Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 433Origin: Lacks dated colophon ; likely 19th century as suggested by paper, cover, date in seal impression, etc.Binding: Pasteboards covered in painted lacquerwork with spine in black leather ; Type III binding (without flap) ; doublures in painted lacquerwork ; doublure hinges in black leather ; upper and lower covers in painted lacquerwork of nearly identical composition consisting of swirling floral vegetal pattern of carnations, poppies, etc. in bronze on a field of olive green bordered in a floral vegetal pattern in gold on a wide band of black, flanked by bands of bronze ; upper and lower doublures in painted work of nearly identical composition consisting of floral vegetal pattern in green, pink, and yellow, outlined in gold on a field of red ; entire panel is bordered in a series of gold bands ; sewn in lime green, yellow, and dark blue (or black) thread, two stations ; worked chevron endbands in light green and yellow ; in fair condition with some cracking, crazing, and loss of laquer ; upper board split and delaminating ; doublure hinges cracked and split ; abrasion.Support: non-European laid paper (likely Persian) ; quite transluscent, crisp and grey in tone ; no chain lines visible ; laid lines quite distinct, mainly oriented horizontally but occasionally vertically, spaced roughly 11-12 laid lines per cm. ; flyleaves in European laid paper, watermark eagle with "E A F" ; one of back flyleaves in wove paper ; many loose quires and dog-eared pages with some blocking due to moisture damage and tacky ink.Decoration: Textual dividers in the form of three inverted commas ; gold cloud-bands and other accents surrounded basmalah and between two columns on incipit and facing page ; frame consisting of a gold band outlined in black fillets and outermost blue fillet surrounds the written area ; thin gold bands outlined in black fillets demarcate the columns within the written area and border the margin ; text partially rubricated with some section headings, portions of the gloss, textual dividers, etc. in red.Script: Naskh ; large clear Persianate hand ; mainly serifless with occasional left-sloping head serifs appearing on alif and lam of definite article ; mainly closed counters ; strong vertical character (somewhat elongated in vertical) ; occasional superscripting of letters and words ; some swooping tails ; fully vocalized in same ink ; gloss in a entirely different hand ; script more of a shikastah-nastaʻlīq with characteristic descent of words to baseline, elongated horizontal strokes, and characteristic long final yāʼ, etc.Layout: Written in roughly 14 lines per page plus lines of the gloss which vary widely ; single column divided to two column to set off poetry ; frame-ruled (impression of ruling board evident).Collation: i, IV+2 (10), II (14), 2 IV(30), 2+IV (40), 11 IV(128), 2+II (134), ii ; chiefly quaternions ; several blanks left between verses, likely for rubricated headings ; catchwords present ; pagination in pencil Western numerals supplied during cataloguing.Explicit: "كانما لبست او البست فنكا فقلصت من حواشيه عن السوق قد تم"Incipit: "لو كنت من مازن لم تستبح البى بنو اللقيطة من ذهل بن شيبانا اذا لقام بنصرى معشر خشن عند الحفيظة ان ذولوثة لانا"Title supplied by cataloguer from opening on fol.1b.Ms. codex.Fine copy of the famous anthology of poetry collected by Abū Tammām with a partial gloss in Persian.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 887Origin: As appears in colophon on p.653 (partially obscured), transcription completed 6 Shawwāl 1113 [?] [ca. 6 March 1702 ?]. As appears in opening matter on p.16, composition apparently dated to 991 [1583].Accompanying materials: a. Scrap with inscription in black ink "Fatḥ-nāma fī ʻilm al-Lughat | Not found in any cat of mss. or in any list of dicts." (paginated pp.1-2) -- b. Recycled card with notes in hand of Emilie Savage-Smith [?] "grammar/dictionary | one lang. is Persian" (paginated pp.3-4) -- c. Slip with note "counted for 1968/69 Annual Report" (paginated pp.5-6) -- d. Slip with note "Persian Manuscripts (Heyworth-Dunne?) No Husselman or Meredith-Owens notes" (paginated pp.7-8).Former shelfmark: Mich. Isl. Ms. temp. no. 36Binding: Boards covered in shell 'marbled' paper (mainly in blue and orange) with dark blue cloth over spine and board corners (nearly half binding) ; Type III binding (without flap), though with rounded spine and not flush with text block ; pastedowns and flyleaves in untinted wove paper ; sewn over five recessed cords ; overall in fair condition with some lifting of paper and cloth, deformation of boards, etc.Support: non-European (likely Indian or Persian) laid paper with 7-8 laid lines per cm. (vertical or horizontal, somewhat indistinct, some curving) and chain lines occasionally faintly visible (see p.24, etc.), quite cloudy formation, thin and transluscent though sturdy, well-burnished, beige to light brown in color.Decoration: Keywords and section headings rubricated.Script: Nastaʻlīq ; clear, compact hand in a medium line ; serifless with effect of words descending to baseline and inclining to the right, pointing for three dots often in strokes, many closed counters, some elongation of horizontal strokes, bar (shaqq) of kāf typically sweeping dramatically, partially vocalized.Layout: Written in 25 lines per page ; frame-ruled.Collation: iii, 38 IV (304), V (314), IV-2 (320), iii (per mid-quire marks) ; almost exclusively quaternions ; lacuna on p.207 marked with "بيض" ; middle of the quire marks in the form of black oblique strokes in the upper-outer corner of the right-hand leaf and the lower-outer corner of the left-hand leaf ; catchwords present ; foliation in red ink, Hindu-Arabic numerals, centered above the written area on the recto of each leaf (apart from that carrying the incipit page) ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and flyleaves).Colophon: "Scribal," "سنه ۱۱۱۳ هجرى قد فرغت عن كتابة هذه النسخة المسماة بالفتحنامه فى علم اللغة فى يوم السادس من شهر الشوال ... الحمد لله الحمد لله على توفيقه ..."Incipit: "الحمد لله الذى علم القرآن خلق الانسان علمه البيان وجعل علم اللغات مفاتيح الاذهان ومصابيح الاكنان ... قال الفقير العاصى ابو الخير بن سعد الانصارى تلميذونى من تلاميذ عالم العلم عارف ربانى الياس بن اسرائيل الحسينى ... فافتحتت [فافتحت ؟] كتابا يكون مجموعا بلغات العربى والعجمى فى عمل فتخان ... ضمته [؟] فيه بتوفيق الله عالم الغيب والشهادة فى الحادى تسعين وتسعمائة وجمعته على عدد الحروف بالابواب واوردت فصلين كل باب وسميته فتح الكتاب وحليت ووسمت كل لغة عربية مداولة وفسرت العجمى بالعربى كما فسرت بالعجمى ..."Title from inscription 'title page' (p.15).Ms. codex.Careful copy of an Arabic-Persian dictionary by Abū al-Khayr ibn Saʻd al-Anṣārī (fl. 1583).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 882Origin: Lacks dated colophon. Patronage note at close (p.526) may refer to composition of this recension or to execution of the copy, apparently on the order of Navvāb (Shāhzādah Baygum (Begam) Ṣāḥibah bint Pādishāh Jam Jāh Shāh ʻĀlam Bahādur Padishāh Ghāzī (نواب شاهزاده بيگم صاحبه بنت پادشاه جم جاه شاه عالم بهادر پادشاه غازى), i.e daughter of Bahādur Shāh I (Shāh ʻĀlam I), see descriptive note on added leaf (p.7). Paper, hand, etc. could be consistent with a late 17th century dating, though a later dating may be more likely.Accompanying materials: a. Slip with note "Persian MSS (Heyworth-Dunne?) No Husselman or Meredith-Owens notes" (paginated pp.1-2) -- b. Slip with note "counted for 1968/69 Annual Report" (paginated pp.3-4).Former shelfmark: Mich. Isl. Ms. temp. no. 31Binding: Boards covered in shell 'marbled' paper (mainly in blue and burnt orange) with tan leather over spine and board corners (half-binding) ; Western style binding ; pastedowns and flyleaves in seafoam green wove paper, hinges in dark purple textile ; spine stamped with title "KUSEYE ABOO MOSLEM" on piece of dark blue leather ; now sewn in white thread over five recessed cords ; Western-style worked endbands in blue and red threads over a leather core ; overall in fairly good condition with minor abrasion, etc.Support: non-European (likely Indian or Persian) laid paper with 8-9 laid lines per cm. (vertical, fairly distinct) and rare chain line visible, cloudy formation, quite sturdy though transluscent, well-burnished, dark cream in color ; staining and tide lines.Decoration: Keywords and section headings rubricated ; textual dividers in the form of inverted commas in red.Script: Nastaʻlīq ; bold, elegant hand ; serifless with effect of words descending to baseline, elongation and exaggerated thickness of horizontal strokes, pointing (two and three dots) mainly in distinct or conjoined dots.Layout: Written in 17 lines per page ; frame-ruled.Collation: ii, IV+1 (9), 13 IV(113), I (115), 5 IV(155), 2 II(163), IV+2 (173), 10 IV(253), III (259), I (261), ii (per mid-quire marks) ; chiefly quaternions ; middle of the quire marks in the form of black strokes in the upper outer corner of the right-hand leaf and lower-outer corner of the right-hand leaf ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and flyleaves and skips two pages each between pp.7-8 and 513-514).Explicit: "والله اعلم بالصواب تم تمام شد هذا الكتاب بعون الملك الوهاب از قصه امیر امیران ... یعنی بنام خوش امیر عبد الرحمن بن اسد بن جنید بن آل عمران تمام شد دفتر سیویم قصه ابو مسلم مروزی بموجب فرمایش بیگمصاحبه محترمه معظمه فیاضه زمان ملكۀ دوران نواب شاهزاده بيگم صاحبه بنت بادشاه جم جاه شاه عالم بهادر پادشاه غازی تم تم تم"Incipit: "الحمد لله رب العالمین والعاقبة للمتقین الصواه [الصلوة] والسلام على رسوله محمد واله اجمعین اول بنام آنکه مکیس منیت مشترک ان خالق خلاق و ان مالک ملک ... و حکیم ابو طاهر ترتوسی رحمة الله علیه ..."Title from inscription on p.7.Ms. codex.Fine copy of the epic tale relating the life and personality of Abū Muslim al-Khurāsānī (fl. 8th cent.) in the version attributed to Abū Ṭāhir Tartūsī (Ṭarsūsī, Tūsī, Ṭarṭūsī ; see opening matter on p.10).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 269Origin: Lacks dated colophon, but likely mid 19th century as suggested by paper. Opening matter on fol.2b (p.4) indicates that composition of main work was finished in 1207 [1792-1793].Accompanying materials: a. envelope in blue wove paper printed in French, Ottoman Turkish, Greek and Armenian with the mark of a pharmacy in "مقری کوی" [Makrıköy, Istanbul] accompanied by inscription in ink, ruqʻah script with name, etc. "عزتلو اسمائل بك افندى ..." -- b. between fol.119-120 (p.238-239) a slip inscribed with names, etc. in black ink, Ottoman hand.Binding: Heavy pasteboards covered in red orange leather ; Type III binding (without flap) ; board linings in blue-tinted, gold-flecked paper ; flyleaves in untinted (cream to dark cream) wove paper ; upper and lower covers bear simple tooled (with s-shaped stamp) and gold-painted outer border with inner rulings of gold-painted fillets ; sewn in pink-cream thread, two stations ; finely worked chevron endbands in yellow (soiled and faded to cream) and maroon ; in fair condition with some abrasion, staining, edge wear, gashes, etc. ; endbands in excellent condition ; cover still very well-attached to textblock despite the book's heft.Support: European laid paper of at least two types [1] in opening quire, final quire, etc. vertical chain lines very evenly spaced at 25 mm. apart, any laid lines are too fine to be visible, dark cream, burnished ; watermarks include "PICARDO" with six petaled flower above, alternating with lion in scrollwork in other leaves (as in Heawood 3737, c.1825 Lisbon) and [2] in final folio, etc. chain lines vertical evenly spaced 29 mm. apart, laid lines horizontal spaced roughly 11 laid lines per cm., quite even and distinct, well-burnished, dark cream color ; watermarks include latin cross in minor scrollwork shield, initials "G B" below (final folio) ; in second to final folio "BELLANDO" ; in fourth to final folio "GRILLO" with figure on ball/pedestal (very similar to Heawood 1364-1365) above ; some burnishers marks ; pigment burn (especially blue in illuminated headpieces).Decoration: Well-executed illuminated headpiece (ʻunwān) on fol.1b (p.2) consists of narrow rectangular piece with empty gold cartouche and flanking accents in gold, blue, red, and pink surmounted by tall scalloped semi-circular (dome) approaching w-shaped piece with intricate swirling floral vegetal pattern in black, blue, pink, red, green, yellow, orange, white, and gold on fields of blue and gold ; similar illuminated headpiece appears on fol.312b (p.624) ; on fol.314b (p.628) and fol.316b (p.632) small illuminated headpieces, mainly gold resembling elongated cartouche with flanking accent pieces in white, blue, pink, yellow and red ; on fol.339a (p.677) an illuminated headpiece consisting of narrow rectangular piece carrying the basmalah surmounted by a piece giving the effect of an inverted w-shaped piece with swirling floral vegetal pattern similar to that appearing in the first headpieces ; throughout, text is surrounded by a frame consisting of a heavy gold band outlined by black fillets, an inner gold band and an outer blue fillet and then at some distance a second frame consisting of a thin gold band outlined by black fillets ; various columns and other areas of the written area are delineated by a thin gold band outlined by black fillets ; on incipit and facing page, margin filled with a swirling floral vegetal pattern in black, gold, red, and green ; text rubricated with keywords, section headings, overlining, etc. in red ; decorative tables of contents appear in main work ; a few diagrams appear in main work and several in appended works, see for example diagrams in treatise on prosody (divided concentric circles fol.318b-320a/p.636-639 and tree-like forms fol.320b/p.640) and in historical work (figure of fol.352b/p.704 showing the planets through Saturn in their orbits around the sun and figure of fol.359b/p.718 showing the circle of the Earth divided to its inhabited and uninhabited quarters).Script: Nastaʻlīq ; small, fine Persianate hand ; sans serif ; characteristic descent of words to baseline, superscript of final words/letters, letterforms, etc. ; tables of contents in the main work provided in an unpointed script (resembling siyāq / siyāqat), freely ligatured and with dramatic swooping tails.Layout: Written in roughly 27 lines per page (though varies where tables of contents, figures, diagrams, etc. appear) ; mainly large single column, often divided to four columns where poetry appears but varies to accommodate tables of contents and figures ; frame-ruled (impression of ruling board quite evident).Collation: i, 38 IV (304), III+1 (311), IV+1 (320), 4 IV (352), I (354), III (360), 5 IV (400), I (402), i ; chiefly quaternions ; a few gaps in the text on fol.349b (p.698) where rubrics appear to be lacking ; catchwords present ; pagination in pencil, Western numerals supplied during cataloguing.Explicit: "يعقوب شاه بن يوسف شاه است كه در سنه نهصد و نود و پنج برد ست اكبرى عاجز شده بهند آمد ودر سلك امرا منتظم كشت ازان باز كشمير سلاطين دهلى تعلق داشت حالا در تصرف شاه ابدالى است الحمد لله رب العالمين كه اين رساله جامع صفت اختتام يافت"Incipit: "لالى منشور سپاس و ستايش باستحقاق نثار دامن كبرياي [؟] ناظمى تواند بود كه بمحض قدرت كامله گوهر پمانند سخن و معاني در عقد الفاظ ولسان نسائي [؟] كشيد و جواهر ... اما بعد ابجد خوان دبستان يحمداني [؟] ابو طالب ابن مغفور حاجى محمد تبريزى الاصفهانى بعرض اهوش و كوش سالكان مسالك سخداني مير ساند ... "Title supplied by cataloguer from opening matter (preface) on fol.2b (p.4).Ms. codex.7. fol.402a-402b : [blank].6. fol. 339a-401b : لب السير و جهان نما.5. fol. 321b-339a : رساله در مختصر قنون طب.4. fol. 316b-321b : رساله در علم عروض و قافيه.3. fol. 314b-316a : در مصطلحات مسيقى.2. fol. 312b-314b : رساله در علم اخلاق.1. fol. 1a-312a : خلاصة الافكار.Fine copy of Abū Ṭālib Khān Tabrīzī Iṣfahānī's Khulāṣat al-afkār, a taz̲kirah with notices for Persian poets and extracts from their works, followed by his treatises on moral behavior, music, prosody, and medicine as well as his universal history, Lubb al-siyar va jahānʹnumā.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 890Origin: Lacks dated scribal colophon ; date of composition and dedication (executed for Naṣīr al-Dawlah Fāris al-Mulk Navvāb Muḥammad ʻAlīʹkhān Bahādur Sipahdār Jang / نصير الدوله فارس الملك نواب محمد عليخان بهادر سپهدار جنگ ) appear in authorial colophon on p.300, Rabīʻ II 1226 [1811] ; date in octagonal seal impression provides only a very approximate terminus ante quem of 1864 ; paper, etc. suggest 19th century.Accompanying materials: a. Slip with note "Counted for 1968/69 Annual Report" -- b. Slip with note "Persian MSS (Heyworth-Dunne?) with Husselman and Meredith-Owen notes" -- c. Scrap with description in black ink "Muḥammad Ṣādiḳ Khān called Akhhan ? | Hadīḳat al Irshād. A treatise on the art of composition. AH. 1226 = A.D. 1811" -- d. Slip with description (in hand of E. Husselman ?) "Muẖammad Ṣādiḳ Khan, called Akhbar | Hadiḳat al-Irshād | n.f. in BMCat. Pers. bks or MSS | Not in U. of M. MSS. | 148 ff. | 295 pp." -- e. Slip with description in hand of G. Meredith-Owens "MO 20 Ḥadīqat al-irshād by Muḥammad Ṣādiq Khān called Akhbār (?). A treatise on the art of composition" -- f. Slip or tag with "#3" in red pencil -- g. Page torn from Luzac & Co. catalog, 1908, 'Books on Modern Persian Literature,' with description of this manuscript "237 MOHAMMAD SĀDIK KHAN, called AKHBAR. Hadikat al Irshād. A treatise on the Art of Composition. Persian MS. Roy. 8vo. 8s. 6d. Dated 1811"Former shelfmark: Mich. Isl. Ms. temp. no. 39Binding: Boards covered in orange-red cloth with dark brown leather over spine and board corners (half binding) ; Western style binding ; pastedowns and flyleaves in untinted wove paper ; leather blind-tooled with toothed border ; spine gold-stamped with title "HADIQAT | UL | IRSHAD" and rules defining raised bands ; edges of text block flecked with red ; sewn over five recessed cords ; stuck-on endbands in red and yellow ; overall in fair condition with some abrasion and deterioration of spine leather, etc.Support: non-European (likely Indian or Persian) laid paper with roughly 11 laid lines per cm. (mainly horizontal, somewhat indistinct, curving) and occasional chain lines, cloudy formation, inclusions and fibers visible, thin and transluscent though sturdy, dark cream in color, burnished ; some pest damage and repairs (fills) ; blocking between pp.244-245.Decoration: Keywords and headings rubricated ; textual dividers in the form of inverted commas ; overlining in red ; overlining with two-teeth stroke in red ; a table (جدول) on p.283 and a few other diagrams.Script: Nastaʻlīq ; elegant, spacious, Indian [?] hand ; serifless with dramatic effect of words descending to baseline, elongation of horizontal strokes, pointing (two and three dots) mainly in strokes rather than distinct dots, some free assimilation of letters.Layout: Written in 15 lines per page, occasionally divided to two columns ; frame-ruled.Collation: iv, 12 IV(96), III (102), 5 IV(142), III (148), i ; amost exclusively quaternions except for two ternions ; middle of the quire marks in the form of short black strokes in the upper outer corner of the right-hand leaf and lower-outer corner of the left-hand leaf ; several leaves at opening left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and mistakenly repeats p.242 two additional times).Colophon: "Authorial," rectangular, reads "الحمد لله و المنة که بقدر یافت و استعدادی ... در ماه ربیع الثانی سنه ۱۲۲۶ هزار و دو صد بیست و شش هجرى قدسی بموجب ارشاد کرامت ... نصیر الدوله فارس الملک نواب محمد علیخان بهادر سپهدار جنگ ... تمت تمام شد"Explicit: "ر اتمامي حاصل آید بخیر دیگر حاجت مند شود"Incipit: "بانشای سپاس بدیع نگاری رگ ابر قلم تردست ..."Title from inscription on 'title page' (p.9).Ms. codex.Fine copy of a treatise on the art of composition by Muḥammad Ṣādiq Khān, known as Akhtar (d.1858?).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 447Origin: Lacks dated colophon ; decoration, paper, etc. would suggest 16th century.Former shelfmark: "576 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf ; "123" inscribed in pencil on 'title page’ (p.1).Binding: Pasteboards faced in blue cut velvet with red leather over spine and edges / turn-ins (velvet faced, leather edged, framed binding) ; Type III binding (without flap) ; pastedowns and flyleaves in dark yellow surface-dyed gold-flecked laid paper ; sewn in pink thread, four stations ; overall in fair condition with some abrasion and lifting of leather, text block fully detached from cover.Support: non-European (likely Persianate) laid paper with 8-9 laid lines per cm. (vertical, somewhat distinct) and occasional pairs of chain lines (see p.6), sturdy, well-burnished (burnisher's marks visible), dark cream to beige in color ; flyleaves in European laid paper with watermarks "GHIGLIOTTI" (outer front flyleaf), shield with crown above and likely lion rampant within (front inner flyleaf), and eagle with wings spread (back inner flyleaf).Decoration: Elegant illuminated headpiece (ʻunwān) at opening (p.2) of rectangular piece with cartouche in gold carrying title in white ترجمۀ چهل حديث accented by swirling vegetal pattern reminiscent of arabesque in pink, light blue, gold, red, orange, and white on fields of blue and gold ; surmounting the rectangular piece, a scalloped semi-circular piece (dome) set against another rectangular piece (both filled with similar vegetal pattern to that seen in lower piece) is itself surmounted by vertical stalks (tīgh) in blue ; written area of incipit page surrounded by frame consisting of gold and green bands with outermost blue fillet ; elsewhere writen area surrounded by frame consisting of a narrow gold bank outlined in black with outermost blue fillet ; preface and text of elucidation/paraphrase chrysographed ; ḥadīth text in blue.Script: Nastaʻlīq ; elegant hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes.Layout: Written in roughly 9 lines per page, three of ḥadīth text and six of Chagatai elucidation with two of these divided to hemistiches and arranged on the diagonal ; frame-ruled.Collation: ii, IV+1 (9), ii ; a composed anomalous quaternion formed of two joined single leaves, two whole bifolia, and a single leaf joined to a whole bifolium.Explicit: "تمت ترجمه هذه الاربعين اى كه شخصينگى خالق فتاح ... كه بو نوع ايكى اربعين موجود بولسه شايد كه تاپقاسين مقصود يتسه مقصود مدعا بيرلا منى ياد ايتكاسين دعا بيرلا كه نواييغه اول دعا يتكاى بلبل روحىغه نواييتكاى"Incipit: "صحیح ترین حدیثی که راویان مجالس دین ... این چهل کلمه است ازان کلمات فهم و حفظ را بر نظم ترکی ترجمه گر ده می آید امید ... لا يؤمن احدكم حتى يحب لاخيه ما يحب لنفسه مؤمن اير ماستور وركه ايماندين روزگاريده يوز صفا كورگاى..."Title from headpiece at opening (fol.1b).Ms. codex.Fine copy of Mir Ali Şîr Nevâî's [Navāʼī] Chagatai Turkish verse paraphrase of Jāmī's rendering of forty ḥadīth, with Persian preface, Arabic ḥadīth text, and Chagatai elucidation.
Copy of a series of branching questions and answers about religious philosophy and practice, divided into chapters by topic. This copy begins and ends abruptly. The first complete chapter is kitāb-i tawḥīd (beginning f. 2r) and the last, incomplete, chapter is kitāb-i qaz̤ā (beginning f. 155r).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 314Origin: Lacks dated colophon ; paper, decoration, etc. may suggest 16th century.Former shelfmark: "209 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf.Binding: Pasteboards covered in brown leather ; Type II binding (with flap) ; two-piece binding (overlapping flanges visible at spine) ; pastedowns and flyleaves in bright pink textured and coated paper ; upper and lower covers carry gold-painted (in two different shades) spray of flowers and leaves at the center of a rectangular panel with cornerpieces and surrounding border in heavy gold bands and rules ; edges of text block gilt ; now sewn in white thread, two stations ; worked chevron endbands in red and blue-green, excellent condition ; overall in good condition with only minor abrasion and staining.Support: non-European laid paper with 7 laid lines per cm. (vertical) and no chain lines clearly visible, sturdy, though fairly transluscent, well-burnished, beige in color ; written area gold-flecked.Decoration: Sublime illuminated headpiece ( ʻunwān / sarlawḥ ) at opening on p.2 consisting of large rectangular piece with empty gold cartouche surrounded by swirling arabesque with floral accents in gold, red, white, etc. on fields of lapis lazuli and gold (evoking book cover design) with border in white and lapis lazuli bands outlining heavy gold interlace, surmounted by band of black with arabesque and floral motifs in white, red, gold, etc. and scalloped triangular piece or hasp continuing the floral vegetal design on fields of gold and lapis lazuli, all surmounted by vertical stalks (tīgh) in blue ; written area gold-flecked and surrounded by frame consisting of gold band defined by black fillets and outermost blue rule ; keywords and headings in blue.Script: Nastaʻlīq ; compact, elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written mainly in 12 lines per page with written area divided to two columns ; frame-ruled.Collation: i, 10 IV(80), I+1 (83), i ; almost exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Explicit: "بو که ز نزهتگه [نزهتگاه] دار السلام بوی علیكی رسدم و السلام"Incipit: "بسم الله الرحمن الرحیم خطبۀ قدست بملك قدیم ..."Title from inscription on 'title page' (p.1).Ms. codex.Elegant copy of Maṭlaʻ al-anvār, a moral and religious poem opening the Khamsah of Amīr Khusraw Dihlavī (d.1325), written in imitation of the opening mas̲navī of Niẓāmī's Khamsah, Makhzan al-asrār.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 312Origin: As appears in colophon on p.59, copied by Jamāl Shāh Maḥmūd with transcription completed Ṣafar 984 [May 1576].Former shelfmark: "462 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover.Binding: Pasteboards covered in light brown leather ; Type III binding (without flap, but not flush with text block) ; pastedowns and flyleaves in untinted wove paper ; upper and lower covers carry tooled border (blind rules) ; sewn in dark purple thread, two stations ; overall in fair condition with some staining and minor abrasion.Support: non-European (likely Persian or Indian) laid paper with 6-7 laid lines per cm. (vertical, fairly distinct) and any chain lines not clearly visible, transluscent, sturdy, quite well-burnished, dark cream in color ; flyleaves in wove paper (indistinct embossed mark in front flyleaf).Decoration: Illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title ( "كتاب قران سعدين" ) and swirling vegetal design in white with floral motifs in pink, yellow, and red, flanked by floral vegetal design in gold on fields of blue, entire piece surrounded by bands of red, gold and blue and surmounted by vertical stalks (tīgh) in blue ; written area surrounded by frame consisting of a narrow gold band defined by black fillets and red and blue rules, narrow gold bands separate the four columns within as well ; headings and keywords rubricated.Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes, pointing in distinct dots.Layout: Written in 17 lines per page with written area divided into four columns ; frame-ruled.Collation: i, III (6), V (16), II (20), i ; ternion, quinion and binion ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," triangular, in Arabic, reads "تمت الكتاب بعون الملك الوهاب بتاريخ شهر صفر سنه ۹۸۴ كاتبه جمال شاه محمود م م م"Explicit: "بر در شه خدمت من و السلام"Incipit: "حمد گویم که توفیق خداوند حنان ... نام این نسخۀ و الاست قران سعدین ... حمد خداوند سرایم نخست تا شود این نامه بنامش درست ..."Title from illuminated headpiece at opening (p.2).Ms. codex.Elegant copy of the mas̲navī on the meeting of Sulṭān Muʻizz al-Dīn Kayqubād and his father Nāṣir al-Dīn Bughrā Khān by Amīr Khusraw Dihlavī (d.1325).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 313Origin: As appears in colophon on p.862, copied and illuminated (gilded) by Murshid al-Dīn ibn Ṣadr al-Dīn al-Mudhahhib [al-Muẕahhib] with transcription completed 23 Muḥarram 894 [ca. 27 December 1488].Former shelfmark: "164 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf (p.1).Binding: Pasteboards covered in brown leather ; Type II binding (with flap) ; doublures in deep red leather with large central mandorla in leather filigree appliqué over blue paper and green silk as well as gold-painted accents and tooled border ; upper and lower covers carry exquisite stamped scalloped mandorla (filled with symmetrical vegetal composition somewhat similar to Déroche class. OSd 2 on a gold ground) and cornerpieces, along with tooled border featuring rows of s-shaped stamps ; design continues on flap ; sewn in light pink and blue thread, two stations, failing, gatherings loose ; worked chevron endbands in light green-blue and light pink, damaged, tailband gone ; overall in fairly good condition with minor staining, abrasion, etc.Support: non-European (likely Persian or Indian) laid paper with 8 laid lines per cm. (vertical) and chains only faintly visible (possibly in pairs), sturdy and fairly thick, deep cream in color, well-sized and burnished to glossy.Decoration: Superb illuminated frontispiece on 'title page' (p.3) consisting of a scalloped almond (mandorla) or diamond shaped medallion with gold cartouche (carrying "لصاحبه السعادة والسلامة" mainly effaced) surrounded by floral vegetal pattern in green, gold, red, yellow, white, and pink on a lapis lazuli ground, bordered in gold with blue tīgh accents ; exquisite illuminated headpiece (ʻunwān / sarlawḥ ) at opening on p.4 consisting of large rectangular piece with central almond-shaped cartouche carrying title ( "ديوان امير خسرو دهلوى" ) in white over light blue arabesque and surrounded by swirling floral vegetal design (in gold, pink, white, yellow, turquoise, etc. on fields of lapis lazuli and gold) and lozenge border reminiscent of book cover design, surmounted by a row of arabesque and floral motifs in gold, red, turquoise, pink, white, yellow, etc. on fields of gold and lapis lazuli, all surmounted by vertical stalks (tīgh) in blue ; written area surrounded by frame consisting of gold band defined by black fillets and outermost blue rule ; section headings and keywords chrysographed or in blue.Script: Nastaʻlīq ; compact, elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 14 lines per page with written area often divided to two columns ; frame-ruled.Collation: i, IV-1 (7), 52 IV(423), IV-1 (430) ; exclusively quaternions (first and last anomalous) ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes front flyleaf)Colophon: "Scribal," triangular, in Arabic, reads "تمت الكتاب من كلام افصح المتكلمين وقدوة الشاعرين امير خسرو دهلوى قدس الله روحه العزيز ورحمة الله عليه والحمد لله على اتمامه والصلوة والسلام على خير خلقه محمد واله واصحابه وازواجه ذرياته في يوم السبت ثالث عشرين محرم الحرام سنه اربع وتسعين وثمانمائة كتبه وذهبه العبد الراجي الى رحمة الله الملك الواهب مرشد الدين بن صدر الدين المذهب اللهم اغفر لصاحبه ولكاتبه ولقاريه ولجميع المؤمنين والمؤمنات"Explicit: "هر که علیکم نبگوید تمام به که سلامش نکنم و السلام"Incipit: "حمد رانم برزبان لله رب العالمین آنکه جان بخشید در قرآن هدی للمتقین ..."Title from illuminated headpiece at opening on p.4.Ms. codex.Elegant copy of the Dīvān of Amīr Khusraw Dihlavī (d.1325).
Neatly written, illustrated copy containing sections from all 5 works; begins abruptly; some illustrations and headpieces have been removed, so text is also missing.
Selections from two poets including qaṣāʼid, ghazalīyāt, rubāʼiyāt and muqaṭṭiʻāt; two leaves are replacement leaves and are quite brittle and damaged (f. 45-46); some leaves missing from the end; dampstaining throughout.
Collection of Persian poetry with an introductory table of contents by Saʻīd Nafīsī, a former owner (p.1). Several leaves copied by Nafīsī and inserted. They include two poems by Ḥāfiẓ (p. 156); 12 pages containing poems from the margins of a copy of Khusraw Dihlavī (p.197b-197l); and two poems missing from the Dīvān of Ḥakīm Tirmiz̲ī (unnumbered page after p. 259).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 323Origin: As appears in colophon on p.69, copied by Ibn ʻAli Quṭb al-Dīn al-Yazdī with transcription completed in the first part of Rajab 916 [October 1510].Former shelfmark: "406 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; board linings in pink-tinted laid paper ; fore edge flap lined in green silk ; upper and lower covers carry stamped and gold-painted (on orange recessed inlays) rosette / mandorla (filled with vegetal composition vaguely reminiscent of Déroche class. OAi2 1) and cornerpieces along with tooled rosettes and gold-painted accents and border in a series of s-shaped stamps ; sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, dirty, tailband damaged ; overall in fair condition with some abrasion, staining, lifting and losses of leather at spine and fore edge flap, minor pest damage, etc.Support: non-European (likely Persian or Indian) laid paper with 8 laid lines per cm. (vertical, faint and indistinct) and no chain lines clearly visible, well-burnished, beige in color ; staining and tidelines ; many bifolia guarded with recycled manuscript "waste" ; flyleaves in European laid paper.Decoration: Elegant (though damaged) illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of large rectangular piece with gold cartouche carrying the title in white ("ديوان مولانا شاهي") surrounded by swirling vegetal decoration in black, cartouche surrounded by swirling floral vegetal designs in gold, yellow, red, white and pink on a field of blue with gold accents, surmounted by triangular piece or hasp with upper most pendant and vertical stalks (tīgh) continuing floral vegetal design on gold and lapis lazuli ; written area (and columns within) surrounded by a gold frame defined by black fillets and outermost blue rule ; centered panels of written area left blank.Script: Nastaʻlīq ; compact, elegant Persianate hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 12 lines per page with written area mainly divided to two columns ; frame-ruled.Collation: i, 2 III(12), II (16), III (22), V (32), II (36), i ; ternions, binions, and a quinion ; catchwords present ; pagination in black ink, Hindu-Arabic numerals through "٢٩" ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," rectangular, mainly in Arabic, reads "تم هذه الابيات العبد الفير الى الطاف الصمدى ابن على قطب الدين اليزدى غفر ذنوبه وستر عيوبه في اوائل رجب المرجب من شهور سنه ست عشر وتسعمائة الهجره النبويه المصطفويه عليه افضل الصلوات واكمل التسليمات"Explicit: "سخن تا چند گویم پیچ هر [در] پیچ ترا من دوست میدارم دگر هیچ "Incipit: "ای نقش بسته نام خطت با سرشت ما این حرف شد ز روز ازل سر نوشت ما ..."Title from illuminated headpiece at opening on p.2.Ms. codex.Elegant copy of the Dīvān of Amīr Shāhī, Aq Malik ibn Amīr Jamāl al-Dīn Sabzavārī (d.1453).
The so-called 'Cambridge Tafsir' is the oldest extant copy of a Persian Qur'ānic commentary, written in 628 A.H. / 1231 C.E., as stated in the colophon. The first volume has not survived and this manuscript contains only the second part of the work, beginning with the Surah Maryam. The manuscript belonged to the Dutch Orientalist Thomas Erpenius Erpenius, Thomas, 1584-1624 .Layout: 21 lines to the pageScript: Muḥammad ibn Abī al-Fatḥ al-Faqīḥ al-Gharīb Muḥammad ibn Abī al-Fatḥ al-Faqīḥ al-Gharīb محمد بن ابي الفتح الفقيه الغريب
Tinta negra y roja.Incipit: [بسملة]Copista: تهمل, que vivía en la calle کوچه کهاسی رام (Khasiram?)Colofón (Fol. 201v):تمت تمام شد کار من نظام شد این تاریخ ظفر نامه که تمر نامه// میکویند من تصنیف هاتفی بهر نقل از کتاب لاله کلدار سنکه جیو/ بر داشتم و بتاریخ بیست و نهم/ ماه صفر سنه ١٢٢٥ هجری مطابق سنه ۴/ جلوس اکبر شاه صاحبقران ثانی بنظامت (؟)/ سهن(؟) صاحب ... انکریران(؟)/ عالیشان بخط بنده درکاه/ تهمل(؟) ساکن کوچه کهاسی رام/ بروز پبجشنبه بوقت/ دوپهر تحریر یافتCaracterísticas especiales: Encabezamientos en tinta roja. Los siguientes folios en otro papel de color amarillo: 24r a 70v; 150r a 159v; 161r a 162v; 164r a 173v; 176r a 177v.Ilustración: No.Ilustraciones: No.Tipo de cuaderno: Cuadernos de 4 y 5 bifolios.Deterioros generales: Ocasionales manchas de humedad que no afectan al texto. Mancha en fol. 153r.H. en blanco: 204r. Numerosas lagunas en el texto, probablemente debidas a ser copia de un texto defectuoso.H. dañadas, mutiladas, sueltas: Sueltas: fols. 15 a 17 y 22 a 23.H. faltan o añadidas: NoFoliación: Sin foliación original. Se ha foliado a lápiz en el margen superior izquierdo del recto.Reclamos: En el verso de todos los folios.Sign. cuad.: No.Pautado: No se aprecia. Distancia interlineal: 1,2 cm.Filigrana: No se aprecia.Anotaciones: Anotaciones marginales en fols. 80r, 82r, 85v, 94v, 102r, 117r, 122r, 138r y 156v, a menudo cortadas por la encuadernación. Tachaduras en los fols. 132v, 133v y 203v. Guarda final con anotación “Ms. Persian Hatifi” y escudo del General Wyndham. Etiqueta pegada en hoja de guarda y en cubierta con número 55 tachado.Signatura antigua: RESC/1022Poema épico describiendo la vida y proezas militares de Timur, dedicado al sultán Husayn Bayqara (muerto en 1506). El poema imita el estilo del Iskandar Nāma de Nizāmī. Consejos para los gobernantes, tomando a Dios y al profeta como modelo. Libro de la Victoria.Encuadernado en piel marrón sobre cartón con medallón central.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 283Origin: As appears in colophon on fol.227a (p.453), copied (حرره) by Muḥammad Taqī in the village of Ashtān [?] (در قصبه اشتان). Transcription finished 7th Ramaḍān 1265 [ca. 27 July 1849].Accompanying materials: Slip of laid paper with writing ; on one side in black ink, what appears to be a list of books, works ; on the other side in red and black ink, notes on grammar.Binding: Pasteboards faced in red leather with spine, edges / turn-ins, doublures and doublure hinges in rich, green-blue (teal) leather (leather faced and edged framed binding) ; Type III binding (without flap) though not flush with this text block ; two-piece binding (seam of overlapping flanges visible at spine) ; upper and lower covers bear central scalloped mandorla and pendants, blind-stamped with recessed onlays in green (reminiscent of oxidized "gold" paint) and traces of gold paint on floral design within ; border composed of a series of s-shaped stamps, gold painted and flanked by gold fillets ; sewn in green thread, two stations ; fine chevron endbands in purple and green ; in good condition with some minor abrasion, wear at corners, staining, etc.Support: Machine wove paper of a few different types, all fairly thick, well-burnished ; watermarks / countermarks include Cyrillic "Г г С" (large letters in script, see p.8, 16, 24, 122, etc.), possible Cyrillic "К Я" (in p.158 etc.), Cyrillic "A Б" (p.202, 402, 404, 432, 442, etc. and cf. example in Klepikov p.38 dated 1851), and possible numerals 1 8 (p.424 etc.) 4 6 (p.400, 420 etc.) suggesting year 1846 ; embossed mark in p.233, 247, 322, 447, etc. (oval with only trace of border inscription, etc.) ; some staining, moisture damage, ink smudges ; tacky ink has resulted in blocking in some places.Decoration: Illuminated headpiece (ʻunwān) on fol.1b (p.2) consisting of narrow rectangular panel with cartouche bearing the basmalah surmounted by scalloped w-shaped piece with swirling floral vegetal design in light blue, pink, orange, red, pistachio and white, on a field of gold with lapis lazuli accents ; above the piece stand vertical stalks (tigh) in blue ; the piece is framed in a well consisting of a heavy red band with scalloped decoration in white, flanked by bands of pistachio and gold ; text throughout is ruled in a simple frame consisting of a narrow gold band outlined in black fillets with an outermost blue fillet and at some distance in the margin a second blue fillet ; text rubricated with section headings, overlinings, etc. in red.Script: Nastaʻlīq ; small, elegant Persianate hand in medium line ; sans serif with characteristic descent of words to baseline, superscripting of final letters and words, elongation of horizontal strokes, pointing in distinct dots.Layout: Written in 25 lines per page ; single column divided to two columns to set off poetry ; frame-ruled.Collation: ii, 26 IV (216), III+1 (223), II (227), ii ; chiefly quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, in Arabic and Persian, reads: "تمت الکتاب بعون الله الملک الوهاب بتاریخ یوم هفتم شهر رمضان المبارک سنه ۱۲۶٥ هزار و دویست و شصت و پنج هجری در قصبه اشتان حرره محمد تقی" followed by scribal verses.Explicit: "منم از قاضیان مشار الیه وان دگر کیر ماست عز علیه"Incipit: "مقدری نه بالت بقدرت مطلق کند ز شکل بخاری چو کنبد ازرق ..."Title from fore-edge.Ms. codex.Fine copy of collected poems (mainly his qaṣāyid and muqaṭṭaʻāt without systematic arrangement) of Awḥad al-Dīn Anvarī (d.1189 or 90).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 670Origin: As appears in colophon on p.753, copied by ʻImād ibn Muḥamad ʻImād. Date of transcription not specified. Paper, decoration, etc. suggests 16th or early 17th century. Ownership statement provides a terminus ante quem of 1629.Accompanying materials: a. Acquisitions slip from Yahuda -- b. Inventory cataloguing slip in hand of Winifred Smeaton Thomas.Former shelfmark: From upper board lining and spine label, "IL 9" (likely supplied by Yahuda, see acquisitions slip).Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap, now fully detached) ; currently two piece binding (overlapping flanges visible at spine, may represent repair / reback) ; board linings in peach laid paper, hinges in yellow paper ; upper and lower covers carry stamped (and once gold-painted) scalloped mandorla filled with vegetal composition (compare Déroche class. OAi 7) set off by gold-painted strokes, tooled rosettes and chain border ; design continues on flap ; sewn in golden yellow thread, two stations, sewing failing ; worked endbands in golden yellow and metallic threads, only primaries and core with a few threads of headband remain, primaries sewn through textile spine lining ; overall in somewhat poor condition with flap fully detached from lower cover, cover almost fully detached from text block at spine except for intact primaries at headband, extensive abrasion, some lifting and losses of leather, etc. ; extensive repairs (also damaged) in brown leather including edging (which has been tooled in a series of s-shaped stamps) on upper and lower covers as well as head and tail of fore edge flap and likely reback ; housed in box for protection.Support: non-European (likely Persian) laid paper with roughly 8 laid lines per cm. (vertical, somewhat indistinct, fairly straight) and chain lines (possibly grouped in pairs) occasionally visible, cloudy formation, thin and transluscent though sturdy, well-burnished, dark cream to beige in color ; back flyleaf in European laid paper with anchor in circle watermark.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.30 consisting of rectangular piece with almond-shaped gold cartouche carrying title and flanking pieces all evoking bookcover design, set in field of dark blue with delicate vegital motifs in gold, green, red, white, light blue and yellow, bordered in band of dark blue with white crosses and dots flanked by two narrow gold bands ; written area and ruled margins surrounded by gold frame with outermost blue rule, narrower gold band defines central written area and triangular accents on margins within (occasionally filled with floral motifs) ; keywords rubricated ; textual dividers in the form of three dots in redScript: Nastaʻlīq ; small compact Persianate hand in a medium line ; characteristically serifless with slight effect of inclination to the left and of words descending to baseline, elongation of horizontal strokes, pointing in distinct dotsLayout: Written in 51 lines per page, 17 lines in central written area and 34 lines of gloss on the diagonal in the ruled margins ; frame-ruled.Collation: IV-2 (6), 21 IV (174), IV+1 (183), III (189), III+1 (196), 2 III (202), 5 IV (248), III + 1 (255), 14 IV (372), III-1 (376), i ; leaves between opening contents listing and opening of text originally left blank (pp.21-29) ; middle of the quire marks in the form of ه (numeral khamsah or letter hāʼ) in black ink in the upper outer corner of the left-hand leaf ; catchwords present ; foliation in red ink, Hindu-Arabic numerals from pp.353-377 and in black ink from pp.379-753, beginning with Arabic numeral 38 ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," mainly Arabic, reads "تمت الكتاب بعون الله الملك الوهاب والحمد لله اولا واخرا وظاهرا وباطنا وصلى الله على محمد واله الطيبين وعترته الطاهرين اجمعين وسلم تسليما كثيرا كثيرا على يد الفقير الحقير تراب اقدام الفضلا عماد بن محمد عماد ... گر بهم برزده بینی خط من عیب مکن که مرا محنت ایام بهم برزده است"Incipit: [matn] "بسم الله الرحمن الرحیم رب سهل و تمم بالخیر الحمد لمن وفقنا امداد حمد بی عد و اعداد سپاس بی قیاس مبدعی را که آثار ابداع او بر هر ورقی از اوراق و شجری از اشجار سمت ..." ; [ḥashiyah] "و به نستعين حمد و سپاس عتاری را جل جلاله و عم نواله و عظم شانه ..."Title from rubricated inscription on 'title page' (p.29).Ms. codex.Fine copy of a work of materia medica (pharmacopoeia) by ʻAlī ibn al-Ḥusayn al-Anṣārī known as Ḥājjī Zayn al-ʻAṭṭār (d.1403 or 4) with extensive gloss on the margins. Opens with acephalous contents listing (p.1-21). Contributions to the cataloguing from Elizabeth Kunze.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1060Origin: As appears in colophon at close (p.451), transcription of this the first volume completed 12 Rabīʻ II 484 [ca. 29 July 1444].Accompanying materials: a. Slip of paper with note in Persian in pen identifying title, date of copying, and subject -- b. Index card with descriptive notes typed in German as well as transcription in clear black ink of note on other slip "اختيارات بديعى دائره المعارف طب"Binding: Heavy boards covered in brown leather ; Type III binding (without flap) ; likely two piece binding (trace of seam of overlapping flanges visible on spine) ; board linings in European laid paper ; upper and lower covers carry blind-stamped central mandorla and pendants filled with symmetrical floral / vegetal decoration, set off by rules dividing cover to quadrants and border in a row of s-shaped stamps defined by blind rules ; now sewn in white thread, two stations, no traces of endbands (perhaps lost in rebinding), rather tightly bound ; slightly larger than textblock and likely not original ; subtle repair to spine in red brown leather, new hinges in dark brown leather ; sound and overall in fairly good condition with some abrasion.Support: non-European (possibly Persianate) laid paper with roughly 8 laid lines per cm. (vertical, fairly straight) and chain lines occasionally visible ; formation somewhat cloudy with many inclusions (plant matter, bits of fiber, etc.), thin though sturdy and quite well-burnished to glossy, beige to light brown in color ; flyleaves in European laid paper (potentially machine laid) with "GIOR MAGNANI" below scrollwork with bird above tower (compare Heawood 3748) ; numerous native page repairs in brown paper.Decoration: Illuminated headpiece at opening on p.2, rectangular in shape with title "كتاب اختيارات بديعي" in gold tawqīʻ in cartouche over swirling vegetal ground, flanked by delicate vegetal motifs in gold on azure blue ground, surrounded by now oxidized bands (with paper breakthrough) and surmounted by further decorative band in blue, gold and white with red accents, itself surmounted by fine tīgh ; keywords and headings rubricated, along with two-teeth stroke abbreviation.Script: Naskh with some elements of nastaʻlīq ; elegant, spacious Turkic or Persianate hand in a medium line ; virtually serifless with elongation and contrasting thickness of horizontal strokes, long but fairly straight shaqq on kāf, quite rounded with curvilinear descenders and terminating strokes of tāʼ, bāʼ, etc., pointing mainly in distinct dots but occasionally with stroke for two dots, point of final and free-standing nūn set down within tall, angled bowl (rightward stroke typically higher than leftward stroke which occasionally curves and nearly forms a complete circle around dot), rāʼ often set within preceding dāl (particularly in instances of در), some free assimilation of letters, etc.Layout: Written in 21 lines per page (single column) ; frame-ruled (impression of ruling board evident).Collation: i, 2 IV(16), 2+IV (26), 9 IV(98), IV+1 (107), IV (115), III+1 (122), 13 IV(226), i ; chiefly quaternions ; catchwords present ; occasional foliation in pencil, Hindu-Arabic numerals, often toward the middle of the page in the outer margin ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: "Scribal," triangular, reads "تمت المجلد الاول عن کتاب الموسوم باختیارات فی یوم 12 الجمعه عن [؟] ربیع الثانی سنه 848 هجریه م"Incipit: "امداد حمد بی عدد و اعداد سپاس بی قیاس مبدعی را که آثار ابداع او بر هر ورقی از اوراق و شجری از اشجار سمت ..."Title from colophon on p.451.Ms. codex.Elegant early copy of the first volume of Ikhtiyārāt-i badīʻī, a work of materia medica (pharmacopoeia) by ʻAlī ibn al-Ḥusayn al-Anṣārī known as Ḥājjī Zayn al-ʻAṭṭār (d.1403 or 4).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 273Origin: Lacks dated colophon. According to note on 'title page' (fol.1a/p.1) executed by the renowned Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.1520). Relatively consistent with his style and thus likely executed late 15th or early 16th century. Mounting and illumination possibly later in the 16th century.Former shelfmark: "٢١" and "216 T. De M. [i.e. Tammaro De Marinis]" in pencil on front flyleaf.Binding: Pasteboards covered in red leather ; Western style binding (without flap) ; board linings in shell marbled paper (mainly in lavender, pink, and yellow-green) ; upper and lower covers carry gold-painted rules and tooled border in a series of annular stamps ; now sewn in white thread, four stations ; overall in fairly good condition with some staining and minor abrasion though fully detached from text block ; while cover is not sized to be flush with text block, this appears to have been intentional as adhesive paper pattern on interior of spine matches that on spine of text block.Support: non-European (Persian) laid paper ; written area mounted in a frame of exquisite silhouette paper (laid with 6 laid lines per cm., chains occasionally visible, sturdy, well-burnished) in two floral compositions, one with floral vegetal motifs only, the other with bird motifs as well ; recto of each framing leaf in pastel blue and verso in pink (quite possibly composite with leaves of two distinct tints affixed to each other).Decoration: Superbly executed illuminated headpiece (ʻunwān / sarlawḥ) at opening on fol.1b (p.2) consisting of a rectangular piece with gold cartouche surrounded by intricate swirling arabesques with floral motifs in gold, white, red, yellow, green, and pink on a lapis lazuli ground with gold accents all bordered in bands of gold, white, blue, red and heavy gold interlace, surmounted by a band of floral vegetal decoration in gold, white, yellow, pink, and red over alternating eight-pointed stars in turquoise and gold on a black ground, itself surmounted by an triangular piece or hasp filled with further swirling arabesques with floral motifs in gold, white, red, pink, yellow, etc. on a gold ground with lapis lazuli accents, all surmounted by vertical stalks (tīgh) in lapis lazuli ; written area gold-flecked and surrounded by frame consisting of bands of gold, blue, red, and turquoise, divisions within defined by narrow gold bands outlined by black fillets ; rich floral vegetal accents appear occasionally flanking text ; compositions of silhouette paper in some leaves outlined in gold (in lower margin of fol.13a (p.25), bird motif in paper, elsewhere enhanced by the illuminator in the same bird theme, has been elaborated as a goat instead).Script: Nastaʻlīq ; compact, exquisite hand ; serifless, with slight effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 10 lines per page ; frame-ruled.Collation: i, 2 III(12), II (16), i ; two ternions and a binion ; pagination in pencil, Western numerals, supplied during cataloguing.Explicit: "الهى بحق آنكه ترا حاجت نست رحمت كن برآنكه او را حجت نست تمت الكتاب"Incipit: "این چند كلمه است از نصايح و اشعار نديم بارگاه حضرت جبارى خواجه عبد الله انصارى عليه الرحمه و المغفره ای ز دردت بيدلانرا بوی در مال آمده ..."Title supplied by cataloguer from opening matter on fol.1b.Ms. codex.Sublime copy of a selection of maxims and verses by Abū Ismāʻīl ʻAbd Allāh ibn Muḥammad al-Anṣārī al-Harawī (d.481/1089), attributed to the celebrated Timurid calligrapher Sulṭān ʻAlī Mashhadī (d.926/1520, see p.248 in Bayānī, Aḥvāl va āsār-i khūshʹnavīsān : nastaʻlīq navīsān, vol.1 and pp.30-32 in Soucek, "The Arts of Calligraphy").
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan. Four miniatures. Decorative borders.Dimensions: 10¾ × 7¼ in.Hand: Small but distinct Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Lacquered boards with floral decoration.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan. 8 miniatures. Floral borders.Dimensions: 13 × 8½ in.Hand: Small Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan. Miniatures. Decorative borders.Dimensions: 12⅞ × 7⅞ in.Hand: Small Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: "Manuscript description based on the Bodleian Library's public card index of Arabic manuscripts with additional enhancements by the OCIMCO project team."
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents note: "This copy is the author's autograph."Hand: Naskh.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet page. Unwan. Miniatures. Decorative borders.Dimensions: 15¾ × 9¾ in.Hand: Small Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Binding with flowers and arabesques, rich in gold.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Ḥusayn ibn Ismāʻīl Gāzurgāhī, Majālis al-ʻushshāq (ff. 1a-197a).Decoration: Illustrated with 74 miniature paintings.Hand: Excellent Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents note: Folio 1a contains the second leaf of a dedication which reads . . . "بن محمد بن يعقوب مسكويه آداب الفرس والعجم والعرب والروم لخزانة مولانا الإمام السيد المظفر المنصور أبي نصر محمد بن أحمد أطال الله بقاءه وأدام سلطانه وكبت أعداءه".Record origin: "Manuscript description based on the Bodleian Library's public card index of Arabic manuscripts with additional enhancements by the OCIMCO project team."
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Large, clear Naskh.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Lacquered boards with floral decoration.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Miniatures, borders, unwan.Hand: Very clear and beautiful Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan.Dimensions: 10¾ × 6½ in.Hand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldRecord origin: Image descriptions based in part on Topsfield, A. (2007), Paintings from Mughal India.
Binding: Gilt envelope binding.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Unwan. 3 miniatures.Hand: Clear Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet pages, decorative borders, ten miniatures.Dimensions: 10⅜ × 7⅛ in.Hand: Large and very distinct Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard,1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Half leather.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents note: Ghazalīyāt, Fardīyāt, Mukhammas, and Rubāʻīyāt.Dimensions: 22.6 × 14 cm (size of leaf).Hand: Nastaʻlīq small shikasta on field of page and around margins; brownish Indian paper.Record origin: Manuscript description based on handlist of Simon Digby with additional enhancements by the Fihrist team.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Persian ghazals (ff. 1b-16b). Nesimi, Dīvān-i Nesīmī (ff. 19b-190a).Dimensions: 21.8 × 13.5 cm (size of leaf). 15 × 78 cm (size of written area).Hand: Taʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: "Manuscript description based on the Bodleian Library's public card index of Persian manuscripts with additional enhancements by the Fihrist project team."
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Makhzan al-asrār (ff. 2a-32a). Khusraw va-Shīrīn (ff. 32b-101a). Laylá va-Majnūn (ff. 101b-158a). Haft Paykar (ff. 158b-221a). Kitāb-i Sharafnāmah-ʼi Iskandarī (ff. 221b-300a). Kitāb-i Iqbālnamah-ʼi Iskandarī (ff. 300b-346a).Decoration: Unwan. 42 miniatures.Dimensions: 11¼ × 6¼ in.Hand: Small Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Makhzan al-asrār (ff. 1b-27a). Khusraw va-Shīrīn (ff. 28b-114a). Laylá va-Majnūn (ff. 114b-178a). Haft Paykar (ff. 179b-249a). Sharaf-nāmah-ʼi Iskandarī (ff. 249b-337a). Iqbāl-nāmah-ʼi Iskandarī (ff. 337b-388a).Decoration: Unwan. Miniatures. Decorative borders.Hand: Nastaʻlīq.Record origin: "Manuscript description based on the Bodleian Library's public card index of Persian manuscripts with additional enhancements by the Fihrist project team."
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Dīvān-i Ḥāfiẓ (ff. 1-6 and 12b-236b, two centre columns). Dīvān-i Maghribī (ff. 3b-124b, margin column, and 7a-12a, two centre columns). Dīvān-i Qāsim-i Anvār (ff. 124b-317b, margin column).Decoration: 11 miniatures. Decorative borders etc.Dimensions: 12⅛ × 7⅞ in.Hand: Excellent Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents note: جواهر التواریخ (centre column). حكايتها (margin column).Hand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard,1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Splendid binding.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents note: Folio 2b contains the minuscule signature of Rūzbihān the Illuminator على يد العبد روزبهان المذهب.Decoration: Two richly coloured pictures at the beginning; the first two pages of the text most luxuriously adorned in blue and gold; all the headings throughout beautifully illuminated.Hand: Very small, distinct, and clear Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldHand: Nastaʻlīq.Record origin: "Manuscript description based on the Bodleian Library's public card index of Persian manuscripts with additional enhancements by the Fihrist project team."
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: First two pages adorned. The chapter-headings on gold ground. Two full-size pictures on ff. 9b and 34a; slightly smaller one one on f. 59b.Dimensions: 9⅝ × 6¼ in (size of leaf).Hand: Small, but clear Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Yellow and red goatskin, covered in lacquer, painted with birds, flowers and butterflies. Rebacked.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldContents: Muḥammad ʻAṣṣār Tabrīzī, Mihr va-Mushtarī (ff. 1b-260a, centre columns). Ghazālī Mashhadī, Naqsh-i badīʻ (ff. 260b-287a). Saʻdī, Khulāṣah-ʼi Būstān (ff. 287b-298b). Niẓāmī Ganjavī, Khusraw va-Shīrīn (ff. 3b-270a, margin column).Decoration: Unwan. 9 miniatures. Decorative borders etc.Dimensions: 10 × 5⅝ in.Hand: Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Lacquered boards with floral decoration.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet page, decorative borders, miniatures.Dimensions: 10 × 5⅝ in.Hand: Very distinct Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: 9 full-page miniatures. Decorative borders.Dimensions: 12½ × 7¾ in.Hand: Written in splendid Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917.; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDecoration: Carpet page, miniatures, borders. Map drawn on lower flyleaf.Hand: Distinct Nastaʻlīq.Record origin: Manuscript description based on: Beeston, A. F. L. (Alfred Felix Landon); Ethé, Hermann, 1844-1917; Sachau, Eduard, 1845-1930; Catalogue of the Persian, Turkish, Hindûstânî, and Pushtû manuscripts in the Bodleian Library, Oxford; at the Clarendon Press 1889-1953.
Binding: Bound in apricot and blue marbled paper over boards with leather trim.Fihrist: Union Catalogue of Manuscripts from the Islamicate WorldDimensions: 25.4 × 20 cm (size of leaf). 17.3 × 14.5 in (size of written area).Hand: Shikastah-Nastaʻlīq.Layout: 10.Record origin: Manuscript description based on handlist of Simon Digby with additional enhancements by the Fihrist team.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 847Origin: As appears at close on p.143, transcription possibly completed in 1205 [1790 or 91] ; decoration, paper, etc. also suggest late 18th century.Former shelfmark: "۲۰۸" in black ink on front flyleaf (p.1).Binding: Boards covered in dark green leather ; Type III binding (without flap) ; board linings in golden yellow paper ; upper and lower covers carry gold-painted floral cornerpieces and gold-tooled border in a series of striated s-shaped stamps ; sewn in yellow thread, two stations ; worked chevron endbands in dark blue and yellow, good condition ; overall in fairly good condition with only minor abrasion.Support: non-European (likely Persian or Indian) laid paper with 10 laid lines per cm. (vertical, fairly distinct) and occasional single chain lines visible, gray / off-white in tone, thin and transluscent though sturdy, quite glossy.Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of rectangular piece with empty gold cartouche flanked by floral designs in gold, red, orange, yellow, and light blue on a blue ground, surmounted by vertically elongated scalloped w-shaped piece filled with swirling floral vegetal design in gold, pink, light blue, green, orange, etc. on fields of gold and blue, all set in an elaborate well of heavy gold interlace and red bands with white scroll accents, defined by white and gold bands ; incipit and facing page (pp.4-5) carry splendid illuminated marginal decoration consisting of swirling floral vegetal designs with blossoms and saz leaves in gold with black outline and accents in shades of pink, orange, blue, and white ; written area of incipit and facing page accented by gold cloud-bands and vegetal decoration setting off the two columns within ; written area (as well as divisions within and margins) throughout surrounded by gold frame defined by black fillets.Script: Nastaʻlīq ; elegant hand ; serifless with effect of words descending to baseline, elongation of horizontal strokes, mainly closed counters, somewhat casually pointed, occasionally more freely ligatured as in shikastah.Layout: Written in 12 lines per page, with written area divided to two columns ; frame-ruled.Collation: IV+1 (9), 4 IV(41), V (51), IV (59), IV+1 (68), IV (76) ; chiefly quaternions ; final four leaves left blank ; catchwords present ; pagination in pencil, Western numerals (includes flyleaves).Incipit: "ز نور قبه زرين آينه تمثال زمين تفته فرو پوشد آتشين سربال ..."Title supplied by cataloguer.Ms. codex.Exquisite copy of a portion of the Dīvān of Ḥakīm Azraqī Haravī, Zayn al-Dīn Abū Bakr (d. before 1073).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 845Origin: Lacks dated colophon ; paper, decoration, etc. would suggest late 16th or early 17th century.Binding: Boards covered in light brown leather ; Western style binding ; pastedowns and flyleaves in untinted laid paper ; upper and lower covers carry border in blind rules ; five raised bands on spine ; sewn in cream thread, four stations, over cords ; green silk bookmark (register) attached to spine at head ; overall in fair condition with some abrasion, staining, lifting and losses of spine leather (split), etc.Support: non-European laid paper with 6-7 laid lines per cm. (vertical) and chain lines (horizontal) seemingly grouped in threes with 14-15 mm. between chains and 53 mm. between groups, most leaves tinted salmon (ornage-pink), sturdy and well-burnished ; flyleaves in European laid paper with fleur de lis in shield / arms with crown above ; staining and minor pest damage.Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.8 consisting of rectangular piece with gold cartouche carrying the title "ديوان عشقى" in white flanked by floral accents in gold, turquoise, white, etc. on a lapis lazuli ground, surmounted by scalloped w-shaped piece filled with swirling arabesques and floral motifs in gold, turquoise, white, etc. on grounds of black and lapis lazuli, entire piece set in a well of gold, turquoise and lapis bands and surmounted by vertical stalks (tīgh) in blue ; margins of incipit and facing page filled with floral designs in gold ; similar though somewhat smaller illuminated headpiece with heading "غزليات" in white and marginal designs at opening of ghazalīyāt on p.104 ; written area throughout surrounded by a frame consisting of a gold band defined by black fillets with outermost blue rule, divisions within defined by narrow gold bands outlined in black fillets ; keywords and headings chrysographed.Script: Nastaʻlīq (talik) ; elegant hand in a medium line ; serifless, with dramatic effect of words descending to baseline, mainly closed counters, and elongated horizontal strokes.Layout: Written in 12 lines per page with written area divided to two columns ; frame-ruled.Collation: iv (i is pastedown), 2 III(12), 4 IV(44), 2 III(56), IV (64), 2 II(72), 7 IV(128), III (134), III-2 (138), iv (iv is pastedown) ; chiefly quaternions ; middle of the quire marks in the form of oblique strokes in black ink in opposite outer corners ; p.103 between qaṣāʼid (close on p.102) and ghazalīyāt (opening p.104) left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves).Incipit: "ای دل هرزه گرد هرجایی زین تکاپو چه شد که باز ایی ..."Title from illuminated headpiece at opening (p.8).Ms. codex.Exquisite copy of a Persian Dīvān with qaṣāʼid and ghazalīyāt of uncertain authorship, possibly of Aşkî (fl.1571) translator of ʻAyn al-Quḍāh al-Hamadānī's "Kanz al-ḥaqʼāq" (per the translator's preface) and Farīd al-Dīn ʻAttār's Mukhtārnāmah (see p.205 in Türk dili ve edebiyatı ansiklopedisi (1977), v.1 ; p.18 in Osmanlı müellifleri (1972), v.2 and p.248 in Fihris al-makhṭūṭāt al-Turkīyah al-ʻUthmānīyah allatī iqtanatʹhā Dār al-Kutub al-Qawmīyah mundhu ʻām 1870 ḥattá nihāyat 1980, v.1).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 434Origin: Lacks dated colophon ; paper, etc. may suggest 16th century.Former shelfmark: "383 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover ; "232" inscribed in pencil on 'title page'.Binding: Pasteboards covered in marbled paper (kumlu or kılçıklı ebru in blue, green, yellow and white) with red leather over spine ; Type III (without flap) ; board linings in European laid paper (three hats watermark) ; resewn in white thread ; overall in fair condition with some abrasion, staining, etc.Support: non-European laid paper with roughly 8 laid lines per cm. (vertical, somewhat indistinct) and no chain lines plainly visible, cloudy formation, fairly thick and sturdy, quite well-burnished.Decoration: Superb illuminated headpiece (ʻunwān/sarlawḥ) at opening consisting of rectangular piece with cartouche carrying the basmalah in white on a field of lapis lazuli overlaid with a swirling vegetal pattern in gold, surrounded by a delicate vegetal pattern in black with chi clouds in light blue on a field of gold, with entire piece bordered in green or turquoise band ; rectangular piece surmounted by scalloped three semi-circular pieces (domes) filled with a similar delicate vegetal pattern in gold on fields of lapis lazuli, with further gold accents and chi clouds in light blue, all surmounted by vertical stalks (tīgh) ; written area very delicately gold-flecked and surrounded by heavy gold band ; keywords and text of ḥadīth and Qurʼānic excerpts, etc. chrysographed.Script: Nastaʻlīq ; exquisite hand ; serifless with characteristic descent of words to baseline and superscripting of final words and letters ; elongation of horizontal strokes ; exaggerated contrast between thickness of horizontal and vertical strokes; text of keywords, text of Qurʼānic excerpts, quoted ḥadīth, etc. in tawqīʻ with tilt to the left and right-sloping head-serif.Layout: Written in 11 lines per page ; frame-ruled.Collation: i, III+2 (8), i ; catchwords present.Explicit: "و او از معنی این رباعی حالت رجوع بآن جناب فهم کند البته اورا سروری بیدا شود زیرا که خاصیت محبت آنست که محب را هیج لذتی بهتر از ملاقات محبوب نباشد تمت الرسالة"Incipit: "الحمد لله فیاض الحکم والمواهب وموصل الطالبین الی المطالب ... اما بعد بدانکه این فقیر را بسی شغف مى بود بدانستن رباعی قطب الاولیا سلطان ابی سعید ابی الخیر قدس الله روحه ورباعی اینست حورا بناظره نگارم صف زد رضوان ز تعجب کف خود بر کف زد..."Title from inscription on front flyleaf.Ms. codex.Elegant copy of a commentary by the Naqshbandī shaykh Aḥrār (d.1490) on the quatrain (rubāʻī) known as the Ḥawrāʼīyah attributed to the famous mystic Abū Saʻīd ibn Abī al-Khayr (d.1049).
A wedding invitation to celebrate the marriage of Aḥmad ʻAlī Khān Bahādur addressed to Dr. George Ranken of the East India Company and his wife Lady Agnes Allan Ranken. The invitation is on red paper, written in Persian, and the script in painted gold leaf. Accompanied by an envelope with a personal stamp of the sender addressed to Dr. Ranken.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 885Origin: As appears in colophon on p.969 (and at close of باب الف ممدوده on p.978), copied by Mathurādās Khatrī, date not specified ; decoration, paper, etc. would suggest late 18th or early 19th century.Accompanying materials: a. Scrap cut from a Luzac catalog page with description and price for this manuscript "PERSIAN AND HINDUSTANI MSS. 175 Bahar i ʻajam. The well-known Persian dictionary. MS. Folio. Over 1000 pp. Leather binding. The colophon is dated A.H. 1243 ( = A.D. 1827), under the reign of Muhammad Akbar Shâh (II.) £2 10s." (paginated pp.1-2) -- b. Recycled card with handwriting of Emilie Savage-Smith [?] "ʻunwān or illum. frontispiece or heading." (paginated pp.3-4) -- c. Scrap of paper with title in ink "Bahār i ʻAjam." (paginated pp.5-6) -- d. Slip with note "Persian MSS (Heyworth-Dunne?) No Husselman or Meredith-Owens notes" (paginated pp.7-8).Former shelfmark: Mich. Isl. Ms. temp. no. 34Binding: Pasteboards covered in deep red leather ; Western style binding ; pastedowns and flyleaves in untinted wove paper ; upper and lower covers carry delicate gold-tooled border in a rope pattern ; spine stamped "BUHARE | UJUM" ; now sewn in white thread over three cords ; worked chevron endbands in yellow and blue, good condition ; overall in somewhat poor condition with upper cover fully detached, some abrasion, staining, lifting of leather, etc.Support: non-European laid paper with 10 laid lines per cm. (vertical or horizontal, fairly distinct, some curving) and irregular chain lines faintly visible, sturdy, well-burnished, dark cream in color ; flyleaves / added leaves in wove paper.Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.10 consisting of rectangular piece with cartouche (carrying the basmalah) flanked by pendants and delicate swirling floral vegetal decoration in blue, red, orange, and white on a gold ground, surmounted by scalloped w-shaped piece filled with more elaborate swirling floral vegetal decoration in red, orange, white, blue, green, etc. on grounds of gold with blue, green and white accents, itself surmounted by a pendant filled with similar decoration as well as fine vertical stalks (tīgh) in blue, entire piece set into a well consisting of a rather heavy gold band outlined by narrow bands of orange and gold defined by black fillets ; written area throughout surrounded by a gold frame with innermost red rule, and outer red and blue rules, further blue rule defines margin ; keywords and headings rubricated ; overlining or two-teeth abbreviation symbol in red.Script: Nastaʻlīq ; elegant hand in a medium line ; serifless with slight effect of words descending to baseline, elongation of horizontal strokes, pointing (two and three dots) mainly in distinct or conjoined dots.Layout: Written in 21 lines per page ; frame-ruled.Collation: ii, 14 IV(112), III (118), IV+1 (127), 12 IV(223), IV+2 (233), 26 IV(441), II (445), IV+1 (454), 3 IV(478), IV-1 (485), iii ; chiefly quaternions ; lacuna on p.458 marked with "ص" ; p.970 prior to opening of Bāb-i alif-i mamdūdah left blank ; lacks proper catchwords but last word of final line on the verso of each leaf is usually repeated at the beginning of the first line on the following recto ; pagination in pencil, Western numerals, supplied during digitization (includes inserts).Colophon: "Scribal," reads "الحمد لله والمنة که باتمام رسید منتخب کتاب بهار عجم تالیف استادی مخدومی تیک چند بهار بخط فقیر حقیر اضعف العباد متهراداس قوم کهتری فقط"Incipit: "مهار آفرینی که کلبرک ... دیباچه اصل بهار عجم سپاس و ستایش ایزد متعال را در خور که هريکى ار افراد انسان ..."Title from opening matter (p.11) and colophon (p.978).Ms. codex.Elegant copy of the dictionary of words and idioms used by the Persian poets compiled by Tīk Chand Bahār (d.1766) with added preface.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 363Origin: Lacks dated colophon ; decoration, hand, etc. suggest 16th century.Accompanying materials: Slip of wove paper with note in hand of G. Meredith-Owens "363 | Dīvān of Bāḳī | undated, probably 16th cent. | contemporary binding."Former shelfmark: "93 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; two-piece binding (seam of overlapping flanges visible at spine) ; doublures in dark red-brown leather with large mandorla, pendants and cornerpieces in gold and black painted leather filigree appliqué over blue paper (design continues on interior of envelope flap) ; flyleaves (made endpapers) in slate blue paper, gold-flecked ; upper and lower covers block-stamped, black- and and gold-painted (large panel stamp repeated twice with central seam visible) with design of mandorla, pendants, cornerpieces, upper and lower rectangular piece and wide border overlaid with vegetal composition filling panel ; design continues on envelope flap ; sewn in light blue (approaching silver) thread, two stations ; worked chevron endbands in pink and yellow, fairly good condition ; overall in good condition with some abrasion, etc. ; likely repairs (edging, fore edge flap, etc.) in dark red / maroon leather.Support: non-European (likely Persian) laid paper with roughly 9 laid lines per cm. (vertical, indistinct) and no chain lines plainly visible, cloudy formation, some bits of fibre and inclusions visible, thin and crisp though sturdy, well-burnished, dark cream to beige in color ; opening section heavily moisture damaged with stains, traces of mold, etc. ; elsewhere breakthrough at frames.Decoration: Splendid illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of rectangular piece (bordered in bands of gold flanking orange-red band with black crosses) with empty gold cartouche surrounded by swirling vegetal decoration in gold with floral accents in red, yellow, green, light blue, and white on grounds of dark blue (approaching lapis) and gold, surmounted by band of gold with floral motifs (flanked by narrow bands of turquoise and gold) and scalloped dome with similar swirling vegetal motifs with floral accents (in light blue, red, white, orange, green, lavender, etc.) on grounds of gold and dark blue, itself surmounted by vertical stalks (tīgh) and delicate floral vegetal decoration ; similar elegant headpiece at opening of ghazals on p.62 (rectangular piece with empty cartouche srmounted by wide scalloped dome almost filling the well, chiefly in gold and dark blue approaching lapis with swirling floral vegetal decoration in gold, white, red, lavender, light blue, green, etc.) ; written area throughout surrounded by frame consisting of gold band outlined in black with inner orange fillet and outer blue fillet, divisions within defined by narrow gold bands outlined in black ; from p.257, rubricated section headings provided.Script: Nastaʻlīq (talik) ; elegant Ottoman hand in a medium line ; characteristically serifless with gentle effect of words descending to baseline, elongation of horizontal strokes, pointing in distinct dots, point of final nūn set at mouth (occasionally just above) wide, deep bowl ; text from p.257 to close possibly in a different hand.Layout: Written in 12 lines per page with written area divided to two columns ; frame-ruled (impression of ruling board visible).Collation: i, IV+1 (9), III+1 (16), 15 IV(136), II-1 (139), i ; almost exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during cataloguing.Explicit: "صی دآن شاهد مطبوع شمایل باشی تمت م م م"Incipit: "خط مشك فامكله اى غنچه تر شكر در اولبلر ممسك مكرر ..." ; [ghazals] "ازلدن شاه عشقك بنده فرمانيوز جانا محبت ملكنك سلطان عاليشانيوز جانا ..."Title supplied by cataloguer.Ms. codex.Elegant copy of the collected poems of the celebrated Turkish poet, Baki Efendi (d.1600), opening with kaside in praise of Sultan Süleyman (opening on p.12 in Bâḳî dîvânı : tenkitli basım, Sabahattin Küçük, ed. Ankara: Türk Dil Kurumu, 1994) and closing with Persian verses (compare p.462 in Küçük edition). Contributions to the cataloguing from Elizabeth Kunze.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 865Origin: As appears in colophon on p.73, transcription [and composition ?] completed 17 Jumādá I 1219 [ca. 24 August 1804]. As appears in opening matter on p.25, date of composition appears to be represented by a chronogram, the value of which has been entered as ۱۲۱۹ below "جادۀ آخرت" (which would actually seem to have a value of 1214 or 1216). Paper, etc. do suggest 19th century for date of transcription.Accompanying materials: a. Slip of paper with note "Persian MSS (Heyworth-Dunne?) with Meredith-Owens notes" (pp.1-2) -- b. Slip of paper with note "counted for 1968/69 Annual Report' (pp.3-4) -- c. Slip of paper with notes describing contents in hand of G. Meredith-Owens "MO 13 Manāzil al-ḥajj | copied in 1219 (The date of composition)" (pp.5-6).Former shelfmark: Mich. Isl. Ms. temp. no. 14Binding: Boards covered in mauve paper (blotched design evoking marbling) with red-brown leather over spine and board corners (half binding) ; Western style binding ; pastedowns and flyleaves in untinted laid paper ; head edge of text block gilt ; spine gold-stamped with title "MS. | MANĀZILU L-HADJ̲DJ̲" ; sewn in white thread over four recessed cords ; stuck-on endbands in green, red and white stripes ; overall in good condition ; original cover material has been bound in (see pp.11-12, etc. and note on upper pastedown).Support: non-European (likely Persian or Indian) laid paper with 8 laid lines per cm. (vertical, somewhat indistinct, some curving) and chain lines faintly visible, cloudy formation, quite sturdy, dark cream in color, well-burnished ; some pest damage.Decoration: Keywords rubricated or overlined in red.Script: Nastaʻlīq ; large, elegant hand ; serifless with slight effect of words descending to baseline, some elongation of horizontal strokes, pointing in distinct dots.Layout: Written in 11 lines per page.Collation: ii, ii, 3 IV(24), III (30), 2 II(38), ii, ii ; chiefly quaternions ; middle of the quire marks in the form of black strokes, upper outer corner of right-hand leaf, lower outer corner of left-hand leaf ; catchwords present ; foliation in greyish black ink, Western numerals ; pagination in pencil, Western numerals, supplied during digitization (includes inserts, flyleaves and added leaves).Colophon: "تمت تمام شد کتاب منازل الحج و بتاریخ هفدهم جمادی الاول سنه ۱۲۱۹ هجری از تحریر فراغ یافت"Explicit: "این حروف باین جهت بشرح آنها نپرداخت"Incipit: "الحمد لله الذى جعل منازل الحج وسيله للشهود واكرم الحجاج من سائر قافله الوجود الذى انزل فى شان الكعبه ... اما بعد بر ارباب الباب مخفى و محتجب ...که سیاح بلاد باصلاح و سداد خیر ... عبارت ازام القری مکه و حجاز و بطحی باشد "Title from opening matter (p.25).Ms. codex.Fine copy of the author's account of his pilgrimage from Baghdad to Mecca and Medina as well as holy sites in Iraq (see in al-Dharīʻah, no.6893 v.22 p.245).
Translation by Abū al-Fayz̤ ibn Mubārak Fayz̤ī (d. 1595) of Bhāskarācārya's Sanskrit work on geometry and arithmetic. The text is dedicated to a Muḥammad Shāh ruling in Lāhore, i.e. Bahādur Shāh I, 1643-1712 of the Mughal Empire.
Commentary on the Zīj-i jadīd-i Sulṭānī, which comprised tables of calendar calculations, trigonometry, planets, and stars compiled from observations made at the observatory in Samarqand, completed in 1447. Includes some tables, marginal commentary attributed to Mullah Muẓaffar (f. 239v), 7 generally contemporary diagrams tipped in, and 1 diagram and 1 small note laid in.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 883Origin: As appears in colophon on p.433, transcription completed in Tabrīz, 23 Dhū al-Ḥijjah 1242 [ca. 18 July 1827].Accompanying materials: a. Slip with note "Persian MSS (Heyworth-Dunne?) No Husselman or Meredith-Owen notes" (paginated pp.1-2) -- b. Recyled card with note in hand of Emilie Savage-Smith [?] "19th c. Persian" (paginated pp.3-4) -- c. Slip with note "Counted for 1968/69 Annual Report" (paginated pp.5-6) -- d. Slip with title and date "ʻeyn-ol-bokā | Copied in Tabriz 1242 AH" (paginated pp.7-8) -- e. Page torn from 1913 catalog of Luzac & Co., 46, Great Russell Street, London, with description and price listed for this manuscript and others "II.-PERSIAN AND HINDUSTANI MSS. ...166 Ainul-buka. By Muhammad Taki bin Ahmad of Borujand. A work on the Tragedy of Imam Husain, composed A.H. 1199. Persian MS. on glazed paper in fair Nastaʻliq hand ; 2 inks. Small folio. Leather bound. 203 folios. Copied in Tabriz, A.H. 1242. £ 1 1S." (paginated pp.9-10).Former shelfmark: Mich. Isl. Ms. temp. no. 32Binding: Pasteboards covered in black leather with red leather over spine, head edge and fore edge of upper board and corners of lower board (likely repairs) ; Type III binding (without flap) ; board linings in untinted wove paper ; sewn in white thread, two stations ; worked chevron endbands in red and cream, good condition ; overall in somewhat poor condition with much abrasion, staining, etc.Support: European machine laid paper with chain lines spaced 25-26 mm. apart (vertical), 'laid' lines in a faint mesh or cross-hatch, and watermarks of scrollwork having eagle above tower within, "T G" below and crown above, as well as "GAGGIERO" (see p.12, 14, 16, 20, etc. and compare no.3740 in Heawood), sturdy and well-sized and burnished, cream in color ; fills and other repairs in wove paper.Decoration: Keywords and section headings rubricated ; overlining in red ; textual dividers in the form of four dots or inverted commas.Script: Nastaʻlīq ; elegant hand ; serifless with effect of words descending to baseline, elongation and exaggerated thickness of horizontal strokes, free assimilation of letters, many large, sweeping descenders ; some descenders reversed / recurved.Layout: Written in 21 lines per page ; frame-ruled.Collation: 26 IV(208), II+1 (213) ; almost exclusively quaternions ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes inserts and skips two pages between p.77-78).Colophon: "Scribal," rectangular, reads "تمام شد این کتاب عین البکا در روز سه شنبه در بیست و سوم شهر ذی حجة الحرام در دار السلطنة تبریز در سنه هزار دویست چهل دو از هجرت ... نبوى ..."Explicit: "ویا حبیب قلوب العابدین تمام شد این کتاب عين البکا"Incipit: "الحمد لله الذی خلقنا بلطفه من الماء والطین وجعلنا بکرامت من الامة سید المرسلین ... اما بعد اصل هر کلام ... و این نسخه را موسوم بعین البكکاء کرد اینده ..."Title from opening matter on p.13.Ms. codex.Fine copy of what is apparently the abridgment (mukhtaṣar) of the author's work on the martyrdom of Imām Ḥusayn.
Abstract: "Collection of the author's ghazalsAbstract: arranged alphabetically; incomplete at beginning."Binding note: Limp red leather with black leather doublures.Ms. codex.Title from leaf 2a.Manuscript erroneously foliated beginning on the first flyleaf; record follows erroneous foliation. There are seven front flyleaves, of which only the first four are numbered; the first leaf of the text is numbered 5.Physical description: 19 lines per page, in two columns; written in small nastaʻliq in black on glazed, laid Arabic paper. Catchwords. Marginal damp staining and a few repairs.Origin: Likely 18th century; collated by Muḥammad Ḥusayn Shuʻāʻ al-Mulk al-Shīrāzī on 8 Shawwāl 1354 H 3 January 1936 (leaf 2a).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 448Origin: Lacks dated colophon ; decoration, hand, paper, etc. would suggest 16th century.Accompanying materials: Slip of wove paper with notes in pencil "448 (Kasidat) al-Burdah Poem by al-Busiri 16th cent."Former shelfmark: "239 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on recto of front flyleaf ; "122" inscribed in pencil on 'title page.'Binding: Pasteboards covered in dark red leather ; Type II binding (with flap) ; board linings and narrow hinges in pale orange laid paper ; upper and lower covers carry central rectangular panel filled with gold-tooled and painted semé pattern as well as further accents in gold-tooled rosettes and border consisting of a series of s-shaped stamps with flanking gold-painted fillets ; now sewn in pink thread, two stations ; worked chevron endbands in pink and yellow, fairly good condition ; overall in good condition minor abrasion, etc.Support: non-European (likely Persianate) laid paper with 6-7 laid lines per cm. (vertical, somewhat distinct) and occasional single chain line visible, thick and sturdy, well-burnished, dark cream in color ; flyleaves and added leaves in European laid paper with 9 laid lines per cm. (vertical), chain lines spaced 26-27 mm. apart (horizontal), and watermark of bird with "G B" below ; much staining and tidelines.Decoration: Exquisite (though damaged) frontispiece consisting of a double-page illumination carries the opening verses and elucidation in Persian set-off by cloud-bands, with adjacent scalloped triangular piece (or hasp), elaborate borders (outermost accented with perpendicular stalks [tīgh]), and upper and lower panels all carrying swirling vegetal design in shades of red, blue, lavender, green, white, and gold on fields of black, gold, and lapis lazuli ; written area throughout surrounded by frame in gold and green bands with outermost blue rule ; text of the Burdah mainly chrysographed, with some lines in blue ; textual dividers in the form of illuminated rosettes set off each hemistich ; illuminated floral decoration flanks elucidation in Persian.Script: Naskh and nastaʻlīq (talik) ; elegant Persianate and Turkish hands ; text of Burdah in a fine Persianate naskh, serifless, with curvilinear descenders and pointing in distinct dots, vocalized ; text of Persian elucidation in a fine nastaʻlīq with characteristic descent of words to baseline and elongation of horizontal strokes ; marginal Turkish elucidation in an elegant nastaʻlīq (talik).Layout: Written in 12 lines per page with 6 additional lines of the Turkish elucidation on the diagonal in the outer margin ; three verses of the poem in 6 lines (filling the column width) with each saṭr and ʻajuz to a line) and elucidation in 6 lines (four on the diagonal, two horizontal but centered).Collation: ii, IV-1+1 (8), 2 IV(24), II+2 (30), ii ; almost exclusively quaternions ; catchwords present.Explicit: " ... واطرب العيس حادي العين بالنغم ... تا برانند اشترانرا بنده گان پر نغم ... اشترمتسه طرب ويردكجه تأثير نغم تم الترجمة بالخير م م"Incipit: "امن تذكر جيران بذي سلم مزجت دمعا جرى من مقلة بدم ای زیاد صحبت یارانت اندر ذی سلم اشک چشم امیختی با خون روان گرده بهم ..."Title supplied by cataloguer.Ms. codex.Fine copy of al-Būṣīrī's poem in praise of the Prophet accompanied by elucidation in Persian and Turkish.
Illustrated herbal with detailed descriptions of the physical appearance and the medicinal effect of many plants, as well as some trees, minerals, and substances derived from animals. The manuscript is not complete: it comprises text and illustrations from parts of Chapter 1, substantial parts of Chapters 2-4, and parts of Chapter 5. Many leaves have extensive repairs at the edges or corners. The manuscript seems never to have been bound.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1021Origin: As appears in colophon on p.146, opening work copied by Muḥammad ...[?] Munshī ( محمد ... منشي [?] ) with transcription completed 20 Ramaḍān 1203 [?] [ca. 14 June 1789 ?]. As appears in colophon on p.217, transcription of second work completed 1 Muḥarram 1203 [?] [ca. 2 October 1788]. Use of same or very similar paper in each work suggests such nearly contemporary dates of transcription.Accompanying materials: a. Used call slip with notes in handwriting of Jameson on reverse "'Coal-cellar' MS | Sulaiman purchase | 10-20-70" (paginated pp.1-2) -- b. Slip with notes in handwriting of Eilts [?] and Jameson "1253 AH 1837 or 8 =colophon | Persian | title – ? | author – ? | Brought to RBR on 10-27-70 by Mr. Eilts. | Purchased by Mr. Sulaiman from Librarie Tunisienne in 1967. Letter & invoice in MSS file. [actually, this manuscript does not appear in the inventory listing in the administrative files and was not purchased from Librarie Tunisienne but from Haziq-n-Mohi Rare Book Sellers of Hyderabad ; likely mistakenly assigned to "Sulaiman Purchase" manuscripts]| See inscription in book" (paginated pp.3-4).Former shelfmark: Mich. Isl. Ms. temp. no. 170Binding: Pasteboards covered in dark red-brown leather ; Type III binding (without flap) ; pastedowns and flyleaves in laid paper ; upper and lower covers carry stamped (with yellow-tinted paper onlays) mandorla, pendants, cornerpieces and borders defined by 'gold'-painted fillets ; epigraphic stamps used for cornerpieces ; sewn in heavy white thread, two stations ; worked chevron endbands in red and now dull cream, fairly good condition, primaries stitched through spine lining ; overall in poor condition with much abrasion and staining, lifting and losses of onlays, cover detaching at upper hinge and spine lining (except where primaries stitched), minor delamination of boards, etc.Support: non-European (likely Indian) laid paper of at least two types ; mainly a type (appearing in opening work and bulk of second work) with roughly 8 laid lines per cm. (vertical, somewhat indistinct, some curving) and chain lines only faintly visible (see p.148), cloudy formation, many fibers and inclusions visible, thin and transluscent though sturdy, lightly burnished, dark cream in color ; final type (appearing at close of second work) with 7 laid lines per cm. (horizontal, fairly distinct, some curving) and no chain lines visible, slightly thicker and sturdier than main type.Decoration: Keywords and headings rubricated ; overlining in red ; textual dividers in the form of three inverted commas.Script: Shikastah-nastaʻlīq ( شكسته نستعليق ) ; two bold Indian hands ; opening work supplied in fluid though somewhat angular hand in a medium line, freely ligatured and casually pointed with gentle effect of words descending to baseline, elongation of horizontal strokes, etc. ; second work supplied in a graceful hand in a medium line, freely ligatured with effect of words descending to baseline, quite rounded with smooth curvilinear descenders (some dramatically sweeping), pointing (though somewhat casual) mainly in distinct dots.Layout: Written in 15 and 16 lines per page.Collation: 13 IV(104), II (108) ; exclusively quaternions ; middle of the quire marks in the form of oblique strokes in black in the upper-outer corner of the right-hand leaf and lower-outer corner of the left-hand leaf ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes inserts).Colophon: [Mukātabāt] "كتبه محمد ... منشي ... تحرير بستم شهر رمضان المبارك سنه ١٢٠٠٣ [؟] هجرى"; [Ruqʻāt-i ʻInāyat Allāh Kanbūh] "... ... رقم الحروف ... تاريخ غره ماه محرم سنه ١٢٠٣ [؟] هجرى"Incipit: [Mukātabāt] " بر راز شناسان سخن نهفته نماند مکاتباتی که از زبان خدیو پاک روان سیفخان به بعضی خوانین..." ; [Ruqʻāt-i ʻInāyat Allāh Kanbūh] "این مکتوبات چند از شیخ عنایت الله کنبوه که منشی عهد بود نوشته شد جزو اغارید است ..."Title supplied by cataloguer.Ms. composite codex.5. p.219-p.220 : [assorted excerpts including "recipe containing sesame, ginger and sugar, etc. to help gain weight and have a bright complexion," a charm, etc. from description of Connie Bobroff].4. p.218 : [blank].3. p.149-p.217 : Ruqʻāt-i ʻInāyat Allāh Kanbūh / ʻInāyat Allāh Kanbūh.2. p.147-p.148 : [blank].1. p.6-p.146 : [Mukātabāt] / Navāb Sayf Khān.Composite manuscript carrying two works comprising collections of correspondence, the first of Faqīr Allāh Navvāb [Navāb] Sayf Khān (d.1683) with his pupil the prince Dārā Shikūh (Dārā Shukūh, d.1659) son of Shāh Jahān (r.1628-57), and the second of ʻInāyat Allāh Kanbūh (d.1671). Contributions to the cataloguing from Connie Bobroff (including identification and transcription) and Abdullah Ghouchani. See another ms. copy of the first work in Maulana Azad Library, Aligarh Muslim University, no. 1335.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 866Origin: As appears in colophon on fol.38a, first work copied by Bābā [?] Valad Āghā Shihāb. Copying finished Jumādá I 1222 [July-August 1807]. Anthology lacks a formal colophon, though a few dates appear (1206 [1791 or 2], 1211 [1796 or 7] p.241), likely also early 19th century.Accompanying materials: a. Slip in hand of Meredith-Owens marked "MO 11" describing contents and suggested dating reads "MO 11 Niṣāb al-ṣibyān of Abū Naṣr Farāhī. A rhymed Arabic-Persian vocabulary. Followed by a verse anthology and the Dīvān of Mīrzā Muḥammad Ismāʻīl of Shīrāz. Undated but probably XIXth century" b. Slip reading "Persian MSS (Heyworth-Dunne?) with Meredith-Owens notes" c. Slip reading "counted for 1968/69 Annual Report"Former shelfmark: Mich. Isl. Ms. temp. no. 15Binding: Pasteboards (quite spongy) covered in brown (with orange tones) leather ; Type III binding (without flap) ; board linings in black leather ; white and pink threads ; two sewing stations ; endbands in yellow with a chevron pattern ; in poor condition, with much wear, repair on spine ; lower cover has fully detached at spine ; extensive page repairs at beginning of ms. unfortunately obscure text in many places and make transcription of incipit difficult ; quite soiled with dirt, wax, food, and other stains ; housed in box for protection.Support: European laid paper of several types with watermarks including scrollwork with initials below (p.22, etc.), three hats (top hats) with feathers (p.50, 52, etc.), three hats (tre cappelli, p.198, 284, etc.), and lion passant guardant (p.436, 438, etc.) ; front and back flyleaves (each an inserted single bifolium) in still other European laid paper with no watermarks visible.Decoration: Textual dividers in the form of red circles (similar to numeral ٥) appear in first work at the end of each line ; first work rubricated with section headings, textual dividers, etc. in red ; anthology partially rubricated with titles, section headings, dedications, etc. in red.Script: Supplied in two main hands ; first work in Naskh ; large, neatly executed, Persianate or Indian hand ; virtually serifless though occasional left-sloping barbed head-serif on alif of lām alif ligature and occasional final lām ; occasional right-sloping barbed head-serif on bar of kāf mashkūlah ; many closed counters ; line thickness changes though hand appears not to (though opening and a few leaves at the center have slightly different character) ; essentially fully pointed, often with two dots often positioned one above the other rather than beside ; many mistakes in the pointing ; partially vocalized ; often final letters or entire final word of each line is superscript ; anthology is supplied in several hands of a kind of shikāstah nastaʻlīq script ; serifless ; interesting hāʼ mudghamah looking like two inverted commas one atop the other ; sweeping descenders ; free use of ligatures ; words sloping to baseline ; final letters or final word of each line often superscript ; line thickness, size, and hand all change frequently.Layout: First work written in 9 lines per page ; anthology ruled in two columns with number of lines per page varying widely from 4 to 12 ; frame-ruled (impression of ruling board quite evident).Collation: ii, V(10), V+2(22), V(32), III(38), IV+1(47), 2 IV(63), 2 I(67), 2 IV(91), IV+2 (101), IV-1(108), IV(116), I(118), I+1(121), IV(129), IV-1(136), 3 IV(160), I(162), IV+1(171), IV(179), I(181), IV(189), VI(201), IV(209), 5 (214), III+2(222), II(226), ii ; catchwords present in first work, but appear irregularly in anthology ; several folia in anthology are left blank or partially blank, indicating division of contents and not missing text ; pagination in pencil, Western numerals (supplied during cataloguing).Colophon: [Niṣāb al-ṣibyān] "Scribal," triangular, reads: "تمام كتاب نصاب بتاريخ شهر جمادى اول بخط حقير فقير اغا بابا [؟] ولد اغا شهاب سنة ١٢٢٢"Explicit: [Niṣāb al-ṣibyān] "ناس و انس و اناس ادمیان پدر مادر ادم و حوا"Incipit: [Niṣāb al-ṣibyān] "الحمد لله رب العالمين [والصلاة] والسلام على خير خلقه محمد ... اما بعد حنين گويد ... ابو نصر فراهي حسد حافده وحفد حاسده ما حركت الشمال لنخل الدقيق ... صبيانرا پيش از تعلم لغت عرب رغبت مى افتد باشعار فارسي ..."Title supplied by cataloguer.Ms. composite codex.3. fol.40b-226b : [Collected works of poetry].2. fol.39a-40a : [blank].1. fol.1a-38b : Niṣāb al-ṣibyān / Abū Naṣr Farāhī.Abū Naṣr al-Farāhī's versified Arabic-Persian vocabulary followed by a collection (majmūʻah) of poetry in Persian, beginning with rubāʻīyāt and including works attributed to Mīrzā Muḥammad Ismāʻīl and Rashīd al-Dīn Vaṭvāṭ, somewhat haphazardly copied toward the end.
A versified Arabic-Persian glossary facilitating the study of Arabic language and prosody. Words are explained in the form of qiṭʻahs composed in various meters. This copy is missing a page between leaves 2 and 3
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 351Origin: As appears in colophon on p.358, transcription completed 17 Ramaḍān 1238 [ca. 28 May 1822].Accompanying materials: Slip with excerpts (in Persian, black ink) paginated (pp.149-150).Former shelfmark: "431 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on front flyleaf (p.1).Binding: Heavy pasteboards covered in painted lacquerwork, spine in dark brown leather ; Type III binding (without flap) ; doublures in fine painted lacquerwork of swirling floral vegetal composition radiating from a central many-petalled flower in gold on a black ground and surrounded by vegetal border (composition of upper doublure mirrors that of lower doublure) ; upper and lower covers bear paintings of nearly identical floral composition in mirror image to one another on a dark red background, namely a stand of peonies, poppies, roses, etc. surrounded by other floral forms all in shades of pink, light blue and white with stalks and leaves in various shades of green, and surrounded by decorative band of vegetal motifs on a black ground framed in gold-painted borders ; sewn in pink and dark yellow thread, two stations, failing with some gatherings loose ; worked endbands damaged and nearly gone (head and tail) ; overall in fair condition with some abrasion and losses to lacquerwork and pasteboard, etc.Support: non-European (likely Persian or Indian) laid paper with 11 laid lines per cm. (vertical and horizontal, some curving, fairly distinct) and no chain lines visible, thin, crisp and transluscent though sturdy, well-sized and burnished to glossy, gray to off-white in tone ; minor pest damage.Decoration: Exquisite illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.4 consisting of a narrow rectangular piece carrying the basmalah set off by gold cloud-bands and flanked by elaborate floral vegetal compositions on fields of gold and blue with red accents (evoking a series of domes), surmounted by another narrow rectangular piece with empty gold cartouche flanked by elaborate floral vegetal composition on fields of gold and blue with red accents (evoking a perimeter of domes), itself surmounted by a large scalloped dome in gold (with blue mandorla at the center) set against a w-shaped piece in blue (approaching lapis lazuli) all filled with swirling vegetal composition with floral motifs in sades of orange, pink, lavender, blue, yellow, etc. and set in an elaborate well of cartouches in blue, gold, and red filled with floral compositions and bordered in bands of red and white, entire piece set in a well of heavy interlace in gold and black, defined by white bands ; on incipit and facing page (pp.4-5), splendid illuminated marginal decoration consisting of a swirling vegetal composition with sāz leaves and floral forms in gold, orange, pink, blue, etc. ; written area of incipit and facing page bordered in bands of blue and gold with text set off by gold cloud-bands ; elsewhere written area surrounded by gold frame with defining black fillets and outermost blue rule, divisions within and margin defined by gold rules.Script: Nastaʻlīq ; elegant hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 19 lines per page, written area occasionally divided to set off poetry ; frame-ruled.Collation: 22 IV(176), II (180) ; almost exclusively quaternions ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (includes insert).Colophon: "Scribal," reads "... با قليمى رسا بند و ازان تاريخ با سجال نه خود مراجعت كردند و نه مكتوبى از ايشان رسيد دوخ روز از دام مكر و جمله و تزوير ايشان نسخات باقيه بعيش و نشاط مشغول كرديد بتوفيق الله تعالى در صبح يوم الاربعاء سابع عشر شهر رمضان المبارك باتمام رسيد وكان تحرير ذلك في سنه ۱۲۳۸"Incipit: "چهره پرداز عرایس حریم عجز و نیاز و مصور نگارخانۀ فرنگ آب و رنگ مضمون اين نسخۀ مسرت طراز ..."Title from inscription on front flyleaf (p.1) and from opening matter on p.5.Ms. codex.Exquisite copy of excerpts from the collection of stories by Mīrzā Barkhvurdār ibn Maḥmūd Turkmān [Turkamān], Mumtāz Farāhī.
Copy completed in the hand of Muḥammad Hāshim al-Ṭāyir in 1094 [1683].Iran Jewett manuscript no. 2.MS Persian 102. Houghton Library, Harvard University.In Persian.Electronic reproduction. Cambridge, Mass. : Harvard College Library Digital Imaging Group, 2010. (Open Collections Program at Harvard University. Islamic Heritage Project).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 344Origin: As appears in colophon on p.172, copied by Ḥusayn ibn Shams al-Ḥusaynī al-Jurjānī with transcription completed in haste ("ʻalá sabīl al-istiʻjāl...") Rabīʻ II 868 [November-December 1463].Former shelfmark: "447 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on 'title page' (p.1).Binding: Pasteboards covered in dark red-brown leather ; Type II binding (with flap) ; doublures in brown leather with gold-painted central ornament (four-petalled flower), rule-border and accents, as well as border in blind rules ; upper and lower covers carry central blind-tooled scalloped mandorla having fleurons in the manner of a three-sepaled calyx at the upper and lower extremities and filled with interlace pattern (compare Weisweiler W 89-95) all defined in a simple gold-painted rule, as well as tooled border in a series of rules and s-shaped stamps ; sewn in light blue thread, two stations ; overall in fair condition with some abrasion and staining, lifting of leather, etc.Support: non-European (likely Persian) laid paper with 9 laid lines per cm. (horizontal, faint, somewhat indistinct) and grouped chain lines faintly visible (likely in pairs), sturdy and well-burnished, dark cream in color.Decoration: Headings chrysographed.Script: Nastaʻlīq ; exquisite hand ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes.Layout: Written in 11-12 lines per page, mainly divided to two columns ; frame-ruled.Collation: III (6), III+1 (13), III (19), II (23), IV (31), I (33), III (39), 3 IV(63), III (69), VIII+1 (86), I (88) ; miscellany of ternions, quaternions, etc. ; catchwords occasionally present ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," triangular, in Arabic, reads "وقد وقع الفراغ من هذه الديوان على سبيل الاستعجال بيد اضعف عباد الله الغنى حسين بن شمس الحسينى الجرجانى تجاوز الله عن سيائه وذلك فى شهر ربيع الثانى لسنه ثمان وستين وثمانمائة هجرية"Explicit: "چون تو بر اسرار دیماهی [؟] علیم ختم شد استغفر الله العظیم"Incipit: [Dīvān-i Fattāḥī] "شراب عشق صافی گشت در خمخانه دلها الا یا ایها الساقی ادر کاسا و ناولها ..." ; [Muntakhab-i Shabistān-i khayāl] "بعد از لوازم توبه واستغفار ..."Title from inscription on 'title page' (p.1).Ms. codex.6. p.156-p.176 : [further verses opening "بنام آهنگ از خمهای افلاک شراب فیض فطرت ریخت بر خاک " and likely comprising Dīvān-i Khumārī mentioned on the title page].5. p.153-p.155 : [blank].4. p.65-p.152 : [further poems, likely comprising the Dīvān-i asrār mentioned on the title page].3. p.58-p.65 : [Muntakhab-i Shabistān-i khayāl] / Ḥakīm al-Dīn al-Asrārī.2. p.54-p.57 : [blank].1. p.2-p.53 : [Dīvān-i Fattāḥī] / Muḥammad Yaḥyá ibn Sībak.Elegant copy of the Dīvān of Muḥammad Yaḥyá ibn Sībak (d. 1448 or 9), known mainly as Fattāḥī, as well as Tuffāḥī, Asrārī or Khumārī, accompanied by other excerpts.
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 280Origin: As appears in colophon on p.1236, copied by ʻAbd al-Qādir Sāvajī al-Qazvīnī with transcription completed 7 Jumādá II in an unspecified year. F. Abdullaeva, Oleg Akimushkin, and Philippa Vaughan refer the manuscript's production to the latter 16th or early 17th century. "As for the place of origin, the scribe was evidently of Iranian background and training, even if living in India, while the paintings are clearly to be distinguished as Indian. It seems that the calligrapher and painter (there were at least two of them) did not work in the same period" - from description of F. Abdullaeva.Former shelfmark: "153 T. De M. [i.e. Tammaro De Marinis]" in pencil on verso of front flyleaf.Binding: Pasteboards covered in dark brown leather ; Type II binding (with flap, though now lost), likely two-piece binding (seam of overlapping flanges visible at spine) ; pastedowns and flyleaves in dark blue textured, coated paper (embossed with scrolling vegetal design) ; upper and lower covers carry stamped (orange-red recessed onlays) and gold-painted central lozenge (filled with vegetal composition, compare Déroche class. OSd), pendants and cornerpieces with gold-painted accents and borders with outermost guilloché roll ; edges of text block gold-painted with floral designs ; sewn in red thread, two stations ; worked chevron endbands in yellow and red ; overall in fair condition with loss of flap and minor abrasion, lifting and losses of leather, delamination of boards, staining, etc. ; housed in box for protection.Support: non-European (likely Indian) laid paper with roughly 9 laid lines per cm. (both horizontal and vertical orientation found in different leaves), somewhat indistinct, some curving, no regular chain lines plainly visible, medium cream in color, thin and crisp though sturdy, lightly burnished ; minor breakthrough at frames in a few leaves.Decoration: "The manuscript has three ʻunwāns (double page illumination at the beginning of the most important chapters) and one sarlawḥ (initial illumination in the beginning of the book), and 14 miniatures in local Indian style. The text is therefore not very heavily illustrated, an average of one picture every 40 folios or so, though the distribution of paintings is rather irregular, the gaps ranging from 6 folios to 135, and as is common, with no illustrations in the 'historical' section of the poem, after the establishment of the Sāsānian dynasty under Ardashīr. Ten of the 14 paintings illustrate episodes occurring in the lifetime of the main hero, Rustam, and include several of the most frequently illustrated scences" - from description of F. Abdullaeva (see p.30 in "An unknown Shāhnāma from Ann Arbor") ; as reported by F. Abdullaeva, Philippa Vaughan proposes for the paintings the "sub-Imperial" Mughal style of the first quarter of the 17th century with influence of the palette of the Kashmīrī school, particularly the use of bright pink, orange and light green in combination ; headings rubricated ; written area and devisions within outlined by a gold frame defined by black fillets.Script: Nastʻalīq ; compact, elegant Persianate hand in a medium line ; serifless, with effect of words descending to baseline, elongation and contrasting thickness of horizontal strokes, pointing mainly in distinct dots.Layout: "Organized in 4 columns with 25 lines on each page" - from description of F. Abdullaeva.Collation: ii, IV+1 (9), 6 V(69), III (75), V+1 (86), 4 V(126), II (130), 2 V(150), IV (158), 3 V(188), V-1 (197), 6 V(257), V-1 (266), 2 V(286), V-1 (295), 4 V(335), III+3 (344), 6 V(404), II (408), 3 V(438), V-1 (447), 7 V(517), IV (525), 9 V(615), I (617), ii ; chiefly quinions ; middle of the quire marks in the form of middle of the quire marks in the form of oblique strokes in black ink, upper outer corner of the right-hand leaf, lower-outer corner of the left-hand leaf ; catchwords present (though occasionally lost to trimming) ; pagination in pencil, Western numerals, supplied during digitization.Colophon: "Scribal," rectangular, reads "تمت تمام شد کتاب شاه نامه بتاریخ هفتم ماه جماد الآخر کاتبه فقیر الحقیر عبد القادر ساوجی القزوینی سنة تحریر یافت [؟]"Explicit: "هر آنکس که دارد هش و رای [و] دین پس از مرگ بر من کند به آفرین"Incipit: "بنام خدواند جان و خرد کزین برتر اندیشه می نگذرد [بر گذرد]..."Title from colophon on p.1236.Ms. codex.Splendid copy of the renowned epic by Firdawsī (d.1020), illustrated with 14 miniatures. Detailed description of the manuscript and miniatures by Firuza I. Abdullaeva ("An unknown Shāhnāma from Ann Arbor," published in Manuscripta Orientalia, vol.11, no.1, March 2005, pp.28-60).
Clearly written copy with one preface and 45 thickly painted miniatures; the colophon is missing from the end. An introductory illustration shows Firdawsī meeting Sulṭān Maḥmūd Ghaznavī (f. 1r). Labels in the illustrations identifying some of the characters were added by a later hand. One page is in its unfinished state with a blank left for the illustration (f. 477v) and all pages subsequent to that are missing rubrications and some rules.
Complete, illustrated copy of the Shāhnāmah with 4 miniatures; textblock is written on darker paper that has been reset into lighter frames; catchwords have been trimmed around, but not pasted down; some section headings are missing.
A richly illuminated and almost complete copy of the Shahnamah with less than a page missing of its prose introduction, probably copied in the 16th/17th Century C.E. The drop-shaped Golkonda seal on the first page appears to be that of Muhammad Quli Qutb Shah, Sultan of Golkunda, 1565-1612 Muhammad Quli Qutb Shah, Sultan of Golkunda, 1565-1612 with the date 1012 [1603/4 C.E.] and a later inscription dated 1091 [1610/11 C.E.]. There is no indication of when the manuscript was completed and no mention of its place of production. The ex libris on the first page is signed by Chas Wilkins, librarian of the East India Company with the date 15th August 1806, which indicates the manuscript's provenance. The double page frontispiece depicting Sulayman enthroned and Bilqis enthroned is followed by a luxuriously executed double page illumination in gold and polychrome [2v, 3r], which ornates the beginning of the introduction and also includes an ex libris of a royal library. The following eleven miniatures found in the text suggest an unusual choice of scenes and depict in order of their appearance: Kayumars enthroned, Guruy executing Siyavusha, Kay Khusrau appointing Tus to lead an expedition to Turan, Kamus fighting Giv and Tus, a full scale battle between the armies of Iran and Turan, Rustam rescuing Bizhan from the pit, Luhrasp enthroned, Isfandiyar's second labour: fighting the lions, Rustam killing Shaghad before dying and Bahram Gur killing a dragon in India. The manuscript is bound in multi-coloured leather with gilded medallions and ornations on the front and back cover and on the flap. This item was included in the Library’s 600th anniversary exhibition Lines of Thought: Discoveries that changed the world .Layout: The text of the poem is written in 4 columns, 25 linesBinding: A multicoloured leather binding with gilded medallions and ornations. The spine was a later addition during a restoration in the 19th Century. The binding was restored in 1999-2002, when the codex underwent a throrough restoration and conservation in Cambridge University Library's Conservation Department by Kristine Rose and Deborah Farndell.