminated titlepiece on fol.1a (p.1) consisting of upper and lower rectangular panels with central roundel (shamsah) ; upper panel bears title in gold thuluth ; shamsah bears author's name,etc. in blue and gold, highly ligatured tawqi verging on thuluth ; lower panel continues blessings upon the author in gold thuluth ; outlined by vegetal accents in blue ; framed in pink band with blue crosses and a series of gold bands outlined with black fillets ; superbly executed illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of rectangular panel surmounted by scalloped semi-circular piece (dome) surmounted by vertical stalks (tigh) in blue and gold ; rectangular panel contains stylized cartouche in gold carrying title "ديوان شعر ابي الطيب" in white, surrounded by floral vegetal decoration in gold, orange-red, white, light blue, etc. on a field of lapis lazuli flanked by semi-circular pieces in light-blue and gold ; semi-circular piece carries floral vegetal design in gold, orange-red, pink, white, etc. on fields of lapis lazuli and gold ; bordered in a well with blue crosses on a pink band ; between the two pieces a rectangular band floral vegetal decoration in gold, blue, orange-red, and white on a field of black ; written area and margin (including decoratively arranged lines) framed in a series of gold bands flanked by black fillets ; incipit and facing page various floral designs in orange-red, blue, white, green, and gold ; partially chrysographed with section (divisions by letter) headings in gold ; text of titlepiece in gold and blue ; text rubricated with verse headings, numerals corresponding to glosses, etc. in red.Script: Naskh ; large, clear hand of Persianate character (Iraqi ?) ; mainly sans serif but with occasional right-sloping head serif on free-standing alif, lām of definite article, etc. and left-sloping head serif on joined alif, etc. (irregular), kāf mashqūqah preferred, but mabsūṭah also appears, slight effect of inclination to the left, elongation of horizontal strokes, some sweeping descenders, quite rounded and curvilinear, pointing in distinct dots, point of final / free-standing nūn set down in bowl ; fully vocalized ; glosses of very similar character only thinner line and smaller size (likely supplied by same copyist).Layout: Written in 15 lines per page ; single column, often divided to two to set off poetry, and fine ruled margin with lines arranged obliquely in decorative geometric patterns (triangles, zig-zag, etc.) ; frame-ruled.Collation: ii, V-1(9), 19 V(199), VI(211), ii ; chiefly quinions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular then rectangular, reads: "وكان الفراغ من استنساخ هذا الديوان المبارك رابع عشر شهر ذي القعدة من شهور سنة ستة عشر والف من الهجرة النبوية على صاحبها افضل الصلات والسلام تم وعلى يد العبد الفقير الى الله تعالى سليمان بن المرحوم يونس بن خطاب بن شحاذة بن محمد بن حذير الستفي المالكي غفر الله له ولوالديه ومشايخه واخوانه ولمن طالع فيه ودعا لم [كذا] بالمغفرة ولكل المسلمين اجمعين وصلى الله على سيدنا محمد واله وصحبه اجمعين وسلم"Explicit: "ومثلك يؤتى من بلاد بعيدة ليضحك ربات الحداد البواكيا. وقال ايضا يمدح سيف الدولة ... وكانه جيش ابن حرب رعته حتى كانك يا علي علي. تم شعر ابي الطيب برياذاته والحمد لله كما هو اهله. يقول كاتب اصله المنقول منه هذه النسخة نقلت هذا الديوان من نسختين ..."Incipit: "قافية الهمزة قال ابو الطيب احمد بن الحسين المتنبى رحمه الله ومولده بالكوفة في كندة سنة ثلث وثلثماية يمدح سيف الدولة وكان امره باجازة ابيات على هذا الوزن وهذا الروي شعر عذل العواذل حول قلبي التائه وهوى الاحبة منه في سودائه ..."Title from titlepiece on fol.1b (p.2).Ms. codex.Fine copy of the renowned dīwān and glosses, closing with a discussion of the source material for the recension contained in the model from which this manuscript was transcribed.
Abstract: An unknown work on Arabic grammar.Contents.كتاب الحقائق في النحوOwnership notes by Muḥammad ibn Muḥammad al-Kibsī.بعناية المالك العلامة عامل شهاره :محمد بن محمد الكبسيجيده لكنه بغير غلاف ومدبس الأوراق وهو مكتوب بالمداد الأسود والأحمر والأخضرليلة الأثنين ساعة خمس 9/شعبان/1370هـIncipit: بسم الله... وبه نستعين وصلى الله وسلم على سيدنا محمد وآله أعلم انه لا بد لطالب علم النحو من مقدمة تشتمل على خمسه امور الاول في وجه الابتدا ببسم الله الرحمن الرحيم الثاني في اعرابها...Explicit: وحذف زيادة التثنيه والجمع مذكر كان او مونثا الا علماً قد اعرب بالحركات فانها لا تحذف فيه لزيادة التثنيه والجمع.Naskh-thuluth script, written in black, red and green ink. Interlineal commentary. No cover to the manuscript.3-14 lines.
Abstract: Leaf from chapter 29 of the Mūnis al-aḥrār, a collection of poetry. Each verse alternates with a corresponding illustration as follows: battle gear; weapons; fruit trees; four types of doves; peacock, parrot, and nightingale; and jewelry.Ms. leaf.Physical description: Written in large thuluth and medium naskh in gold, blue, black, and red. Each line of verse alternates with an illustration. The leaf is damaged along the bottom; it was cut out of its original frame and glued onto another page of a different text that now forms its margins.Origin: This page is from chapter 29 of a ms. which is now scattered. The ms. is dated Ramaḍān 741 H February-March 1341 and was copied and illustrated in Isfahan according to its colophon (Swietochowski and Carboni, p. 25).
Abstract: A portion of an unknown work on history, spanning the years 1638 to 1655, during the reign of Imam Mutawakkil ʻalá Allāh Ismāʻīl ibn al-Qāsim.Contents.مجهول في التاريخIncludes an introduction to a work summarizing the seven methods of Quranic recitation, and family trees for the Banū al-Sharafī and the descendents of al-Mahdī al-ʻAbbās.عبارة عن ستة عشر ورقة بدون غلاف من جزء من كتاب في التاريخ تم تدبيسها بمسامير دباسة حديثة وهو جميل الخط ومكتوب بالمداد الأسود والأحمر والأصفر والأخضر ويوجد مكان مخصص للحواشيIncipit: عالما منيفاً فى كل فن من العلوم لا يعزب عنه شيأً وكا شجاعاً كريماً سخي الكف...Explicit: بلاد بن عفيف فى غرة شهر ربيع الاخر ودخلت جميع تلك البلاد تحت وطاه الامام ولم ينتطح فيهاإلى هنا انتهى الموجود من الكتابةNaskh and thuluth scripts, written in black, red, yellow and green ink. Unbound, taken from a larger work.19 lines.1-بداية مقدمة لكتاب مختصر في مذاهب القراء السبعة وهي بخط صاحب المكتبة كما عرفناه وميزناه سابقا. لقطة رقم (1). 2-مشجر نسب السادة بني الشرفي ومشجر نسب السادة أولاد المهدي العباس. لقطة رقم (2).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 239Origin: Lacks dated colophon ; likely 18th or 19th century.Former shelfmark: "561 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on spine 'lining' where it extends onto upper cover ; "112" inscriped in pencil at opening.Binding: Unbound ; leaves/'panels' were originally hinged together via green silk and adhesive ; paper has been wrapped around the long (horizontal) edge to join the leaves and form a spine ; 'panels' are delaminating and separating from one another ; some abrasion ; currently housed in envelope.Support: Well-burnished laid paper set into heavy (likely thin pasteboard) painted and gold-flecked frame, edged in green silk ; colors of facing panels match (orange, purple, and green).Decoration: Written area surrounded by gold-stamped border in interlocking geometric design ; written area divided into rectangular panels by gold rules ; often a white fillet appears at the center of the gold-flecked frame.Script: A fine thuluth.Layout: Written in two lines per page.Collation: Nine leaves or 'panels' originally hinged together.Incipit: "رب يسر ولاتعسر رب تمم بالخير وه"Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ or murakkaa) employing alphabetic exercises (müfredat).
Kitapta Delâ’ilü’l-Hayrât (y. 1b-12b), İsm-i Nebî (y. 12b-16b), Mekke-i Mükerreme ve Ravzatü’l-Mutahhara (y. 17a-19a), dualar (y. 19b-130a) vardır.Binding: Kitabın vişne rengi deri şemseli ve köşebentli cildi 20. yüzyılda yapılmış olmalıdır.Illuminations: Yaprak 1b ve 19b haşiyeli zarif unvan tezhibiyle, ara bölüm başları (y. 16b, 17a, 125b, 127a) kare ve dikdörtgen şeklinde tezhiplidir. Hz. Muhammed’in isimleri sekizgenler içine yazılmıştır. Kitapta Mekke-i Mükerreme ve Ravzatü’l-Mutahharra başlığını izleyen satırları takiben önce Mekke şehri ve Kâbe (y. 17b), karşı sayfaya da Medine şehri ve Ravzatü’l-Mutahharra tasvirlenmiştir (y. 18a). Köşeleri tezhipli oval çerçeve içine alınan resimlerde Mekke şehri binaları ve Kâbe avlusundaki yapılar, geride görülen tepeler üç boyutlu çizilerek, özenle yapılmıştır. Aynı özenli çizim Medine şehrini çevreleyen mazgallı sur duvarları ile diğer binalarda ve arkadaki manzarada da görülür. Peygamber’in kabri üzerinden kutsallık simgesi altınlı hale-nur gökyüzüne uzanır.Measurements: 14,3 x 10,4 cm; 130 yaprak, sayfada 9 satırScript: Nesih; Sülüs; Rıka; Naskhī; Thuluth
Abstract: مجموع أغلبه من مصنفات السيد الامام العلامة محمد بن إبراهيم الوزير أوله مجهول في الحديث وآخره منظومة في أصول الفقهContents: مجهول في الحديثContents: الاستظهار بالدليل السمعي على عدم وقوع الطلاق البدعيContents: مختصر في علوم الحديثContents: كتاب تنقيح الانظار في علوم الآثارContents: حصر آيات الاحكامContents: كتاب الامر بالعزلة في آخر الزمانContents: كتاب البرهان القاطع في اثبات الصانع وجميع ما جاءت به الشرائعContents: كتاب ما صح عند مولانا عزالدين محمد بن ابراهيم في تخصيص آية الجمعة بحديث واعلموا ان الله فرض عليكم الجمعة وتحرير الكلام في ذلكContents: كتاب مجمع الحقائق والرقائق في ممادح رب الخلائقContents: ارشاد النقاد الى تيسير الاجتهادContents: كتاب النكتة اللطيفة في كيفية زيارة المواقف الشريفةContents: انموذج اللبيب من خصائص الحبيب صلى الله عليه وآله وسلم