Dimensions of original: 33 x 38 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Amenophis II, Dyn. XVIII, 1448-1420 B.C.Technical details: Painted on good plaster above a foundation of mud and straw. The yellow background prevails throughout the tomb. This background has been blackened by bats, as also the flesh-colour of the principal persons. Black squaring-lines have been drawn over the scene to aid in recopying elsewhere.Technique: Tempera on paper
Dimensions of original: 136X195 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Amenophis II, Dyn. XVIII, 1448-1420 B.C.Technical details: Painted on good plaster above a foundation of mud and straw. The yellow background prevails throughout the tomb. This background has been blackened by bats, as also the flesh-colour of the principal persons. Black squaring-lines have been drawn over the scene to aid in recopying elsewhere.Technique: Tempera on paper
Dimensions of original: 110 x 51 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tutankhamun, Dyn. XVIII, 1357-1349 B.C.Technical details: Painted rather coarsely over a thin wash of white upon a plaster of mud and straw.Technique: Tempera on paper
Genre/Subject Matter:This landscape view of the coastline along the Red Sea was sketched from on board ship. Horeb and Sinai here refer to the mountains – often considered one in the same: Mount Sinai – mentioned in the bible. The scene is rendered in watercolour.Inscriptions:Verso of previous folio, in ink: 'Red Sea, looking (6 a.m.) towards Horeb & Sinai ~ 6th Janr 1880’Recto, in pencil, upper right corner: ‘28’1 watercolour drawing on watercolour paper, bound into volumeDimensions:139 x 228 mmMaterials:Watercolour on watercolour paperCondition:Light surface dirt coats the recto and verso, with staining in particular along the fore-edge and small stains in sky area.
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows two sequential topographical views of the coastal region at the Ul Umrah [Jazīrah al Ḩamrā’, United Arab Emirates].The views were sketched from on board ship and show a landmark inscribed: ‘Ras Bohamed’ and the town of Ul Umrah with latitude reported. The upper view features several dhows.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 55 x 29 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows two sequential topographical views of the coastal region between Bookh [Bukhā, Oman] and ‘Shaum’ [Sha’am, Oman]The views were sketched from on board ship and show landmarks inscribed: ‘Jeddee’[Al Jādī, Oman], ‘White Patch’, ‘Shaum’ and ‘Mosque on a Mount’ with latitude reported. The bottom view also features a ship.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 80 x 340 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows two sequential topographical views of the coastal region between Raumps [Al Rams, United Arab Emirates] and Ras-al-Khyma [Ra's al-Khaymah, United Arab Emirates].The views were sketched from on board ship and show several dhows and ‘Raumps’ settlement with latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 80 x 341 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows three sequential topographical views of the coastal region at the Ras Moosendem [Ra’s Musandam, Oman].The views were sketched from on board ship and show landmarks inscribed: ‘Jezeerat Gunnum’ [Jezirat al Ghanam] and ‘Southern Entrance to Discovery Strait’ [Khor Quwai, Oman], also features several dhows and an anchored ship.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 80 x 350 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows three sequential topographical views of the coastal region at the Ras Moosendem [Ra’s Musandam, Oman]. The views were sketched from on board ship and show landmarks inscribed: ‘Ras Sheik Munsoud’ [Ras Shaikh Mas’ud, Oman], ‘Cape Jeddee’, ‘Jeddee Village' [Al Jādī, Oman], ‘Bookh’ [Bukhā, Oman] and ‘Shaum Pt.’ [Sha’am, Oman] with latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 60 x 338 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton showing the coastal topography of the Musseldom Island [Jazīrat Musandam, Oman] from the west.The view was sketched from on board ship and shows four rocky islands inscribed: ‘Great Quoin’, ‘Small Quoin’, ‘Lump I[slan]d’ and ‘Musseldom Island’ with latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 55 x 341 mm or smaller
Genre/Subject Matter:This landscape view at Suez shows a settlement located along a body of water that is either the canal or the Gulf of Suez. A large area of stony, hillocky ground takes up most of the foreground aside from a lone pole and post located in the lower right corner of the scene.The scene is rendered in watercolour.Inscriptions:Verso of previous folio, in ink: 'Suez, 7th January, 1880~’Recto, in pencil, upper right corner: ‘29’1 watercolour drawing on watercolour paper, bound into volumeDimensions:139 x 228 mmMaterials:Watercolour on watercolour paperCondition:Light surface dirt coats the recto and verso, with staining in particular along the fore-edge and verso.
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows a topographical view of the coastal region at the Sharga [Sharjah, United Arab Emirates].The view was sketched from on board ship and shows the town of Sharga with the location of ‘Tower at Sharga’ indicated and landmarks inscribed: ‘Fusht’ and ‘High Mound’; latitude reported. The view features several dhows.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 40 x 580 mm
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows two sequential topographical views of the coastal region at the Ras Moosendem [Ra’s Musandam, Oman]. The views were sketched from on board ship and show the northern entrance to Discovery Strait [Khor Quwai, Oman] featuring a sailing vessel.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 70 x 350 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The coastal view drawn by Lieutenant Michael Houghton from a sketch by Dr A. Mackell showing topography of the Jirnain Island [Qarnayn, United Arab Emirates]. The view was sketched from on board ship and shows the profile of Jirnain Island from the west. Along the horizon from the left to right of the image craggy peaks give way to flatter-topped range extending down and out to the sea. In the background on the left of the image a ship appears in the far distance.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 80 x 580 mm
Distinctive Features:Watercolour, pen and ink and pencil on paper.The coastal view drawn by Lieutenant Michael Houghton from a sketch by Dr A. Mackell showing topography of the Zircooa Island [Zirkūh, United Arab Emirates]. The view was sketched from on board ship and shows the profile of Zircooa Island from the east with latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 66 x 582 mm
Distinctive Features:Watercolour, pen and ink and pencil on paper.The coastal view drawn by Lieutenant Michael Houghton from a sketch by Dr A. Mackell showing topography of the Seer Beni Yass Island [Sir Bani Yas, United Arab Emirates].The view was sketched from on board ship and shows the profile of the Seer Beni Yass Island with the latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 60 x 590 mm
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton shows a topographical view of the coastal region at the Debay [Dubai, United Arab Emirates].The view was sketched from on board ship and shows the town of Debay with the location of ‘Fort’, ‘Village’ and Jibbul Alli’ indicated and latitude reported. The view features a ship and several dhows.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 45 x 586 mm
Genre/Subject Matter:This detailed maritime scene shows the experimental frigate Vernon at sea in the Persian Gulf in January 1834. In the background high, white cliffs are visible at left. A smaller boat, perhaps a dhow, flies a red flag at left. The frigate flies a Red Ensign as well as a red pennant.A small unfinished sketch on the verso appears to depict the stern of a sailing ship.Inscriptions:Verso:Upper left to centre, in pen: ‘His Majesty’s experimental frigate Vernon drawn at sea Jany. 10th 1834 in Persian Gulf’1 watercolour drawing on paperDimensions:176 x 252 mmMaterials:Watercolour and body colour on watercolour paperCondition:Thick surface dirt throughout, especially on verso. Large dark stain – perhaps ink – right and above centre; smaller areas of staining elsewhere.
Distinctive Features:Watercolour, pen and ink and pencil on paper.The view drawn by Lieutenant Michael Houghton from a sketch by Dr A. Mackell showing three sequential topographical views of the coastal region between ‘Jibbul Hadwareeah’ and ‘Zerboot’ [east of present-day Al Ruwais, United Arab Emirates].The views were sketched from on board ship and show the landmarks inscribed: ‘Jibbul Hadwareeah S 31° W. ½ miles dist[an]t’ and ‘Zerboot S 56° W. dist[an]t 14 ½ miles’.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 60 x 590 mm or smaller
Distinctive Features:Watercolour, pen and ink and pencil on paper.The topographical view of a coastal region near Aymaun [Ajman, United Arab Emirates] drawn by Lieutenant Michael Houghton. The view was sketched from on board ship and shows the settlement with location of ‘Sheiks House’ indicated. In the foreground a dhow sails from left to right across the scene.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 40 x 307 mm
Genre/Subject Matter:This landscape view of Aden was sketched from on board ship. While most of the scene is rendered in watercolour, the buildings along the shoreline and the white sails and hulls of the small craft at sail or anchored along the shore are picked out in bodycolour.A flag immediately right and below centre along the shoreline is likely intended to show the union jack flag.Inscriptions:Verso of previous folio, in ink: ‘Aden, 2d Janr 1880’Recto, in pencil, upper right corner: ‘27’1 watercolour drawing on watercolour paper, bound into volumeDimensions:139 x 228 mmMaterials:Watercolour and bodycolour on watercolour paperCondition:Light surface dirt coats the recto and verso, with staining in particular along the fore-edge.
Distinctive Features:Watercolour, pen and ink and pencil on paper.The sketch drawn by Lieutenant Michael Houghton showing the coastal topography of the Musseldom Island [Jazīrat Musandam, Oman] from the west. The view was sketched from on board ship and shows four rocky islands inscribed: ‘Great Quoin’, ‘Small Quoin’, ‘Lump I[slan]d’ and ‘Musseldom Island’ with latitude reported.1 watercolour viewMaterials: Pen and ink with wash on paperDimensions: 50 x 350 mm
Dimensions of original: 62 x 42 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Hatshepsut, Dyn. XVIII, 1497-1475 B.C.Technical details: Low-relief sculpture on limestone blocks patched with gypsum. The colour is applied over a thin priming, and the grey-blue background is typical of the period. Orange varnish is seen on the skirt, head-dress, and some hieroglyphs.Technique: Tempera on paper
Dimensions of original: Repr0duced t0 full scale.Dimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Early Middle Kingdom, probably Dyn. XI, about 2100- 2000 B.C.Technical details: Painted on the interior of a wooden coffin. The body-colour was applied very thinly and no background wash is visible. There was probably a priming to prevent the colours sinking into the wood.Technique: Tempera on paper
Dimensions of original: 76 x 39 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tuthmosis IV, Dyn. XVIII, 1420-1411 B.C.Technical details: Painted on fine plaster over a coarser layer containing straw. A wash of white, which formed the actual painting surface, has become cream-coloured through the action of smoke.Technique: Tempera on paper
Dimensions of original: 22 x 36 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tuthmosis IV, Dyn. XVIII, 1420-1411 B.C.Technical details: Painted with a white background on buff plaster superimposed upon mud mixed with straw. As ahnost all blacks have perished, more red outline is now visible than was intended.Technique: Tempera on paper
Dimensions of original: 69 x 29 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tuthmosis IV (?), Dyn. XVIII, 1420-1411 B.C.Technical details: Painted with a blue-grey background on white plaster over an underlay of mud and straw. The work\xadmanship is rather coarse, and the outlines lack the clean precision of the best work of the period.Technique: Tempera on paper
Dimensions of original: 21 x 41 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tuthmosis IV, Dyn. XVIII, 1420-1411 B.C.Technical details: Painted on white plaster over coarser buff, which in tum is above a layer of mud and straw.Technique: Tempera on paper
Dimensions of original: 81 x 44 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Tutankhamun, Dyn. XVIII, 1357-1349 B.C.Technical details: As under Plates LXXIX and LXXX. Part of the nose of the charioteer, as well as the head and shoulders of the groom, have been restored from an early tracing.Technique: Tempera on paper
Dimensions of original: 71 x 42 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Hatshepsut, Dyn. XVIII, 1497-1475 B.C.Technical details: Painted on a thin coating of fine plaster over good limestone. The blue-grey background is characteristic of this reign.Technique: Tempera on paper
Desen. Abidin Dino - Resim - Basım. Robert Kolej öğrenci piyesi için, Musahipzade Celal'in 'Fermanlı Deli Hazretleri' adlı piyesi için, program dergisi kapağı için.Türkçe
Le Monde Diplomatique tarafından 2000 yılında yayınlanmıştır. Yves Marignac’ın ""Les populations oubliées de Tchernobyl"" başlıklı yazısı için. Resim - Çernobil - AkLaKaRa. Resim.
Seated on a royal elephant, Akbar II (ruled 1806–37) presides over an imperial procession. He was one of the last Mughal emperors to rule India.For the latest information about this object, miniatures (paintings), visit art.thewalters.org.Dynasty: Inscriptions: Reign: Style:
Dimensions of original: 81 (at bottom) x 145 cmDimensions of print: 60 x 48 cmink on paper (photomechanical lithograph) with hand-applied color (pochoir)Style period: Reign of Ramesses II, Dyn. XIX, 1292-1225 B.C.Technical details: Painted on a thin coat of white over a layer of mud and straw. A fire has been lit in the tomb at some period, and this has blackened the water at the top, as well as the palm-leaves, and has changed the white of the garments into cream.Technique: Tempera on paper
Ghahvehkhaneh or "coffeehouse" painting genre.
Religious narrative painting depicting scenes from the Battle of Karbala which commemorates the martyrdom of Imam Husayn. This tragedy, which is at the core of Shi'ite belief, occurred on the tenth of the month of Muharram, A.H. 61 (October 10, A.D. 680) when Imam Husayn was killed by the Sunni caliph Yazid in the Karbala desert (70 miles from Kufa, Iraq). In the painting, the individual scenes from the battle and the life of Imam Husayn are presented from left to right, but without logical progression. The central figure of the painting is 'Abbas (Husayn's half brother and standard bearer), mounted on a white horse stabbing a member of Yazid's army. Depicted on the left are scenes from the battle showing the agonies of Husayn and his followers. On the right are scenes from Paradise including Husayn and his followers above corresponding scenes from the underworld populated by Yazid and his supporters. The expressive, charged scenes depicted in gory details with vibrant colors seek an emotional response from an audience at a ta‘zieh theatrical performance, where paintings such as this one served as pardeh (curtains or portable backdrop paintings) for a reenactment of the Karbala tragedy.
The name of the patron and city of production (Darvish 'Abbas Uvaysi, Isfahan) as well as the artist's name ('Abbas al-Musavi) are found in two important inscriptions in the painting.Inscribed: The name of the patron and city of production (Darvish 'Abbas Uvaysi, Isfahan) as well as the artist's name ('Abbas al-Musavi) are found in two important Persian inscriptions in the painting.Signed: In Persian: "Darvish Abbas Uvaysi, Isfahan"