Possibly inscribed on inner surface. (Imprecation tablet?)in box with 29-108-605 and -606Rolled up sheet of lead; possibly inscribed on inner surface. (Imprecation tablet?)
Arabic Koran. Size 12.5 x 8.5 in and 9.5 x 6 in. Folios 294. Written in late mediocre Naskhi. 14 lines to a page. Well decorated. 6 immams. Gold and colors ruled margins. Gold titles. Cream colored paper. Handsome lacquer binding ornamented with flowers. Contents: complete text of koran.Notes : f49a: there is mentioned in margin 1170 A.D. = 1756 A.D.f293b: a Muslim prayer in Persian, of the Shia (Shiites) sect. Consequently this copy of the Koran was written by a Persian calligrapher, in Persia, and before 1756 A.D.
No miniatures. 2 headings. Green binding. Panj Ganj by Jami. Written in Nastaliq. 19 lines to a page in four columns. Six unwans. Gold ruled margins, red titles. Cream colored paper. Leather binding-outside is green, inside red embossed with gold. Contents: Panj Ganj or"Five Treasures"-five poems of the great Persian poet Nir ad-Din Abdarraham Jami (1414-1492 A.D.) Stamps with names at the end of the book. page 2b-3a prose preface. page 3b-27b Tuhfat al Ahrar or A Gift to the Free, a religious poem. page 53-13J Subhat al-Abrar or the the Rosary of the Righteous, a religious poem. page 139-269 Yusuf wa Zulaikha, a poetical story of Joseph. page 251-355 Laila wa Majnun, love story. page 179b-211b Khizad Namahi Iskandarhi or The book of Wisdom of Alexander (the Great) a mystic poem.
Two Illuminated leaves of the Koran. On each of these folios is the first surah of the Qur'an , the recitation of which forms a prominent part of daily worship. While these folios appear to be frontispieces, their backs are untouched, making it unlikely they were ever included in a codex.Illumination
Several handwritten manuscript pages, 658-661, containing the poetry of Saadi from his book, "Ghazaliat". Pages one through four are numbered as 2006-24-2.1a/1b and 2006-24-2.2a/2b. Pages five through eight are also handwritten manuscript pages, numbered 702-705, containing Saadi's poetry from his book "Rubiyat". They are numbered as 2006-24-2.3a/3b and 2006-24-2.4a/4b. Saadi is a well known Persian poet from Shiraz who composed his work sometime around 656 A.M., lunar calendar. The manuscript is undated.
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Persian. Front piece and three double pages illumination. Lacquer (bl)covered with inlaid medallion. The writing of Sultan Mahmut.No. 7 Persian. Khamsah by Amir Khosraw. Size 12.25 x 7.5 and 8 x 4.5 in. Folios 182. Written in small Nastaliq. 20 lines to a page, in four columns. 8 immams. Gold ruled margins. Cream color paper. Old lacquer binding, outside decorated with medalions. Date and name of the calligrapher folio 181 a - finished by sultan Mohammad Tabiandi in Rajab (month) 1041 A.H. (February 1632)Khamasah or "The Five (poems)" by Amir Khorsrow Dihlawi (from Dehli). the greatest persian poet of India (1253-1325). It was written in imitation of the Khamash of the famous Persian poet Nizami (1140-1202). There are in this MS. 4 poems only; the fifth (Shirin wa Khosraw) is missing.Arrangement as follows:pp. 2b - 46b, Matla al-Anwar. The rising of the lights, a moral person. pp. 47b - 8a, Majuim wa Laila, love story of Majuim and his beloved Laila, of 2 Bedouin tribes.pp. 80b - 123a. Haaht Bihisht, the Eight Paradies, a poem of the loves of the King Behram.pp. 123b - 181a., Ainahi Sikandari, the mirro of Alexander a poetical legendary history of Alexander the Great.
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].
Khamsah (or Quintet), poems written by Jamal al-din Abu Muhammad Ilyas ibn Yusuf ibn Zaki Mu'ayyad, usually know by the pen name, Nizami. The greatest Persian poet, he spent most of his life (b. 575-613H [1141-1146 CE]; d. 575-623H [1180-217CE]) in Ganja, (former Elizabehtpol), present-day Azerbayjan. This copy, without its original cover, comprises 359 folios, with two-double paged illumination interleaved with a double-page frontispiece paingtin showing throne scene, and with a double-page finispiece painting showing a banquet. Every one of the five poems begins with an elaborate title heading, and ends with a carpet page and a place for a colophon. The manuscript is written in nasta'liq script and has twenty-seven paintings. Copied in Shira, Iran, by Qasim Katib (uncertain) in teh months of Muharram to Jumada II, 992 H [1584 CE].