Abstract: Collection of texts on inheritance law, mathematics, and astrology.Binding note: Full brown leather with blind-tooled central star and fillets.Contents: 1. leaves 1a: Persian verses.Contents: 2. leaves 1b-10a: al-Bāb al-thālith min al-manhaj al-rābiʻ min Ḥabl al-matīn fī al-mawārīth / Bahāʼ al-Dīn al-ʻĀmilī.Contents: 3. leaves 10b-12b: Persian verses.Contents: 4. leaves 13a-21a: Khulāṣat al-ḥisāb / Bahāʼ al-Dīn al-ʻĀmilī.Contents: 5. leaf 21b: Persian verses.Contents: 6. leaves 22a-49b: Risālah fī al-ḥisāb.Contents: 7. leaves 50a-89b: Ghunyat al-anām fī maʻrifat al-sāʻah wa-al-ayyām / al-Fayḍ al-Kāshī.Contents: 8. leaf 90a: Notes.Contents: 9. leaves 90b-122b: Farāʼiḍ / Naṣīr al-Dīn al-Ṭūsī.Contents: 10. leaves 123a-124b: Notes concerning ḥisāb abjad and other topics.Ms. codex.Title from text 2.On spine: Label reading "Manhaj al-rābiʻ az Ḥabl al-matīn fī al-mawārīth" in Arabic script.Physical description: 11 lines per page; written in small nastaʻliq in black on glazed, laid European paper. Text 9 on glazed, laid Arabic paper. Rubrication and catchwords; marginal notes. Marginal damp-staining and some repairs.Origin: Text 4, middle of Ṣafar 1110 H August 1698 (leaf 21a). Text 9, 6 Shaʻbān 1111 H 27 January 1700. Remaining texts likely completed around the same time.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 299Origin: As appears in colophon on p.321, copied by Bābā Shāh ibn Sulṭān ʻAlī (بابا شاه بن سلطان علی) with transcription completed in Shaʻbān 989 [September 1581].Former shelfmark: "594 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap) ; pastedowns and flyleaves in magenta surface-dyed and gold-flecked European paper upper and lower covers gold-painted in mitred-panel style, with large floral vegetal designs filling central rectangle and guilloché roll border around the perimeter ; sewn in red thread, two stations, some leaves loose ; worked chevron endbands in pink and yellow, fairly good condition ; overall in fair condition with some abrasion and lifting of leather.Support: non-European (likely Persian) laid paper of perhaps two types ; written area with roughly 9 laid lines per cm. (vertical, quite indistinct) and faint chain lines irregularly visible, sturdy, well-burnished, dark cream to beige in color ; written area mounted in leaves tinted deep blue with roughly 8 laid lines per cm. (horizontal, fairly distinct) and faint chain lines irregularly visible, sturdy though fairly transluscent, well-burnished.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2, consisting of rectangular piece with rubricated title in gold cartouche flanked by scalloped pieces in gold and red on field of lapis lazuli (with effect of book cover design) overlaid with delicated, swirling vegetal decoration in gold with floral accents in red, pink, yellow, lavender, and blue, bordered in bands of gold, pistachio green / turquoise and white and surmounted by scalloped dome in gold and lapis with similar vegetal decoration, itself surmounted by vertical stalks (tīgh) in white ; illuminated marginal decoration in saz leaves and floral forms completes illuminated double-page opening (pp.2-3) ; written area throughout delicately gold flecked and bordered in frame of gold, pistachio, red and white bands with columns within defined by narrow gold bands flanked by black fillets ; written area mounted in leaves tinted deep blue ; headings rubricated, chrysographed or in blue ink ; illustrated with five paintings (see p.67, 114, 150, 176, 298).Script: Nastaʻlīq ; exquisite calligraphic hand in a delicate line ; characteristically serifless with effect of words gently descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct dots, bowl of nūn wide with dot set just down within.Layout: Written in 12 lines per page with written area divided to two columns ; frame-ruled.Collation: ii, 5 IV (40), II (44), III+1 (51), 8 IV (115), III+1 (122), 4 IV (154), IV-1 (161), ii ; chiefly quaternions ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," mainly Arabic, reads "فرغت من تحرير هذه الكتاب الشريف فى تاريخ شهر شعبان سنه تسع وثمانين وتسعمايه حرره العبد بابا شاه بن سلطان علي غفر الله ذنوبه وستر عيوبهExplicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن نا امید"Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین ..."Title from illuminated headpiece at opening on p.2.Ms. codex.Exquisite copy of the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer. Apparently attributed in the colophon to the calligrapher Bābā Shāh Isfahānī (d.1587 or 8). Illustrated with five miniatures. Contributions to the cataloguing from Elizabeth Kunze.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 300Origin: As appears in colophon, copied by Muḥammad al-Kātib al-Nūr with transcription completed in Rabīʻ I 993 [March 1585] in the village of Zarah [Zirih ?] in Bākharz.Former shelfmark: "536 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards faced in spring green silk with red leather over spine and edges / turn-ins (silk faced, leather edged framed binding) ; Type III binding (without flap) ; doublures and hinges in marbled paper (in dark blue and white) ; upper and lower covers carry gold-tooled guilloché borders defined by gold rules ; sewn in pink thread, four stations ; overall in fairly good condition with minor abrasion, etc.Support: Written area on non-European (likely Persian) laid paper set into border of tinted paper and mounted in frame of tinted (or marbled) paper of varying shades (dark blue, yellow, dark greek, pale pink, etc.), hinged together with contrasting tinted and gold-painted guards ; frames with 8 laid lines per cm. (horizontal or vertical, quite distinct) and occasional chain lines visible (possibly grouped), quite well-burnished ; flyleaves in European laid paper with 7 laid lines per cm. (horizontal), chain lines spaced 27 mm. apart (vertical) and crown watermark (front) and with 12 laid lines per cm. (horizontal), chain lines spaced 20 mm. apart (vertical), and three hats watermark (back).Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening consisting of rectangular piece with gold cartouche carrying the title in red "بوستان" surrounded by delicate swirling floral vegetal designs in gold, white, and red on a field of lapis lazuli with gold accents, surrounded by bands of white (with black crosses), gold and turquoise and surmounted by a much narrower rectangular piece with black cartouches filled with delicate swirling vegetal design in gold, white and red and set off by orange, turquoise and gold accents, itself surmounted by a band of gold and black interlace and flanked by bands of white (with black crosses) and turquoise ; headings rubricated ; written area gold-flecked and surrounded by a frame consisting of a colored width of the paper (surface-dyed in shades varying by page) flanked by narrow bands of gold, turquoise, red, gold, blue and black, divisions within defined by narrow gold bands outlined in black fillets ; marginal decoration in grand floral vegetal motifs in gold.Script: Nastaʻlīq ; exquisite hand in a delicate line ; serifless with effect of inclination to the right, words descending to baseline, elongation of horizontal strokes, pointing mainly in distinct dots.Layout: Written in 12 lines per page, mainly divided to two columns. ; frame-ruled.Collation: i, 3 (3), 3 III(21), i ; catchwords present.Colophon: "Scribal," triangular, reads "تحريرا فى شهر ربيع الاول سنه ٩٩٣ كتبه العبد المذنب محمد الكاتب النور غفر ذنوبه وستر عيوبه بولايت باخرز در قريۀ رزه صورت تحرير يافت"Explicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن [نا] امید""Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین ..."Title from inscription on 'title page' and illuminated headpiece at opening.Ms. codex.Exquisite copy of selections from the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer. Contributions to the cataloguing from Ali Rafi.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 301Origin: As appears in colophon on p.261, transcription completed 1 Dhū al-Qaʻdah 942 [ca. 22 April 1536].Former shelfmark: "188 T. De. M. [i.e. Tammaro De Marinis]" in pencil on recto of front flyleaf (p.1).Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; doublures in light brown leather with central mandorla in filigree appliqué (once gold-painted) over area of blue pigment as well as tooled and gold-painted border and accents ; upper and lower covers carry stamped and gold-painted mandorla (filled with vegetal composition, compare Déroche class. OAi), pendants and cornerpieces as well as tooled and gold-painted border ; design continues on fore edge flap ; edges of text block gold-painted ; now sewn in white thread, two stations, other sewing holes visible ; worked chevron endbands in green and gray, fairly good condition ; overall in fair condition with minor abrasion, lifting and losses of leather, etc. ; subtle repairs at board edges, hinges, etc. in dark red-brown leather ; fore edge flap may be a replacement.Support: non-European (likely Persian) laid paper with 8 laid lines per cm. (fairly indistinct) ; replacement leaves in a different (likely Persian or Indian) paper, medium cream in color, quite sturdy, crisp, well-sized and burnished to glossy ; some leaves guarded or repaired ; some pigment breakthrough at frames ; flyleaf in European laid paper, possibly recycled as it bears a leather burn pattern not corresponding to the present cover.Decoration: Splendid once double-page illumination at opening (pp.2-3, though opening leaf has been replaced with a complementary piece of different style and quality) originally consisting of large rectangular panels each divided to central rectangular panel carrying opening text set off by cloud-bands (in gold with floral accents), flanked by vertical rectangular panels with gold lozenges on a lapis lazuli ground overlaid with swirling arabesques in gold, red, lavender, white, light blue, etc. and set off by upper and lower rectangular panels with gold cartouches carrying the title (originally) and author ("شيخ مصلح اليدن عليه الرحمة والغفران") in white surrounded by similar swirling arabesques on fields of gold and lapis lazuli evoking book cover design with borders of gold interlace ; entire rectangular panel surrounded by a border of lozenges in lapis lazuli with floral vegetal decoration in white, gold, red, etc. and a series of scalloped domes in gold on a lapis lazuli ground overlaid with similar swirling arabesques with perpendicular stalks (tīgh) ; elsewhere throughout, written area surrounded by frame consisting of a series of gold, light blue, dark red, and turquoise bands with outermost blue fillet, divisions within defined by narrow gold bands outlined with black fillets ; section headings set off in rectangular headpieces (ʻunwān / sarlawḥ) carrying headings in blue.Script: Nastaʻlīq ; exquisite hand in a thin to medium line ; serifless with effect of inclination to the right, words descending to baseline, elongation and slight contrast in thickness of horizontal strokes, pointing mainly in distinct dots.Layout: Written in 15 lines per page, mainly divided to two columns ; frame-ruled.Collation: i, IV-4+4 (8), 3 IV(32), 2 (34), II (38), 11 IV(126), III (132) ; chiefly quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes opening flyleaf and skips two pages between pp.145-146).Colophon: "Scribal," triangular, reads "تحريرا فى تاريخ غره شهر ذي القعدة الشريفه سنه ۹۴۲ تم"Explicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن نا امید"Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین خداوند بخشنده ی دستگیر کریم خطا بخش پوزش پذیر عزیزی که هر کز درش سر بتافت..."Title supplied by cataloguer.Ms. codex.Elegant copy of the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 302Origin: As appears in colophon, copied by Sulṭān Ḥusayn ibn Jamshīd with transcription completed in Ramaḍān 953 [October-November 1546]. Mounting carried out much later ; paper with embossed mark suggests 19th century.Former shelfmark: "186 T. D. M. [i.e. Tammaro De Marinis]" in pencil on recto of front flyleaf.Binding: Semi-limp boards faced in dull red leather with dark green leather over spine and edges / turn-ins (leather faced and edged framed binding) ; Type III binding (without flap) ; doublures in dull green-brown leather ; doublure hinges in same dark green leather ; upper and lower covers carry traces of stained blue border defining a central rectangular panel ; now sewn in cream thread over two cords (quite wide, not recessed, flexible sewing, apparent as ridges on spine), other sewing holes visible ; overall in fair condition with staining, abrasion, etc. ; framing may constitute a repair.Support: non-European (likely Persian) laid paper ; written area later mounted in borders of tinted (in varying shades of blue, lavender, etc.) and gold-flecked wove paper with almond shaped embossed mark ("... SMYRNA [SMYRNA]" see fol.7, 9, etc. compare embossed mark in paper of Isl. Ms. 10, copied in Kharparūt [i.e. Harput, Kharberd / Kharpert, etc. now Elazığ] in 1853) ; some breakthrough at frames.Decoration: Exquisite double-page illumination at opening consisting of large rectangular panels each divided to central rectangular panel carrying opening text set off by cloud-bands (in gold with delicate floral motifs in blue), flanking vertical panels filled with delicate arabesques in red, black, gold, lavender, yellow, etc. on fields of blue set in lozenges defined by narrow white bands, and upper and lower rectangular panels with gold lozenges carrying verses ("خوشتر از كتاب در جهان يارى نيست در غمكده زمانه غمخوارى نيست هر لحظه از او بگوشه تنهائى صد راحتى است هرگز آزادى نيست") in white surrounded by rich, swirling arabesques with floral accents in gold, white, pink, lavender, etc. on fields of gold and blue set off by looping bands in white ; elswhere throughout, written area surrounded by a gold frame with outermost blue rule ; section headings set off in splendid rectangular headpieces (ʻunwān / sarlawḥ) carrying headings in white.Script: Nastaʻlīq ; exquisite hand in a thin to medium line ; serifless with effect of inclination to the right, words descending to baseline, elongation and slight contrast in thickness of horizontal strokes, pointing mainly in distinct dots.Layout: Written mainly in 12 lines per page, mainly divided to two columns ; frame-ruled.Collation: III (6), III-3 (9), III (15), 2 II(23) ; ternions and binions ; catchwords present.Colophon: "Scribal," triangular, reads "وقع الفارغ من كتابته فى شهر رمضان المبارك سنه ثلاث وخمسين وتسعمائة كتبه العبد سلطان حسين بن جمشيد "Explicit: "بضاعت نیاوردم الا امید خدایا ز عفوم مکن نا امید"Incipit: "بنام خداوند جان آفرین حکیم سخن در زبان آفرین خداوند بخشنده ی دستگیر کریم خطا بخش پوزش پذیر عزیزی که هر کز درش سر بتافت..."Title supplied by cataloguer.Ms. codex.Exquisite copy of selections from the Būstān, the celebrated mas̲navī of Saʻdī (d.1292), renowned Persian poet and prose writer.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 276Origin: As appears in colophon on final panel, executed by Ömer Sırrı, one of the students of Mehmet Sadullah Efendi, known as Arabzade. Date of transcription not specified, but likely during Ömer Sırrı's training and thus before the death of Arabzade Mehmet Sadullah Efendi.Binding: Boards covered in red-brown leather ; Type III binding (without flap) ; board linings and lining of opening and closing panel in light blue coated and textured paper ; upper and lower covers carry exquisite tooled vegetal design (swirling leaves and flowers set off by small rosette stamps surrounding central almond-shaped form) in contrasting shades of gold, set in gold tooled borders (also in contrasting colors) in a series of s-shaped stamps and rosettes ; panels edged in red-brown leather with gold-painted rule borders and hinged together with dark pink silk ; overall in good condition ; repairs in Japanese paper (rebacked).Support: Written area on well-burnished paper (untinted or tinted blue, red, etc. or marbled), set in frames of embossed paper (with vegetal designs) tinted various shades (pale peach, olive green, orange, yellow, turquoise, light blue, red, dark green, etc.) with colors of facing panels matching.Decoration: Written area surrounded by frame of heavy gold and colored bands (mainly in blue and red) set off by white fillets ; each specimen (kıta) set in a frame bordered in gold rules ; two specimens chrysographed ; leaves and floral sprays in blue, lavender, pink, green and gold flank colophon at close.Script: Nastaʻlīq (talik) ; exquisite specimen Ottoman calligraphy.Layout: Written in four lines per page with logograph for "سعي" under each line.Collation: Twelve 'panels' (mounted leaves) hinged together mainly in dark pink silk ; 'pagination' in red ink, Hindu-Arabic numerals in upper outer corner of panel (frame).Colophon: "نوشته شد بقلم شكتسه سيد عمر سرى كيه دار ناظر ديوان دعاوى صانه الله تعالى عن النقايص والمساوى از شاكر دان حضرت استاد مكارم اعتياد صدر والاى روم ايلى مولانا محمد سعد الله افندى الشهير بعرب زاده همه كا مش بادآ آماده"Explicit: "اثر اميدى ايله عالمده ايلدم بو قطعاتي تحرير اوقور اخوان صفا تاريخن اولدى والا اثر عبد فقير ١١٥٦ "Incipit: "بسم الله الرحمن الرحيم اعظم اسماء عليم حكيم محترمان حرم انس را تازه حديثست ز عهد قديم..."Title supplied by cataloguer.Ms. codex.Exquisite calligraphic specimen employing Jāmī's qaṣīdah on the basmalah for mürekkebât meșki exercises, executed by one of the students of Arabzade Mehmet Sadullah Efendi (d.1843).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 279Origin: Date below vase with large floral spray 1281 [1864 or 5] ; other features also suggest 19th century. As appears in opening text, possibly executed for the Ottoman statesman Mehmet Fuat Paşa (d.1869).Former shelfmark: "598 [?]" inscribed in pencil on verso of 'front' flyleaf ; "123" inscribed in pencil on recto of 'back' flyleaf.Binding: Pasteboards covered in dark green leather (appearance of straight-grain leather but likely impressed straight grain or other artificial grain) ; Type II binding (with flap) ; pastedowns and flyleaves in a streaked paper (in yellow, dark purple, etc. reminiscent of tree-marbling or stream marbling) ; upper and lower covers carry gold-stamped central vegetal pendant, corner accents and vegetal border ; sewn in red thread, four stations, failed ; overall in fair condition with abrasion, staining, etc.Support: Paper of written area embossed to carry text and figurative designs, set in surface-dyed frames of bright green and mounted on pasteboards.Decoration: Embossed borders (reminiscent of mountains) as well as vegetal and figurative designs with such animals as lions, dragons, stags, bulls, etc. accenting the calligraphy or filling a page.Script: Mainly nastaʻlīq with occasional thuluth ; exquisite calligraphic hand executed with the fingernail or stylus in the technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Compare no. 1-85-154.63 at the Library of Congress and see description provided by Christiane Gruber in Selections of Arabic, Persian, and Ottoman Calligraphy (available online).Layout: Varies widely, pages carrying text with mainly 6-8 lines per page ; many pages carrying figurative or vegetal decoration only.Collation: Seven 'panels' (mounted leaves) hinged together with blue textile.Explicit: "ایا چرخ در پیش قدر تو واله ... تویی آنکه بر درگهت چرخ دربان كتبه ابو تراب افتاده"Incipit: "مديح سپهر رفعت بحر و قار و كدهي يكانه كوهر بحر كرم فؤاد پاشا ... "Title supplied by cataloguer.Ms. codex.Superb album of calligraphy (muraqqaʻ or murakkâ) employing verses of Anvari, etc. with interspersed figurative illustrations of lions, dragons, stags, bulls, etc. as well as vegetal motifs, all embossed in white paper likely with the fingernail, a technique known as khaṭṭ-i nākhunī ( خط ناخنی / khaṭṭ-e nākhonī). Contributions to the description from Ulrich Marzolph and Emily Neumeier.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 278Origin: Neither signed nor dated ; decoration, paper, etc. may suggest late 18th or 19th century, though possibly later.Former shelfmark: "107" inscribed in pencil at opening ; "563 T. De M. [i.e. Tammaro De Marinis]" in pencil on lower pastedown.Binding: Boards (quite stiff) covered in tan and red brown leather ; Type III binding (without flap) ; pastedowns / doublures and flyleaves in block-printed faux marbled paper (evoking shell pattern in blue, green, yellow and orange) ; upper and lower covers carry stamped mandorla (filled with symmetrical vegetal composition, compare Déroche OSd 8), pendants and cornerpieces, with tooled and gold-painted borders ; panels hinged together with brown leather ; overall in fairly good condition with minor abrasion.Support: non-European (likely Persian) laid paper, written area well-burnished and surface-dyed shades of beige, pale yellow, etc., pieced and set in borders mainly of block-printed faux marbled paper (evoking shell pattern in blue, green, yellow and orange) and all mounted on dense boards ; border for opening panel in a true marbled paper.Decoration: Written area surrounded by 'gold'-painted frame defined by black fillets and mounted in borders mainly of block-printed faux marbled paper.Script: Nastaʻlīq (talik) ; large, exquisite calligraphic hand in a bold line.Layout: Written in 4 lines per page with logograph for "سعي" under each line ; frame-ruled.Collation: Three 'panels' (mounted leaves) hinged together with brown leather.Incipit: "ا ب ج د ر د ر س ش ص ط ع ف ق ك ك ل م ن و ه لا ى ي ..."Title supplied by cataloguer.Ms. codex.Fine album of calligraphy (muraqqaʻ / murakkaâ), namely pieces from a meşk murakkaa carrying alphabetic exercises (müfredat) through the letter sīn. Final piece incomplete with further excercises (mashq) on the reverse.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 402Origin: Date at close, 1205 [1790 or 91] during the reign of Sultan Selim III (r.1789-1807). Most likely executed by the master calligrapher Mehmet Esat Yesari (d.1798) as proposed by Muhittin Serin (see note on catalog card dated "20.4.1993") and Mohamed Zakariya and confirmed by Uğur Derman.Former shelfmark: "538 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper cover.Binding: Pasteboards faced in cream silk with dark red leather over spine and edges / turn-ins (silk faced, leather edged, framed binding) ; Type III binding (without flap) ; boards and recto of opening and final panel lined in marbled paper (kumlu or kılçıklı ebru in pink, light blue, and dark blue) ; upper and lower covers carry gold-tooled border in a series of s-shaped stamps ; panels hinged together with dark red leather ; in somewhat poor condition with lifting of silk and leather, delamination of boards, much abrasion, staining, panels detaching from spine, etc.Support: Well-burnished laid paper (with roughly 8 vertical laid lines per cm.) mounted on heavy paper with pieced marbled paper (kumlu or kılçıklı ebru in blue and cream) framing the written area.Decoration: Written area surrounded by frame consisting of inner orange band and heavy gold outer band, outlined in black fillets.Script: Exquisite specimen of Ottoman calligraphy ; text throughout in an elegant, large nastaʻlīq (celi talik) in a heavy line ; pin-pricks surround each letter, presumably for transfer to the commemorative stone by pouncing.Layout: Written in a single line per page (opens vertically with lines running parallel to the spine).Collation: Eight heavy leaves or 'panels' hinged together.Explicit: "قيروب بيك ايكيوز بش سالى دستى پيك اديم يرده"Incipit: "جناب حضرت سلطان سليم خان جهانبانك ..."Title supplied by cataloguer.Ms. codex.Exquisite album of calligraphy (muraqqaʻ or murakkaa) with design for a monumental inscription to appear in stone on a commemorative range marker (menzil taşı) of Bilâl Ağa (d.1807?), likely executed by Yesari Mehmed Esad Efendi (d.1798), the great Ottoman master of nastaʻlīq (talik).
Manuscript. Persian. Title from colophon; each Gospel has separate caption title in red ink. Scribe not identified. Place of writing not determined; perhaps Iran. Paper; cream color, commercial laid paper with no visible chain lines or watermarks; black ink with rubrication; catchwords. Nastaʻliq; 17 lines in written area 25.5 x 16 cm. Fol. 1b-128a. Library of Congress. Persian manuscript, M103. Nineteenth century brown half leather binding with dark brown grain sides; commercial marbled pastedowns and marbled edging; binding separated from text block. Also available in digital form on the Library of Congress website.
Abstract: Contains copies of imperial edicts sent to Crete and petitions presented by Cretans reflecting their social and economic concerns. Ms. likely belonged to an Ottoman bureaucrat in Crete.Binding note: Quarter leather with boards.Ms. codex.Physical description: 19 lines per page; written in nastaʻliq script in black on white European glazed, laid paper. Rubrication and catchwords.Origin: Dated 1143 AH (1730 or 31) (fol. 10b).
Abstract: A collection of six texts on Sufism in Persian and Arabic.Binding note: Full burgundy leather binding with gilt-stamped fillets.Contents: 1. 20W, fol. 1b-9b: Treatise on the lawfulness of samāʻ. In Arabic.Contents: 2. 21W, fol. 14b-47a: Ḥasanāt al-ʻārifīn / Dārā Shikūh. In Persian; year of compilation is given as 1062H (1651 or 2) (fol. 14b).Contents: 3. 22W, fol. 48b-66b: Lavāyiḥ / Jāmī. In Persian. In Persian; dated Jumādá al-Thānī 1232H (April-May 1817) (fol. 66b).Contents: 4. 23W, fol. 67a-74b: Ṣulḥ-i kull / Khūb Muḥammad Chishtī. In Persian; composed in 1016H (1607 or 8) and dated Ramaḍān 1232H (July-August 1817) (fol. 74b).Contents: 5. 23W, fol. 75b-85a: Risālah / Muḥammad Bāqī Billāh. In Persian; dated Ramaḍān 1232H (July-August 1817) (fol. 85a).Contents: 6. 24W, fol. 86b-98b: Ayyuhā al-walad / al-Ghazzālī. In Arabic; dated Ramaḍān 1232H (July-August 1817) (fol. 98b). Followed by a short prayer in Arabic and Persian on fol. 99a.Ms. codex.Physical description: 15-19 lines per page; written in black by different hands on brown Arabic glazed, laid paper. Text 1 written in naskhi; texts 2-6 written in nastaʻliq. Catchwords and rubrication; a few marginal notes. Some insect damage. List of texts on fol. 1a and on label on front cover. Numbers 20-24 in Western numerals listed on label on back cover. Fol. 10a-14a, 47b-48a, 75a, 85b-86a, 99b-100 are either blank or contain title information by a later hand.Text 1 incipit: بسم الله ... الحمد لله الذي خص الاولىاء بحسن الاستماعText 2 incipit: بسم الله ... احدى راست حمد بىحد که حمد و حامد و محمود اوست و حمدى راستText 3 incipit: بسم الله ... رب وفقنا للتكميل والتميم لا احصى ثناء عليك كيف وكل ثنائي يعود اليكText 4 incipit: بسم الله ... حمد جلىلى را که بجمىع محامد محمد است و صلوات بر انسان کامل که در مرتبه جامع محمد استText 5 incipit: بسم الله ... الحمد لله الحمد لله که حقىقت از آفتاب روشن تر استText 6 incipit (after introduction): بسم الله ... ايها الولد العزيز المحب اطال الله بقاءك لطاعته