Red and orange painting of three figures mounted in a wooden frame painted red with decorated corners and attached to a folding metal stand. The image depicts a man, seated on the right in an enclosed garden setting, gesturing toward a kneeling, beardless youth holding a large basin; behind the youth, a standing woman holds a vine; a rubāʻī is written in the lower section of the painting. On the back, an orange mandorla with two pendants on the vertical axis surrounded by flowers in shades of orange and red.
Manuscript leaf with painting. The recto contains six lines of text in four columns, interrupted by a pastiche painting of six figures, four on the right side in helmets and chains and two on the left side. The verso holds two clippings of unrelated text pasted in different directions.
Two paintings mounted on card. The first illustrates Abraham sacrificing his son and the second is Joseph's brothers throwing him in a well; labels in Persian.
A trapezoid shaped writing tablet used for studying the Qurʼān; no handle; hole drilled through the upper center. The recto is mostly flat with water and scratch marks. A few words of Arabic including the name Abī Yasʻad ibn Aḥmad and a faint English description of the item are visible. The back of the tablet is rounded with a geometric drawing.
One leaf with poetry in Arabic on one side (recto) and a headpiece and painting of a hunt scene on the other side (verso) with the title "Qaṣāʼid-i Fārsī" under the headpiece; some marginalia in Persian.
Copy of al-Jazūlī's famous prayer book. This copy includes extensive additions in the margins as well as some blank pages at the end which have been partially filled with other prayers.