Abstract: "Collection containing two glosses on al-Shirwānī's commentary on Samarqandī's Risālah fī ādāb al-baḥth."Binding note: Stiffened brown leather. Each cover has an outer ruled border made of three blind fillets; half of the upper cover is missing.Contents: 1. fol. 1a-34a: Risālah ʻalá Mawlá al-ʻImād al-muḥashshī ʻalá Sharḥ al-Fāḍil Masʻūd al-Rūmī / Ibn Shujāʻ al-Dīn al-shahīr bi-Khazramah.Contents: 2. fol. 34b-37b: blank.Contents: 3. fol. 38a-56a: Risālah ʻalá Sharḥ al-fāḍil Masʻūd al-Rūmī / Jalāl al-Dīn al-Dawwānī.Ms. codex.Title supplied by cataloger.17 lines per page. Written in small but very clear naskh in black ink with use of red for "qāla" and "qawluhu", and to overline important words. In text no. 2, notes on content written in red in the margin. European glazed paper with watermarks; fol. 9 prev. 8 is a later replacement. Contains a few notes in the margin and some collation notes. Modern foliation in pencil using Western numerals (starts on fol. 2; between fol. 35 and 38 prev. 34 and 35, two fol. blank).Collation: Paper, fol. 56 + i (modern endpaper) ; 1⁸ (+1, fol. 9) 2-3¹⁰ 4⁸ 5¹⁰ 6⁸ (+1, fol. 48) ; catchword on the verso of each leaf.Copied by al-Ḥājj Qāsim in Qusṭanṭinīyah in 963 (from colophons, fol. 34a and 56a).
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: Description in part based on Savage-Smith, E. and Rapoport, Y. (2013), An Eleventh-Century Egyptian Guide to the Universe, pp. 2-4.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: "Description based on the Bodleian Library's public card index of Arabic manuscripts with additional enhancements by the OCIMCO project team. Image descriptions based in part on CarboniRecord origin: S. (1988)Record origin: Il Kitab al-bulhan di Oxford."
Abstract: Collection of traditions, compiled from the Ṣaḥīḥ of Muslim and al-Bukhārī. Incomplete at the beginning and the end.Binding note: Unbound.Ms. codex.Title supplied by cataloger (following R. Mach, Yahuda).The name of the author appears in the numbering of the quires as al-Ḥumaydī (see fol. 117a).The copy begins with the last ḥadīths transmitted through Ibn ʻUmar, followed by the ḥadīths transmitted through Abū Ḥamzah (fol. 1a). It comprises the ḥadīths transmitted through ʻAbd Allāh ibn ʻAbbās (see fol. 59a), Abū ʻAbd al-Raḥmān ʻAbd Allāh ibn ʻUmar ibn al-Khaṭṭāb (fol. 70b), and the ḥadīths transmitted by Muslim through Companions of the Prophet such as ʻAbd al-Muṭallib ibn Rabīʻah (fol. 136a).17 lines per page. Written in medium small naskh in black ink ; headings in a larger script. The text is vocalized. Light cream paper with laid lines visible (chain lines hardly visible on some leaves). Collation notes. Audition statements on some folio (see fol. 92b, 105b, 117b, 125b). Audition and collation statement signed by ʻAlī ibn Aḥmad al-Yūnīnī (fol. 1b and 119b; collated with a copy read in front of Ibn al-Ṣalāḥ). Some leaves are missing (see between fol. 8-9, 16-17, 24-25, 26-27, 36-37, 43-44, 45-46, 47-48, 50-51, 54-55, 59-60, 63-64, 70-71, 80-81, 86-87, 115-116, 125-126, 126-127). The quires are numbered in the form "al-rābiʻah ʻashrah min al-thānī min al-Ḥumaydī", see fol. 117a). Catchword on the verso of each leaf. Foliation in pencil using Western numerals.Incipit: هذا واطوعنا بعده اللهمّ انت الصاحب فى السفر والخليفة فى الاهل اللهمّ اى أعوذ بك من وعثاء السفرExplicit: \\\\ وكانت عليك حُلّة وعليه حلّة فمسح رأسى وقال اللهمّ بارك فيه يا بن
Abstract: "Al-Shamāʾil al-NabawīyahAbstract: Muḥammad ibn ʻĪsá al-Tirmidhī's (d. 892) work on the sīrah of the Prophet."Binding note: Grey paper over pasteboard. Red fabric on spine. Modern flyleaves and pastedowns in dark cream paper.Ms. codex.Title supplied by the cataloger.16-21 lines per page. Ff. 1a-32b written in casual medium small naskh in black ink with occasional use of red. Ff. 33a-58a written in different hand, in small elegant naskh with elements of nastaʻlīq, and with use of red ink for rubrication. Catchwords on the verso of each leaf. Some marginal annotations, chiefly at the start, ff. 1-3. Light cream glazed paper with visible laid lines.Incipit:بسم الله الرحمن الرحيم الحمد لله رب العالمين ... اخبرنا الامام الحافظ ابو عىسى محمد بن عيسى بن مسورة الترمذى1أ ... بسم الله الرحمن الرحيم الحمد لله و سلام على عباده الذين اصطفى قال الشيخ الحافظ ابو عيسى محمد بن عيسى بن سورة الترمذى رحمة الله تعالي باب ما جآء فى خلق النبي ... اخبرنا ابو رجاء قتيبة بن سعيد عن مالك بن انس 1بExplicit (fol. 58a):ثنا محمد بن على قال سمعت ابى يقول قال عبد الله بن المبارك اذا ابتليت بالقضاء فعليك بالاثر ثنا محمد بن على ثنا النضر ان ابن عون عن ابى سيرين قال هذا الحديث دين فانظروا عمن تأخذون دينكم تمت
Binding: The volume is bound in a European binding of pasteboards covered with brown leather. The covers have frames formed of two gold fillets. There are five cords on the spine, with two gold fillets either side of each cord. The pastedowns are modern and are blank except for annotations of the manuscript number and a bookplate for St John’s College and E Libris Coll. Di. Jo. Bapt. Oxon. on the back pastedown.Contents note: Annotations by John Greaves (1602-1652), Savilian Professor of Astronomy (1643-8), fols. 12a/b, 13a, 15a.Contents note: Contents described on fol. iii b: Collatio Mensium Arabicorum, Cophticorum, Græcorum, & Judaicorum. Vide pag. 1. ubi habes hunc titulum doctissimi ipsius Pocockij a later hand has crossed out the last two words, and written in pencil: Gul. Laudi manuscriptum. Nec non Tabulæ quædam Astronomicæ. Omnia imperfecta. In margine passim occurrunt Notæ Viri eruditissimi Joan. Grauij, Prof. Astronom. Sauil.Contents note: In item 1, it is evident from numbers placed on each table that there were originally 23, though tables 5–6, 14–15, and 20–1 are now missing and two tables carry the number ‘9’. Ff. 10a/b, 11a and 17b are blank except for frames formed of two black-inked lines.Dimensions: 21.3 × 13.9 (text area 17 × 10.2) cm.Hand: Both items written in a variable (small to medium) Arabic naskh using black and red inks. The text area has not been ruled, but the tables are divided into rows and columns. The texts are written in tables whose cells are delineated by red- and black-inked lines; occasionally there is writing around the perimeter of the table.Layout: The text area has not been ruled, but the tables are divided into rows and columns. The texts are written in tables whose cells are delineated by red and black inked lines; occasionally there is writing around the perimeter of the table. Lines per page vary.Origin note: "No copyist's signature or date(s) or place(s) of copying."Record origin: "Descriptions abbreviated from Emilie Savage-SmithRecord origin: A descriptive Catalogue of Oriental Manuscripts at St John's CollegeRecord origin: Oxford (Oxford: Oxford University PressRecord origin: 2005)Record origin: Entries. Nos. 4 and 10Record origin: pp. 19-22Record origin: 41-2."
Abstract: 'A work on Ḥanafī law and jurisprudence, being a redaction from the author\'s al-Muntakhab min ʻulūm al-madhhabAbstract: and several commentaries such as Sharḥ al-Karkhī and al-Isbījābī (see beginning of textAbstract: fol. 2b). The text is followed on fol. 229-230b by an incomplete text written by another handAbstract: entitled "Majlis amlāhu muṣannif hādhā al-kitāb".'Ms. codex.Title from title page (fol. 2a).Physical description: 17 lines per page. Written in medium small naskh (prfessional hand) in black ink (faded to brown), with larger script for headings. The text is vocalized. Dark cream paper, with laid lines visible. Marginal annotations. Table of contents on fol. 1a-b. Several short excerpts on fol. 2a. Foliation in black ink (faded to brown) using Arabic numerals.Origin: According to colophon, copy completed on 10 Rajab 621 July 1224 by Bashīr ibn Ḥāmid ibn Sulaymān al-Jaʻfarī al-Tabrīzī (fol. 228b). According to notes on the margin of fol. 228b, collated on an autograph.Incipit: الحمد لله الاحد القديم الصمد الدايم ذي الكمال والدوام والجلال والاكرام والآلاء والنعم وصلى الله ... اما بعد فقد اختصرنا هذا الكتاب من كتابنا المنتخب من علوم المذهب ومن شروح بسيطة كشرح الكرخى ... كتاب الطهارات قال الله تعالى ياءيها الذين آمنوا اذا قمتم الى الصلوة فاغسلوا وجوهكم ... 3أ ففرض الله عز وجل في الوضوء غسلExplicit: لكل واحدة ثلثة اسهم وللاخت النصف اربعة وعشرون سعمًا وللاعمام اثنى عشر سهمًا لكل واحد سعمان تم الكتاب والحمد لله المنعم القديم المحمود العظيم وصلى الله على محمد رسوله الكريم ونبيه الحليم وعلى آله واصحابه وسلّم آخر عبارة المصنف الامير الامام الزاهد ايده الله وسدده
Abstract: Collection of ḥadīth arranged by topics.Ms. codex.Title from inscription on fol. 2a.Physical description: 23 lines per page. Written in careful medium small naskh in black ink with use of red. The text is partially vocalized. Red tear-drop text stops. Thick light cream paper, hardly translucid, with laid and chain lines visible. Some leaves darker. On these leaves, ink corrosive. Marginal annotations (collation notes and glosses). Fol. 1 is a later addition. Several inscriptions on fol. 2a, including a price, two lines of poetry in praise of the text, and ownership statements. Table of contents by a later hand on fol. 1a-b.Chiefly quinions. Catchword on the verso of each quire; some quires are numbered using Arabic ordinals (see "al-Khāmisah" on fol. 36a).Inscription in Arabic script on a label pasted on the upper cover: "Taṣawwuf 27". Inscription in Arabic script on a label pasted on the pastedown of the upper cover: "Ḥ 130".Two leaves of another manuscripts were placed in the volume. They are now shelved separately in Fragments, leaves, etc. (Yahuda Series).Origin: According to colophon, copied by ʻAlī ibn Aḥmad ibn Muḥammad ibn Aḥmad ibn Dūghān Sibṭ al-Ḥasan ibn ʻAlī al-Badrānī, Thursday 12 re-written Dhū al-Qaʻdah ("khalat min") 846 March 14, 1443, from a copy copied from a copy collated on an autograph copy (fol. 180a, followed by a biographical note on the author and by the words: "Thānī nuskhah min al-Adhkār").Incipit: بسم ... اللهم صل على محمد واله وصحبه وسلم تسليما ابدا الحمد لله الواحد القهار العزيز الغفار مقدر الاقدار مصرف الامور ... اما بعد فقد قال الله العظيم العزيز الحكيم فاذكروني اذكركمExplicit: قال ليس لاهل الشام حديث اشرف
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1046Origin: Lacks dated scribal colophon ; hand, dates of composition, and especially paper would suggest the last two decades of the 18th century. Date of 1296 [1879] at the close of Hulâsatü'l-itibar on fol.69 is possibly a corruption of 1195 [1781], the date of composition of this work ; it appears to have been entered by the rubricator who supplied many of the textual dividers and some overlining.Accompanying materials: Slip with inscription in black ink between fol.11 and fol.12.Former shelfmark: On front flyleaf, from Bouwman Books "msturk194".Binding: Pasteboards (thin) covered in dark red brown leather ; Type III binding (without flap) ; doublures (board linings) in fine marbled paper (ebru) in grey, light blue, light brown and black ; upper and lower covers carry a ruled rectangular central panel and gold-tooled borders in a series of s-shaped stamps ; sewn in red thread, two stations ; worked chevron endbands in red and yellow, tailband damaged ; overall in fairly goold condition with minor abrasion, etc.Support: European laid paper with 10 laid lines (horiztonal) per cm., chain lines (vertical) spaced 26 mm. apart, and watermark of scrollwork with horn in shield, crown above, trefoil and "D& C Blauw" below (mark of the Dutch papermaking firm of Dirk & Cornelius Blauw, see Voorn pp. 543-4 ; 558-9, roughly 115 x 115 mm. including name of firm, compare Gravell Nos. TJ 163, TJ 162, TJ 137, TJ 709, TJ 351 / SLD.349.2, SLD.349.1, SLD.345.1, SLD.400.1, SLD.378.1 dated 1783-1793).Decoration: Keywords and many notabilia rubricated ; written area surrounded by red rule-borders ; overlining in red ; textual dividers in the form of inverted commas in red.Script: Naskh ; fine, very neatly formed Ottoman hand, in a medium line ; partially but irregularly seriffed with right-sloping head-serif on occasional lām, slight effect of tilt to the left, curvilinear descenders, many open counters, pointing mainly in strokes or conjoined dots, partially vocalized.Layout: Written in 21 lines per page ; frame-ruled.Collation: IV+1 (9), V+1 (20), V (30), V+1 (41), V+1 (52), V (62), V+1 (73), III (79) ; final five leaves left blank ; catchwords present ; foliation in pencil, Western numerals (supplied by book seller).Incipit: [Sefaretname] "حمد موفور وسپاس نامحصور مالك ملكوت آسمان زمين اولان خدواند جهان آفرينه سزادركه ارسال رسل ورسائل ضمننده تبيين ملل واديان ... اما بعد تقرير كمترين بندكان ديوان سامى الحاج احمد رسمى بودركه بلاد شماليۀ غربيه دن جرمانيا او آلمانيا مملكتى داخلنده في الاصل سقصونه ايالتندن معدود اولان برآنده برق سنجاغنه القطورلق نشانى ..." ; [Hulâsatü'l-itibar] "ايفاى حمد وثناى خداوند علام واجراى وضيفۀ صلوة وسلام ختامندنصكره معروض انديۀ بهيۀ كرام بودركه فاتحۀ معمورۀ عالم ..." ; [Kıta-yi Halifetü'r-rüesa] "اشبو مقالۀ مشكين كلاله بيان وفيات ... محصوره اولميوب على العموم كتاب معارف انتسابه مسرح عيون اعتبار ومنهاج رفتار وانحدار اولمق ملاحظه سيله اواخر ملوك بني اميه واوائل دولت عباسيه ده رئيس الكتاب وفن كتابت وانشاده مقتداى شيخ وشاب اولان عبد الحميد بن سعيدك شرذمۀ [؟] كتابه دستور شمائل وشعار ... بلاغت علامه سى بطريق الترجمه بو محله ذيل وخاتمه قلنمشدر وهى هذه صناعت كتابت ومنقبت فصاحت وخطابتله موصوف اولان ..."Title from inscription on front flyleaf.Ms. codex.5. fol.69b-fol.74b : [Kıta-yi Halifetü'r-rüesa] / Ahmet Resmî Efendi.4. fol.28b-fol.69a : [Hulâsatü'l-itibar] / Ahmet Resmî Efendi.3. fol.27b-fol.28a : [blank].2. fol.22b-fol.27a : [Layiha] / Ahmet Resmî Efendi.1. fol.1b-fol.22a : [Sefaretname-yi Ahmet Resmî] / Ahmet Resmî Efendi.Fine collection (mecmua) of works by Ahmet Resmî Efendi, opening with his Sefaretname, an account of his embassy to Berlin in 1177-78/1763-64, followed by the Layiha he presented to Muhsinzade Mehmed Paşa (d.1188/1774) as the Ottomans undertook negotiations with the Russians to end the Russo-Ottoman War (1768-74), next his critical and satirical history of that war Hulâsatü'l-itibar, and closing with an excerpt from Halifetü'r-rüesa (see pp.73-81 of the 1853 Istanbul edition), his biographical work on Ottoman chief scribes, addressing the scribal arts as modeled in the work of the first great scribe of Islam, ʻAbd al-Ḥamīd ibn Yaḥyá ibn Saʻīd al-Kātib (d.750).
Abstract: A collection of hadith with sound isnads and contents and their use for determining correct action.Title from the bottom edge of the manuscript.الاجزاء من الاول وحتى الرابع من كتاب شفاء الاوام للتمييز بين الحلال والحرامLater additions and repairs dated February 1917. Sale note and multiple reading notes. Includes fragments by ʻAlī ibn Abī ṭālib.جيدة وهو عبارة عن مجلد جلدي كبير سقطت منه بعض الأوراق في آخره وتم استبدالها بأوراق أحدث منها. وهو مكتوب بالمداد الأسود والأحمرليلة الجمعة 23/صفر/سنة1049هـ; ليلة الخميس الرابع شهر ربع الآخر1049ه; 2/جماد الأول/سنة1049هـ; نهاية نسخ الأوراق المستبدلة من اللقطة رقم (527-534): عشية الأحد لعشر خلت من شهر ربيع الثاني سنة1335هـNaskh script, written in black and red ink. Final pages added later in different hand.31 lines.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 271Origin: Versified chronogram at end (fol.182b, "اخلاق محسنى") gives dating for completion of composition; this reading, without the preposition "ز", yields the more widely accepted date of 900 H. As appears in colophon on fol.182b, copied by Maḥmūd ibn Najīb. Transcription finished ("tamma al-kitāb bi-ʻawn al-Malik al-Wahhāb taḥrīran fī tārīkh...") 12 Rabīʻ I 922 [ca. 15 April 1516].Binding: Pasteboard covered in red-brown leather; Type II binding (with flap); upper and lower covers bear gold-stamped central mandorla (Déroche class. NSh1) with pendants and simple gold rule-border; smaller mandorla on envelope flap; doublures in light-blue coated paper embossed with vegetal pattern; in good condition.Support: Persian laid paper; laid lines oriented vertically but too faint to count; chain lines not visible; flyleaves are fashioned from a light-blue coated paper, embossed with a vegetal pattern, that is also used for the doublures.Decoration: Illuminated headpiece on fol.2b; marvelously rendered in two rectangular panels; lower panel contains the basmalah, executed in red nastaʻlīq, in a central cartouche flanked by two, smaller palmette-like lozenges; lower panel is framed by an elaborite golden braid; background is predominantly lapis-lazuli, with vegetal/floral patterns executed in gold, red, pink, green, black, and white; upper panel continues the background motif and color palette; three small, predominantly black, palmette-like lozenges serve as the pivot for the repeating vegetal pattern in this panel, but these are subdued figures and are rather absorbed into the lapis-lazuli background and intriquate vine patterns; upper panel is surmounted by five verticle, decorative stalks; written area framed by a rule-border in dark blue, black, and gold; gold frames set off verses and some chapter titles; text is polychrome, with main text in black, Arabic quotations in dark blue, gold, and occasionally red, and chapter titles in dark blue or gold; the words "شعر" and "بيت" as they occur throughout the text introducing verses of poetry are rendered in red and blue, and occasionally, gold; main text of incipit page decorated with gilt cloudbands.Script: Main text in nastaʻlīq; chapter headings in tawqīʻ; Arabic quotations of Qur'anic verses and Hadith in naskh and vocalized; basmalah in cartouche of illuminated headpiece in nastaʻlīq.Layout: Written in 15 lines per page.Collation: ii, 23 IV (184), i; quaternions; cacthwords present; pagination in pencil, Western numerals, referenced in cataloguing; foliation in red ink, Hindu-Arabic numerals, begins with ١ on fol.3a (Western pagination) and concludes with ١۸۰ on fol.182a; fihrist of chapter titles (fol.6a-7a) corresponds with foliation.Dedication: Composed for Shāh Abū al-Muḥsin (شاه ابو المحسن ), one of the sons of the Tīmūrid pādishāh Ḥusayn Bāyqarā, on the occasion of his coming to court (in Herat) from Marv (see fol.4a-4b, Western pagination).Colophon: "Scribal," triangular, in Arabic, reads: "رب اختم بالخير والحسنى تمت [كذا] الكتاب بعون الملك الوهاب تحريرا في تاريخ اثنى عشر شهر ربيع الاول سنه اثنى عشرين و تسعمايه بخط العبد الحبيب [المجيب ؟] محمود بن نجيب"Explicit: "با خامه گفتم ای كه زهر ساختى قدم وز مقدم تو چشم سخن يافت روشنى اخلاق محسنى بتامى نوشته تاريخ هم نويس ز اخلاق محسنى"Incipit: "حضرت يادشاه على الاطلاق غرت كلمته و جلت عظمته منشور دولت سلطان المرسلين"Title from opening on fol.5a.Ms. codex.A work on ethics in 40 chapters, composed by Kāshifī for Shāh Abū al-Muḥsin, a son of Sulṭān Ḥusayn Bāyqarā. Description provided by Derek Mancini-Lander.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 380Origin: As appears in colophon on pp.990-991, copied by Mahmut, the translator/author's son, for the vizier Hazret Osman Paşa ( حضرت عثمان پاشا) with transcription completed 1 Ṣafar 1112 [ca. 18 July 1700].Accompanying materials: Slip of blue wove paper carrying notes in black ink (between pp.202-203).Former shelfmark: "٢٤٧" in black ink on spine label ; "362 T. De M. [i.e. Tammaro De Marinis] on verso of front flyleaf.Binding: Pasteboards covered in tan / light brown leather framed in black leather (over spine, fore edge flap, and edges/turn-ins) ; Type II binding (with flap) ; doublures / pastedowns and flyleaves in heavy laid paper with a speckled ebru design (marbled) in red, white, blue, green, purple, and black ; upper and lower covers carry blind-stamped (with gold-painted, red recessed onlays) scalloped mandorla and pendants, as well as wide, tooled and gold-painted border in a series of s-shaped stamps (forming guilloché roll) flanked by gold rules ; design continues on flap ; sewn in blue thread, broken for many of the gatherings in the first half of the text and sometimes repaired with red thread ; worked chevron endbands in brown and light blue, losses exposing cores of head and tailband ; overall in fair condition with minor abrasion, lifting (particularly where cover flanges overlap on spine) and losses of leather, envelope flap detaching from fore edge flap, etc.Support: European laid paper of at least three types ; first type with roughly 11 laid lines per cm. (horizontal) and chain lines (vertical) roughly 28 mm. apart, well-burnished, thick and creamy (see p.20, etc.) ; second type with roughly 14 laid lines per cm. (horizontal) and chain lines (vertical) spaced roughly 23 mm. apart, well-burnished, thin and crisp, scrollwork / arms watermark (see p.571, etc.) ; third type with roughly 13 laid lines per cm. (horizontal) and chain lines (vertical) spaced roughly 14 mm. apart, well-burnished, thin and crisp, watermark with grapes surmounted by a cartouche with "...RBE..." written inside surmounted by a crown (compare to Heawood 2385, see p.791, etc.).Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with empty gold cartouche flanked by floral vegetal accents in green and red on a gold ground, surmounted by a scalloped, semi-circular piece (dome) with floral floral designs in pink, lavender, red, and teal on a gold ground, itself surmounted by delicate vertical stalks (tīgh) in dark blue and flecked with gold above ; entire piece set in a well of white crosses on a thin red band ; text of written area surrounded by frame consisting of a heavy gold band flanked by black fillets and outermost gold rule ; section headings, keywords, notabilia and some vocalization rubricated ; overlining in red ; textual dividers in the form of discs and inverted commas in gold (incipit and facing page, pp.4-5) and red ; edges of text block decorated with floral-vegetal motifs in gold.Script: Nastaʻlīq (talik) ; elegant Ottoman hand in a medium line ; serifless with effect of words descending to baseline and elongated horizontal strokes, fully vocalized at times.Layout: Written in 19 lines per page ; frame-ruled.Collation: ii, IV+1 (9), 48 V (489), III+1 (496), ii ; chiefly quinions ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," rectangular, reads "قد استراحت قديمة القلم عن السياحت في ميادين الرقم ... على يد افقر من مشى تحت الخضرا... محمود ابن مترجم هذا الكتاب المستطاب ... وجعله هدية لخزانة كتب الوزير المكرم والدستور المفخم ... حضرت عثمن پاشا اناله الله بما يحبه ويشا وكثر من المستعدين من اولاه وجعل اخراه اولى من اوليه ... حرر في غرة صفر المظفر ختم بالخير والظفر من شهور سنه اثنى وعشرة و مائة بعد الالف من هجره من انزل عليه القران حرفا بعد حرف"Explicit: "وضلع امرأه ايله تعبير اولنور زيرا رسول اكرم غرابه فاسق الطلاق ومراه يي ضلعه تشبيه بيورديلر والله اعلم وصلى الله على سيدنا محمد وله و صحبه اجمعين"Incipit: "ان احسن الاحاديث بعد الحمد لمن جعل السقف الاخضر مرفوعا ... وبعد بو كمينۀ كم بضاعه وفقير قصير الباعه ..."Title from titlepiece on 'title page' (p.3).Ms. codex.Elegant copy of the extensive Ottoman Turkish rendering (with commentary) by İshak Hocası Ahmet b. Heyreddin (d.1708) of al-Tirmidhī's (d.892) Kitāb al-Shamāʼil, a collection of traditions comprising the Prophet’s characteristics. Copy apparently executed by the author's son (see colophon) and collated by the author himself (see collation statement on p.1). Descriptive contributions from Nick Krabbenhoeft.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 379Origin: As appears in colophon on p.1391, copied by Muḥammad ibn Khalīl (Mehmet b. Halil) ; date of transcription not specified ; paper suggests 18th century (perhaps mid century).Accompanying materials: a. Slip of wove paper with notes in black ink (between pp.230-321) -- b. Slip of laid paper with notes in black ink (between pp.726-727).Former shelfmark: "340 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of opening leaf (p.2) ; "٣٢ع | ٤خ" on spine label.Binding: Pasteboards covered in gold-flecked red leather ; Type II binding (with flap) ; board linings in untinted laid paper ; upper and lower covers carry blind-stamped (with orange paper onlay) and gold-painted mandorla filled with vegetal composition (compare Déroche class. NA 4), surrounded by a tooled border consisting of an s-shape stamped chain in gold flanked by thin gold fillets ; sewn in pink thread, two stations ; worked endbands in pink and yellow thread in a chevron pattern ; overall in fair condition with fore edge flap lost, repairs to spine and fore edge of lower board in a darker red leather, and abrasion on upper and lower covers.Support: European laid paper of several types ; one opening type with roughly 12 laid lines per cm. (vertical), chain lines (horizontal) spaced roughly 12 mm. apart, and watermark of grapes surmounted by a crown (see p.32) ; another with roughly 13 laid lines per cm. (vertical), chain lines (horizontal) spaced roughly 25 mm. apart, and watermark of "?AHE?NE" and figure (see p.46) ; another with roughly 10 laid lines per cm. (vertical), chain lines (horizontal) spaced roughly 25 mm. apart, and watermark of grapes surmounted by a crown with a heart motif (see p.136) ; another with roughly 8 laid lines per cm. (vertical), chain lines (horizontal) spaced roughly 21 mm. apart, watermark of grapes (see p.578) ; another with roughly 9 laid lines per cm. (vertical), chain lines (horizontal) spaced roughly 24 mm. apart, and watermark of LANGUEDOC (see p.592) ; all well-burnished, thin and crisp.Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.10 consisting of rectangular piece with emtpy gold cartouche outlined in orange and flanked by floral vegetal accents in gold, light pink, and pale blue, surmounted by a scalloped semicircular piece (dome) outlined in orange and filled with floral vegetal accents in blue, pale blue, light pink, orange, and white, itself surmounted by delicate vertical stalks (tīgh) in blue, and set in a well consisting of a thick band of light pink ; written area throughout surrounded by a thick gold frame with outer black rule ; Qurʼānic passages rubricated in a range of red shades ; overlining in red ink.Script: Nastaʻlīq (talik) ; elegant Ottoman hand in a medium to bold line ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 21 lines per page ; frame-ruled.Collation: II (4), 169 V (694), II (698) ; chiefly quinions ; final two leaves (following close of text) left blank ; foliation in Hindu-Arabic numerals ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, reads "كتبه اضعف العباد محمد بن حليل م"Explicit: "ومراه يي ضلعه تشبيه بيورديلر صلى الله على سيدنا محمد واله و صحبه اجمعين و الحمد الله حمدا يوافي نعمه ويكافي مزيده كلما حمده الحامدون و ذكره الذاكرون تمت بعون الحق"Incipit: "ان احسن الاحاديث بعد الحمد لمن جعل السقف الاخضر مرفوعا ... وبعد بو كمينۀ كم بضاعه وفقير قصير الباعه ... لمؤلفه احمدم ... واقوم الوسائل في ترجمة الشمائل ديو نام زد قيلدم ... "Title from opening matter on p.14.Ms. codex.Elegant copy of the extensive Ottoman Turkish rendering (with commentary) by İshak Hocası Ahmet b. Heyreddin (d.1708) of al-Tirmidhī’s (d.892) Kitāb al-Shamāʼil, a collection of traditions comprising the Prophet’s characteristics. Descriptive contributions from Nick Krabbenhoeft.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Naskh and Nastaʻlīq in various hands.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 451Origin: As appears in colophon on p.261, transcription completed Rajab 1171 [March-April 1758].Accompanying materials: a. Acquisitions slip from Yahuda (pp.1-2) -- b. Inventory cataloguing slip in hand of Winifred Smeaton Thomas (pp.3-4).Former shelfmark: From inscription on interior of upper cover and spine label "IL 26" (likely supplied by Yahuda, see acquisitions slip).Binding: Pasteboards covered in block-stamped paper (repeating pattern of squares filled with rows of diamonds in contrasting black on dull yellow and red-orange on white, also lining fore edge flap and covering envelope flap) with red leather over spine, fore edge of upper board, and fore edge flap ; Type II binding (with flap) ; board linings in untinted Europea laid paper (three crescents watermark visible) ; sewn in light pink thread, two stations ; worked chevron endbands in dark blue and yellow, quite good condition ; overall in fairly good condition with only minor abrasion, etc.Support: European laid paper with 10-11 laid lines per cm. (vertical), chain lines spaced 25-27 mm. apart (horizontal), grapes (raison) surmounted by crown watermark (see p.16, 17, etc.), and several words including "LANGUEDOC" (p.36, 37, etc.) ; sturdy though fairly thin and transluscent, burnished, medium cream in color.Decoration: Simple headpiece (ʻunwān) at opening on p.8 consisting of two empty rectangular pieces surmounted by a double semi-circular piece set into a well, all in red rules ; keywords, section and table headings, abbreviation symbols (letters representing the juzʼ, ḥizb, ʻushr and āyah, explained in opening table on p.9), sūrah titles and notabilia (side-heads) rubricated ; written area and table within outlined in a red rule-border.Script: Naskh ; elegant Ottoman hand in a narrow line ; mainly serifless (though occasional serif appears) with slight effect of tilt to the left, some elongation of horizontal strokes, curvilinear descenders (some sweeping), pointing in strokes rather than distinct dots ; Qurʼānic excerpts vocalized.Layout: Written in roughly 25 lines per page with written area divided to tabular format of 25 lines and 6 columns (passage of text, juzʼ, ḥizb, ʻushr, āyah and sūrah title).Collation: i, 3 V(30), V-1 (39), V (49), IV (57), 6 V(117), V+1 (128), i ; chiefly quinions ; catchwords present ; quire numbering in the form of Hindu-Arabic numerals above letter ك in the upper outer corner of the opening recto of each quire from the second ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals (includes inserts and flyleaves).Colophon: "Scribal," triangular, reads "تم وكمل هذا الكتاب الشريف في رجب الفرد سنة احدى وسبعين ومائة والف من هجرة من له العز والشرف صلى الله عليه وسلم"Explicit: "يهدي به الله من اتبع و - - و مائدة"Incipit: "الحمد لله الذي انزل على عبده الكتاب واتاه الحكمة وفصل الخطاب ... وبعد فيقول العبد الحقير عبد الله الوزير الشهير بچته جى ... لما احتجت الى وجدان ايات القرآن في اكثر الزمان سنح لخاطري الفاتر ان اجمع كتابا مع قلة البضاعة مشتملا على جداول في بيان مواضع الايات بطرح عزيب ووضع عجيب فلما يسر الله الاتمام سميته بانهار الجنان من منابيع آيات القرآن ..."Title from opening matter (preface) on p.8.Ms. codex.Fine copy of a concordance by Çetecî Abdullah Paşa b. İbrahim el-Cermakî (ʻAbd Allāh ibn Ibrāhīm, d.1760) outlining various subjects addressed in the Qurʼān in tabular form ; preceded by preface and table elucidating the meaning of the abbreviation symbols employed (pp.8-9).
Abstract: Collection of texts by the founder of the Shaykhī school, followed by a Persian commentary on the supplication Davāzdah Imām.Binding note: Rebound in green cloth.Contents: 1. leaves 1b-7b: Answer to ʻAbd al-Ḥusayn ibn Yūsuf al-Baḥrānī / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 2. leaves 7b-11a: al-Asʾilah al-Masʻūdīyah / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 3. leaves 11a-12b: al-Risālah al-Zanjīyah / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 4. leaves 12b-16a: Answer to Muḥammad Ḥusayn ibn Sulṭān al-Najafī / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 5. leaves 16a-17a: al-Risālah al-Baḥrānīyah / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 6. leaves 17a-21a: al-Risālah al-Ghadīrīyah / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 7. leaves 21a-24a: Wasāʾil al-himam al-ʻulyā fī jawāb masāʾil al-ruʾyā / Aḥmad ibn Zayn al-Dīn al-Aḥsāʾī.Contents: 8. leaves 24a-26b: Sharḥ-i Davāzdah Imām-i Khvājah Naṣīr / ʻAbd al-Muṭṭalib ibn Ḥasan Isfahānī.Ms. codex.Physical description: 27 lines per page (text 8, 36 lines); written in miniscule naskh in black on glazed, laid European paper. Rubrication and catchwords. Mild staining and smudging.Origin: 1258 H 1842 or 1843 (leaf 24a).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 7Origin: As appears in colophon on p.1178, copied by Ḥasbī Sulaymān ibn Aḥmad ibn Ḥasan al-Arzanjānī in Erzincan. Transcription finished mid-Rajab 1177 [January 1764].Accompanying materials: Roughly ten inserted slips, most carrying glosses, some tipped in, all paginated (see pp.17-18, pp.49-50, pp.51-52, pp.107-108, pp.523-534, pp.885-886, pp.893-894, pp.895-896, pp.1151-1152, pp.1163-1164).Former shelfmark: British Museum, London "No. 49. Anwar al-tanzil." ; possible former shelfmark on tail of textblock.Binding: Pasteboards covered in deep red-brown leather ; Type II binding (with flap) ; doublures and interior of flap in brown leather ; upper and lower covers bear large, blind-stamped, scalloped mandorla with symmetrical vegetal composition (compare Déroche class. OSd 9) ; upper and lower doublures carry gold-painted outline of scalloped mandorla with pendants ; along with gold-painted roll border consisting of a series of s-shaped stamps ; sewn in dark blue thread, two stations ; fine chevron endbands in yellow and blue ; in fair condition with some abrasion, staining, ill-fitting flap, etc.Support: European laid paper in at least two types ; the first type with roughly 9 laid lines per cm. (horizontal) and chain lines spaced 26-28 mm. apart (vertical), watermarks include grapes with initials and crown and "P P [?]" countermark ; a second type with roughly 13 laid lines per cm. (vertical) and chain lines spaced 22 mm. apart (horizontal), watermarks include lion rampant in scrollwork with crown above ; thin, crisp and fairly transluscent, though sturdy.Decoration: Fine illuminated headpiece (ʻunwān) on fol.1b (p.10) consisting of rectangular piece surmounted by semi-circular piece (dome) ; rectangular piece (surrounded by interlace border in lavender) carries empty gold cartouche flanked by floral vegetal accents in gold on fields of blue; semi-circular piece (set in a well of interlace in blue and black) contains floral motifs in gold and red on fields of blue, bordered in gold, red and blue and surmounted by vertical stalks (tīgh) in blue with red accents ; written area (and margin) of incipit and facing page outlined in gold frame, thereafter written area bordered in red rule-border ; text rubricated with keywords, overlining, sigla other abbreviations, etc. in red.Script: Naskh ; elegant Turkish / Eastern Anatolian hand ; partially seriffed with right-sloping (nearly horizontal) head-serif appearing often on lām of definite article ; rounded though adhering to baseline (apart from occasional superscripting) ; very slightest effect of tilt to the left.Layout: Written in 27 lines per page ; frame-ruled.Collation: ii, V+1 (11), 4 V(51), V+1 (62), V (72), IV+1 (81), 22 V(301), VI (313), 12 V (433), V+1 (444), 14 V (584), iv ; chiefly quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals, begins with first folio of text proper, continues with numerous mistakes (e.g. skips ۸۲, repeats ۲۳۷ then skips a leaf, etc.) ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and inserts, skips two pages between pp.493-494 and between pp.529-530, drops from p.899 to p.890).Cololphon: "Authorial," rectangular, reads: "قال المصنف ... قد اتفق اتمام تعليق سواد هذا الكتاب المنطوي على فرائد قواعد ذوي الاباب ... الموسوم بانوار التنزيل واسرار التأويل وهو سبحانه حقيق بان يحقق الرجا" ; "Scribal," rectangular then triangular, reads: "الحمد لله الذي وقفنا بخدمة كتابه المبين ... قد من الله تبارك وتعالى باتمام هذا الكتاب المستطاب بيد الفقير الى رحمة ربه العليم وشفاعة نبيه الكريم حسبي سليمان بن احمد بن حسن الارزنجاني ... بمدينة ارزنجان حماها الله ... في اواسط رجب المبارك لسنة سبع وسبعين ومائة والف ... اعننا الله فيما يحبه ويرضاه لا اله الا الله محمد رسول الله"Explicit: "من الجنة والناس بيان للوسواس او الذي او متعقلق يتوسوس اي يوسوس في صدورهم من جهة الجن والناس وقيل بيان للناس على ان المراد به ما يعم القبيلتين ... فكانما قرأ الكتب التي انزلها الله تعالى"Incipit: "الحمد لله الذي نزل الفرقان على عبده ليكون للعالمين نذيرا ... وبعد فان اعظم العلوم مقدارا وارفعها شرفا ومنارا علم التفسير الذي هو رئيس العلوم الدينية ورأسها ومبنى قواعد الشرع واساسها ..."Title from authorial colophon.Ms. codex.Fine copy of al-Bayḍāwī's celebrated commentary on the Qurʼān. Table of contents, listing of commentaries upon the work, and biographical sketch for the author included at opening.
Abstract: "Abridgement of the author's commentary on al-Ṭughrāʼī's Lāmīyat al-ʻAjam. The commentary is variously known as Ghayth al-musjam fī sharḥ Lāmīyat al-ʻAjam and Ghayth al-adab alladhī insajama fī sharḥ Lāmīyat al-ʻAjam. Brockelmann has misidentified the abridger of the present text as the person who financed the 1897 edition. In this copy the abridgement is ascribed to ʻĀʼishah bint Yūsuf al-Bāʻūnīyah by a later hand on leaf 1b. Verses on leaves 1aAbstract: 21b-23a."Binding note: Quarter leather with paper covers.Ms. codex.Title from leaf 1b, lines 6-7.Physical description: 23 lines per page; written in naskh in black on glazed, laid European paper. Rubrication and catchwords. Text of Lāmīyat al-ʻAjam in red with verses numbered in margins. Repairs to inner margins, marginal insect damage, some staining.Origin: 1 Rabīʻ I 1055 H 27 April 1645 (leaf 21b).Incipit: الحمد لله حق حمده ... وبعد فاني لما وقفت على كتاب غيث الادب الذي انسجم في شرح لامية العجم من تصانيف ... صلاح الدين
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 431Origin: As appears in colophon on p.16, executed by Sulṭān ʻAlī [possibly Sulṭān ʻAlī Mashhadī?] ; date of transcription not specified ; decoration, hand, etc. suggest early 16th century.Former shelfmark: "450 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of both front flyleaves.Binding: Pasteboards covered in dark purple leather ; Type III binding (without flap) ; pastedowns and flyleaves in light-blue textured paper ; upper and lower covers bear gold-painted central floral motif with tooled borders in gold (two different shades) ; sewn in heavy yellow thread, four stations ; overall in fair condition with some abrasion, lifting and losses of leather and paper, etc.Support: Written area mounted in lovely silhouette paper (floral designs in pink) in leaves of non-European (likely Persian) laid paper with 8 laid lines per cm. (horizontal, fairly distinct) and no chain lines visible, thin and transluscent though sturdy, well-burnished ; some staining and tide lines.Decoration: Elegant illuminated headpiece (ʻunwān) at opening on p.2 consisting of rectangular piece with empty gold cartouche and surrounding floral vegetal accents in gold, red, lavender, orange, pink, light blue, white, etc. on a field of lapis lazuli bordered in bands of lapis, gold and orange-red, surmounted by a scalloped triangular piece or hasp set in a narrow rectangular piece continuing the floral vegetal design and itself surmounted by vertical stalks (tīgh) in lapis lazuli ; written area throughout surrounded by frame in bands of green and gold with outermost blue rule ; panels within written area (and entire written area of incipit page) gold-flecked ; ḥadīth text in light-blue and white ink.Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes.Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of the Persian verse paraphrase with the hemistiches of four lines of verse divided and arranged on the diagonal ; written area divided to set off the ḥadīth text and elucidation ; frame-ruled.Collation: ii, IV (8), ii ; single quaternion ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," reads "احقر العباد سلطان على"Explicit: "ومن كلامه صلى الله عليه و آله لا يشبع المؤمن من دون جاره هر که در خطه مسلمانی باشد از نقد دین گر انمایه ... تمت ترجمه هذه الاربعين بتوفيق من هو ناصر ومعين سنه ست و ثمانين و ثمانمائة متع الله بها كل فريق فيه و الحمد لله على الاتمام و الصلوه و السلام على محمد و آله البررة الكرام اربعینهاى سالکان جامی هست بهر وصول صدر قبول منست از فضل حق عجیب و غریب که بدین اربعین رسی بوصول"Incipit: "صحیح ترین حدیثى که راویان مجالس دین ... این چهل کلمه است ازان کلمات که سهولت فهم و حفظ را بنظم فارسی ترجمه گر ده مي آید امید ... لا يؤمن احدكم حتى يحب لاخيه ما يحب لنفسه هر کسی را لقب مکن مؤمن گرچه از سعی جان وتن کاهد ..."Title supplied by cataloguer.Ms. codex.Exquisite copy of Jāmī's verse paraphrase of forty ḥadīth, possibly executed by renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 432Origin: As appears in colophon, copied by Muḥammad Zakarīyā Samarqandī with transcription completed in the year 1256 [1840 or 41].Former shelfmark: "548 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf ; "233" inscribed in pencil on 'title page'.Binding: Heavy pasteboards covered in painted lacquerwork, spine in black leather ; Type III binding (without flap) ; doublures in fine painted lacquerwork of composition evoking book cover design with central mandorla and pendants (filled with flowers and leaves in shades of pink and green on a black ground) set in a red ground with swirling floral vegetal pattern in gold and surrounded by border in black with white dots and flanking gold fillets (composition of upper doublure mirrors that of lower doublure) ; upper and lower covers bear paintings of nearly identical floral composition in mirror image to one another on an orange or bronze background, namely a central cluster of peonies, poppies, etc. with roses, poppies, buds, and other floral forms all in shades of pink and white with leaves in various shades of green, and surrounded by decorative bands with floral motifs in various sizes on bands of red and black ; sewn in pink thread, four stations ; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, text block almost fully detached from cover, etc. ; cover large for textblock and perhaps not original.Support: Quite heavy wove paper ; surfaced dyed pale blue and pale green.Decoration: Illuminated headpiece (ʻunwān) at opening consisting of rectangular piece with empty cartouche and flanking vegetal accents (all in gold) set between heavy gold bands and surmounted by a scalloped semi-circular piece (dome) filled with swirling floral vegetal decoration and surmounted by vertical stalks (tīgh) all in gold ; written area (and panels within) surrounded by gold rule-border ; ḥadīth text, preface and closing matter chrysographed.Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes.Layout: Written mainly in 9 lines per page, three of ḥadīth text and six of the Persian verse paraphrase with the hemistiches of four lines of verse divided and arranged on the diagonal ; written area divided to set off the ḥadīth text and elucidation ; text of preface in 8 lines per page ; frame-ruled.Collation: V+I (12) ; quinion with added single bifolium ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, reads "على يد ضعيف الفقير الحقير كتبه العبد المذنب محمد زكرياى سمرقندى غفر الله تعالى ذنوبه ١٢٥۶"Explicit: "لا يشبع المؤمن من دون جاره صدق النبي هر که در خطه مسلمانی باشد از نقد دین گر انمایه ... تمت الاربعين حديث مع ترجمه اربعینهاى سالکان جامی هست بهر وصول صدر قبول بنود از فضل حق عجیب و غریب که بدین اربعین رسی بوصول ... ما تازه گناهیم و عطای تو قدیم است"Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... اما بعد این چهل حدیث کلمه است ازان کلمات که سهولت فهم و حفظ را بنظم فارسی ترجمه گر ده مي آید امید ... لا يؤمن احدكم حتى يحب لاخيه ما يحب لنفسه هر کسی را لقب مکن مؤمن گرچه از سعی جان وتن کاهد ..."Title supplied by cataloguer.Ms. codex.Elegant copy of Jāmī's verse paraphrase of forty ḥadīth.
Abstract: Collection of two treatises on uṣūl al-dīn, and Shīʻī doctrine of imāmate, the later apparently incomplete at end.Binding note: Upper and lower covers made of brown leather over paper pasteboards (visible). Both covers are similarly blind-tooled with a central mandorla with a floral motif with two pendants on the vertical axis and an outer frame consisting of a running pattern and fillets. Rebacked.Contents: 1. fol. 1a-6a: Short excerpts from Ḥāshiyat Sharḥ al-Maṭāliʻ; Sharḥ al-Mawāqif by Jurjānī; a commentary on Āyat al-Nūr; a text on Wājib al-wujūd; Jamʻ al-Jawāmiʻ; Ibn Ḥajar; Bayḍāwī.Contents: 2. fol. 6b-7b: Table of contents of Kitāb Arbaʻīn by Fakhr al-Dīn al-Rāzī, followed by a short biographic note on the author.Contents: 3. fol. 8a: Short excerpt on al-imkān al-khāṣṣ and al-imkān al-ʻāmm; inscriptions in Persian.Contents: 4. fol. 8b-136a: al-Arbaʻūn fī uṣūl al-dīn / Fakhr al-Dīn al-Rāzī.Contents: 5. fol. 136b-182a: al-Arbaʻīn fī imāmat al-Ṭāhirīn / Muḥammad Ṭāhir ibn Muḥammad Ṭāhir ibn Muḥammad Ḥusayn al-Shīrāzī thumma al-Najafī.Contents: 6. fol. 182b: Blank.Contents: "7. fol. 183a-184a: Short text on God's attributes apparently by Muḥammad ibn Abī Bakr ibn Abī Bakr ibn MuḥammadContents: see end of textContents: fol. 184a)."Contents: '8. fol. 185a-188b: Excerpts from Itqān al-ʻulūm by Jalāl al-Dīn al-Suyūṭī; Ibrāhīm al-Ghazzī reporting from Ṣawāʼiq al-muḥriqah by Ibn Ḥajar al-Haythamī; Bayḍawī; Sharḥ al-Shmasīyah; Sharḥ al-Mawāqif by Jurjānī.'Ms. codex.Title provided by cataloger.27 lines per page. Written in medium small naskh in black ink. Fol. 183a-184a written in thick small naskh. Fol. 8-184 : European glazed paper. Fol. 1-7 and 185-188: fly-leaves on woven paper, with short excerpts written diagonally. Text 1 has been collated (see collation statement dated 17 Jumādá al-Thānī 1116 1704 on the margins of fol. 136a). Short excerpts and annotations on the margins. Long biographic note on Fakhr al-Dīn al-Rāzī after the colophon of text 1 (fol. 136a, 11 lines). Between fol. 135 and 136: Text in Persian on a small piece of paper. Some leaves loose.Copy of text 1 completed in 1115 by ʻAlī(?) ibn ʻAlī Akramghār(?) (colophon, fol. 136a).
A copy of Galen's Τέχνη ἰατρική (
Ars medica) in the Arabic version thought to be by Ḥunayn ibn Isḥāq al-‘Ibādī. In Arabic, the text is called الصناعة الصغيرة (
Ars parva). The text is accompanied by a commentary by Abū al-Faraj ‘Abd Allāh Ibn al-Ṭayyib (أبو الفرج عبد الله بن الطيب). The copy is dated Dhū al-Ḥijjah 448 (February-March 1057; see colophon fol. 114v, line 16, transcribed below), just 14 years after Ibn al-Ṭayyib's death in 435/1043.Begins (f. 2v, lines 2-6):تفسير الشيخ الحـ[...]ـب الفيلسوف أبي الفرج عبد الله بن الطيبأطال الله بقاه لكتاب جالينوس الموسوم بالصناعة الصغيرةالتعليم الأوللما كانت الأبدان الغير بقية كلما عددناها ودناها شدًا كماقال بقراط ...Ends (f. 114, lines 8-11):صداعًا والحلو لعلظه يولد عدًا غليظًا وأصناف الحمروإنها نافع وموافق لمزاج الإنسان وإنها لا (!) قدشرحت من كتاب تدبير الأصحاء وهاهنا ينقضي تعليمناوبانقضائه ينقضي الكتاب بأسرهColophon (f. 114v, lines 11-16):... تم تفسيرالشيخ الفاضل الفيلسوف أبي الفرج عبد الله بن الطيبأطال الله بقاه لكتاب جالينوس الموسوم بالصناعة الصغيرةوالحمد لله كثيرًا (؟) وصلى الله على خير به (؟) من خلقه محمد وآله وسلم تسليمًأ (؟)فرغ من نسخه حسن بن محمد بن أحمد بن محمد ولي آل محمد المعروف بابن صباحالمسكي الفلسطيني في اليوم الثاني عشر من ذي الحجة سنة ثمان وأربعين وأربعمائةA note in English written about AD 1773 and bound into the volume as folio 1 gives a brief history of the manuscript, mistakenly claiming that Ibn al-Ṭayyib was a Jew; he was a Nestorian Christian.Codex; ff. i+114+iMaterial: PaperDimensions: 210 x 143 mm leaf [143 x 91 mm written]Foliation: British Museum foliation in pencilRuling: No ruling visible; 17-20 lines per page; vertical spacing 11 lines per 10 cmScript:
Naskh; almost entirely unpointedInk: BlackBinding: European binding of brown leather; both covers gilt tooled with coat of arms and inscription 'Bibliotheca Arundeliana'Condition: Minor worm damage, some repairs; some quires looseMarginalia: Almost none
Abstract: "Treatise on Ḥanafī lawAbstract: completed on 27 Jumādá II 969 March 1562 (see end of textAbstract: fol. 337a). The text is preceded on fol. 12a-15a by what appears to be a description of contentsAbstract: written by the same hand as the main text (beginning wanting). Fol. 332 is an addition with Abū Ḥanīfah's WaṣāyāAbstract: written by Aḥmad ibn Khalīl in Ṣafar 1145."Binding note: Brown leather over paper pasteboards for upper and lower covers, and envelope flap. Central blind stamped scalloped mandorla filled with a floral arabesque, with two pendants on the vertical axis on covers. Blind stamp on the envelope flap. Yellow paper pastedowns.Ms. codex.Title from preamble of text (fol. 17a, l. 5-6).Physical description: 19 lines per page. Written in small naskh with elements of nastaʻlīq in black ink with use of magenta. The text is framed within a single line in magenta. Thin dark cream European paper with watermark; some leaves dyed in light yellow or green. Quinions; catchword on the verso of each leaf. Table of contents on fol. (i)b-11b. Handmade label with inscriptions on the upper cover. Foliation in black ink using Arabic numerals (starts with "2" on fol. 12a). Foliation in pencil using Western numerals (omits the first fol.).Inscription in Western numerals in pencil on fol. (i)a: "62".Origin: According to colophon, copied by Aḥmad ibn Khalīl ibn Muṣṭafá, and completed in the night of Friday 24 Dhū al-Ḥijjah 1143 June 1731 (fol. 337b; the colophon is inscribed within a circle consisting of two lines in red ink).Beginning as extant: الشرع والادد القاعدة الثانية اذا اجمع الحلال والحرام غلب الحرام الحلال وبيان ما يقزع عليها من اشباه ... 15أ ... بسم ... الحمد لله على ما انعم وصلى الله على سيدنا محمد واله وصحبه وسلم وبعد فان الفقه اشرف العلوم قدرا واعظمها اجراExplicit: على رأس شجرتين فتقطع نصفين رحمه الله تعالى وهذا آخر ما اوردنا من كتاب الاشباه والنظائر فى الفقه على مذهب الامام الاعظم ابى حنيفة النعمان ... وكان الفراغ من تأليفه فى السابع والعشرين من جمادى الآخرة سنة تسع وستين وتسعماية وكانت مدة تأليفه ستة اشهر مع تخلّل ايام توعك الجسد والحمد لله ... الى يوم القيام وكتبه مؤلفه بيده الفانية زين بن نجيم الحنفى ... هذا آخر ما قاله المؤلف ... بجاه نبيه محمد ومصطفاه وآله واصحابه ومن والاهBeginning of text fol. 332a: بسم ... قال ابو حنيفة ... لابنه حماد ... يا بنى ارشدك الله تعالى وايدك اوصيك بوصايا ان حفظتها
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1058Origin: As appears in colophon on p.38, transcription completed in the last days of Muḥarram 898 [ca. November 1492].Binding: Limp brown leather covers with dark brown leather over spine (type of quarter binding) ; Type III binding (without flap), tight back though not fully flush with text block (ill-fitting or deliberate squares) ; now linings (potentially once flyleaves) in what appears to be European laid paper ; now sewn in white thread, not original ; overall in good condition with minor abrasion, etc.Support: non-European (possibly Persianate) laid paper with roughly 8 laid lines per cm. (horizontal, fairly straight) and chain lines only rarely visible in pairs (see p.32) ; only somewhat cloudy furnish with inclusions and bits of fiber visible, heavy and sturdy, quite well-burnished to glossy.Decoration: Keywords and headings rubricated.Script: Naskh-nastaʻlīq (talik) ; chiefly a clear Turkish / Turkic hand ; serifless with effect of words inclining slightly to the right, elongation of horizontal strokes, foot of lām, kāf, etc. quite curvilinear, kāf mashqūqah preferred with shaqq (curving upward) on even final kāf, final tāʼ marbūṭah often given as tāʼ maftūḥah, point of final or free-standing nūn set either down at center or floating above tall bowl, very casually pointed with pointing for two dots typically via conjoined dots, etc.Layout: Written in 19 lines per page (single column) ; frame-ruled (impression of ruling board quite evident).Collation: III-2+3 (7), IV (15), IV-1+4 (26) ; 19 original leaves (paginated 1-38) with 7 added leaves, 3 at the opening of the codex, 4 at the close ; original composition of opening gathering uncertain due to repairs ; mainly quaternions originally ; catchwords present ; pagination in pencil, Western numerals, center of lower margin of each text page ; added leaves at opening and close of codex not paginated.Colophon: "Scribal," triangular, reads "تم الكتاب بعون الملك الوهاب فى اواخر شهر محرم سنه ٨٩٨ اللهم اغفر لكاتبه ولقاريه ولمن نظر فيه آمين رب العالمين تم"Explicit: "يكون محتويا الى النساء ويكون محفوظا عن اذى الجن والارواح وغيرها والله اعلم بالصواب واليه المرجع والمآب"Incipit: "لما راينا ان الجزء الاول المختص باسرار الرجال انتهى الى آخره على ما تقدم ذكرها وفصولها لزمنان [كذا] نذكر ايضا فى اسرار النساء التي تدعو الى موافقهن وتوجب الميل اليهن..."Title from opening matter on p.1.Manuscript codex.Fine copy of a treatise of materia medica attributed to Galen, including a number of recipes for drugs intended to treat various sexual conditions.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 922Origin: Lacks dated colophon ; likely copied in Egypt in the late 1930s and bound for James Heyworth-Dunne (d.1974). Copy perhaps partly made from a printed edition.Former shelfmark: Mich. Isl. Ms. temp. no. 71Binding: Boards covered in dark green cloth with dark green leather over spine (quarter binding) ; pastedowns and flyleaves in wove paper printed with a floral vegetal pattern in green ; spine gold-stamped with title and decorative accents over raised bands "اسرار الآيات | الشيرازي | J.H.D." ; sewing difficult to examine ; stuck-on endbands (blue and white stripe) ; overall in fairly good condition.Support: Wove paper of two distinct types, one lined and one unlined.Decoration: Many opening headings and passages executed in contrasting purple ink ; others simply larger and bolded.Script: Naskh and ruqʻah ; two or three modern hands in a medium to bold line ; naskh partially but irregularly seriffed with slight effect of inclination to the left, curvilinear descenders, open and closed counters, words adhering to baseline, some elongation of horizontal strokes, occasionally more carefully executed ; ruqʻah, compact hand with slight effect of inclination to the right, serifless and freely ligatured with pointing somewhat careless and in strokes rather than distinct dots.Layout: Written in 21-25 lines per page.Collation: Pages between some sections left blank (see pp.37-40, 71-71) ; pagination in pencil, Hindu-Arabic numerals (first sixteen pages only) ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: [Asrār al-āyāt] "Scribal," reads "تمت هذه النسخة الشريفة المسماه باسرار الآيات وانوار البينات للمحقق القويم صدر الدين الشيرازي الشهير وسوف نتبعها ان شاء الله تع بمتن العرشية ومتن المشاعر"Incipit: [preface] "نحمدك اللهم يا من تحيرت [؟] في بيداء كبريائه الالباب وغرقت في بحار معرفته عقول الاولياء ... وبعد فان هذا الكتاب المستطاب الذي هو قرة عيون اولى الالباب الموسوم باسرار الآيات وانوار البينات من مصنفات الحكيم الكامل ... صدر الحق والملة والدين محمد بن ابراهيم الشهير بصدر المتالهين الشيرازي ..." [Asrār al-āyāt] "هذا كتاب اسرار الآيات وانوار البينات لامام المتألهين محمد المعروف بصدر المتألهين الشيرازي طاب ثراه بسم الله الرحمن الرحيم ... نحمدك اللهم يا من بيده ملكوت الارض والسماء واليه تتشوق الكائنات ... اما بعد فيقول انزل خلق الله واحوجهم الى كرامة رب العالمين محمد المدعو بصدر الدين هذا بيان للناس وهدى ورحمة للمتقين ..." [Kitāb al-Mashāʻir] "نحمد الله ونستعين بقوته التي اقام بها ملكوت الارض والسماء وبكلمته التي انشأ بها نشأتي الآخرة والاولى على تهذيب القوى القابلة للاستكمال ... وبعد فان اقل الخلائق قدرا وجرما واكثرهم خطأ وجرما محمد الشتهر بصدر الدين الشيرازي يقول ايها الاخوان السالكون الى الله بنور العرفان ..." [al-ʻArshīyah] "الحمد لله الذي جعلنا ممن شرح صدره بالاسلام فهو على نور من ربه ... اما بعد فيقول العبد الذليل المحتاج الى عفو الرب الجليل ... هذه رسالة اذكر فيها طائفة من المسائل الربوبية ..."Title from preface on p.1 and heading preceding opening on p.2.Ms. codex.3. p.326-p.425 : Matn al-ʻArshīyah / Muḥammad ibn Ibrāhīm Ṣadr al-Dīn al-Shīrāzī.2. p.268-p.326 : Kitāb al-Mashāʻir / Muḥammad ibn Ibrāhīm Ṣadr al-Dīn al-Shīrāzī.1. p.2-p.267 : Asrār al-āyāt wa-anwār al-bayyināt / Muḥammad ibn Ibrāhīm Ṣadr al-Dīn al-Shīrāzī.Careful copy of the treatise on Qurʼān interpretation by the renowned Ṣafavid philosopher Mullā Ṣadrā Shīrāzī (d.1640), followed by his Kitāb al-Mashāʻir, on ontology, and al-Ḥikmah al-ʻarshīyah, the popular work on knowledge of God and eschatology.
Abstract: Collection of texts in different scripts on the Arabic language, questions of inheritance, poetry, the divisions of the Qurʼān.Binding note: Unbound.Contents: 1. fol. 1a-9b: Athmān al-Qurʼān / Shams al-Dīn ibn al-Shaṭṭī.Contents: 2. fol. 10a: Appendix by a later hand.Contents: 3. fol. 11a-12a: Several short texts.Contents: 4. fol. 12b-16a: Kitāb fī al-maqṣūr wa-al-mamdūd / Muḥammad Ibn Durayd.Contents: 5. fol. 17a-21b: Kitāb al-īdāḥ wa-al-irshād fī ḥall taṣwīr mā yushabbah li-nasab al-nāqah fī bayt Bānat Suʼād / Yūsuf ibn Khālid al-Bisāṭī.Contents: 6. fol. 22a-30a: Kitāb al-suruj al-muḍīʼah sharḥ al-Qaṣīdah al-falakīyah fī al-alghāz al-farḍīyah / Yūsuf ibn Khālid al-Bisāṭī.Contents: 7. fol. 30b-31b: al-Qawāʼid al-farḍīyah / Yūsuf ibn Khālid al-Bisāṭī.Contents: 8. fol. 32a-34b: Kitāb ikhtiyār taḍmīkh al-taḍmīn / Khalīl ibn Aybak al-Ṣafadī.Contents: 9. fol. 35b-38a: Khalq al-insān / Muḥammad ibn Ḥabīb.Contents: 10. fol. 38b: Excerpt from a poem.Ms. codex.Title provided by cataloger."The number of lines per page varies. Fol. 17a-31b are from the same hand: 15 lines per pagewritten in a very casual large script in black ink with use of red (autograph). Fol. 32a-38a are from the same hand: 19 lines per pagewritten in small naskh in black ink with use of red. Dark cream paper with laid and chain(?) lines visible ; frame-ruled. Fol. 12-16 are narrower than the rest of the leaves (182 x 125 mm.). Fol. 5-6 (blank) and 10: later paper. Foliation in pencil using Western numerals (with a fol. 18bisexplaining the discrepancy with Mach's catalog)."'Two of the texts are autographs written in 794 H. (see colophons fol. 21b30a).'
Abstract: "First volume of a commentary on Bukhārī's collection of ḥadīthsAbstract: comprising the text up to Bāb al-Ishārah fī al-ṣalāh. According to R. MachAbstract: the contents correspond to ed. Cairo (1959)Abstract: vol. 1-vol. 3Abstract: p. 351."Binding note: Modern library binding.Ms. codex.Title from fol. 1a.Physical description: 33 lines per page. Written in medium small naskh in black ink with use of red. Cream paper, glossy, with laid and chain lines visible. Collation notes and statements throughout. Occasional marginal annotation (mainly collation notes). Table of contents on fol. 1a, apparently by the same hand as the main text.Origin: According to colophon, copied on Monday 23 Shawwāl 856 Nov. 6, 1452 (fol. 278b).Incipit: الحمد لله الدى شرح صدور اهل الاسلام بالهدى ونكت فى قلوب اولى الطغيان فلا تعى الحكمة ابدا واشهد ان لا اله الا الله وحده ... اما بعد فقد ان الشرو فى ما قصدت له من شرح الجامع الصحيح على ما وعدت به فى اول المقدمة ... فاقول وبالله التوفيق اتصلت لنا رواية البخارى عنه من طريق ابي عبد الله محمد بن يوسف بن مطر بن صالح بن بشر الفريرى عنهExplicit: خاتمة اشتملت ابواب الشهر من الاحاديث ... عروة الموصول فى اخر الباب ومنها اثر عمر فلا ضربه على الصلوة بعد العصر والله الهادى الى الصواب منه المبدا واليه الماب تم الجزء الاول من فتح البارى لشرح البخارى
Origin: Possibly author's working copy, with many notes in marginalia. This copy finished 993/1585.Decoration: Titles and place names in red and gold ink. Central text on each page is framed in simple blue and gold border. Initial page features an elaborite design in blue, gold, orange, and green paint. Incidental maps and diagrams in margins are usually executed in blue ink. Map of Mediterranean world laid in page 22. A single page of notes with diagram depicting the kaʻbah as the center of the world along with many notes is laid into this codex.Script: Text written in naskh script with black ink.Binding: Leather bound codex with tooling on upper and lower covers as well as envelope flap; gold paint on medalions.Title from rubricated inscription on opening leaf (p.3) and inscription on 'title page' (p.7).Ms. codex.Geographical work ; geographical dictionary.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 233Origin: As appears in colophon on p.95, executed by Hakkakzade Hafız Feyzullah with transcription completed in the year 1200 [1785 or 6].Former shelfmark: "476 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "40" inscribed in pencil on 'title page' (p.5).Binding: Pasteboards covered in red leather ; Type II binding (with flap) ; pastedowns and flyleaves in silver-flecked olive-green tinted European laid paper ; upper and lower covers carry central lozenge-shaped panel in gold- and silver-tooled semé pattern of rosette stamps along with decorative border on black and red leathers consisting of two guilloché rolls accented by gold fillets ; design continues on flap ; accompanied by slipcase with tail edge and pentagonal flap (carrying title) and woven pull tape, also covered in red leather (lined in yellow paper) with scalloped mandorla and pendants filled with tooled / cut and gold-filled vegetal composition over black leather onlays, as well as rosette stamp and stroke accents and guilloché roll border flanked by gold fillets ; sewn in pink thread, four stations ; worked chevron endbands in pink and cream, good condition ; overall in good condition with only minor abrasion at edges, repairs to joints and hinges in Japanese paper ; both volume and slipcase housed in custom box.Support: non-European laid paper with 9 laid lines per cm. (horizontal, fairly distinct), thin, crisp and transluscent though sturdy, heavily sized and burnished to glossy, beige in color ; pastedowns and flyleaves in European laid paper.Decoration: Brilliant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.6 consisting of w-shaped piece with cartouche carrying title "هذا اصحاب بدر" in red and accented by scalloped domes in gold against a field of blue all overlaid with swirling vegetal pattern in white, pink, yellow, blue, mint green, etc. ; entire piece is set in a well of green, gold, and white bands with red and gold accents and is surmounted by vertical stalks (tīgh) ; simpler illuminated tailpieces flanking close of Aṣḥāb Badr and Aṣḥāb Badr min al-shuhadāʼon p.52 and p.65, and at opening of Aṣḥāb Badr min al-shuhadāʼ (p.52) and Munājāt aṣḥāb Badr (p.65) fine illuminated headpieces carrying the titles in red ; superbly executed illuminated tailpiece accenting close of the munājāt and colophon on p.95, consisting of cloud-bands in gold, some overlaid with vegetal decoration, as well as narrow rectangular panel with swirling vegetal decoration in shades of blue, yellow, white, and pink on a blue ground and a larger rectangular panel reminiscent of book cover design in shades of gold, pink, blue, yellow, mint green, etc. surrounded by heavy interlace border ; written area surrounded by heavy gold frame accented by narrower gold, black and red fillets ; eight panels outlined by narrow gold band ; textual dividers in the form of elaborate illuminated rosettes with accents in white, red, blue, pink, etc. appear in the text of the munājāt ; titles and benediction (tarḍiyah) following each Companion's name rubricated.Script: Exquisite specimen of Ottoman calligraphy ; a splendid naskh, seriffed, with characteristic tilt to the left, and sweeping tails on final yāʼ, alif maqṣūrah, and nūn ; fully vocalized.Layout: For text listing the Companions, written area divided to eight panels, two columns with four panels in each column ; within each panel appears a Companion's name and benediction (tarḍiyah) in roughly three lines, for a total of eight Companions per page ; text of the munājāt written in 9 lines per page ; frame-ruled.Collation: iii, 4 V(40), III (46), iii ; quinions and a ternion ; traces of catchwords (often cut off) ; foliation in black ink, Hindu-Arabic numerals, appears at center head of the recto of some leaves (see p.25, etc.) and lower center of the verso of other leaves (see p.48, etc.) ; pagination in pencil, Western numerals, supplied during digitization (some flyleaves paginated).Colophon: "Scribal," reads: "كتبه المذنب حافظ فيض الله المعروف بحكاك زاده لسنة مأتين وألف من هجرة من له العز والشرف"Title supplied by cataloguer.Ms. codex.5. p.96-p.100 : [blank].4. p.65-p.95 : Hādhā Munājāt aṣḥāb Badr.3. p.52-p.65 Hādhā Aṣḥāb Badr min al-shuhadāʼ.2. p.6-p.52 : Aṣḥāb Badr.1. p.1-p.5 : [blank].Exquisite calligraphic specimen in the hand of Hakkakzade Hafız Feyzullah, employing a listing of the ṣaḥābah or Companions of the Prophet who took part in the battle of Badr, followed by a prayer (munājāt) addressed to them.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 885Origin: As appears in colophon on p.969 (and at close of باب الف ممدوده on p.978), copied by Mathurādās Khatrī, date not specified ; decoration, paper, etc. would suggest late 18th or early 19th century.Accompanying materials: a. Scrap cut from a Luzac catalog page with description and price for this manuscript "PERSIAN AND HINDUSTANI MSS. 175 Bahar i ʻajam. The well-known Persian dictionary. MS. Folio. Over 1000 pp. Leather binding. The colophon is dated A.H. 1243 ( = A.D. 1827), under the reign of Muhammad Akbar Shâh (II.) £2 10s." (paginated pp.1-2) -- b. Recycled card with handwriting of Emilie Savage-Smith [?] "ʻunwān or illum. frontispiece or heading." (paginated pp.3-4) -- c. Scrap of paper with title in ink "Bahār i ʻAjam." (paginated pp.5-6) -- d. Slip with note "Persian MSS (Heyworth-Dunne?) No Husselman or Meredith-Owens notes" (paginated pp.7-8).Former shelfmark: Mich. Isl. Ms. temp. no. 34Binding: Pasteboards covered in deep red leather ; Western style binding ; pastedowns and flyleaves in untinted wove paper ; upper and lower covers carry delicate gold-tooled border in a rope pattern ; spine stamped "BUHARE | UJUM" ; now sewn in white thread over three cords ; worked chevron endbands in yellow and blue, good condition ; overall in somewhat poor condition with upper cover fully detached, some abrasion, staining, lifting of leather, etc.Support: non-European laid paper with 10 laid lines per cm. (vertical or horizontal, fairly distinct, some curving) and irregular chain lines faintly visible, sturdy, well-burnished, dark cream in color ; flyleaves / added leaves in wove paper.Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.10 consisting of rectangular piece with cartouche (carrying the basmalah) flanked by pendants and delicate swirling floral vegetal decoration in blue, red, orange, and white on a gold ground, surmounted by scalloped w-shaped piece filled with more elaborate swirling floral vegetal decoration in red, orange, white, blue, green, etc. on grounds of gold with blue, green and white accents, itself surmounted by a pendant filled with similar decoration as well as fine vertical stalks (tīgh) in blue, entire piece set into a well consisting of a rather heavy gold band outlined by narrow bands of orange and gold defined by black fillets ; written area throughout surrounded by a gold frame with innermost red rule, and outer red and blue rules, further blue rule defines margin ; keywords and headings rubricated ; overlining or two-teeth abbreviation symbol in red.Script: Nastaʻlīq ; elegant hand in a medium line ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, pointing (two and three dots) mainly in distinct or conjoined dots.Layout: Written in 21 lines per page ; frame-ruled.Collation: ii, 14 IV(112), III (118), IV+1 (127), 12 IV(223), IV+2 (233), 26 IV(441), II (445), IV+1 (454), 3 IV(478), IV-1 (485), iii ; chiefly quaternions ; lacuna on p.458 marked with "ص" ; p.970 prior to opening of Bāb-i alif-i mamdūdah left blank ; lacks proper catchwords but last word of final line on the verso of each leaf is usually repeated at the beginning of the first line on the following recto ; pagination in pencil, Western numerals, supplied during digitization (includes inserts).Colophon: "Scribal," reads "الحمد لله والمنة که باتمام رسید منتخب کتاب بهار عجم تالیف استادی مخدومی تیک چند بهار بخط فقیر حقیر اضعف العباد متهراداس قوم کهتری فقط"Incipit: "مهار آفرینی که کلبرک ... دیباچه اصل بهار عجم سپاس و ستایش ایزد متعال را در خور که هريکى ار افراد انسان ..."Title from opening matter (p.11) and colophon (p.978).Ms. codex.Elegant copy of the dictionary of words and idioms used by the Persian poets compiled by Tīk Chand Bahār (d.1766) with added preface.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 894Origin: As appears in colophon on p.189 (accompanied by scribal verses), copied by Murtaz̤á ibn Muḥammad with transcription completed in 1073 [1662 or 3].Accompanying materials: a. Slip with description (in hand of E. Husselman ?) "ʻAbd al-Raḥmān ibn Aḥmad, called Jāmī. Bahāristān | Have many parts of the Haft Awrang, and some other poems, but apparently not this in Mich. MS. Isl." (paginated pp.1-2) -- b. Slip of paper with description in hand of G. Meredith-Owens "MO 18 Bahāristān of Jāmī | copied in 1073" (paginated pp.3-4) -- c. Slip with note "counted for 1968/69 Annual Report" (paginted pp.5-6) -- d. Slip with note "Persian MSS (Heyworth-Dunne?) with Husselman and Meredith-Owen notes" (paginated pp.7-8).Former shelfmark: Mich. Isl. Ms. temp. no. 43Binding: Boards covered in grey mottled (sponge-stained look) paper with green fading to tan leather over spine and board corners (half binding) ; Western style binding ; pastedowns and flyleaves in untinted laid paper ; spine accented with raised bands and gold-stamped title, author and shelfmark "BEHĀRI- STĀN E DJĀMĪ | MS. 1073" ; head edge of text block gilt ; sewn in white thread, over recessed cords ; stuck-on endbands ; overall in fair condition with slight abrasion, loss of pigment, etc. ; not original, note on upper pastedown describes rebinding.Support: European laid paper of a few types ; opening type with 7 laid lines per cm. (vertical), chain lines spaced 27-28 mm. apart (horizontal), and watermark of three crescents (about 80 mm. long, perpendicular to chains, see p.24, 30, 84, 42, etc.) ; another type with 8-9 laid lines per cm. (vertical), chain lines spaced 26-28 mm. apart (horizontal), and crown-star-crescent watermark (see p.38, 42, 54, 56, 190, etc.) ; another type with 8 laid lines per cm. (vertical), chain line spaced 26-28 mm. apart (horizontal) and three crescents watermark (75 mm. tall, perpendicular to chains, see p.118, 150, etc.) ; all quite sturdy, dark cream in color, well-sized and burnished.Decoration: Keywords and headings rubricated ; textual dividers in the form of red discs ; written area of incipit page surrounded by red rule-border.Script: Naskh with influence of nastaʻlīq ; elegant hand in a medium line ; mainly serifless with slight effect of tilt to the left, exaggerated elongation of horizontal strokes, curvilinear descenders, pointing (two and three dots) mainly in strokes rather than distinct dots, occasional effect of words descending to baseline ; hand changes just before close (pp.187-189) to a more compact nastaʻlīq.Layout: Written in 13 lines per page ; frame-ruled.Collation: iv, V (10), 2 VI(34), 4 V(74), VI (86), I (88), iii ; quinions and senions ; catchwords present ; text of p.26 apparently mistakenly entered by the copyist upside down (dotted lines provided for navigational clues) ; foliation in black ink, Western numerals ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and flyleaves).Colophon: "Scribal," triangular, reads "تمت الكتاب بعون الله الملك الوهاب على يد الضعيف عباد الصمد مرتضى بن محمد غفر الله له ولوالديه ولمن دعا له بالمغفره ... سنه ثلث وسبعين بعد الالف سنه ۱۰۷۳ ..."Incipit: "چو مرغ امر ذی بالی ز آغاز نه از نیروی حمد آید به پرواز ..."Title supplied by cataloguer.Ms. codex.Fine copy of Jāmī's collection of sayings, anecdotes, short notes and stories.
Abstract: Collection of texts of Arabic literature.Binding note: Brown leather over paper pasteboard for upper and lower covers and envelope flap. Upper and lower covers are similarly blind-tooled with a central mandorla and an outer frame made of fillets. The envelope flap has a similar frame and a mandorla on its pointe. Paper pastedowns.Contents: 1. fol. 1a-30b: Bard al-akbād fī al-aʻdād / ʻAbd al-Malik ibn Muḥammad al-Thaʻālibī.Contents: 2. fol. 31a-76a: Tarjamat al-kātib fī ādāb al-ṣāḥib / ʻAbd al-Malik ibn Muḥammad al-Thaʻālibī.Contents: 3. fol. 77a-111b: Lawʻat al-shākī wa-damʻat al-bākī / Khalīl ibn Aybak al-Ṣafadī.Ms. codex.Title supplied by cataloger.19 lines per page. Written in medium small naskh in black ink with use of red and green ink. European paper with watermark. Mention in Arabic script on the pastedown of the upper cover: "Sh 441" (repeated on a label pasted on the upper cover).On fol. 1a: Table of contents by a later hand, mentioning a Risālat ʻibrat al-labīb by al-Ṣafadī which does not appear in the copy.Collation: Paper, fol. 111 ; 1-7¹⁰ 8⁶ 9² 10-12¹⁰ 13¹⁰ (+1, fol. 109) 14² ; catchword on the verso of each leaf.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 71Origin: As appears in opening on pp.24-25, assembled over the course of nearly three years then set down by the author in 1161 [1748]. A note on 'title page' (p.23) indicates that this ms. is a draft (مسودة) of the work, as attested by the layout and numerous lacunae, likely in the author's hand.Accompanying materials: Two scraps each with notes, etc. (paginated pp.111-112 and pp.569-570).Former shelfmark: British Museum, London "No. 152. Bahr al-fatawi."Binding: Pasteboards covered in red leather ; Type II binding (with flap) ; board linings in yellow laid paper ; upper and lower covers bear blind-stamped central mandorla with rosettes accenting linear pendants and frame in tooled fillets ; sewn in brown thread, two stations ; endbands in red and blue, tail band in fair condition, head band in poor condition with losses and exposed core ; in poor condition with significant abrasion (even gashes), lifting and cracking of leather, lower cover detaching at spine, etc.Support: European laid paper with 11 laid lines per cm. (vertical) and chain lines spaced 26-28 mm. apart (horizontal) ; crown and grapes watermark ; lightly burnished.Decoration: Keywords, section headings and vocalization rubricated ; overlining and textual dividers in the form of inverted commas in red.Script: Nastaʻlīq (talik) ; fine Turkish / Eastern Anatolian hand ; characteristically sans serif with effect of slight tilt to the left and of words descending to baseline, mainly closed counters, many sweeping descenders and elongated horizontal strokes, pointing (for two and three dots) mainly in strokes ; opening partially vocalized in red ink.Layout: As may be expected of a draft or rough copy (مسودة), the number of lines per page varies widely throughout.Collation: i, III+1 (7), 6 IV(55), VI (67), 3 V(97), II+1 (102), V+1 (113), V (123), IV (131), V (141), III (147), VI (159), 2 IV(175), VI (187), V (197), VI (209), 2 VIII (241), VI (253), III (259), IV+1 (268), VIII+1 (285), V (295), IV (303), III (309), VI (321), 2 IV (337), IV+1 (346), V (356), II (360), III (366), V+1 (377), 4 IV(409), III (415) ; numerous lacunae (unmarked) as may be expected of draft or rough copy (مسودة), regularly appearing between chapters ; catchwords present ; foliation in red ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization.Explicit: "فان كانت حية فالثلثان للاختين والسدس للام والسدس الباقي للاخت لام ولا شحاء للاخ لاب الذي هو القائل وان كانت ميتة فالسدس الباقي له"Incipit: "احمد الله الذي جعل المجتهدين المتقدمين هداة المؤمنين ببيان الاحكام ... اما بعد فيقول الفقير الى عفو ربه الغني الشهير بقاضي زاده محمد الارزني مولدا ومحتدا المفتي بمدينة ارزن الروم برتبة قضاء حلب الشهباء لما ضاقت منطقة التحرير عما كتب في كتب الفتاوى وقصرت يد القدرة عن ضبط ما حرر فيها جمعت بقدر الوسع من وقت افتائي فيها بعض واقعات الفتوى وغيره في مجموعة غير مرتبة الى قريب من ثلثين سنة ثم بيضها في سنة احدى وستين ومائة والف من تردد لدي من الفضلاء شكر الله سعيه فصارت مجموعة كبرى وبحرا ذخارا فسميتها ببحر الفتاوى راجيا ان تكون ذخيرة العقبى وعازما على الطافي بها بعد هذا بعض واقعات الفتوى بعناية الله تعالى ..."Title from opening (pp.24-25).Ms. codex.Fine draft or rough copy (musawwadah) of an extensive collection of legal decisions assembled and set down by Qāḍīʹzādah Muḥammad al-Arzanī, muftī in Erzurum. A detailed table of contents precedes the text (pp.9-16).
Abstract: "Edifying treatiseAbstract: with examples from the conduct and oaths taking of important shaykhs. At the beginning of the text is a list of Shaʻrānī's shaykhs. The text is followed on fol. 183b-186a by a copy of the ijāzāt given by the ʻUlamāʾ of Egypt to the author."Binding note: Brown leather over paper pasteboards for upper and lower covers and envelope flap. Both covers have a central gold stamped and red-painted scalloped mandorla with two pendants on the vertical axis. Edges, spine, fore-edge flap mended in red leather.Ms. codex.Title from preamble of text (fol. 2b).Physical description: 27 lines per page. Written in medium small naskh in black ink with use of red. European paper with watermark; glossy. The text is framed within two single red lines (gold, black, blue and red on fol. 1b-2a). Crudely executed headpiece (ʻunwān) on fol. 1b. Subject headings written in black ink by a later hand on the margin. Fol. 181-182 apparently later replacements. Stained with water.Origin: According to colophon, copy completed on Saturday 12 Ramaḍān 1062 Aug. 17, 1652 (fol. 186a).Incipit: اقول وانا العبد الفقير الى رحمة ربّي عبد الوهاب ابن احمد بن على بن احمد بن كمال الدين بن موسى بن مولاي ابى عبد الله الزغلى بضم الزاي المعجمة وسكون الغين المعجمة سلطان تلمسن بارض المغرب واجل اصحاب سيدنا العارف بالله تعالى الشيخ ابى مدين شيخ مشايخ المغرب ... الحمد لله رب العالمين واصلي واسلم على سيدنا محمد ... واقول حسبى الله ونعم الوكيل ولا حول ولا قوى الا بالله العلي العظيم وبعد فهذه عهود ومواثيق اخذت علينا من ساداتنا ومشايخنا الذين عاصرناهم وبعضها اقبسناهاExplicit: ابن حمزه الرملي الانصارى الشافعى غفر الله له ولوالديه ولمشايخه والحمد لله لرب العالمين وصلى الله ... يقول مولفها ... قد ارسلت هذا الكتاب لسيدي الشيخ بن عبد الحق تغمده الله برحمته فمكث عنده سنة ونصفا ومر عليه مرات قال الشيخ ابو اللطف ابن عمه قد استفدت من هذا الكتاب المبارك فوايد كثيرة واخذته المينه قبل كتابته عليه رحمة الله تعالى وكان الفراغ من كتابته يوم السبت المبارك ثانى عشر شهر رمضان المبارك سنة اثنين وستين والف احسن الله ختامها بمحمد واله امين امين امين
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1036Origin: As appears in final colophon on fol.210a, copied by Faḍīl ibn Jalāl al-Dīn Nāʼīnī (see colophon at the close of juzʼ II for his full name "فضيل بن جلال الدين بن ابن حاجى محمد طاهر ابن خواجه احمد ولد سلغور شاه ولد عماده شاه ولد سلغور شاه نائينى"). Transcription finished ("tamma kitāb Baṣāʼir al-darajāt...) 1 Rabīʻ II 1072 [ca. 24 November 1661]. According to colophon following juzʼ III on fol.173a (p.345), copied in a school in the quarter / district (محله) of al-Karrān (perhaps in Isfahan).Former shelfmark: Mich. Isl. Ms. temp. no. 185Binding: Pasteboards faced in blue-green paper with red goatskin over spine and board corners (half-bound); Type III (without flap); pastedowns and flyleaves in what appears to be European wove paper with an embossed mark in French cursive italic script "Super Cour d'Auvergne. TSL[?]"; very worn, upper cover detached from text block, entire case detaching from textblock at spine; poor condition.Support: non-European (likely Persian) laid paper with laid lines running horizontally and spaced roughly 8 laid lines per cm., no chain lines visible plainly enough for measuring; many inclusions; flyleaves and pastedowns in a European wove paper with impressed mark in French cursive italic script "Super Cour d'Auvergne. TSL[?]".Decoration: Section headings rubricated ; overlinings and occasional textual dividers in the form of numeral khamsah in red.Script: Naskh ; fine, neat Persianate hand; essentially serifless (though occasionally serif on alif of lām alif ligature), point of final and free-standing nūn set down within wide, angled bowl (reminiscent of nastaʻlīq), pointing in distinct dots, curvilinear descenders, superscripting of final letters and words.Layout: Written in 14 lines per page; frame-ruled (impression of ruling board evident).Collation: i, 25 IV (200), IV+2 (210), i; chiefly quaternions; catchwords present; leaves between each of the four ajzāʼ left partially blank and unmarked, but with no apparent loss of text; pagination in pencil, Western numerals (supplied in cataloguing).Colophon: [final] "Scribal," triangular, reads: "تم كتاب بصائر الدرجات بحمد الله وعونه وحسن توفيقه والحمد لله وحده [؟] والصلوة على من لا نبي بعده وذلك في غرة شهر ربيع الثاني سنة اثنان وسبعين والف وكتبه العبد الاذل المحتاج الى رحمة الله الغني ابن جلال الدين اكبر فضيل نائيني عفي عنهما" ; flanked by scribal verses in Persian, reading: "اي انكه ته اطالع مسعود بود دانى كه مرا از توچه مقصود بود يك فاتحه ازبهر نويسنده بخوان تاعاقبت كار تو محمود بود ان شاء الله" and duʻāʼ in Arabic, reading: "اللهم اغفر وارحم لكاتبه ولصاحبه برحمتك يا ارحم الراحمين"Explicit: "قال قلت للرضا ان قوما من مواليك سالوني في ان تدعو الله لهم فقال والله اني لاعرض اعمالهم على الله في كل يوم"Incipit: "باب في العلم ان طلبه فريضة على الناس محمد بن الحسن المعروف بمموله عن ابراهيم بن هاشم عن الحسن بن محبوب يزيد بن علي بن الحسين عن ابيه عن ابي عبد الله عليه السلام قال قال رسول الله صلى الله عليه واله طلبه العلم فريضة على كل مسلم الا وان الله يحب بغاة العلم"Title from final colophon on fol.210a.Ms. codex.Collection of Traditions on the characteristics of the Ithná ʻasharī Shīʻī Imams by Abū Jaʻfar Muḥammad ibn al-Ḥasan al-Ṣaffār (d.902 or 3), divided into four ajzāʼ (juzʼ 1 through juzʼ 4) with a colophon following each.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 673Origin: As appears at close on p.523, dated Rabīʻ II 1153 [June-July 1741] "في ربيع الاخر سنه ١١٥٤".Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas -- b. Acquisitions slip from Yahuda.Former shelfmark: From interior of upper cover and spine label, "IL 35" (likely supplied by Yahuda, see acquisitions slip).Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; board linings in now silvery laid paper ; upper and lower covers carry blind-stamped mandorla (filled with vegetal composition, compare Déroche class. OSd 8), pendants and corner pieces along with tooled accents (strokes and rosette stamp) and border (rules flanking a series of s-shaped stamps) ; sewn in red and yellow (from around p.144) thread, four stations ; worked chevron endbands in red and yellow, only headband remains ; overall in somewhat poor condition with abrasion, lifting and losses of leather (particularly at board edges), delamination of boards, etc. ; repairs to spine, fore edge flap and board edges in black leather, also damaged.Support: European laid paper with 12-13 laid lines per cm. (horizontal), chain lines spaced 20 mm. apart (vertical), and watermark of crown above cartouche with name and grapes (raisin) below (see p.16, 54, 246, etc.), sturdy and dense, beige in color, well-burnished ; some staining and tide lines.Decoration: Illuminated headpiece (ʻunwān) at opening on p.16, consisting of rectangular piece with empty gold cartouche flanked by floral accents in gold and red on a blue ground surmounted by scalloped semi-circular piece (dome) filled with somewhat crudely executed floral vegetal decoration in gold, white, yellow and red on fields of blue and gold with red accents ; entire piece set into a well consisting of a series of colored bands (in red, gold, yellow, and white) with crosses repeated in black ; written area of incipit page surrounded by a gold frame, elswhere central written area and margins surrounded by a red rule-border ; keywords and section headings rubricated ; textual dividers in the form of red inverted commas, discs, etc. ; some overlining in red.Script: Naskh ; two elegant Ottoman hands ; opening hand (through p.334) partially but irregularly seriffed with right-sloping head-serif on occasional lām or other ascender, marked effect of tilt to the left, curvilinear descenders, pointing (for two and three dots) in strokes or conjoined dots rather than distinct dots, some free assimilation of letters (dots) ; from p.335 to close (as well as table of contents, pp.4-14), another elegant naskh, seriffed with left-sloping wedge or barb head-serifs on most ascenders (vertical stroke of final kāf and even shaqq of medial or initial kāf also seriffed), effect of tilt to the left, curvilinear descenders, dramatic contrast of thickness between horizontal and vertical strokes, pointing (for two and three dots) in heavy strokes rather than distinct dots.Layout: Written in 31 lines per page ; frame-ruled.Collation: III (6), 21 V(216), 2 IV(232), 3 V(262), i ; chiefly quinions ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and added leaves, mistakenly skips two pages between pp.423-424).Explicit: "اخره تفويض ايتمك استدكده زيد مجرد زراعت ايتدكلريمك حقوقلرينى ارا ايتمكله زراعت ايتمدكلرينك تفويضندن عمروى منعه قادر اولورنى الجواب اولماز"Incipit: "الحمد لله الذي احكم احكام الشرع على احسن الترتيب والنظام وجعل علماء الشريعة خلفاء رسوله في بيان الحلال والحرام ... وبعد فيقول الفقير الى رحمة ربه الغني محمد فقهى العينى لله در علامة زماننا ... مظهر الاحكام الربانية مفتي السلطنة العثمانية مولانا ابو الفضل عبد الله افندى اليكيشهرى فقد بذل جهده في الافتاء لذوي الحاجات ... واني لما استسعدت بخدمته [؟] العليا ... اردت ان ارتب هذا الكتاب المستطاب ليسهل الاطلاع على تفاريق الواقعات ... واثبت في الهامش نقل كل مسئلة ... فلما صار ذلك كتابا مرتبا ... سميته ببهجة الفتاوى ..."Title from opening matter (preface) on p.17.Ms. codex.Fine copy of the collection of legal decisions by Yenişehirli Abullah Efendi (d. 1742 or 3), compiled (with an Arabic preface) and annotated in Arabic by Muḥammad Fiqhī al-ʻAynī (fl. 1702). Table of contents provided at opening (pp.4-14).
Title from spine.Text rubricated and enclosed in borders of gold, blue, and red; extensive marginal commentary throughout; illumination on pp. [1-2]; substantial damage to pages with some repairs; purple silk bookmark; unusual leather and velvet binding (late 19th- early 20th cent.?); marbled edges.Muḥammad ibn Ibrāhīm ibn Ḥusayn....Dates of copying and copyist's name in colophon: (Arabic and Persian) tamma ... min yad ʻabd al-ḍaʻīf ... Shāh Muḥammad ibn Ibrāhīm ibn Ḥusayn Zīrbāʾī ... rūz-i jumʻah māh-i Shawwāl vaqt-i ẓuhr sanat khams fa-sabʻīn fa-tisʻumiʾah [i.e. March-April 1568] ... [in margin] nuqilat min nuskhah nuqilat min nuskhat walad al-muʾallif ... wa-kāna naskh al-kitāb ... fī yawm al-aḥad wa-al-sābiʻ min Jumād al-awwal sanat khams wa-sabʻīn wa-tisʻumiʾah [i.e. 9 November 1567] ʻalá yad afqar ShāhFor the Ṣaḥīḥ itself, see Mich. Isl. Ms. 183.Commentary by an unidentified author on the Ṣaḥīḥ of al-Bukhārī, a collection of traditions of the prophet Muḥammad.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 593Origin: As appears in colophon on p.475, transcription completed 9 Jumādá II 994 [ca. 28 May 1586]. Date composition completed given as Rabīʻ I 985 [May 1577].Accompanying materials: a. Inventory cataloguing slip in hand of Winifred Smeaton Thomas -- b. Acquisitions slip from Yahuda.Former shelfmark: From interior of upper cover and spine label "IL 17c" (likely supplied by Yahuda, see acquisitions slip).Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; board linings in purple wove paper (over marbled paper) ; upper and lower covers carry blind-stamped scalloped mandorla (filled with vegetal decoration, compare Déroche class. NSd 11) and pendants, along with tooled rosette accents and rule-border ; sewn in dark blue thread, two stations ; worked chevron endbands in brown and cream, good condition ; overall in quite poor condition with significant losses of leather (exposing boards and linings), delamination of boards, abrasion, staining, etc. ; repairs in dark brown and purple leather as well as dark pink textile (also lining fore edge flap) ; likely not original, somewhat ill-fitting and trimmed down (area around glosses preserved via careful trimming and folding) ; housed in box for protection.Support: European laid paper with 7-8 laid lines per cm. (vertical), chain lines spaced 29 mm. apart (horizontal), and anchor in circle watermark (see p.64) ; well-sized and burnished to glossy ; staining and some ink burn.Decoration: Keywords and section headings rubricated ; textual dividers in the form of red discs or inverted commas ; written area surrounded by red rule-border.Script: Naskh ; clear, compact Ḥijāzī, 'Syrian' or Egyptian [?] hand in a medium line ; virtually serifless with very slight effect of tilt to the left, mainly closed counters, pointing mainly in distinct dots (though casually pointed), occasional vocalization.Layout: Written in 21 lines per page, occasionally divided to two columns to set off verses ; frame-ruled.Collation: i, V-1 (9), 6 V(69), IV (77), 15 V(227), IV (235), I (237), i ; chiefly quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves).Colophon: "Authorial," reads "وقد فرغ مؤلفه من تحريره ووقفت انامل اقلامه من تحبيره في ليلة يسغر صباحها عن سبع مضين من شهر ربيع الاول سنة خمس وثمانين وتسعمائة" ; "Scribal," triangular, reads "وكان الفراغ من تعليق هذه النسخة المباركة في يوم الاربعاء تاسع شهر جمادى الاخير سنة ۹۹۴ احسن الله عاقبتها وغفر لكاتبها ومالكها ولمن دعا لهم ولجميع المسلمين وصلى الله على سيدنا محمد وعلى اله وصحبه اجمعين"Explicit: "ما لاح نجم على افق السماء وما هب النسيم على العشاق بالطيب والحمد لله رب العالمين والصلاة والسلام الاثمان الاكملان على سيد الانبياء والمرسلين محمد واله وصحبه الطيبين الطاهرين وسائر الانبياء والرسل وال كل التابعين ومن تبعهم باحسان الى يوم الدين"Incipit: "الحمد لله الذي جعل المسجد الحرام حرما امنا ومثابة للناس وامر بتطهير الكعبة البيت الحرام للطائفين والعاكفين وازال عنه الخوف والبأس ... اما بعض فلما وفقني الله تعالى لخدمة العلم الشريف وجعلني من جيران بيته المعظم المنيف [تشوقت] نفسي الى الاطلاع على علم الاثار وتشوقت الي فن التاريخ وعلم الاخبار ..."Title from 'title page' (p.3).Ms. codex.Fine early copy of the chronicle of Mecca by Quṭb al-Dīn Muḥammad ibn ʻAlāʼ al-Dīn Aḥmad ibn Muḥammad ibn Qāḍī Khān Maḥmūd al-Makkī al-Ḥanafī al-Nahrawālī (al-Nahrawānī, d.1582).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 299Origin: As appears in colophon on p.321, copied by Bābā Shāh ibn Sulṭān ʻAlī (بابا شاه بن سلطان علی) with transcription completed in Shaʻbān 989 [September 1581].Former shelfmark: "594 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; pastedowns and flyleaves in magenta surface-dyed and gold-flecked European paper upper and lower covers gold-painted in mitred-panel style, with large floral vegetal designs filling central rectangle and guilloché roll border around the perimeter ; sewn in red thread, two stations, some leaves loose ; worked chevron endbands in pink and yellow, fairly good condition ; overall in fair condition with some abrasion and lifting of leather.Support: non-European (likely Persian) laid paper of perhaps two types ; written area with roughly 9 laid lines per cm. (vertical, quite indistinct) and faint chain lines irregularly visible, sturdy, well-burnished, dark cream to beige in color ; written area mounted in leaves tinted deep blue with roughly 8 laid lines per cm. (horizontal, fairly distinct) and faint chain lines irregularly visible, sturdy though fairly transluscent, well-burnished.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2, consisting of rectangular piece with rubricated title in gold cartouche flanked by scalloped pieces in gold and red on field of lapis lazuli (with effect of book cover design) overlaid with delicated, swirling vegetal decoration in gold with floral accents in red, pink, yellow, lavender, and blue, bordered in bands of gold, pistachio green / turquoise and white and surmounted by scalloped dome in gold and lapis with similar vegetal decoration, itself surmounted by vertical stalks (tīgh) in white ; illuminated marginal decoration in saz leaves and floral forms completes illuminated double-page opening (pp.2-3) ; written area throughout delicately gold flecked and bordered in frame of gold, pistachio, red and white bands with columns within defined by narrow gold bands flanked by black fillets ; written area mounted in leaves tinted deep blue ; headings rubricated, chrysographed or in blue ink ; illustrated with five paintings (see p.67, 114, 150, 176, 298).Script: Nastaʻlīq ; exquisite calligraphic hand in a delicate line ; characteristically serifless with effect of words gently descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct dots, bowl of nūn wide with dot set just down within.Layout: Written in 12 lines per page with written area divided to two columns ; frame-ruled.Collation: ii, 5 IV (40), II (44), III+1 (51), 8 IV (115), III+1 (122), 4 IV (154), IV-1 (161), ii ; chiefly quaternions ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," mainly Arabic, reads "فرغت من تحرير هذه الكتاب الشريف فى تاريخ شهر شعبان سنه تسع وثمانين وتسعمايه حرره العبد بابا شاه بن سلطان علي غفر الله ذنوبه وستر عيوبهExplicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن نا امید"Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین ..."Title from illuminated headpiece at opening on p.2.Ms. codex.Exquisite copy of the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer. Apparently attributed in the colophon to the calligrapher Bābā Shāh Isfahānī (d.1587 or 8). Illustrated with five miniatures. Contributions to the cataloguing from Elizabeth Kunze.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 300Origin: As appears in colophon, copied by Muḥammad al-Kātib al-Nūr with transcription completed in Rabīʻ I 993 [March 1585] in the village of Zarah [Zirih ?] in Bākharz.Former shelfmark: "536 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards faced in spring green silk with red leather over spine and edges / turn-ins (silk faced, leather edged framed binding) ; Type III binding (without flap) ; doublures and hinges in marbled paper (in dark blue and white) ; upper and lower covers carry gold-tooled guilloché borders defined by gold rules ; sewn in pink thread, four stations ; overall in fairly good condition with minor abrasion, etc.Support: Written area on non-European (likely Persian) laid paper set into border of tinted paper and mounted in frame of tinted (or marbled) paper of varying shades (dark blue, yellow, dark greek, pale pink, etc.), hinged together with contrasting tinted and gold-painted guards ; frames with 8 laid lines per cm. (horizontal or vertical, quite distinct) and occasional chain lines visible (possibly grouped), quite well-burnished ; flyleaves in European laid paper with 7 laid lines per cm. (horizontal), chain lines spaced 27 mm. apart (vertical) and crown watermark (front) and with 12 laid lines per cm. (horizontal), chain lines spaced 20 mm. apart (vertical), and three hats watermark (back).Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with gold cartouche carrying the title in red "بوستان" surrounded by delicate swirling floral vegetal designs in gold, white, and red on a field of lapis lazuli with gold accents, surrounded by bands of white (with black crosses), gold and turquoise and surmounted by a much narrower rectangular piece with black cartouches filled with delicate swirling vegetal design in gold, white and red and set off by orange, turquoise and gold accents, itself surmounted by a band of gold and black interlace and flanked by bands of white (with black crosses) and turquoise ; headings rubricated ; written area gold-flecked and surrounded by a frame consisting of a colored width of the paper (surface-dyed in shades varying by page) flanked by narrow bands of gold, turquoise, red, gold, blue and black, divisions within defined by narrow gold bands outlined in black fillets ; marginal decoration in grand floral vegetal motifs in gold.Script: Nastaʻlīq ; exquisite hand in a delicate line ; serifless with effect of inclination to the right, words descending to baseline, elongation of horizontal strokes, pointing mainly in distinct dots.Layout: Written in 12 lines per page, mainly divided to two columns. ; frame-ruled.Collation: i, 3 (3), 3 III(21), i ; catchwords present.Colophon: "Scribal," triangular, reads "تحريرا فى شهر ربيع الاول سنه ٩٩٣ كتبه العبد المذنب محمد الكاتب النور غفر ذنوبه وستر عيوبه بولايت باخرز در قريۀ رزه صورت تحرير يافت"Explicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن [نا] امید""Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین ..."Title from inscription on 'title page' and illuminated headpiece at opening.Ms. codex.Exquisite copy of selections from the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer. Contributions to the cataloguing from Ali Rafi.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 302Origin: As appears in colophon, copied by Sulṭān Ḥusayn ibn Jamshīd with transcription completed in Ramaḍān 953 [October-November 1546]. Mounting carried out much later ; paper with embossed mark suggests 19th century.Former shelfmark: "186 T. D. M. [i.e. Tammaro De Marinis]" in pencil on recto of front flyleaf.Binding: Semi-limp boards faced in dull red leather with dark green leather over spine and edges / turn-ins (leather faced and edged framed binding) ; Type III binding (without flap) ; doublures in dull green-brown leather ; doublure hinges in same dark green leather ; upper and lower covers carry traces of stained blue border defining a central rectangular panel ; now sewn in cream thread over two cords (quite wide, not recessed, flexible sewing, apparent as ridges on spine), other sewing holes visible ; overall in fair condition with staining, abrasion, etc. ; framing may constitute a repair.Support: non-European (likely Persian) laid paper ; written area later mounted in borders of tinted (in varying shades of blue, lavender, etc.) and gold-flecked wove paper with almond shaped embossed mark ("... SMYRNA [SMYRNA]" see fol.7, 9, etc. compare embossed mark in paper of Isl. Ms. 10, copied in Kharparūt [i.e. Harput, Kharberd / Kharpert, etc. now Elazığ] in 1853) ; some breakthrough at frames.Decoration: Exquisite double-page illumination at opening consisting of large rectangular panels each divided to central rectangular panel carrying opening text set off by cloud-bands (in gold with delicate floral motifs in blue), flanking vertical panels filled with delicate arabesques in red, black, gold, lavender, yellow, etc. on fields of blue set in lozenges defined by narrow white bands, and upper and lower rectangular panels with gold lozenges carrying verses ("خوشتر از كتاب در جهان يارى نيست در غمكده زمانه غمخوارى نيست هر لحظه از او بگوشه تنهائى صد راحتى است هرگز آزادى نيست") in white surrounded by rich, swirling arabesques with floral accents in gold, white, pink, lavender, etc. on fields of gold and blue set off by looping bands in white ; elswhere throughout, written area surrounded by a gold frame with outermost blue rule ; section headings set off in splendid rectangular headpieces (ʻunwān / sarlawḥ) carrying headings in white.Script: Nastaʻlīq ; exquisite hand in a thin to medium line ; serifless with effect of inclination to the right, words descending to baseline, elongation and slight contrast in thickness of horizontal strokes, pointing mainly in distinct dots.Layout: Written mainly in 12 lines per page, mainly divided to two columns ; frame-ruled.Collation: III (6), III-3 (9), III (15), 2 II(23) ; ternions and binions ; catchwords present.Colophon: "Scribal," triangular, reads "وقع الفارغ من كتابته فى شهر رمضان المبارك سنه ثلاث وخمسين وتسعمائة كتبه العبد سلطان حسين بن جمشيد "Explicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن نا امید"Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین خداوند بخشنده ی دستگیر کریم خطا بخش پوزش پذیر عزیزی که هر کز درش سر بتافت..."Title supplied by cataloguer.Ms. codex.Exquisite copy of selections from the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 241Origin: As appears at the close of each piece (kıta), executed by es-Seyit el-Hac Mustafa İzzet. In three of the signatures he includes "known as Reisülulema". He has signed the final piece "Bende-yi Al-i aba, Seyit İzzet Mustafa," a modest expression which, according to M. Uğur Derman (see Letters in gold, p.118), he preferred to use in his later years. Only one of the pieces is dated 1282 [1865 or 6] with the others likely completed around the same time or slightly later.Former shelfmark: "570 T.D.M. [i.e. Tammaro De Marinis]" and "93" in pencil on opening panel.Binding: Boards now covered in green and black mottled paper (sponge painted or faux marbled look, traces of another paper underneath) with dark purple to black leather over spine ; Type III binding (without flap) ; boards lined in same mottled paper ; panels hinged together in accordion format with same dark purple to black leather and hinged into case ; overall in fairly good condition with some abrasion and staining.Support: Written area on well-burnished paper, pieced, set into frames of blue and orange-tinted paper, and mounted.Decoration: Written area and divisions within surrounded by frames of gold defined by further gold and black fillets ; illuminated textual dividers in the form of gold rosettes with red and green-blue accents.Script: Exquisite specimen of Ottoman calligraphy ; large opening line of each panel in thuluth (sülüs), followed by four lines in naskh (nesih).Layout: Written in 5 lines per page, one large line of thuluth and four smaller lines of naskh.Collation: Four panels hinged together in accordion (concertina) format ; opens vertically.Colophon: [1] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [2] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه امين سنة ١٢٨٢" ; [3] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [4] "بندۀ آل عبا سيد عزت مصطفى"Incipit: "اذكروا الله ذكرا كثيرا قال رسول الله صلوات الله عليه وسلامه مثل الذي يذكر ربه والذي لا يذكر ربه مثل الحي والميت ..."Title supplied by cataloguer.Ms. codex.Exquisite album of calligraphy (muraqqaʻ / murakkaa) of four kıtalar employing ḥadīth of the Prophet executed by the renowned Ottoman calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 242Origin: As appears in colophon, executed by Hasan Rıza Efendi in imitation of a model by the renowned calligrapher Kazasker (Kadiasker) Mustafa İzzet Efendi (d.1876) with transcription completed in 1304 [1886 or 7]. Signature in the illuminated panel to the left of the close identifies the gilder (mudhahhib, müzehhip) as Hasan Rıza.Former shelfmark: "563 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover ; "94" inscriped in pencil on recto of opening leaf/'panel'.Binding: Pasteboards covered in dark lavender leather ; Type III binding (without flap) ; board linings in golden yellow to orange surface-dyed paper ; upper and lower covers carry exquisite gold-stamped scalloped octagonal piece (filled with vegetal decoration emanating from a central floral motif) and rosette accents (at the apices of the scallops, forming pendants, etc.), as well as elaborate tooled border in gold accented by gold-painted fillets ; overall in somewhat poor but fair condition with only minor abrasion, losses of silk, panels detaching from spine and warping in some, and lifting of spine leather.Support: Well-burnished paper mounted on heavy board, with area framing written area surface-dyed (golden yellow to orange) and gold-flecked, edged in red silk ; sheets of red wove paper rest between many of the panels.Decoration: Illuminated panels consisting of rectangular panels filled with various swirling vegetal patterns on fields of gold, blue, light pink, etc. and surrounded by frames in blue, green, light pink, red, etc. flanking mainly the lines of naskh ; entire written area surrounded by heavy gold and light pink frames with narrower gold rules surrounding panels within ; textual dividers in the form of illuminated rosettes with accents in green, pink, blue, white, etc.Script: Exquisite specimen of Ottoman calligraphy ; large line of each page in a fine thuluth ; central lines of each page in a superb naskh ; fully vocalized ; each continues a distinct stream of ḥadīth text or excerpts.Layout: Written in 5 and 6 lines per page, a large line of thuluth followed by four or five lines of naskh, with lines in thuluth and those in naskh constituting two distinct streams of text ; written area is divided into upper panel accomodating the large line of thuluth and centered lower panel carrying the more compact lines of naskh ; opens vertically with writing parallel to spine.Collation: Six heavy leaves or 'panels' hinged together.Colophon: "Scribal," reads: "حرره الحاج السيد حسن رضا مقلدا بمصطى عزت غفر الله ذنوبهما وستر عيوبهما امين سنه ١٣٠۴"Title supplied by cataloguer.Ms. codex.Exquisite album of calligraphy (muraqqaʻ or murakkaa) employing assorted ḥadīth, executed by the renowned Ottoman calligrapher Hasan Rıza Efendi (d.1920), a master of naskh and thuluth.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 237Origin: As appears in colophon, executed by İbrahim Rodosi ; date of transcription not specified, though calligrapher's activity (acquiring his icazet shortly after the death of his first teacher İsmail Zühdî in 1731) suggests mid to late 18th century.Former shelfmark: "559 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover ; "116" inscriped in pencil at opening.Binding: Pasteboards covered in dark red-brown leather with spine in a lighter red-brown leather ; Type III binding (without flap) ; board linings in pink-tinted laid paper ; upper and lower covers carry blind-stamped and gold-painted scalloped mandorla filled with symmetrical vegetal composition (compare binding ornament on cover of Isl. Ms. 230), as well as tooled border consisting of guilloché roll flanked by gold fillets ; panels hinged together with red-brown leather ; overall in fair condition with some staining, abrasion, lifting of leather, spine split near head, etc.Support: Well-burnished laid paper (in some cases surface-dyed pink) pieced, set into frame consisting of other surface-dyed and gold-flecked papers in combinations of orange and green, blue and pink, orange and magenta, yellow and green, green and magenta, lavender and orange, etc. (papers of facing pages match) set off by gold bands and white fillets.Decoration: Decorative illuminated pieces consisting mainly of scalloped semi-circular pieces (domes) overlaid with swirling vegetal pattern in gold, red, pink, white, blue, etc. flank the compact central lines ; other illuminated flanking pieces of different vegetal composition appear on some panels ; written area surrounded by frame in bands of gold varying thickness ; textual divders in the form of illuminated rosettes with accents in pink, white, blue, etc.Script: Fine specimen of Ottoman calligraphy ; two large lines of each page in thuluth ; two central lines of each page in naskh ; fully vocalized ; each continues a distinct stream of text though both open in alphabetic exercises.Layout: Written in four lines per page, two large lines in thuluth (sülüs) and two more compact lines in naskh (nesih) ; written area divided into upper and lower panels accommodating the large lines and a central panel divided to accomodate the two more compact lines.Collation: Ten 'panels' (mounted leaves) edged in and hinged together with red-brown leather ; opens vertically.Colophon: "Scribal," reads: "مشقه اضعف الكتاب ابراهيم الردوسي"Explicit: [in thuluth / sülüs] "سبحانك اللهم وبحمدك وتبارك اسمك وتعالى جدك وجل ثناؤك ولا اله غيرك" ; [in naskh / nesih] "فان امارتي بالسوء ما اتعظت من جهلها بنذير الشيب"Incipit: "رب يسر ولا تعسر رب تمم بالخير"Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ / murakkaa) executed by the Ottoman calligrapher İbrahim Rodosi (d.1787). Comprises a meșk murakkaa or album of meșkler (exercises) in two scripts (thuluth / sülüs and naskh / nesih) employing the principal alphabetic exercises (müfredat), composed word exercises (mürekkebat) with the alpha-numeric system (abjad / abced hesabı), invocations, and a portion of the text of al-Buṣīrī's Qaṣīdat al-Burdah.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 240Origin: As appears at close, executed by Mustafa el-Haşimî known as Kadızade in 1195 [1780 or 1].Former shelfmark: "550 T. D. M. [i.e. Tammaro De Marinis]" in pencil on upper board lining ; "107" in pencil on recto of opening panel.Binding: Pasteboards faced in gold-flecked, pale yellow paper and framed in tan leather (covering board edges / turn-ins and likely spine at one time) now with dark purple leather (and Japanese paper repair) over spine (leather edged framed binding) ; Type III binding (without flap) ; opens vertically ; board linings in magenta paper ; gold rule-borders on leather edging ; overall in fairly good condition ; repairs in Japanese paper ; occasional repair to hinges in same dark purple leather.Support: Written area on well-burnished laid paper, pieced, set into an elaborate frame in several different laid papers (pale peach-tinted, pink-tinted, light blue-tinted, orange-tinted, etc. with colors of facing panels matching) and mounted.Decoration: Written area (and divisions within) surrounded by gold frame set off by black and white fillets ; written area set into a frame of tinted paper (colors of facing panels match).Script: Fine specimen of Ottoman calligraphy ; in thuluth (sülüs) and naskh (nesih).Layout: Written in four lines per page ; two large lines thuluth and two smaller centered lines in naskh, constituting two distinct streams of textCollation: Eleven 'panels' hinged together with tan leather.Colophon: "مشقه اضعف العباد السيد مصطفى الهاشمى المعروف بقاضى زاده سنه ١١٩٥ه"Explicit: "وتبارك اسمك وتعالى جدك وجد ثناؤك ولا اله غيرك"Incipit: "رب يسر ولا تعسر رب تمم بالخير ا ب ت ج ح د ز ذ ر س ش ص ط ع و ..."Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ / murakkaa) in this case a meșk murakkaa or album of meșkler (exercises) employing first (in seventeen kıt'alar) the principal alphabetic exercises (müfredat) and closing with three kıt'alar of mürekkebat exercises employing the alpha-numeric system (abjad / abced hesabı) and a prayer.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 229Origin: As appears in colophon on final panel, executed by Mahmud Celâleddin in 1206 [1791 or 2] and copied from a model executed by Hafız Osman Efendi in 1108 [1696 or 7].Former shelfmark: "99" in pencil on recto of opening panel ; numeral and "T. D. M" [i.e. Tammaro De Marinis] on verso of final panel.Binding: Boards covered (faced) in blue and white marbled paper (kumlu ebru) with red leather over spine and board edges / turn-ins (leather edged framed binding) ; Type III binding (without flap) ; board linings in same marbled paper ; panels hinged together in same red leather ; overall in fairly good condition.Support: Written area on well-burnished paper, pieced, set into frames of marbled paper (ebru) mainly in shades of blue, pink, yellow and black, and mounted on thin boards.Decoration: Illuminated rectangular pieces filled with vegetal decoration in shades of gold, pink, orange, and lavender on fields of blue, gold, etc. flank mid and lower sections of written area on each panel ; written area and divisions within surrounded by frames of gold defined by black fillets ; illuminated textual dividers in the form of gold rosettes with red, orange and blue accents.Script: Exquisite specimen of Ottoman calligraphy ; large lines of each panel (typically opening and closing lines) in thuluth (sülüs), with central lines in naskh (nesih).Layout: Written in 6 to 13 lines per page, including two lines of thuluth with four centered lines of naskh, two lines of thuluth with eight diagonal lines of naskh, one line of thuluth with seven lines of naskh, one line of thuluth with nine diagonal and then three horizontal lines of naskh, etc. ; thuluth and naskh carry separate streams of text.Collation: Five 'panels' edged and hinged together with red leather ; numbered in pencil with Hindu-Arabic numerals in the upper outer corner of the written area for each piece ; opens vertically.Colophon: "كتبه من لا قدر له ولا قدر ولا نخل بواديه ولا سدره اضعف العباد الكتاب عثمان المشتهر بحافظ كلام الوهاب شاكرا لله الملك الوهاب ومصليا على نبيه محمد واله وصحبه اجمعين وسلم تسليما كثيرا كثيرا سنة ثمان ومائة والف من هجرة من له العز والشرف ونقلها محمود المعروف بجلال الدين مع الكتبة والتنقيح بعينها غفر الله ذنوبهما ١٢٠٦"Explicit: "نور المسلم من شاب شيبة في الاسلام كتب الله بها حسنة وكفر عنه بها خطيئة ورفعه بها درجة اللهم صل وسلم على اشرف الخلق واكمل الخلق محمد واله الطاهرين اجمعينIncipit: [thuluth] "بسم الله الرحمن الرحيم وبه نستعين وعليه التكلان من الخذلان ..." ; [naskh] "والدباران ياتيها بعد ان تفوته ..."Title supplied by cataloguer.Ms. codex.Exquisite album of calligraphy (muraqqaʻ / murakkaa) employing ḥadīth of the Prophet executed by the celebrated Ottoman calligrapher Mahmud Celâleddin Efendi (d.1829) in imitation of a model executed by the master calligrapher Hafız Osman Efendi (d.1698).