Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 371Origin: As appears at close on p.108, transcription completed Jumādá II [?] 1174 [January-February? 1761].Former shelfmark: "425 [?] T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on 'title page' (p.1).Binding: Pasteboards covered in light brown leather ; Type II binding (with flap) ; board linings in marbled paper (in light and dark blue, light and dark pink, and dark green) ; upper and lower covers carry lozenge-shaped central ornament filled with gold-tooled vegetal composition, accompanied by tooled rosettes and gold-painted accents as well as guilloché roll border in gold ; design continues on envelope flap ; sewn in light red thread, two stations ; worked chevron endbands in spring green and pale pink [?], tailband damaged ; overall in fair condition with minor abrasion, staining, lifting of leather, detaching at spine (revealing spine lining in leather with primaries sewn through),etc.Support: non-European (likely Persian) laid paper with 9-10 laid lines per cm. (vertical or horizontal, fairly distinct) and no chain lines plainly visible, thin, crisp and transluscent though sturdy, well-burnished, some leaves tinted (brown, yellow, beige, pale pink) and or gold-flecked ; a few bifolia of European laid paper.Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening on p.2 consisting of scalloped w-shaped piece filled with swirling arabesques and floral motifs (in gold, red, blue, pink, white) around an empty gold cartouche, set in a well of gold bands flanking a band of red and a heavy band of interlace and surmounted by elaborate vertical stalks (tīgh) in red and blue ; incipit page silver-flecked ; written area throughout bordered in a heavy gold frame defined by black fillets and outermost red rule ; keywords and section headings rubricated ; illuminated tailpiece anchoring text at close on p.108 consisting of swirling floral vegetal composition in gold, pink and red with blue chī clouds and border.Script: Nastaʻlīq (talik) ; elegant Ottoman hand ; serifless, with slight effect of words descending to baseline, mainly closed counters, elongation of horizontal strokes.Layout: Written in 21 lines per page ; frame-ruled.Collation: i, 5 V(50), III (56), i ; almost exclusively quinions (with final ternion) ; final leaf left blank ; catchwords present ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.75-76).Colophon: "ح م سنه ١١٧٤ ج"Explicit: "جخى كلام بونكله انجامه ايروب رساله تمام اولدى حق سبحانه و تعالى جمله مزه حسن خاتمه ميسر ايدوب طريق برهان رضاى رحماندن آيرميه بمنه وكرمه ولطفه"Incipit: "الحمد لله الذي جعل العقل حجة في خلقه وايد الشرع به فيما يفرق بين الباطل وحقه ... وبعد اول آفرينشدن برو ميان ارباب وانشده عقل ايله نقل توامان ومعقول ومنقول فرسى رهان ايدكى ... اكه بناء نزاع اولنان مسئله لرده طريق برهانى بيان ايچون ... ورق تسويد اولنوب نامنه ميزان الحق فى اختيار الاحق دينلدى ..."Title from opening matter on pp.2-3.Ms. codex.Elegant copy of Kâtip Çelebi's final work (composed in 1067/1656), addressing controversial questions of doctrine or practice with proposed solutions, and closing with an autobiographical account of his life and works (khātimah / hatime, beginning on p.91).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 393Origin: As appears at close of final table on p.241, transcription of that section completed 1267 [1850 or 51]. Other sections continuing the tables likely date from around the same time, though later additions (by subsequent readers / owners) also appear (see final entry on p.129 dating to 1277 [1861]). Many sections including the opening matter, opening of the chronological and other tables, khātimah, etc. appear to date much earlier, likely the late 17th century given that the chronological matter for these sections ends around 1080 [1669 or 70] (see p.95).Former shelfmark: "518 T. De M. [i.e. Tammaro De Marinis]" inscribed in pencil on interior of upper cover.Binding: Pasteboards covered in dark red / maroon leather ; Type III binding (without flap), two-piece binding (seam of overlapping flanges visible at spine) ; board linings and flyleaves in orange surface-dyed European laid paper ; upper and lower covers carry stamped and gold-painted mandorla (filled with vegetal composition, compare Déroche class. OAi) with gold-painted accents and border ; sewn in yellow thread, four stations ; worked chevron endbands in yellow and purple, head and tail damaged (core nearly exposed) ; overall in fair condition with abrasion, staining, lifting of leather, lower cover detaching at split joint, etc.Support: European laid paper of several types ; main type with 8 laid lines per cm. (vertical), chain lines spaced 32-33 mm. apart (horizontal) and three crescents watermark (100 mm. long perpendicular to chains, see p.18, 60, etc.), thick, sturdy, cream in color, well-burnished ; later sections (pp.97-140, 147-208, 215-226, 238 to close) on other papers including one with 8-9 laid lines per cm. (horizontal), chain lines spaced 28-30 mm. apart (vertical) and watermarks of crescent with face in profile in shield and "A" below (see p.98, 100, etc.) and eagle with "GFA" below (see p.102, 114, etc.) also "A G" countermark (see p.150) and double-headed eagle (see p.244, 252, etc.) ; flyleaves and added leaves on still two other papers, one with 6-7 laid lines per cm. (horizontal), chain lines spaced 27-30 mm. apart (vertical), and crown-star-crescent watermark (71 mm. tall parallel to chains, see p.4, 8, etc.), sturdy and beige in color, the other with 11-12 laid lines per cm. (horizontal), chain lines spaced 16-33 mm. apart (vertical) and watermark of three circles with crown above, cross in top circle (see p.6, etc.).Decoration: Elegant illuminated headpiece at opening on p.18 consisting of rectangular piece with empty gold cartouche flanked by floral motifs in gold, pink, lavender, red, and white on grounds of gold and dark blue, surmounted by scalloped dome filled with swirling floral vegetal composition in gold, pink, lavender, red, white and yellow on grounds of dark blue and gold, itself surmounted by vertical stalks (tīgh) in blue, entire piece set in a well of lavender defined by "gold" bands ; written area surrounded by frame consisting of narrow bronze colored band defined by black fillets with outermost red rule, divisions within (for tables) in red rules, in final sections red rules only ; keywords and some headings rubricated, others in blue, green or orange ; textual dividers in the form of gold and red discs.Script: Nastaʻlīq (talik) ; at least two elegant hands (hand changes at p.96) ; serifless, with effect of words descending to baseline, closed counters, and elongated horizontal strokes ; headings in many of the tables in a large, elegant naskh.Layout: Written in 19-21 or 29 lines per page (opening matter, i.e. preface and introduction, and khātimah), with tables (جداول) divided to roughly 8-21 rows (in roughly 26-29 lines) and two columns ; frame-ruled.Collation: i, IV (8), 4 V(48), VI (60), V (70), 2 VI(94), V (104), VI (116), V (126), i ; mainly quinions with a few senions ; several leaves among the chronological tables ruled but left partially or entirely blank (see pp.138-140, pp.148-149, pp.157-166, etc. ); catchwords present ; foliation (begins with table on p.30) in red ink, Hindu-Arabic numerals ; pagination in pencil, Western numerals, supplied during digitization (includes flyleaves and added leaves at opening).Colophon: "Scribal," reads "تمت الكتاب بعون الملك الوهاب سنه ١٢۶۷"Incipit: "حمد وثنا وشكر بى انتها اول مبدأ اول جل وعلايه كه فهرست غرايب كاينات وفذلكۀ عجايب واقعات اولان اوراق پر اثمار توارخى ... وبعد چون فن جليل القدر تاريخده فضل وشرف مقرر ... در كتابه وضع تقويم كيفيتى تعليم ومنشأ تواريخى تفهيمده ..."Title from inscription on front flyleaf (p.1) and from closing matter (p.211).Ms. composite codex.Elegant composite copy of Kâtip Çelebi's collection of chronological tables (through 1059 [1649]) intended as an index to his Fadhlakat al-tawārīkh [فذلكة التواريخ , or Fezleke], with continuation. The chronological tables are preceded by an introduction, followed by tables of the various pre-Islamic (see p.141) and Islamic (see pp.142-147) dynasties, and tables for the Ottoman sultans (see pp.150-156), Şeyhülislam (pp.167-175), Grand Viziers (pp.180-193), etc. and closing matter (pp.209-211). Final entry in the chronological tables is for the year 1277 [1861] with the death of Sultan Abdülmecid I and ascension of Sultan Abdülaziz I (see p.129), though the tables are ruled and headed through the year 1321 [1903-4] (see p.137).
Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center Isl. Ms. 1051Origin: As appears in colophon at close on p.630, Tarih-i Fezleke copied by Muṣṭafá ibn Ḥasan, known as Miftāḥīzādah (Miftahizade Mustafa b. Hasan) with transcription completed in Dār al-Salṭanah al-Qusṭanṭanīyah (Istanbul) mid-Ṣafar 1117 [June 1705]. As appears in colophon at close on margins of p.313 (fol.١٤٩ a) , Tuhfetü'l-kibar also copied by Miftahizade Mustafa b. Hasan with transcription completed in Istanbul end of Dhū al-Qaʻdah 1117 [March 1706]. Transcript of Mizanü'l-hak ends abruptly and lacks colophon (see p.388), though hand suggests that it was also entered by Miftahizade Mustafa b. Hasan, likely just after the transcription of Tuhfetü'l-kibar.Binding: Pasteboards covered in dark brown leather ; Type II binding (once with flap, though now lost) ; board linings in mint green, gold- and silver-flecked paper, made endpapers / flyleaves in marbled paper (chiefly in red, green and blue) ; upper and lower covers carry stamped (recessed onlays), gold-painted mandorla (filled with vegetal composition, symmetrical but without chi clouds) and pendants, as well as tooled and gold-painted cornerpieces and chain borders (series of s-shaped stamps) ; edges of text block tinted yellow ; primaries sewn through textile spine lining, reversed leather glued on top, lapped upon lower cover ; sewn in dark rose thread, four stations ; worked chevron endbands in red and sage green ; overall in fair condition with flap lost, boards delaminating, lifting and losses of leather, minor pest damage, etc. ; subtle repairs at board edges (tail and head).Support: European laid paper with roughly 12 laid lines per cm. (horizontal), chain lines spaced 26 mm. apart (vertical), and watermark of three hats or caps (tre cappelli, see pp.16, 22, 32, 40, 622, etc.), cream in color, quite sturdy, extremely well-burnished to glossy ; some cockling, minor moisture damage toward close of codex ; added table of contents on another European paper of "raisin" type with roughly 12 laid lines per cm. (horizontal), chain lines spaced 22-24 mm. apart (vertical) and watermarks of names (see p.6, etc.) and grapes (raisin) with crown and name "A. GALLIARD [?]" above (see p.2, 8, etc.).Decoration: Elegant illuminated headpiece (ʻunwān / sarlawḥ) at opening of text (on p.14, following added table of contents), consisting of rectangular piece with gold cartouche carrying section heading in red "في سنة الف" flanked by swirling floral motifs on dark blue (reminiscent of lapis) and gold grounds, surmounted by a scalloped w-shaped piece with swirling floral vegetal motifs in shades of pink, light blue, orange, red and yellow on grounds of gold and dark blue, all set in a well of heavy gold interlace, narrow gold bands and bands of blue and red with white crosses and surmounted by vertical stalks (tīgh) in dark blue with red accents ; incipit and facing pages surrounded by heavy gold frame defined by narrower gold band, black fillets and outermost red fillet, elsewhere written area surrounded by narrower gold frame defined by black fillets ; headings and keywords rubricated ; some overlining of other keywords in red ; textual dividers in the form of red discs.Script: Nastaʻlīq (talik) ; elegant Ottoman hand in a medium line ; characteristically serifless with effect of words gently descending to baseline, some elongation of horizontal strokes, some sweeping descenders, pointing in strokes rather than distinct dots, final and free-standing nūn with an angled bowl, not exceptionally wide with point nearly assimilated.Layout: Written in 31 lines per page ; additional texts glossed in margins in varying number of lines on the diagonal on certain pages ; frame-ruled.Collation: i, III (6), 31 V (316), i ; exclusively quinions with ternion for added table of contents for entire codex ; final leaf left blank ; catchwords present ; foliation in black ink, Hindu-Arabic numerals ; foliation in red ink, Hindu-Arabic numerals, distinct for each of the two texts glossed on the margins ; pagination in pencil, Western numerals, supplied during cataloguing.Colophon: [Tarih-i Fezleke] "Scribal," triangular, reads "تم هذا الكتاب المستطاب بعون الله الملك القديم الوهاب على يد اضعف العباد مصطفى بن حسن الشهير بمفتاحى زاده فى بلدۀ دار السلطنة القسطنطنية فى اواسط شهر صفر الخير لسنه سبع عشره ومايه والف م" ; [Tuhfetü'l-kibar] "Scribal," reads "تم هذا الكتاب بعون الله الملك القديم الوهاب على يد اضعف العباد مصطفى بن حسن الشهير بمفتاحى زاده فى بلدۀ دار السلطنة القسطنطنية فى اواخر شهر ذالقعدۀ شريفه لسنه سبع عشره ومايه والف"Explicit: [Tarih-i Fezleke] "مقدما حسن اغايه حيله ايدن حلواجى محمد قونيه ده قتل واخذ اولمغين" ; [Tuhfetü'l-kibar] "برر برر اجرا ايلمك اسبابه بولندن مباشرتك شرطى در الله تعالى ميسر ايليه امين" ; [Mizanü'l-hak] "وبو كه كشف الظنون عن اسامى الكتب والفنون نامى قونلوب سابقا مسوده سن"Incipit: [Tarih-i Fezleke] "سنۀ مزبوره محرمنك غره سى كه يوم السبت در هجرت نبويه نك اوجيوز اللى درت بيك درتيوز طقسان طقوزنجى كونى اولوب ..." ; [Tuhfetü'l-kibar] "ابتداء تاريخ تحفة الكبار سرنامۀ داتسان جهان ستان حمد وسپاس خداوند زمين وزمان اولمق ...وبعد چون تاريخ هجرة نبويه بيك اللى بش ساله ايروب كلام معجز اثار نبويه ما صدقى اولان فتوحاة اسلاميه دن كريد فتحى ظهور ايلدى ... اسمنه تحفة الكبار فى اسفار البحار ديدى ..." ; [Mizanü'l-hak] "الحمد لله الذي جعل العقل حجة في خلقه وايد الشرع به فيما يفرق بين الباطل وحقه ... وبعد اول آفرينش دن برو ميان ارباب دانشده عقل ايله نقل توامان ومعقول ومنقول فرسى رهان ايدوكى ... اكا بناء نزاع اولنان مسئله ده طريق برهانى بيان ايچون برايكى سطر تسويد اولنوب ميزان الحق فى اختيار الاحق دينلدى ..."Title supplied by cataloguer from edge title and inscription on 'title page' for added table of contents (p.1).Ms. codex.6. p.314-p.388 (margins) : Mizanü'l-hak fî ihtiyari'l-ahak / Kâtip Çelebi.5. p.65-p.313 (margins) : Tuhfetü'l-kibar fi esfari'l-bihar / Kâtip Çelebi.4. p.64 (margins) : Fihris-i Kitab-i Tuhfetü'l-kibar.3. p.62-p.63 (margins) : [four signed favorable blurbs (taqrīẓ)].2. p.13-p.630 : Tarih-i Fezleke / Kâtip Çelebi.1. p.1-p.12 : [table of contents].Elegant volume carrying three works by the renowned Ottoman scholar Kâtip Çelebi (d.1657), preceded by a table of contents for all three. In the main written area appears his Tarih-i Fezleke, a chronicle of Ottoman history addressing the years 1000 to 1065 (1591 to 1654-5). Two additional works are glossed with deliberate placement on the margins: first his Tuhfetü'l-kibar fi esfari'l-bihar, a history of Ottoman naval engagements through 1067 (1656) preceded by four signed favorable blurbs (taqrīẓ) and contents listing (fihris) and finally Mizanü'l-hak fî ihtiyari'l-ahak, his final work, addressing controversial questions of doctrine or practice with proposed solutions and concluding with an autobiographical account of his life and works (this copy incomplete).