Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 648Origin: Lacks dated colophon though poem on p.33 possibly dated 1199 [1784 or 5]. Paper, etc. suggests late 18th or early 19th century.Accompanying materials: a. Acquisitions slip from Yahuda (pp.1-2) -- b. Inventory cataloguing slip in hand of Winifred Smeaton Thomas (pp.3-4).Former shelfmark: From inner front cover, 'title page' (p.5) and label on lower cover, "IL 128" (likely supplied by Yahuda, see acquisitions slip).Binding: Pasteboards covered in red cut velvet with dark red leather over spine and edges/turn-ins (framed binding) ; Type III binding (without flap) ; doublures in marbled paper (striking pattern mainly in red, blue, yellow and black on white) with doublure hinges in a different marbled paper (blue on white) ; leather surrounding velvet panels gold-tooled in wide guilloché roll border ; sewn in yellow thread, two stations, though textblock detached from cover and with many loose quires ; overall in somewhat poor condition with some abrasion and staining, lifting of leather, spine fully split with covers detached from one another and from textblock, etc.Support: non-European (likely Persian or Indian) laid paper with 7-8 laid lines per cm. (vertical or horizontal, varies), curved and fairly distinct and occasional chain lines visible at roughly 45 mm. apart ; thin and crisp though sturdy, well-burnished to glossy ; alternating leaves surface dyed a dark yellow ochre, pale green or pale pink.Decoration: Occasional vocalization and orthographic signs rubricated ; signatures following several of the poems rubricated ; for one poem (see p.22) opening letters of opening words of each hemistich rubricated.Script: Nastaʻlīq ; compact, elegant hand ; characteristically serifless with effect of words descending to baseline, elongation and thickness of horizontal strokes.Layout: Written in 29 lines per page ; often divided to two columns to set off poetry.Collation: 2 V (20), I+2 (24) ; possible that leaves are missing ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes inserts).Title supplied by cataloguer.Ms. codex.16. p.50-p.52 : [blank].15. p.47-p.49 : [three short poems in Turkish].14. 46-p.47 : [mainly poems, opens "تجلى ضيا الفضل من افقك الاعلا" ].13. p.38-p.45 : [blank].12. p.35-37 : [short prose piece, opens "الحمد لله ... يا مخلص النفوس اذا لعثمت دياجي"].11. p.34-p.35 : [poem, opens "بك المناصب في العلياء تفتخر" ].10. p.32-p.33 : [poem, opens "لحى الله دهرا بالاحبة افجعا" ].9. p.29-p.31 : [short prose piece, opens "الحمد لله وصلى الله على سيدنا محمد ... انظر روض باكرة الماطر" ].8. p.28 : [short prose piece, opens "بسم الله الجامع بذاته حقائق اسمائه وصفاته" ].7. p.26-p.27 : [short prose piece, opens "ما تبسم فجر وضحك غمام" ].6. p.25 : [poem signed al-Sayyid Muḥammad, opens "تبسم ثغر الفتح يهتف بالنصر" ].5. p.20-p.24 : [poems]4. p.19-p.20 : [poem signed ʻAbd al-ʻAzīz al-Ṣamadī [?], opens "يا شام كم لك من يد عندي" ].3. p.13-p.18 : [poems, final signed ʻUmar ibn ʻAbd al-Salām, opens "الحمد لله ... قم يا نديم فما اصطباحك عار" ].2. p.9-p.12 : [poem signed Muḥammad Najīb al-Azharī al-Ḥusnī al-ʻAṭṭār, opens "جاءت وكف القبول يحملها"].1. p.6-p.8 : [poem signed Muḥammad Ṣādiq, opens "حتى متى البين ومر السهاد اقضى ولا اقضى بسعدي مراد"].Fine copy of a small collection of poems and brief prose pieces in Arabic (some signed by Muḥammad Ṣādiq, Muḥammad Najīb al-Azharī al-Ḥusnī al-ʻAṭṭār, ʻUmar ibn ʻAbd al-Salām, and ʻAbd al-ʻAzīz al-Ṣamadī [?]), concluding with three short poems in Turkish.
Gift of the United States Naval Academy, January 25, 1931.Ownership statement by al-Sayyid ʻUbayd Allāh Muḥammad b. al-Sayyid Muṣṭafá. Seal of the same person reads Muḥammad ʻUbayd Allāh.MS Arab 12. Houghton Library, Harvard University.In Arabic, Persian and Turkish.Electronic reproduction. Cambridge, Mass. : Harvard College Library Digital Imaging Group, 2010. (Open Collections Program at Harvard University. Islamic Heritage Project).Table of Contents: 1. Tarih-i Al-i Osman bin Ertuğrul (dates of Ottoman Sultans) (f. 1r) -- 2. Suret-i arzname (ff. 1v--2v) -- 3. Arabic poem, awāʼil Muḥarram 804 [August 11-20, 1401] (copied by Ḥājjī Aḥmad ibn ... al-B.f.l.ghānī) (ff. 3r-11r) -- 4. Taʻrīfāt ʻilm usūl fiqh, Shawwāl 804 [May 1402] (ff. 11v-16v) -- 5. Arabic glossary (explanations in Arabic and Persian), 804 [1402] (copied by Idrīs b. Ḥasan b. Bayram) (ff. 17r-52r) -- 6. Sharḥ al-Farāʼiḍ al-Sirājīyah / ʻAbd al-Karīm b. Muḥammad b. al-Ḥasan al-Hamadānī al-Tabrīzī, awāsiṭ Dhī al-Ḥijja 804 [July 1402] (copied by Idrīs b. Ḥasan b. Bayram) (ff. 52v-94r) -- 7. Lughat-i ḥurūf (ff. 94v-95r) -- 8. Mufradāt-i Pārsī (A list of Persian verbs) (ff. 95v-97v).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 161Origin: Lacks dated colophon ; paper suggests very late 18th or early 19th century. Scrap paginated pp.159-160 appears to be dated "٢١ تموز ٩٨".Accompanying materials: Scrap with notes and figures (paginated pp.159-160) and scrap bearing list of names (paginated pp.195-196).Former shelfmark: British Museum, London "No. 75. Prayers & dicta." ; "٢۷٤" on tail of textblock.Binding: Pasteboards covered black leather ; Type II binding (with flap) ; pastedowns and flyleaves in green surface-tinted wove paper ; sewn in black thread, two stations ; in fair condition with some abrasion, staining, moisture damage, negative draw in covers and flap, some spine slant (slightly cocked), etc.Support: European wove paper (mainly), quite smooth and burnished ; a few of the opening quires in European laid paper with 9 laid lines per cm. (horizontal), chain lines spaced 20 mm. apart (vertical), and watermarks including eagle, crown, name, etc.Decoration: Titles, section headings, keywords and abbreviation symbols rubricated.Script: Naskh ; elegant Ottoman hand ; right-sloping head serif appears occasionally on lām of definite article, etc. ; very slight effect of tilt to the left ; curvilinear descenders ; sweeping tail on final nūn ; fully vocalized.Layout: Written mainly in 15 lines per page ; frame-ruled.Collation: i, I (2), 9 V(92), IV (100), i ; chiefly quinions ; occasional leaves between works left blank (see pp.5-6, pp.25-27, pp.67, pp.162-169, pp.198-200) ; catchwords present ; pagination in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and inserts ; skips two pages each between pp.175-176 and pp.199-200).Title supplied by cataloguer.Ms. codex.Fine copy of a collection (majmūʻah / mecmua) of prayers, with detailed contents listing at opening (pp.3-4) corresponding to pagination in Hindu-Arabic numerals.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 160Origin: As appears in colophon on p.156, transcription of litany completed in the year 1129 [1716 or 17].Former shelfmark: British Museum, London "No. 89. Portions of Kuran and prayers."Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; board linings in European laid paper ; upper and lower covers carry blind-stamped scalloped mandorla (compare Déroche class. OAi), pendants and cornerpieces ; sewn in grey thread, two stations ; worked chevron endbands in light-blue and cream, fair condition ; overall in poor condition with significant abrasion, some lifting of leather, delamination of boards, staining, negative draw in upper cover, etc.Support: European laid paper of at least three types ; mainly with 12 laid lines per cm. (vertical), chain lines spaced 19 mm. apart (horizontal), watermark with crown above bar carrying initials, well-burnished, thin and transluscent though sturdy ; another type appears in opening and latter quires with 6-7 laid lines per cm. (vertical), chain lines spaced 26 mm. apart (horizontal), three crescent watermark, quite thick and sturdy ; final quire in a thin, very well-burnished (glossy) paper with 12 laid lines per cm. (vertical), chain line spaced 22 mm. apart (horizontal), and watermark consisting of three circles topped by crown with crescent above six-pointed star in the top circle and 'C' and the bottom circle.Decoration: Headings and abbreviation sybmols rubricated ; textual dividers in the form of red discs.Script: Naskh ; mainly an Elegant Turkish hand, virtually serifless with mainly open counters and very slight effect of tilt to the left, fully vocalized.Layout: Written mainly in 9 and 7 lines per page ; frame-ruled.Collation: III (6), II (10), V (20), IV (28), 4 V(68), IV (76), V (86), VIII (102) ; final quire left blank ; middle of the quire marks in the form of red circles (resembling hāʼ or numeral khamsah ٥) appear in the upper outer corner of the right-hand leaf ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (skips from p.55 to p.60).Title supplied by cataloguer.Ms. codex.13. p. p.177-p.208 : [mainly blank with a few prayer excerpts and notes].12. p.173-p.176 : [assorted other prayers].11. p.172 : Bab-ı taun için günde on iki kere.10. p.167-p.171 : Dua-yı taun için ve gayr-ı marazlar için.9. p.158-p.166 : Salavat-ı şerif.8. p.157 : [blank].7. p.70-p.156 : Awrād Shaykh Pīr Muḥammad Bahāʼī / Bahaüddin Nakşibend.6. p.62-p.156 : [prayer litany concluding with the well-known prayers ascribed to Bahaüddin Nakşibend].5. p.60 [sic]-p.61 : [originally left blank, now carries prayer excerpts in Ottoman Turkish].4. p.40-p.55 : Sūrat al-Fatḥ.3. p.24-p.39 : Sūrat Yāsīn.2. p.12-p.23 : [originally left blank, now carries some excerpts, owners' marks, etc.].1. p.2-p.11 : [Daʻwat al-Juljulūtīyah, incomplete, with elucidation in Ottoman Turkish] / [Aḥmad ibn ʻAlī al-Būnī].Fine copy of a collective prayerbook (in the manner of a majmūʻah) containing selections from the Qurʼān (namely Sūrat Yāsīn and Sūrat al-Fatḥ) and assorted prayers, including the well known litany ascribed to Bahaüddin Nakşibend (d.1389), a prayer against plague and other diseases, etc. On added leaves at opening, Daʻwat al-Juljulūtīyah, attributed to al-Būnī.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 826Accompanying materials: Scrap from a printed page between pp.62-63.Origin: As appears in colophon on p.728, copied by Mustafa bin Abdullah ( مصطفى بن عبد الله ), resident of Erzurum, with transcription completed Dhū al-Ḥijjah 1220 [February-March 1806]. As appears in preceding authorial colophon, composition completed 1170 [1756 or 7].Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; pastedowns and flyleaves in blue wove paper ; upper and lower covers carry stamped, scalloped mandorla (filled with vegetal composition) and pendants (lower cover retains onlays), as well as blind-tooled border ; sewn in black thread, two stations ; worked chevron endbands in purple and yellow, good condition ; overall in fair condition with some abrasion, staining, lifting of leather, negative draw in upper cover, fore edge flap small and ill-fitting, etc. ; repairs to spine in dark brown leather.Support: European laid paper ; mainly with 9-10 laid lines per cm. (horizontal), chain lines spaced 25-28 mm. apart (vertical), watermark of three hats (see p.7, 32, 420, 730, etc.) ; another type with 9 laid lines per cm. (horizontal), chain lines spaced 28 mm. apart (vertical), and watermark of large griffin (see p.24) ; all sturdy and well-burnished ; minor pigment burn at gold frames.Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening of text on p.26 consisting of rectangular piece with empty cartouche defined by gold flanking pieces, surmounted by scalloped w-shaped piece filled with swirling floral vegetal decoration in white, green, red, yellow, and pink on a gold ground, itself surmounted by vertical stalks (tīgh) in black and set in a well of orange, yellow and gold bands ; simple illuminated headpieces appear at opening of table of contents (p.4) and other sections throughout ; written area throughout surrounded by gold frame defined by black fillets ; keywords and section headings rubricated ; textual dividers in the form of red inverted commas ; occasional overlining in red ; illustrations of cosmic maps with Kaʻbah and Ḥaram at Jerusalem on pp.52-53 (compare British Library Or. 12964, fol.23b-23a, reproduced in Milstein, "The evolution of a visual motif: the Temple and the Kaʻba," pp.37-38), charts and diagrams of the different levels of being, celestial spheres, earth, lunar cycles, eclipses, fixed stars, and other astronomical topics mainly in pink, yellow, orange, lavender, light blue, green, gold and black with some tables in red and black (see p.62, 80, 81, 88, 92, 130, 133, 134, 135, 136, 150, 154, 155, 156, 157, 167, 169, 172, 181, 182, 182, 184, 193, 194, 195, 196, 197, 198, 209, 217).Script: Naskh ; clear, compact hand in a bold line ; serifless with slight effect of tilt to the left, pointing (for two and three dots) often in strokes rather than distinct dots, curvilinear but somewhat angular descenders.Layout: Written in 35 lines per page, occasionally divided to two columns to set off verses ; frame-ruled.Collation: i, V+1 (11), 21 V(221), V+1 (232), 4 V(272), IV (280), 8 V(360), III (366), i ; chiefly quinions ; catchwords present ; foliation in red ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and skips two pages between pp.47-48).Colophon: "Authorial," reads "تأليف هذا الكتاب وقع فى تاريخ غقع ١١٧۰ نفع من به انفع" ; "Scribal," triangular, reads "قد تم تحرير هذا الكتاب المستطاب ... بعناية الملك الوهاب المسمى بمعرفتنامه الذى فوائده كثيرة للخلايق عامه من تأليف العالم العامل ... السيد الحاج ابراهيم الحقى الفقير الحليم السليم رحمة الله الرؤف الرحيم خليفة حضرت الشيخ سيدنا فقير الله قدس الله اسرارهم ... على يد الحقير الذليل الفقير المحتاج الى عناية الله الكريم مصطفى بن عبد الله الساكن في بلده ارزن الروم صان الله تعالى اهلها عن الافات والهموم ... فى شهر ى ذ [ذى] الحجة من سنة عشرون [كذا] ومائتين بعد الالف من هجرة من له العز والسعادة والشرف ... انك سميع قريب مجيب الدعوات ارحم بفضلك يا رب العالمين م م م"Explicit: "ختمت هذا الكتاب بمناجات العارفين نظم حقى يه اولمز اوغلدر بو كتاب ... بو كتاب اوقيانى يازانى معرفت كنجيله باى ايت يا غنى تأليف هذا الكتاب وقع فى تاريخ غقع نفع من به انفع"Incipit: "حمد بى حد وشكر بى عد وثناى مؤيد بر واحد فرد احد حضرتلرينه اولسونكه هر شان اكوانى علم ازليسيله مقدر ومبين قلوب ... بو حقير فقير حقيقى ابراهيم حقى اول عزيز شريف مخدومى السيد احمد نعيمى ايچون ... چونكه بو كتاب شريفك نظامى بو اسلوب لطيف اوزره تمام اولوب نظر قبولله مطالعه ايدنلرى حقيقت معرفت مولايه مطلع ايتمشدر پس بوكا معرفتنامه نام اولوب تاريخ اختتام بيك يوز يتمشه يتمشدر بيت دير بو تأليفنه حقى تاريخ معرفتنامه ده بيل ربكى هو"Title from opening matter on p.27 and colophon on p.728.Ms. codex.Fine copy of the classical encyclopedic work by Erzurumlu (Erzurumî) İbrâhim Hakkı (d.1780) addressing topics chosen from geography, astronomy and the natural sciences, as well as theology and Sufism. Table of contents at opening (pp.4-23). Followed by a copy of brief letter from İbrâhim Hakkı to one of his brethren (pp.729-730).
Watermarks: Three hats (?); initials AG in roman.Contains geometrical diagrams and mathematical tables.No rubrication.Problems and calculations in geometry and trigonometry noted by an anonymous person. On the first few pages the notes are in Arabic, after which they are in Turkish.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 421Origin: Lacks dated colophon ; paper would suggest first half of 17th century ; ownership statement provides terminus ante quem of 1863.Former shelfmark: "533 T.De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf and opening leaf (p.2).Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap, though now lost) ; doublures in dark red brown leather with delicately tooled dimond-shaped interlace central ornament and chain pendants with gold-painted rule-borders ; flyleaves and hinges now in pink-tinted laid paper ; upper and lower covers carry large, stamped (with recessed onlays) central mandorla (filled with vegetal composition, compare Déroche class. OAi 6), pendants, and cornerpieces with gold-painted accents, as well as tooled border in a series of s-shaped stamps ; sewn in yellow thread, two stations, sewing failing ; worked chevron endbands in red and yellow, only headband and primaries remain ; overall in somewhat poor condition with loss of flap, abrasion, lifting and losses of leather (particularly spine and onlays of lower cover), cracking and delamination of boards, cover detached from text block at spine, etc. ; spine rebacked in straight-grain brown leather (repair also damaged with portion of spine lining exposed) ; housed in box for protection.Support: European laid paper with roughly 12 laid lines per cm. (horizontal), chain lines spaced 23-25 mm. apart (vertical) and watermark of crossbow in circle with trefoil above (see p.14, 16, 46, 144, etc. and compare Picard nos. 123860 / Mantua 1628 and 123861 / Roverato 1624), thin crisp and transluscent though sturdy, dark cream in color, well-burnished ; flyleaves in two other European papers (inner with three crescent watermark, outer with three stars in shield watermark).Decoration: Section headings and keywords rubricated ; overlining in red ink ; astronomical diagrams in red and black ink (see pp.3, 4, 5, 8, 18, 138).Script: Nastaʻlīq (talik) ; elegant Ottoman hand in a medium line ; serifless with slight effect of words descending to baseline, mainly closed counters, pointing mainly in strokes (rather than distinct dots), some elongation of horizontal strokes, kāf mashqūqah (mashkūlah) preferred with dramatically sweeping shaqq, final yāʼ often mardūdah.Layout: Written in as many as 23-25 lines per page, with occasional glosses on the diagonal in the margin, in two columns in some places ; sections with poetic excerpts also arranged in two columns ; frame-ruled.Collation: ii, V (10), 4 (14), V (24), II (28), III+1 (35), IV (43), 2 III(55), 2 IV(71), IV+2 (81), ii ; miscellany of quinions, ternions, quaternions, etc. ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes some flyleaves).Title supplied by cataloguer.Ms. codex.21. p.154-p.162 : [assorted poetic excerpts of Adli, Fevri, etc.].20. p.145-p.153 : ["Hādhihi Silsilat sanadinā bi-talqīn al-dhikr al-sharīf wa-al-sirr al-laṭīf wa-al-khirqah al-mubārakah...] / ʻAbd al-Raḥmān ibn Muḥammad ibn ʻAlī al-Bisṭāmī.19. p.140-p.144 : [assorted excerpts on muʻjizāt al-Nabī, ʻilm al-ḥurūf, etc.].18. p.138-p.140 : [astronomical work].17. p.137-p.138 : Şerh-i Rical-i gayb.16. p.136 : Fasl fi rüyet-i Allah.15. p.130-p.136 : Ḥall al-abyāt allatī waqaʻat fī Khizānat al-anfās al-Qudsīyah.14. p.127-p.129 : [assorted excerpts].13. p.125-p.127 : [Sharḥ Dībāchat al-Miṣbāḥ].12. p.121-p.125 : Dībāchah-ʼi Tārīkh-i Tāj-i Salmān.11. p.66-p.120 : [assorted poetic excerpts of Fevri, Şemsi, and many others].10. p.64-p.65 : Sūrat Alif lām mīm sharḥ Makkīyah min Tafāsīr Abū al-Saʻūd / Ebüssuud Efendi.9. p.54-p.63 : [assorted poetic excerpts of Nati, etc.].8. p.40-p.53 : [Qaṣīdat al-Burdah with interlinear and marginal takhmīs].7. p.31-p.40 : [assorted poetic excerpts of Niẓāmī, Figanî Ramazan Çelebi, etc.].6. p.25-p.30 : [assorted excerpts].5. p.19-p.24 : Haza Kitab-ı Sultan Mahmut.4. p.18 : Der beyan-ı kavis-i kuzah.3. p.9-p.18 : Der beyan-ı menazil-i kamer.2. p.5-p.8 : Der beyan-ı eflak ve menzil-i büruc.1. p.4 : Der beyan-ı seyr-i eflak ve nücum.Careful copy of a collection (mecmua / majmūʻah ) of excerpts and brief works on astronomy, tafsīr, grammar, Ṣūfī thought, etc. along with a great assortment of poetic excerpts, mainly in Turkish but also in Arabic and Persian. Additional excerpts appear in the margins.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 398Origin: As appears in colophon at close on p.56, copied by Ḥāfiẓ Muḥammad al-Balkhī with transcription completed in Bağçasaray (Bāghchahʻsarāy /باغچه سراى ), capital of the Krim Tatar state, in 1024 [1615 or 16].Former shelfmark: "248 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on repair to 'title page' (p.1).Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; doublures in marbled paper (in yellow, blue, red, and turquoise) ; upper and lower covers carry gold-tooled central ornament of interlace forming diamond shape with pendants ; sewn in white thread, two stations ; overall in poor condition with much abrasion, cracking and losses of leather, staining, etc. ; small repair to spine in red leather, also damaged.Support: non-European laid paper with 7-8 laid lines per cm. (vertical or horizontal, somewhat distinct, some curving) and chain lines occasionally visible, cloudy formation, thin and transluscent though sturdy, dark beige in color, well-burnished ; staining and tears, repairs (fills and guards) in European laid paper.Decoration: Splendid though damaged illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with empty gold cartouche defined by looping white banding with black crosses surrounded by arabesques and floral motifs in gold, red, white, pink, pistachio, etc. on grounds of gold and deep blue, bordered in a heavy band of lozenges and rosettes and surmounted by a scalloped semi-circular piece or dome with similar floral vegetal motifs on grounds of turquoise, deep blue (lapis) and gold, itself surmounted by vertical stalks (tīgh) in blue with red accents ; written area throughout surrounded by gold frame, divisions within defined by narrow gold or turquoise bands ; textual dividers in the form of turquoise inverted commas ; many headings and keywords rubricated ; several diagrams and tables outlined in gold, turquoise or red ; opening calligraphic specimen (on p.1) surrounded by marginal decoration in gold floral vegetal motifs ; written area occasionally gold-flecked (as for the calligraphic specimen on p.35 and tables and text in section following) ; illustration of rainbow (قوس قزح) on p.47.Script: Nastaʻlīq (talik) ; fine hand in a medium line ; serifless with effect of inclination to the right, descent of words to baseline, elongation of horizontal strokes, pointing in distinct or conjoined dots.Layout: Written mainly in 16 lines per page but with many diagrams and tables of varying size ; frame-ruled.Collation: V (10), 2 IV(36), 2 (38) ; quinion and two quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," triangular, reads "نوشته شد از براى سلطان دولت نشان ذى شان جنكيزى حفظه الله تعالى عن الافات والبليات نمقه العبد المذنب الفقير الحقير حافظ محمد البلخى وحرره بباغجه سراى المحروسه سنه ١٠٢۴"Incipit: "بو منطويه آيك قنقى برجده اولدوغن بلمك طريقن بلدرر هر نيجه كون كيجسه آيدن اى اخى قوى آتك اوستينه اول دكلو در خي ..."Title supplied by cataloguer.Ms. codex.Elegant copy of a selection of short treatises, mainly on date calculations, calendar tables, etc. including explication (see p.9) and selections (see p.24 on) from the calendar or almanac of Şeyh Vefa (Muslihittin Mustafa, d.1490), interspersed with calligraphic specimens signed by the copyist.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 851Origin: As appears in colophon on p.106, copied by Ömer bin Osman with transcription completed 29 Muḥarram 1093 [ca. 7 February 1682].Accompanying materials: a. Part of a page taken from a book or catalogue (reverse carries image and caption) with description in black ink "Turkish MS | Miscellanies, stories and short poems, neatly copied in various handwritings. 8 vo., ms. in Turkish, native gilt binding, ?early 19th century" (paginated pp.1-2) -- b. Slip with description in pencil in hand of Husselman [?] "Turkish | ʻAṭāʼī (991-1044 AH) Wrote a divan & a Khamsah. cf. BM Cat. Turk. MS. p.195. (cf. Gibb, Ottoman poems, p.207) ... Dichtkunst, v. 3, p.244 and Niẓāmī" and on reverse "ATTAY - Divan, or coll. of poems (Arabia - 17--?)" (paginated pp.3-4).Binding: Pasteboards (quite thin, semi-limp) covered in dark brown leather ; Type III binding (without flap) ; pastedowns and flyleaves in European laid paper ; upper and lower covers carry central gold-tooled ornament of geometric interlace, roughly diamond shape with pendants and radiating strokes, along with tooled and gold painted border ; red and leather onlays at head and tail of spine, accented with gold-stamped bands ; title gold stamped over green leather onlay on spine "EXTRAITS DE DIVERS OUVRAGES EN LANGUE TURQUE" ; sewn in dark blue thread, two stations ; worked endbands in dark blue and cream, damaged with only traces remaining ; overall in fair condition with some abrasion, lifting of leather at spine, etc.Support: European laid paper ; mainly with 9 laid lines per cm. (vertical), chain lines spaced 26 mm. apart (horizontal), and watermarks of Paschal lamb in four-lobed circle (see p.54, etc.) and star above arms with three bars (see p.68, 69, etc.), well-burnished, sturdy, cream in color ; some leaves tinted pink (carrying pp.113-114, 151-152, 157-158, 167-168), mint green (carrying pp.97-98, 107-108), etc.Decoration: Keywords and excerpts rubricated ; overlining in red ; textual dividers in the form of inverted commas in red.Script: Naskh and nastaʻlīq (talik) ; naskh an elegant Ottoman hand in a narrow line, mainly serifless though occasional irregular head-serif on lām or free-standing alif, slight effect of tilt to the left, curvilinear descenders, pointing mainly in conjoined dots or strokes, extensively vocalized ; nastaʻlīq (talik) an elegant Ottoman hand in a medium line, serifless with effect of words descending to baseline, elongation of horizontal strokes, pointing in strokes rather than distinct dots.Layout: Written mainly in 13-15 lines per page ; frame-ruled.Collation: i, 2 V(20), V-1 (29), II (33), 2 V(53), IV+1 (62), V (72), V+1 (83), V (93), i ; chiefly quinions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and flyleaves).Colophon: "Scribal," reads "تاريخ تمت الكتاب بعون الملك الوهاب فى تاسع وعشرين محرم الحرام فى وقت العصر على عبد الضعيف المذنب المحتاج الى رحمة الله تعالى عمر ابن عثمان سنه ثلاث وتسعين والف"Title supplied by cataloguer.Ms. codex.21. p.193-194 : [mainly blank].20. p.191-p.192 : [assorted excerpts].19. p.133-p.190 : [blank].18. p.131-132 : Süalname.17. p.129-p.130 : [blank].16. p.127-128 : [mesele followed by a letter of Naṣr al-Dīn to his son].15. p.124-p.126 : [poetic excerpt opening with"هر ايشه قيل بسمله ايله ابتدا ذكرك اولسون دائما حمد خدا ..."].14. p.118-p.123 : [blank].13. p.109-p.117 : [assorted prayers and excerpts, several pages left partially blank].12. p.108 : [chart with dates of Ottoman sultans through ascension of Süleyman II].11. p.107 : [blank].10. p.74-p.106 : Hikayet-i bazargân ba zen-i mekarih.9. p.68-p.73 : [blank].8. p.66-p.67 : [poetic excerpts].7. p.56-p.65 : Nefsü'l-emirname / Nevizade [?] Atâyî Efendi.6. p.50-p.55 : [blank].5. p.45-p.49 : [text opening, "الحمد لله رب العالمين وصلوة على محمد واله اجمعين راويان اخيار وثاقلان اثار شويله ..."].4. p.36-p.45 : Hazihi Tercümet Mukaddimetü's-salat lil-mevla el-Fenari3. p.28-p.35 : Hikayet-i şeyhü'l-arifin Bayezit Bistami.2. p.26-p.27 : [mainly blank, with excerpt].1. p.8-p.25 : [text opening with "روايت اولنور كه ويلايت رومده بر قاضى وار ايدى علم ايله اراست و زهد ايله براسته ايدى ..."].Careful copy of a collection (mecmua / majmūʻah) of miscellaneous excerpts in prose and verse.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 444Origin: Lacks dated colophon ; decoration and paper certainly suggests 18th century and date in watermark may suggest ca. 1742.Former shelfmark: "465 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "234" inscribed in pencil on 'title page’.Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; doublures in light brown leather with gold-tooled rule-borders ; flyleaves in gold-flecked marbled paper (in red, blue, black, grey, etc.), hinges in a different marbled paper (yellow and dark blue) ; upper and lower covers carry superb stamp and gold-painted recessed mandorla, pendants, cornerpieces, and borderpieces framed by a series of roll borders ; design continues on envelope flap ; edges of text block gold-painted with repeated strokes design ; sewn in red thread, two stations ; worked chevron endbands in red and yellow, good condition ; overall in good condition with only minor abrasion and staining ; subtle repairs at spine (rebacked), fore edge flap and board edges in similar dark red leather gold tooled with rules and greek key pattern (compare unrepaired edges of envelope flap), as well as two fills in dark red leather on lower cover.Support: European laid paper of several different types including many with raisin watermarks ; one type with 12 laid lines per cm. (horizontal), chain lines spaced 21-22 mm. apart (vertical) and grapes under crown watermark ; another type with 13 laid lines per cm. (vertical), chain lines spaced 20 mm. apart (horizontal) and watermark of grapes under cartouche with "P C" and crown above ; still another type with 11 laid lines per cm. (horizontal), chain lines spaced 22-24 mm. apart (vertical) and watermark of grapes under long cartouche with crown above and date "1742" [?] below ; another type with 11 laid lines per cm. (horizontal), chain lines spaced 21-23 mm. apart (vertical), and watermarks of lion statant guardant and cross-bow ; some leaves tinted pale orange, pink, bright yellow, buff, beige, etc.Decoration: Exquisite illuminated headpiece (ʻunwān) at opening on fol.1b consisting of rectangular panel with empty gold cartouche surrounded by vegetal pattern in gold with floral accents in pink and red surmounted by a scalloped rectangular piece filled with the same intricate vegetal pattern and itself surmounted by elaborate vertical stalks (tīgh) in blue, red, and gold ; the entire piece is set into a well of rich gold interlace ; a second illuminated headpiece (ʻunwān) consisting of w-shaped piece of similar composition to opening headpiece appears at opening of biographical sketch on fol.6b ; written area surrounded by heavy gold frame with any divisions of the written area and margin outlined by a gold rule ; keywords, text of ḥadīth, headings, titles, etc. rubricated ; textual dividers in the form of red inverted commas ; in opening of "تضمين مصرع عرفى" written area gold-flecked.Script: Nastaʻlīq (talik) ; elegant Turkish hand ; mainly serifless with closed counters, descent of words to baseling, pointing in distinct dots, and elongation of horizontal strokes.Layout: Written in roughly 11-17 lines per page ; roughly five lines of ḥadīth text and eight of the elucidation (on the diagonal) ; column of written area is divided to two columns to accept the lines of elucidation while ḥadīth text fills the width of the column ; biographical sketch and works of prose and verse are arranged in various layouts, including 11-13 lines per page on the diagonal filling the entire written area, 11-17 lines per page with written area divided to two columns (often alternating with a line centered or filling the column width), roughly 12 lines per page on the diagonal with written area divided to two columns, etc.Collation: i, 5 V(50), I+1 (3), II (57), V (67), VII (81), IV (89), i ; chiefly quinions ; catchwords present.Incipit: "قال عليه السلام السماح رباح اى اولان كاركاه عالمده طالب وستمائة اعمال ..."Title from inscription on 'title page'.Ms. codex.Stunning copy of a collection of works by Münîf of Antakya (d.1743 or 4), opening with a collection of thirty-nine ḥadīth accompanied by his Turkish paraphrase and followed by a biographical sketch for him, a collection of letters, his Zafernâme on the Belgrade campaign of 1152 [1739], and his collected poems (divan).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 356Origin: Lacks dated colophon ; paper would suggest 16th or perhaps early 17th century ; dated calligraphic inscriptions (see p.9 and 11) provide terminus ante quem of 1640.Former shelfmark: "264" inscribed in pencil on added leaf (p.5) ; "394 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on added leaf (p.6).Binding: Pasteboards covered in dark brown leather ; Type III binding (without flap) ; board linings (doublures) in comb marbled paper (mainly in pink, blue, black, and yellow) ; upper and lower covers carry blind-stamped scalloped mandorla (filled with vegetal composition, compare Déroche class. OAi) with gold-painted accents and tooled border ; sewn in dark blue thread, two stations ; worked chevron endbands in blue and yellow, fair condition ; overall in somewhat poor condition with abrasion, staining, lifting and losses of leather, etc. ; housed in box for protection.Support: non-European (perhaps Persian) and European laid papers of several types ; added leaves in a type with 9 laid lines per cm. (vertical), chain lines spaced 26-27 mm. apart (horizontal) and crown-star-crescent watermark (see p.8, 10, 11, etc.), cream in color, sturdy and burnished ; main type with 10 laid lines per cm. (vertical), chain lines spaced 28-30 mm. apart (horizontal), and angel with wings (in circle) watermark (see p.170-171, etc.), thin but quite sturdy ; many leaves tinted (pink, etc.) and interspersed with silhouette or shadowed paper decorated in exquisite vegetal-floral (see pp.20, 33, 41, 51, 69, 165, etc.) and even textual (see p.31) compositions (some outlined or filled in ink or gold) ; to occasional leaves marbled or other decorative papers have been applied (see pp.72, 80, 91-92, 124, 125, etc.).Decoration: Elegant illuminated headpiece at opening on p.20 consisting of large rectangular piece with empty gold cartouche surrounded by swirling floral vegetal accents in gold, red, white, pink, blue, etc. on grounds of gold and blue (lapis or cobalt), bordered in blue band with diamonds or crosses and surmounted by a small scalloped dome in similar design, itself surmounted by tall vertical stalks (tīgh) ; written area in opening section surrounded by a gold frame with devisions within also defined by gold bands ; in some sections headings (mainly poets' names) rubricated (see p.150, etc.) or chyrsographed (see p.172) ; extensive use of decorative papers (silhouette, marbled, gold-flecked, tinted, etc.) including one case where the calligraphic inscription has been cut away from a marbled paper and applied over a tinted leaf underneath (see p.124).Script: Mainly nastaʻlīq (talik) and naskh ; elegant, even calligraphic Ottoman hands ; larger talik, thuluth and riqāʻ (see p.120, etc.), divani, etc. appear in some of the calligraphic inscriptions.Layout: Highly variable, though some consistency according to calligraphic style employed ; in opening section written area divided to two columns with 10 lines (single hemistich to a line) on the diagonal per column and poet's name above, then a similar arrangement of lines in three larger columns (see p.24), followed by the smaller arrangment in two columns (see p.31), etc. ; an arrangment of 12-14 lines in two large columns also appears (see p.37, etc.) with some lines on the diagonal and others not ; another arrangement features 8 large lines (see p.87) ; still another features 25 hemistiches in 15 lines (see p.93, etc.).Collation: I (2), III+1 (9), V-1 (18), V (28), III (34), IV (42), I+1 (45), IV (53), V-1 (62), 2 IV(78), 2 V(98), 2 III(110), I (112) ; pagination in pencil, Western numerals, supplied during digitization (includes added leaves at opening and close of codex and the separate pieces of a leaf torn in three, see pp.109-110, 111-112, 113-114).Incipit: "در جفا نیست احتیار ترا آزمودم هزار بار ترا ..."Title from inscription on added leaf (p.5).Ms. composite codex.Elegant collection (majmūʻah / mecmua) featuring poetry in Persian and Ottoman Turkish, as well samples of fine calligraphy. Contributions to the cataloguing from Yasin Şale.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 416Origin: Lacks dated colophon ; perhaps late 17th or early 18th century.Former shelfmark: "587" inscribed in pencil on flyleaf.Binding: Pasteboards covered in purple leather ; Type III binding (without flap) in oblong or safīnah format which was perhaps originally intended to be opened vertically ; doublures / board linings in a coated paper printed with blotched design evoking marbling in dark blue and turquoise ; upper and lower covers carry tooled and gold-painted border (interlocking design flanked by fillets) and corner accents ; sewn in pink thread, two stations ; worked chevron endbands in pink and cream [?], good condition ; overall in fair condition with minor abrasion, lifting and losses of leather, fully detached from text block, etc.Support: non-European (likely Persian) laid paper with 8 laid lines per cm. (somewhat distinct) and no chain lines visible, fairly thin and transluscent though quite sturdy, mainly tinted various shades of pink, light yellow, etc. ; in what appears to be an added section, margins gold or silver-flecked and written area a contrasting shade (blue, light orange, etc.) ; endleaf and some hinges in marbled paper.Decoration: Written area and divisions within defined by a gold frame consisting of gold bands (heavy and thin) defined by black fillets.Script: Nastaʻlīq (talik) ; elegant hand in a medium line ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, pointing mainly in distinct dots, point of final nūn set deep into bowl ; portions of added section in a different hand.Layout: Written in roughly 20 hemistiches per page, typically arranged in 8 lines on the diagonal and 2 horizontal in the central area (or 6, 8 or 10 all on the diagonal), with 10 lines around the perimeter.Collation: ii, IV (8), IV+2 (18), VII (32), 2 III(44), III+3 (53), V (63), V+2 (75), 4 V(115), IV (123) ; final leaf serves as flyleaf.Explicit: "مراد عرض عبوديت ايسه زكيا ركاب ياره يو زاور شعرك ارمغان ايدرك"Incipit: "كورميوب ايلك يوزين اولسون فلكده سرسرى [؟] ..."Title supplied by cataloguer.Ms. codex.Elegant copy of an anthology of Turkish poetry, mainly of Baki Efendi (d.1600), Sami (d.1733), etc. Contributions to the cataloguing from Hossein Mottaghi.