Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 344Origin: As appears in colophon on p.172, copied by Ḥusayn ibn Shams al-Ḥusaynī al-Jurjānī with transcription completed in haste ("ʻalá sabīl al-istiʻjāl...") Rabīʻ II 868 [November-December 1463].Former shelfmark: "447 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on 'title page' (p.1).Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; doublures in brown leather with gold-painted central ornament (four-petalled flower), rule-border and accents, as well as border in blind rules ; upper and lower covers carry central blind-tooled scalloped mandorla having fleurons in the manner of a three-sepaled calyx at the upper and lower extremities and filled with interlace pattern (compare Weisweiler W 89-95) all defined in a simple gold-painted rule, as well as tooled border in a series of rules and s-shaped stamps ; sewn in light blue thread, two stations ; overall in fair condition with some abrasion and staining, lifting of leather, etc.Support: non-European (likely Persian) laid paper with 9 laid lines per cm. (horizontal, faint, somewhat indistinct) and grouped chain lines faintly visible (likely in pairs), sturdy and well-burnished, dark cream in color.Decoration: Headings chrysographed.Script: Nastaʻlīq ; exquisite hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 11-12 lines per page, mainly divided to two columns ; frame-ruled.Collation: III (6), III+1 (13), III (19), II (23), IV (31), I (33), III (39), 3 IV(63), III (69), VIII+1 (86), I (88) ; miscellany of ternions, quaternions, etc. ; catchwords occasionally present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," triangular, in Arabic, reads "وقد وقع الفراغ من هذه الديوان على سبيل الاستعجال بيد اضعف عباد الله الغنى حسين بن شمس الحسينى الجرجانى تجاوز الله عن سيائه وذلك فى شهر ربيع الثانى لسنه ثمان وستين وثمانمائة هجرية"Explicit: "چون تو بر اسرار دیماهی [؟] علیم ختم شد استغفر الله العظیم"Incipit: [Dīvān-i Fattāḥī] "شراب عشق صافی گشت در خمخانه دلها الا یا ایها الساقی ادر کاسا و ناولها ..." ; [Muntakhab-i Shabistān-i khayāl] "بعد از لوازم توبه واستغفار ..."Title from inscription on 'title page' (p.1).Ms. codex.6. p.156-p.176 : [further verses opening "بنام آهنگ از خمهای افلاک شراب فیض فطرت ریخت بر خاک " and likely comprising Dīvān-i Khumārī mentioned on the title page].5. p.153-p.155 : [blank].4. p.65-p.152 : [further poems, likely comprising the Dīvān-i asrār mentioned on the title page].3. p.58-p.65 : [Muntakhab-i Shabistān-i khayāl] / Ḥakīm al-Dīn al-Asrārī.2. p.54-p.57 : [blank].1. p.2-p.53 : [Dīvān-i Fattāḥī] / Muḥammad Yaḥyá ibn Sībak.Elegant copy of the Dīvān of Muḥammad Yaḥyá ibn Sībak (d. 1448 or 9), known mainly as Fattāḥī, as well as Tuffāḥī, Asrārī or Khumārī, accompanied by other excerpts.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 339Origin: Lacks dated colophon ; paper, decoration, etc. would suggest 18th or early 19th century. Flyleaves likely early 19th century.Accompanying materials: Blank scrap of paper paginated pp.287-288.Former shelfmark: "115 T. De M. [i.e. Tammaro De Marinis]" on upper board lining.Binding: Pasteboards covered in dark red leather ; Type III binding (without flap) ; board linings in yellow-tinted laid paper, flyleaves in lavender surface-dyed, gold-flecked laid paper ; upper and lower covers carry stamped (with recessed onlays, now gone to green and white) four-lobed central ornament evoking two intersecting lozenges or lozenge with two domes radiating from it (filled with vegetal composition having large floral motifs) and pendants, as well as tooled border in blind rules and a series of s-shaped stamps ; sewn in blue-green thread, two stations ; worked chevron endbands in yellow and pink, good condition ; overall in fairly good condition with some abrasion and staining, lifting of leather, minor delamination of boards, etc. ; repair to spine (rebacked) in similar red leather.Support: non-European (likely Persian or Indian) laid paper with 8 laid lines per cm. (vertical, fairly distinct) and occasional pairs of chain lines visible, sturdy, well-burnished, dark cream to beige in color ; endpapers in European laid paper ; minor staining and tide lines ; added flyleaves in European laid paper with 11 laid lines per cm. (horizontal), chain lines spaced 25-26 mm. apart (vertical), and watermarks of "ALMASSO" and scrollwork with eagle above horse "GAM" below.Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.8, consisting of narrow rectangular piece carrying the basmalah flanked by floral accents, surmounted by a larger rectangular piece with gold cartouche carrying the title in red ink ("ديوان كليم عليه الرحمة") flanked by floral motifs mainly in white and gold with red and blue accents on fields of gold, blue and red, itself surmounted by a scalloped w-shaped piece (central dome flanked by two partially visible domes) filled with swirling floral vegetal composition in green, white, pink, yellow, orange, blue and red on fields of gold and blue, all surmounted by vertical stalks (tīgh) in blue and set in a well of blue and red bands with white accents ; another fine doublue-page illumination (headpiece along with cloudbands in written areas) at opening on pp.158-159 ; written area (central panel, columns within, and ruled margins) of incipit and facing page surrounded by gold frame and red rule-border with text set off by gold cloud-bands, elsewhere only gold frame appears ; keywords and section headings rubricated.Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in roughly 43 'lines' per page, 17 in the central written area and as many as 26 on the diagonal in the margins ; central written area mainly divided to two columns ; frame-ruled.Collation: iii, 22 IV(176), II-1 (179), iii ; almost exclusively quaternions ; middle of the quire marks in the form of ٢ at a slight angle in the outer margin of the lefthand leaf ; catchwords present ; page between sections (p.157) left blank ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and blank insert).Incipit: "شوق هر کس را که در راه طلب سر میدهد گر در آرد اول از پا آخرش پر میدهد .."Title from illuminated headpiece at opening on p.8.Ms. codex.Elegant copy of the Dīvān of Kalīm Abū Ṭālib (d. 1651).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 340Origin: According to colophon on p.503, supposedly copied by Muḥammad Masīḥ Shīrāzī with transcription completed 17 Muḥarram "٨٠۴" [ca. 27 August 1401], which seems impossible given Kalīm's dates ; 17 Muḥarram 1084 [i.e. ca. 4 May 1673] may have been intended. Ownership statement on 'title page' (p.1) provides a terminus ante quem of 1684.Former shelfmark: "121 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf.Binding: Pasteboards covered in black leather seemingly covered with lacquer ; Type II binding (with flap) ; two-piece binding (overlapping flanges visible at spine) ; doublures in dark red leather gold-tooled with oval central ornament, crosses above and below, corner accents and border (all built up of small annular stamp) defined by gold rules ; upper and lower covers carry stamped central lozenge, pendants and cornerpieces (central lozenge and cornerpieces filled with composition of vegetal designs surrounding bird) painted red and bronze-gold and layered with lacquer, as well as border in gold-painted vegetal designs defined by gold fillets ; sewn in golden yellow and blue thread, two stations ; worked chevron endbands in golden yellow and blue thread ; overall in somewhat poor condition with envelope flap almost fully detached from fore edge flap (losses at joint), some lifting and losses of lacquer and leather, abrasion, losses and delamination of boards at edges, etc.Support: non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (vertical, somewhat indistinct) and irregular chain lines visible, dense and sturdy though thin, well-burnished, dark cream in color ; flyleaves in European laid paper ; extensive pest damage in final seven leaves ; flyleaves in European laid paper.Decoration: Superb illuminated double-page opening on p.2-3 with headpiece (ʻunwān / sarlawḥ) consisting of rectangular piece with empty gold cartouche flanked by gold pendants surrounded by delicate floral vegetal decoration in orange, yellow, lavender, white, and red on a lapis and gold ground, surmounted by elongated scalloped dome filled with chi cloud and floral motifs in gold, orange, light blue, white, lavender, etc. surrounding pink pendants, all set in a well of now dark brownish blue with white accents flanked by narrow blue and gold bands ; marginal decoration of gold-painted plants and animals (lion, fox, rabbit, phoenix, antelope, etc.) completes the double-page illumination ; another exquisite illuminated headpiece at opening of ghazals on p.250 ; written area throughout surrounded by gold frame with blue outermost rule, divisions within defined by narrow gold bands ; text of written area of double page opening set off by gold cloud-bands, elsewhere flecked with gold ; gold-painted vegetal and animal decoration at close of some sections (see pp.249 and 491).Script: Nastaʻlīq ; elegant hand in a medium line, compactly filling the line ; characteristically serifless, with effect of words descending to baseline, elongation of horizontal strokes, pointing in conjoined dots, point of final nūn set down in wide, slightly angled bowl.Layout: Written in 17 lines per page with written area often divided to two columns ; frame-ruled.Collation: i, 9 IV(72), III (78), 9 IV(150), III (156), 6 IV(204), III+1 (211), 2 IV(227), IV+1 (236), 2 IV(252), i ; chiefly quaternions ; oblique catchwords on the verso of each leaf ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, reads "بتاریخ هفدهم شهر محرم الحرام سنه ٨٠۴ سمت تحریر یافت علی ید الاحقر بل اللاشی محمد مسیح شیرازی م م م"Explicit: " آرایش روزگار امروز ازوست بر روی زمانه زلف پر پیچ و خمیست"Incipit: "شوق هر کس را که در راه طلب سر میدهد گر در آرد اول از پا آخرش پرمیهد ..."Title supplied by cataloguer.Ms. codex.Elegant copy of the collected poems of Kalīm Abū Ṭālib (d. 1651). Descriptive contributions from Nick Krabbenhoeft.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 343Origin: As appears in colophon on p.307, copied in Qazvīn in 905 [1499 or 1500].Former shelfmark: "486 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "١٣٥" on recto of front flyleaf.Binding: Pasteboards now fully covered in spring-green silk faced / backed with paper (covered boards faced and lined, i.e. silk fully wraps apparently already leather-faced boards as with an overcover / slipcover, compare Isl. Ms. 341) ; Type II binding (with flap) ; flyleaves in yellow surface-dyed and gold-flecked European laid paper (scrollwork with tower at center and "CENEDA" below in back flyleaf [?]) ; upper and lower covers bear traces of stamped mandorlas beneath the textile ; sewn in red thread, two stations ; worked chevron endbands in red and yellow, fairly good condition ; overall in fairly good condition with some staining, abrasion, lifting and losses of cloth and paper, etc.Support: non-European laid paper with 9 laid lines per cm. (vertical, indistinct) and no chain lines clearly visible, quite thin and transluscent though sturdy, well-burnished, dark cream in color ; endleaves in European laid paper ; some staining and tide lines.Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of rectangular piece with gold cartouche and flanking pieces overlaid and surrounded with swirling arabesques and floral motifs in shades of gold, red, orange, and pink on fields of lapis lazuli, surrounded by border of turquoise interlace and surmounted by another rectangular piece carrying a row of intertwining arabesque and chī clouds with floral motifs (all in green, lavender, orange, and pink) on a gold ground, itself surmounted by vertical stalks (tīgh) in blue ; written area surrounded by gold frame with defining black fillets and outermost blue rule, columns within also defined by gold rules ; written area gold-flecked ; interlinear glosses rubricated.Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in roughly 15 lines per page, with written area mainly divided to two columns ; frame-ruled.Collation: ii, IV-1 (7), 18 IV(151), I+1 (154), ii ; almost exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," mainly in Arabic, reads "تم الكتاب بدار الموحدين قزوين سنه خمس وتسعمايه م"Incipit: "اقتتاح سخن آن به که کندن اهل کمال بثنای ملک الملک خدای متعال ..."Title supplied by cataloguer.Ms. codex.Elegant copy of a selection of the collected poems of Kamāl Khujandī (d.1400 or 1).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 291Origin: Date, copyist and place of transcription are not specified in colophon of fol.360a (p.720 ; paper and hand would suggest a dating of 16th to early-mid 17th century.Binding: Pasteboards covered in black leather (pebbled quality of shagreen) with edges/turn-ins and spine in tan leather (sheep) ; Type III binding (without flap) ; doublures in red leather (sheep) with filigree in gold leather over red and blue paper and green silk ; upper and lower covers bear central scalloped mandorla with floral vegetal pattern (compare Déroche class. OAi2 7), pendants and corner pieces (in complementary floral vegetal pattern) along with tooled border consisting of a series of s-shaped stamps framed by scored fillets ; doublures bear scalloped mandorla, pendants and corner pieces with vegetal pattern in elaborate gold leather filigree applique over red and blue paper and green silk along with gold painted accents and rule border ; fine chevron endbands in blue-green and purple ; sewing mainly in same blue-green or blue (middle quires) with two sewing stations ; a few early quires sewn in white with two stations ; primaries in same blue-green ; in quite fair condition with some abrasion and edge wear, staining, minor pest damage, some lifting and losses of leather and paper (covers and filigree of doublures), and loose quires.Support: non-European (Persian, 16th or early 17th century - prior to 1650 [?]) laid paper with fairly distinct laid lines running horizontally spaced roughly 8-9 laid lines per cm., some curving/sagging ; virtually no chain lines visible, though sporadically a single chain line is visible ; some undissolved fibers; thick ; crisp ; highly burnished with some burnisher's marks ; some pigment breakthrough along central frame of fol.1 ; some page repairs in same paper as flyleaves (apparently added later as evidenced by the traces of the doublure filigree design on fol.1a and fol.360b ; burn on fore edge of textblock ; some accretions, soiling, staining, etc.Decoration: Superbly executed illuminated headpiece (ʻunwān) appears at the opening of each main section (see fol.1b/p.2, fol.183b/p.366, fol.280b/p.560, and fol.325b/p.650), each includes a cartouch bearing the work or section title ; elaborate frame consisting of bands of green, red, light blue, gold, blue and red with black fillets appears throughout ; incipit and facing page (as well as opening and facing page for each of other main sections) bear additional blue band with white crosses around written area and dividing the columns of the written area a band in lapis lazuli with floral pattern in gold ; written area throughout is gold-flecked ; cloud bands with floral vegetal pattern in green, blue and red appear on incipit and facing page (as well as on opening and facing page for each of the other main sections) ; margins (even inner margin) of incipit and facing page bear elaborate design of flowers, vines and birds in gold (as does opening and facing page for third main section - see p.560-561) ; opening and facing pages for second main section (see p.366-367) bears essentially the same design but with what appears to be faces of lions rather than birds ; opening and facing pages for final main section bear similar design with large blossoms rather than animal motifs ; text rubricated with section headings, etc. in red.Script: Nastaliq ; fine Persian hand ; sans serif with characteristic sloping of words to baseline, final words or letters of each line superscript, closed counters, and characteristic letterforms.Layout: Written in 21 lines per page ; written area divided to two columns ; frame-ruled.Collation: i, IV+1 (9), 34 V (349), IV (357), I+1 (360), i ; chiefly quinions ; catchwords present, though occasionally lost to trimming ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, chiefly in Arabic, reads: "تمت الكتاب بعون الله الملك الوهاب تمام شد كليات افصح المتكلمين كمال الدين اسمعيل اصفهانى عليه الرحمه تم تم تم"Explicit: "جوياى كمالند بجان اهل هنر انگاه بجان كمال جوينده ست"Incipit: "اى صفات تو بيانهار ازبان انداخته عزت ذاتت يقين را در كمان انداخته"Title from cartouche in ʻunwān on fol.1b (p.2).Ms. codex.4. fol.325b-360a : رباعيات خلاق المعانى كمال الدين اصفهانى غفر الله ذنوبه3. fol.280b-325a : غزليات كمال الدين اسماعيل2. fol.183b-fol.280a : مقطعات خلاق المعانى كمال الدين اسماعيل1. fol.1b-fol.183a : القصايد والمراثى من كلام افصح الفصحا كمال الدين اسمعيل اصفهانىExquisite copy of the collected poems of the noted panegyrist, Kamāl al-Dīn Ismāʻīl known as Khallāq al-Maʻānī, including qaṣāʼid, marās̲ī, muqaṭṭaʻāt, ghazalīyāt and rubāʻīyāt.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 319Origin: Lacks dated colophon ; decoration, etc. suggest late 16th or early 17th century.Former shelfmark: "82 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on upper board lining.Binding: Pasteboards covered in black leather (pebbled quality of shagreen) ; Type III binding (without flap), possibly two-piece; board linings (pastedowns) in light pink-tinted laid paper, flyleaves in gold-flecked pink-tinted laid paper ; upper and lower covers carry stamped and gold-painted scalloped mandorla (filled with vegetal composition surrounding two seated gazelles, recessed inlay) with pendants and gold-painted accents and borders ; sewn in light yellow thread, two stations ; worked chevron endbands in pale yellow and pale pink [?], tailband almost gone, headband damaged ; overall in somewhat poor condition with abrasion, staining, delamination of boards, lifting and losses of leather (inlay of upper mandorla), etc. ; edging (repair) in quite dark brown to black leather.Support: non-European (likely Persian or Indian) laid paper with 9 laid lines per cm. (horizontal) and no chain lines visible, sturdy though thin and transluscent, well-burnished ; repair to opening leaf / 'title page' in European laid paper with coat of arms watermark (consisting of cross flanked by lions above two circles).Decoration: Splendidly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title in white ( "ديوان خواجه حافظ شيرازى" ) surrounded by swirling arabesque with floral accents in red, yellow, white, pink, light blue, red-orange, etc. on fields of blue (lapis lazuli) and gold (approaching lapis lazuli) with red border, surmounted by tall (vertically elongated) scalloped w-shaped piece filled with same manner of swirling arabesque with floral accents (carnation, etc.) in green, yellow, white, light pink, light blue, and red-orange on fields of blue (lapis lazuli) and gold, itself set into a well of red ; incipit and facing page carry finely executed illuminated marginal decoration in the form of swirling vegetal composition with large serrated sāz leaves and floral motifs in gold with blue and red accents ; written area throughout surrounded by a frame of gold bands defined by black fillets and outer blue and red rules ; text of incipit and facing page set off with gold cloud-bands ; occasional floral accents in green, red, white, light pink, gold etc. appear occasionally between sections of text.Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, elongated horizontal strokes, somewhat exaggerated contrast in thickness of horizontal and vertical strokes.Layout: Written in 16 lines per page ; written area often divided to two columns to set-off poetry ; frame-ruled.Collation: i, III+3 (9), 10 IV(89), 2 III(101), 4 IV(133), III (139), IV (147), III (153), III-2 (157), I (159), i ; chiefly quaternions ; catchwords present (though often cut off) ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.5-6).Explicit: "گفتی که تو را شوم مدار اندیشه دل خوش کن و بر صبر گمار اندیشه کو صبر و چه دل انچه دلش میخوانی یك قطره خونست و هزار اندیشه تمت الکتاب"Incipit: "الا یا ایها الساقی ادر کاسا و ناولها که عشق آسان نمود اول ولی افتاد مشکلها ..."Title from illuminated headpiece at opening on p.2.Ms. codex.Elegant copy of the Dīvān of the masterful poet Ḥāfiẓ (Khvājah Shams al-Dīn Muḥammad Shīrāzī, d.1390?).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 407Origin: As appears in colophon on p.584, transcription of Dīvān-i Khvājah-i Salmān completed 3 Ramaḍān 823 [ca. 11 September 1420], apparently by one Furṣat Gharīb. All other texts seemingly transcribed by the same copyist. As appears in colophon in margin on p.221, transcription of Dīvān-i Ḥāfiẓ completed 20 Ramaḍān 823 [ca. 28 September 1420].Former shelfmark: "97 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "٢٢٧" on tail edge of text block.Binding: Pasteboards faced in fine silk textile (in red with green stripes defining rectangular panels containing floral motifs) with dark red leather over spine, fore edge, and edges / turn-ins (silk faced and leather edged framed binding) ; accompanied by slipcase faced in black coated and textured paper (embosed with scroll / interlace pattern) and edged in dark maroon leather, lined in printed marbled paper and fitted with yellow woven pull cord ; Type II binding (with flap) ; pastedowns and flyleaves in bright red coated and textured paper (embossed with a scroll / interlace pattern virtually identical to that on the slipcase) ; decorative border on leather of upper and lower covers consisting of tooled and gold-painted band in chain pattern and gold and white-painted dome and stroke accents ; fore edge and envelope flaps are similarly decorated ; flap of slipcase carries contents ("اسامى ديوانچها كه در اين مجموعه ديوان سلمان حاشو ديوان حافظ ديوان كمال ديوان عصمت") with the four titles set among vegetal decoration (painted in gold, slate blue and white) ; gold-painted vegetal pattern on edges of text block ; sewn in red thread, two stations ; worked chevron endbands in yellow and pink, in fair condition though tail band is detaching due to damage to primaries ; overall in fairly good condition with pest damage at spine, minor abrasion to fore edge flap, etc.Support: non-European laid paper with 8-9 laid lines per cm. (vertical or horizontal, fairly indistinct) and no chain lines visible, cloudy formation, quite crisp, thin and trasluscent though sturdy, well-burnished ; staining and tidelines.Decoration: Superb double-page illuminated at opening (pp.2-3) consisting of four rectangular pieces carrying verses in gold tawqīʻ and ornamented with delicate floral motifs and a border of lozenges mainly in blue, gold and white above and below the central written area (also bordered in lozenges with delicate vegetal designs in gold) ; further illuminated cartouches carrying headings (in particular at openings of dīvāns of Ḥāfiẓ, Kamāl, and ʻIsmat on pp.2, 222, and 474) appear in the margin ; additional illuminated headpiece (ʻunwān / sarlawḥ) at opening of ghazals on p.380, consisting of rectangular piece with cartouche carrying heading in gold "غزليات مولانا جمال الدين سلمان" surrounded by delicate floral vegetal motifs in shades of blue, pink, white, gold, red, etc. on grounds of blue, black, etc. ; written area, margins and divisions within defined by narrow gold bands outlined by black fillets ; keywords and headings chrysographed ; textual dividers in the form of illuminated rosettes ; illuminated arabesques accent margins.Script: Naskh with elements of nastaʻlīq ; compact hand in a medium line ; virtually serifless and fairly vertical with elongation of horizontal strokes, some sweeping descenders, rāʼ somewhat elongated and slightly reversed, many closed counters, pointing mainly in strokes rather than distinct dots, occasionally kāf is written as vertical stroke with miniature kāf seated above (effect of the whole being resemblance to hamzah seated on alif), interesting form of dāl-rāʼ (در) in which rāʼ is nested in dāl and 'horizontal' stroke of dāl is angled and parallel to stroke of rāʼ ; most headings in an elegant, highly ligatured tawqīʻ.Layout: Varies ; at opening of codex written with mainly 21 lines per page (divided into two columns) in the central written area and as many as 40 lines on the diagonal ; at close of codex written mainly in 14 lines per page ; frame-ruled.Collation: i, IV-1 (7), 6 IV(55), III (61), 29 IV(293), ii ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes back flyleaf and skips two pages between pp.545-546).Colophon: [Dīvān-i Ḥāfiẓ] "Scribal," reads "تم ديوان ملك الشعرا املح الكلام واوضح اللسان شمس الملة والدين محمد الحافظ الشيرازى طيب الله مضجعه ورحم الله له ولكاتبه ولناظره ولمن قال امين برحمتك يا ارحم الراحمين في عشرين من شهر رمضان المبارك لسنة ثلاث وعشرين وثمانمائة الهجرية م" ; [Dīvān-i Khvājah-i Salmān] "Scribal," triangular, reads "تم الديوان على يد الفقير الحقير اقل عباد الله المجيب فرصت غريب فى الثالث من رمضان المبارك لسنه ثلاث وعشرين وثمانمائه الهجرية ٨٢٣"Incipit: [Dīvān-i Khvājah-i Salmān] "هر دل که در هوای جمالش مجال یافت عنقای همتش دو جهان زیر بال یافت ..."Title supplied by cataloguer from collation statement at close on p.584.Ms. codex.4. p.474-p.549 : Dīvān-i Khvājah ʻIsmat / Khvājah ʻNaṣīr al-Dīn ʻIṣmat Samarqandī.3. p.222-p.473 : Dīvān-i Shaykh Kamāl al-Khujandī / Kamāl Khujandī.2. p.2-p.221 : Dīvān-i Ḥāfiẓ / Ḥāfiẓ.1. p.2- p.584 : Dīvān-i Khvājah-i Salmān / Jamāl al-Dīn Salmān Sāvājī.Elegant majmūʻah containing an early copy of the Dīvān or collected poems of Jamāl al-Dīn Salmān Sāvājī (d.1376), the renowned panegyrist of the Jalāyirids, along with excerpts from the dīvāns of Ḥāfiẓ, Kamāl, and ʻIsmat on the ruled margins.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 323Origin: As appears in colophon on p.69, copied by Ibn ʻAli Quṭb al-Dīn al-Yazdī with transcription completed in the first part of Rajab 916 [October 1510].Former shelfmark: "406 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; board linings in pink-tinted laid paper ; fore edge flap lined in green silk ; upper and lower covers carry stamped and gold-painted (on orange recessed inlays) rosette / mandorla (filled with vegetal composition vaguely reminiscent of Déroche class. OAi2 1) and cornerpieces along with tooled rosettes and gold-painted accents and border in a series of s-shaped stamps ; sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, dirty, tailband damaged ; overall in fair condition with some abrasion, staining, lifting and losses of leather at spine and fore edge flap, minor pest damage, etc.Support: non-European (likely Persian or Indian) laid paper with 8 laid lines per cm. (vertical, faint and indistinct) and no chain lines clearly visible, well-burnished, beige in color ; staining and tidelines ; many bifolia guarded with recycled manuscript "waste" ; flyleaves in European laid paper.Decoration: Elegant (though damaged) illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title in white ("ديوان مولانا شاهي") surrounded by swirling vegetal decoration in black, cartouche surrounded by swirling floral vegetal designs in gold, yellow, red, white and pink on a field of blue with gold accents, surmounted by triangular piece or hasp with upper most pendant and vertical stalks (tīgh) continuing floral vegetal design on gold and lapis lazuli ; written area (and columns within) surrounded by a gold frame defined by black fillets and outermost blue rule ; centered panels of written area left blank.Script: Nastaʻlīq ; compact, elegant Persianate hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 12 lines per page with written area mainly divided to two columns ; frame-ruled.Collation: i, 2 III(12), II (16), III (22), V (32), II (36), i ; ternions, binions, and a quinion ; catchwords present ; pagination in black ink, Hindu-Arabic numerals through "٢٩" ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," rectangular, mainly in Arabic, reads "تم هذه الابيات العبد الفير الى الطاف الصمدى ابن على قطب الدين اليزدى غفر ذنوبه وستر عيوبه في اوائل رجب المرجب من شهور سنه ست عشر وتسعمائة الهجره النبويه المصطفويه عليه افضل الصلوات واكمل التسليمات"Explicit: "سخن تا چند گویم پیچ هر [در] پیچ ترا من دوست میدارم دگر هیچ "Incipit: "ای نقش بسته نام خطت با سرشت ما این حرف شد ز روز ازل سر نوشت ما ..."Title from illuminated headpiece at opening on p.2.Ms. codex.Elegant copy of the Dīvān of Amīr Shāhī, Aq Malik ibn Amīr Jamāl al-Dīn Sabzavārī (d.1453).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 869Origin: Lacks dated colophon ; paper, decoration, etc. would suggest 17th century. Chronogram at close of dīvān on p.375 "اتمام يافت" may suggest date of composition of 973 [1565-6].Accompanying materials: a. Slip with note "Persian MSS (Heyworth-Dunne?) Husselman notes" -- b. Slip with description (in hand of E. Husselman ?) "Mushfiqī, Bukhārī | Dīvān | BMC. Cat. Pers. MS. Suppl. has a Mushfiqī, Bagdadī in a Tazkirah of ancient & modern Persian poets. No Bukhārī found. Apparently we do not have | 190 ff. 379 pp." -- c. Slip with note "counted for 1968/69 Annual Report" -- d. Tag with "#10"Former shelfmark: Mich. Isl. Ms. temp. no. 18Binding: Boards faced in blue-green cloth with dark green leather over spine (straight grain) and board corners (approaching half-binding) ; Western style-binding ; pastedowns and flyleaves in shell 'marbled' paper (mainly in brown, blue and pink) ; leather extending on upper and lower covers gold-stamped with toothed borders ; spine gold-stamped with decorative bands and title and author "DIWAN | I | MUSHFIKI | I | BUKHARI" ; sewn in white thread over three recessed cords (visible at spine) ; overall in somewhat poor condition with severe spine slant (cocked), spine leather detaching, abrasion, staining, etc.Support: non-European (likely Indian or Persian) laid paper with roughly 6-7 laid lines per cm. (horizontal or vertical, indistinct, some curving) and no chain lines plainly visible, cloudy formation, thin and transluscent though sturdy, dark cream in color, well-burnished ; some pest damage, staining and tide lines ; extensive repairs.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with empty gold cartouche flanked by floral motifs in red, yellow, green, etc. on grounds of blue and gold, surmounted by a set of scalloped domes (nearly evoking w-shaped piece) filled with swirling floral vegetal decoration in shades of pink, red, blue, orange, yellow, white, etc. on grounds of gold and blue, all set in a well of yellow, gold and orange bands with red accents and surmounted by vertical stalks (tīgh) in blue ; written area (and divisions within) surrounded by gold frame defined by black fillets with outermost blue rule ; occasional section headings rubricated (mainly toward the close of the codex).Script: Nastaʻlīq ; elegant hand ; serifless with gentle effect of tilt to the right and of words descending to baseline, marked elongation and exaggerated thickness of horizontal strokes (contrasting with thin vertical strokes), pointing in distinct dots.Layout: Written in 15 lines per page ; frame-ruled.Collation: Heavily repaired with original gatherings difficult to discern though middle of the quire marks appear for some gatherings (black stroke in the lower outer corner of the right-hand leaf) ; chiefly quaternions ; catchwords only rarely visible (typically cut off) ; foliation in black ink, Hindu-Arabic numerals (center of upper margin of the recto of each leaf) ; pagination in heavy pencil, Western numerals (upper outer corner of the verso of every other leaf) ; pagination in pencil, Western numerals, supplied during digitization (includes inner flyleaves and skips two pages between pp.5-6).Explicit: "که با شد بآ کاهی انجام من"Incipit: "این نامه که روی در سیاهی دارد بیهوده خلل نامتناهی دارد ... نموده می شود که راقم این سواد مشفقی المروی ..."Title from inscription on 'title page' (p.3).Ms. codex.Elegant copy of the Dīvān of the Tajik poet Mushfiqī (ʻAbd al-Raḥmān, d.1588) with qaṣāʼid, ghazalīyāt, muqaṭṭaʻāt, rubaʻīyāt, etc. as well as his brief mas̲navī Sāqī-nāmah (pp.375-381).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 337Origin: As appears in closing matter (colophon including patronage statement) on pp.676-7, executed for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) ("ḥasaba al-amr amīr bī-naẓīr... Fatḥ ʻAlī Khān, al-shahīr bi-Bābā Khān, Qājār Quvānlū ... sawwadahu wa-nammaqahu..."), apparently before his ascension to the throne, by Ibn Muḥammad Taqī al-Sāravī Muḥammad (author of Tārīkh-i Muḥammadī, still living in 1802) with transcription completed 23 Jumādá I 1203 [ca. 19 February 1789]. Statement dated Rabīʻ I 1232 [January-February 1817] on 'title page' (p.3) names the copyist and indicates that the manuscript was presented to the Imperial Library.Former shelfmark: "432 T. De M. [i.e. Tammaro De Marinis]" and "١۷" inscribed in pencil on opening leaf (p.1, serves as flyleaf) ; possible inventory inscription on fore edge of text block.Binding: Heavy pasteboards covered in painted lacquerwork with spine in dark gray leather ; Type III binding (without flap), two-piece binding (overlapping flanges visible at spine) ; upper and lower doublures in fine painted lacquerwork of a central medallion evoking a four-petalled flower and pendants of vegetal design in gold on a red ground, framed in gold ; upper and lower covers bear paintings of nearly identical composition with entire panel virtually filled with swirling vines in yellow / gold, leaves of green and grapes of dark red on a pale orange ground, surrounded by vegetal borders in gold on dark red and green grounds ; sewn in red thread, two stations ; worked chevron endbands in red, cream and [?] (now gray), good condition ; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc. ; housed in box for protection.Support: European laid paper of several types ; opening type with 13 laid lines per cm. (horizontal), chain lines spaced 19-22 mm. apart (vertical) and watermarks of "FC" under scalloped crown (see p.8, etc.) and shield with lion rampant, "F" below and scalloped crown above (see p.10, 14, 16, etc.) ; next type with 11-13 laid lines per cm. (horizontal), chain lines spaced 22 mm. apart (vertical), and watermarks of smiling lion passant guardant with "F" below (see p.12, 20, 22, etc.) and "FC" only (see p.26, 28, etc.) ; next (and majority) type with 11 laid lines per cm. (horizontal), chain lines spaced 19-21 mm. apart (vertical), and watermarks of "FL" under scalloped crown (see p.98, 120, 360, 680, etc.) and three hats (see p.100, 154, 184, 340, 488, etc.) ; all highly sized and burnished, thin and crisp though quite sturdy.Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular panel with empty gold cartouche flanked by floral motifs and swirling vegetal design in gold, red, blue, and white on fields of blue and red, surmounted by scalloped w-shaped piece filled with swirling vegetal design and floral motifs in green, lavender, orange, red, pink, and yellow on a blue and gold ground with outline and accents in white and black, all set in a well of blue with white accents ; rich illuminated marginal decoration (including inner margin) on incipit and facing page (pp.4-5) consisting of elaborate swirling floral vegetal design in green, orange, yellow, pink, lavender, and light blue on a gold ground, on incipit page (p.4) surrounding a domed medallion in gold carrying the name of Fatḥ ʻAlī Shāh Qājār ("السلطان فتحعلي شاه قاجار"), possibly added later upon his ascent to throne ; additional exquisite double illuminations at openings on pp.342-343 and 344-345, including headpieces and marginal decoration (on pp.344-345, marginal decoration includes birds in pink, blue and orange) ; written area of incipit and facing page surrounded by frame of red with gold accents, gold cloud-bands setting off the text, and vertical bands of blue and red arabesque framing the columns ; written area elsewhere surrounded by frame of gold bands defined by black fillets (columns and divisions within written area also defined by gold bands and black fillets) ; keywords and section heading rubricated ; occasional textual dividers in the form of three or four red discs.Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق ) ; elegant Persian hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in roughly 19 lines per page, with written area mainly divided to two columns ; frame-ruled.Collation: IV (8), 34 IV(280), V+3 (293), 2 III(305), III+1 (312), 3 IV(336), II (340) ; Chiefly quaternions ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf).Colophon: "Scribal," including patronage statement, in Persian and Arabic, reads "حسب الامر امیر بی نظیر زیبنده تاج و سریر ... فتحعلی خان الشهیر ببابا خان قاجار قوانلو خلد الله سلطانته باتمام این کلیات واختتام این ابیات معجز آیات پرداخت ... سوده ونمقه العبد المحتاج الى الله الصمد ابن محمد تقى الساروى محمد في يوم الاربعا ثالث عشرون شهر جميدى الاول من شهور سنه ۱۲۰۳"Explicit: "اگر که گاه بودی محتشم را نکته آموزی"Incipit: "نفیر مرغ سحر خوان چو شد بلند صدا پرید زاغ شب از روی بیضه بیضا ..."Title from statement on 'title page' (p.3).Ms. codex.Splendid copy of the Dīvān of Muḥtasham-i Kāshānī (d.1587 or 9) executed by Muḥammad ibn Muḥammad Taqī Sāravī for Fatḥ ʻAlī Shāh Qājār (1769-1834, r.1797-1834) before his accession to the throne.
Collected poems of Amīr Shāhī Sabzavarī. Dīvān-i Shāhī (Collection of poems by Shāhī) is a divan (collection) of verse by Amīr Shāhī Sabzavārī (died 1453; 857 A.H.), a prominent Persian poet of the Timurid era who composed in many of the classical forms of Persian poetry. Amīr Shāhī's poetry belongs to the tradition of Persian mystical love poetry. The collection includes poems composed in the ghazal (a metrical form expressing the pain of loss and the beauty of love), qaṣīda (lyric poem), and rubā'ī (quatrain) forms. Amīr Shāhī was born in Sabzevar (present-day Iran), but received his education in Herat (present-day Afghanistan), where he joined the court of Timur's son Shāhrukh (1377-1447) and that of Shāhrukh's son Baysunqur Mīrzā (1397-1433). Biographers refer to Amīr Shāhī as a superb poet, but also as a painter, musician, and calligrapher. His poetry was greatly admired by his celebrated contemporary ʻAbd al-Raḥmān Jāmī (1414-92), as well as by later authors, such as Alīshīr Nawā'ī (1441-1501). In Tadhkirat al-Shuʻarā (Memorial of poets), Dawlatshāh Samarqandī (died circa 1494) describes the premature death of Baysunqur Mīrzā after a bout of drunken revelry, and singles out the elegy for him composed by Amīr Shāhī as having surpassed those of all his peers in its pathos. It is said that Amīr Shāhī wrote more than 12,000 verses, but his surviving anthology contains less than a tenth of that number. He himself is believed to have destroyed that portion of his verse he considered inferior. Amīr Shāhī died in Gorgan and is buried in Sabzevar in a khānaqāh (Sufi dervish lodge) founded by his ancestors. The present manuscript of Dīvān-i Shāhī is an illuminated, undated copy written in a flowing nastaʻlīq hand. An unusual feature of the work is the manner in which each poem is set off by the Arabic wa lahu ayḍan or ayḍan lahu (furthermore, he wrote). World Digital Library.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 366Origin: As appears in colophon at close, copied by ("nammaqahu [?]...") one ʻAbd al-Rashīd ...[?] with transcription completed in Ramaḍān 1240 [?] [April-May 1825, or April-May 1140, 1725 ?].Accompanying materials: Folded slip of paper with notes in blue ink in hand of G. Meredith-Owens "366 A Dīvān, probably that of Amīr Khusraw of Delhi (but I should need rapid copies of some folios to verify this). 19th century - the paper suggests India."Former shelfmark: "426 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover.Binding: Red-brown (see turn-ins) coarse-grained leather lined in untinted laid paper (limp binding) ; Type III binding (without flap), two piece binding (seam of overlapping flanges visible at spine) ; upper and lower covers carry blind-tooled border in a series of s-shaped stamps ; sewn in lime green thread, two stations ; endbands virtually gone, though core of headband remains ; overall in somewhat poor condition with abrasion, moisture damage, staining, spine curved and fore edge protruding, etc.Support: non-European laid (likely Indian or Persian) paper with 9 laid lines per cm. (vertical, quite distinct) and no chain lines clearly visible, well-burnished, sturdy, and fairly transluscent though stained a dark brown.Decoration: Keywords (mainly in margins at end of each line) and section headings rubricated ; races of once "gold" (now gone to green) cloud-bands on opening leaf (facing now lost incipit page) ; written area surrounded by frame consisting of "gold" band defined by black fillets with outermost light blue fillet, columns within and margin defined by narrow "gold" bands outlined by black fillets.Script: Shikastah (shikastah-nastaʻlīq / شكسته نستعليق ) ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated 'horizontal' strokes.Layout: Written in 14 lines per page, mainly divided to two columns; frame-ruled.Collation: VI-1 (7), 7 IV(63), III (69), 4 IV(101), III (107) ; almost exclusively quaternions with two ternions ; final leaf left blank ; catchwords present.Colophon: "Scribal," reads "نمقه الاقل [؟] العبد عبد الرشيد ... في شهر رمضان المبارك سنه ۱۲۴۰ [?] ..."Incipit: "بسوی مصر نیامد نسیمی از کنعان که دامنی نزند آتش زلیخا را ..."Title supplied by cataloguer.Ms. codex.Worn, acephalous copy of a selection of poetry, possibly from the Dīvān of Zakī Hamadānī (see Āghā Buzurg al-Ṭihrānī, no.2352). Contribution to the cataloguing from Hossein Mottaghi.