613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
613 folios, 44 miniatures, of which 15 are copies of Baysunghur Shahnama (Gulistan, ms. 716). Originally thought to be Timurid revival in the Safavid period, but the chemical analysis showed 19th c.Culture: Islamic, PersianMaterials/Techniques: opaque watercolor, ink, gold, paperNote: General note: Part of the Spencer Collection
The figure is surrounded by text blocks containing 20 lines of Persian poetry from various sources, all referencing the story of Layla and Majnun.Culture: Persian, IslamicMaterials/Techniques: gold, ink, opaque watercolor, paper
The figure is surrounded by text blocks containing 20 lines of Persian poetry from various sources, all referencing the story of Layla and Majnun.Culture: Persian, IslamicMaterials/Techniques: gold, ink, opaque watercolor, paper
The figure is surrounded by text blocks containing 20 lines of Persian poetry from various sources, all referencing the story of Layla and Majnun.Culture: Persian, IslamicMaterials/Techniques: gold, ink, opaque watercolor, paper
Complete Qur'an of 267 folios; naskh script; illuminated sura-headings; painted lacquer binding with floral and arabesque designs.Culture: IslamicMaterials/Techniques: paper
Complete Qur'an of 267 folios; naskh script; illuminated sura-headings; painted lacquer binding with floral and arabesque designs.Culture: IslamicMaterials/Techniques: paper
Complete Qur'an of 267 folios; naskh script; illuminated sura-headings; painted lacquer binding with floral and arabesque designs.Culture: IslamicMaterials/Techniques: paper
Complete Qur'an of 267 folios; naskh script; illuminated sura-headings; painted lacquer binding with floral and arabesque designs.Culture: IslamicMaterials/Techniques: paper